Against All Odds (1984)

Against All Odds
Theatrical Performance
Domestic Box Office $25,100,000Details
OpusData ID: 130340100 More info...
Further financial details...

Metrics

Opening Weekend:$3,766,128 (15.0% of total gross)
Legs:6.66 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:976 opening theaters/979 max. theaters, 6.3 weeks average run per theater
Infl. Adj. Dom. BO $84,488,392

Movie Details

Domestic Releases: March 2nd, 1984 (Wide) by Sony Pictures
Video Release: December 14th, 1999 by Sony Pictures Home Entertainment
MPA Rating: R
Running Time: 121 minutes
Cast, crew, or production detail: Remake, Remake with Returning Cast Member
Plot point: Abusive boyfriend, Athletes Past Their Prime, Dysfunctional Family, Football, Fugitive / On the Run, Gambling, Government Corruption, Killing in Self Defence, Love Triangle, Relationships Gone Wrong, Romance
Social setting: Film Noir, Organized Crime
Subgenre: Erotic Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 2, 1984 2 $3,766,128   976 $3,859   $3,766,128 1
Mar 9, 1984 3 $3,371,182 -10% 979 $3,443   $8,305,137 2
Mar 16, 1984 6 $2,609,391 -23% 946 $2,758   $11,968,141 3
Mar 23, 1984 6 $2,218,270 -15% 861 $2,576   $15,151,023 4
Mar 30, 1984 6 $1,668,891 -25% 741 $2,252   $17,541,162 5
Apr 6, 1984 11 $995,283 -40% 539 $1,847   $18,948,506 6
Apr 13, 1984 14 $564,139 -43% 318 $1,774   $19,778,120 7
Apr 20, 1984 14 $692,555 +23% 359 $1,929   $20,688,285 8
Apr 27, 1984 14 $802,235 +16% 444 $1,807   $21,689,062 9

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 2, 1984 1 $4,933,955   976 $5,055   $4,933,955 1
Mar 9, 1984 3 $4,424,795 -10% 979 $4,520   $9,358,750 2
Mar 16, 1984 5 $3,574,003 -19% 946 $3,778   $12,932,753 3
Mar 23, 1984 6 $2,939,518 -18% 861 $3,414   $15,872,271 4
Mar 30, 1984 6 $2,080,952 -29% 741 $2,808   $17,953,223 5
Apr 6, 1984 11 $1,260,758 -39% 539 $2,339   $19,213,981 6
Apr 13, 1984 14 $781,749 -38% 318 $2,458   $19,995,730 7
Apr 20, 1984 15 $891,097 +14% 359 $2,482   $20,886,827 8

Leading

Jeff Bridges    Terry Brogan
Rachel Ward    Jessie Wyler

Supporting

James Woods    Jake Wise
Alex Karras    Hank Sully
Jane Greer    Mrs. Grace Wyler
Richard Widmark    Ben Caxton
Swoosie Kurtz    Edie
Pat Corley    Ed Phillips
Saul Rubinek    Steve Kirsch
Bill McKinney    Head Coach Stassen
Dorian Harewood    Tommy

Production and Technical Credits

Taylor Hackford    Director
Eric Hughes    Screenwriter
Daniel Mainwaring    Story Creator
Taylor Hackford    Producer
William S. Gilmore    Producer
Jerry Bick    Executive Producer
Donald E. Thorin    Cinematographer
Fredric Steinkamp    Editor
William Steinkamp    Editor
Michel Colomber    Composer
Larry Carlton    Composer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$3,766,128 (15.0% of total gross)
Legs:6.66 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:976 opening theaters/979 max. theaters, 6.3 weeks average run per theater
Infl. Adj. Dom. BO $84,488,392

Movie Details

Domestic Releases: March 2nd, 1984 (Wide) by Sony Pictures
Video Release: December 14th, 1999 by Sony Pictures Home Entertainment
MPA Rating: R
Running Time: 121 minutes
Cast, crew, or production detail: Remake, Remake with Returning Cast Member
Plot point: Abusive boyfriend, Athletes Past Their Prime, Dysfunctional Family, Football, Fugitive / On the Run, Gambling, Government Corruption, Killing in Self Defence, Love Triangle, Relationships Gone Wrong, Romance
Social setting: Film Noir, Organized Crime
Subgenre: Erotic Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 2, 1984 2 $3,766,128   976 $3,859   $3,766,128 1
Mar 9, 1984 3 $3,371,182 -10% 979 $3,443   $8,305,137 2
Mar 16, 1984 6 $2,609,391 -23% 946 $2,758   $11,968,141 3
Mar 23, 1984 6 $2,218,270 -15% 861 $2,576   $15,151,023 4
Mar 30, 1984 6 $1,668,891 -25% 741 $2,252   $17,541,162 5
Apr 6, 1984 11 $995,283 -40% 539 $1,847   $18,948,506 6
Apr 13, 1984 14 $564,139 -43% 318 $1,774   $19,778,120 7
Apr 20, 1984 14 $692,555 +23% 359 $1,929   $20,688,285 8
Apr 27, 1984 14 $802,235 +16% 444 $1,807   $21,689,062 9

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 2, 1984 1 $4,933,955   976 $5,055   $4,933,955 1
Mar 9, 1984 3 $4,424,795 -10% 979 $4,520   $9,358,750 2
Mar 16, 1984 5 $3,574,003 -19% 946 $3,778   $12,932,753 3
Mar 23, 1984 6 $2,939,518 -18% 861 $3,414   $15,872,271 4
Mar 30, 1984 6 $2,080,952 -29% 741 $2,808   $17,953,223 5
Apr 6, 1984 11 $1,260,758 -39% 539 $2,339   $19,213,981 6
Apr 13, 1984 14 $781,749 -38% 318 $2,458   $19,995,730 7
Apr 20, 1984 15 $891,097 +14% 359 $2,482   $20,886,827 8

Leading

Jeff Bridges    Terry Brogan
Rachel Ward    Jessie Wyler

Supporting

James Woods    Jake Wise
Alex Karras    Hank Sully
Jane Greer    Mrs. Grace Wyler
Richard Widmark    Ben Caxton
Swoosie Kurtz    Edie
Pat Corley    Ed Phillips
Saul Rubinek    Steve Kirsch
Bill McKinney    Head Coach Stassen
Dorian Harewood    Tommy

Production and Technical Credits

Taylor Hackford    Director
Eric Hughes    Screenwriter
Daniel Mainwaring    Story Creator
Taylor Hackford    Producer
William S. Gilmore    Producer
Jerry Bick    Executive Producer
Donald E. Thorin    Cinematographer
Fredric Steinkamp    Editor
William Steinkamp    Editor
Michel Colomber    Composer
Larry Carlton    Composer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.