Agent Cody Banks (2003)
| Theatrical Performance | ||
| Domestic Box Office | $47,545,060 | Details |
| International Box Office | $10,695,398 | Details |
| Worldwide Box Office | $58,240,458 | |
| OpusData ID: 11670100 More info... | ||
| Further financial details... | ||
Synopsis
To his family and friends, Cody Banks is a typical teen—he loves to skateboard, hates math, and feels like a complete idiot around girls. But Cody’s got a secret—he’s actually part of a secret teen CIA program. Cody’s living every boy's dream life—he can drive like a stuntman, has an incredible arsenal of cool gadgets, and his agency mentor, Ronica Miles, is totally hot. But Cody’s training is put to the test when he’s sent to pose as a prep school student and befriend fellow teen Natalie Connors in order to gain access to her father—a scientist unknowingly developing a fleet of deadly nanobots for the evil organization ERIS. From runaway cars and high-speed snowboard chases to a final mountaintop showdown, Cody has to use everything he’s learned to prove himself as an agent and stop ERIS from completing their mission—and, maybe, even get the girl.
Metrics
| Opening Weekend: | $14,064,317 (29.6% of total gross) |
| Legs: | 3.38 (domestic box office/biggest weekend) |
| Domestic Share: | 81.6% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 2.3 times production budget) |
| Theater counts: | 3,369 opening theaters/3,369 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $94,301,646 |
Movie Details
| Domestic Releases: | March 14th, 2003 (Wide) by MGM |
| International Releases: | July 25th, 2003 (Wide) (United Kingdom) |
| Video Release: | September 29th, 2003 by MGM Video |
| MPA Rating: | PG for action violence, mild language and some sensual content |
| Running Time: | 102 minutes |
| Franchise: | Agent Cody Banks |
| Plot point: | Bullies, Dysfunctional Family, Kid Spies, Mad Scientist, Rescue, Romance, Undercover |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures |
| Production Countries: | Canada, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2003 | 2 | $14,064,317 | 3,369 | $4,175 | $14,064,317 | 1 | |
| Mar 21, 2003 | 3 | $9,227,614 | -34% | 3,369 | $2,739 | $26,531,584 | 2 |
| Mar 28, 2003 | 7 | $6,419,524 | -30% | 2,786 | $2,304 | $35,166,724 | 3 |
| Apr 4, 2003 | 9 | $3,626,002 | -44% | 2,331 | $1,556 | $40,004,385 | 4 |
| Apr 11, 2003 | 11 | $1,688,886 | -53% | 2,007 | $841 | $42,546,899 | 5 |
| Apr 18, 2003 | 19 | $985,134 | -42% | 1,480 | $666 | $44,639,974 | 6 |
| Apr 25, 2003 | 21 | $779,089 | -21% | 1,422 | $548 | $46,259,075 | 7 |
| May 2, 2003 | 20 | $418,029 | -46% | 1,404 | $298 | $46,791,516 | 8 |
| May 9, 2003 | 20 | $392,876 | -6% | 1,224 | $321 | $47,285,499 | 9 |
| May 16, 2003 | 51 | $42,247 | -89% | 106 | $399 | $47,443,133 | 10 |
| May 23, 2003 | 43 | $66,473 | +57% | 134 | $496 | $47,545,060 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 14, 2003 | 3 | $4,185,681 | 3,369 | $1,242 | $4,185,681 | 1 | ||
| Mar 15, 2003 | 2 | $6,173,293 | +47% | 3,369 | $1,832 | $10,358,974 | 2 | |
| Mar 16, 2003 | 2 | $3,705,343 | -40% | 3,369 | $1,100 | $14,064,317 | 3 | |
| Mar 17, 2003 | 3 | $830,000 | -78% | 3,369 | $246 | $14,894,000 | 4 | |
| Mar 18, 2003 | 4 | $834,000 | n/c | 3,369 | $248 | $15,728,000 | 5 | |
| Mar 19, 2003 | 3 | $766,000 | -8% | 3,369 | $227 | $16,494,000 | 6 | |
| Mar 20, 2003 | 2 | $810,000 | +6% | 3,369 | $240 | $17,304,000 | 7 | |
| Mar 21, 2003 | 4 | $2,502,002 | +209% | -40% | 3,369 | $743 | $19,805,972 | 8 |
| Mar 22, 2003 | 3 | $4,139,268 | +65% | -33% | 3,369 | $1,229 | $23,945,240 | 9 |
| Mar 23, 2003 | 3 | $2,586,344 | -38% | -30% | 3,369 | $768 | $26,531,584 | 10 |
| Mar 24, 2003 | 5 | $508,000 | -80% | -39% | 3,369 | $151 | $27,040,000 | 11 |
| Mar 25, 2003 | 5 | $554,000 | +9% | -34% | 3,369 | $164 | $27,594,000 | 12 |
| Mar 26, 2003 | 5 | $540,000 | -3% | -30% | 3,369 | $160 | $28,134,000 | 13 |
| Mar 27, 2003 | 4 | $613,000 | +14% | -24% | 3,369 | $182 | $28,747,000 | 14 |
| Mar 28, 2003 | 7 | $1,549,150 | +153% | -38% | 2,786 | $556 | $30,296,350 | 15 |
| Mar 29, 2003 | 7 | $2,809,225 | +81% | -32% | 2,786 | $1,008 | $33,105,575 | 16 |
| Mar 30, 2003 | 5 | $2,061,149 | -27% | -20% | 2,786 | $740 | $35,166,724 | 17 |
| Mar 31, 2003 | 7 | $342,000 | -83% | -33% | 2,786 | $123 | $35,509,000 | 18 |
| Apr 1, 2003 | 8 | $303,000 | -11% | -45% | 2,786 | $109 | $35,812,000 | 19 |
| Apr 2, 2003 | 8 | $272,000 | -10% | -50% | 2,786 | $98 | $36,084,000 | 20 |
| Apr 3, 2003 | 7 | $295,000 | +8% | -52% | 2,786 | $106 | $36,378,383 | 21 |
| Apr 4, 2003 | 9 | $833,588 | +183% | -46% | 2,331 | $358 | $37,211,971 | 22 |
| Apr 5, 2003 | 9 | $1,702,002 | +104% | -39% | 2,331 | $730 | $38,913,973 | 23 |
| Apr 6, 2003 | 9 | $1,090,412 | -36% | -47% | 2,331 | $468 | $40,004,385 | 24 |
| Apr 7, 2003 | 10 | $202,000 | -81% | -41% | 2,331 | $87 | $40,206,000 | 25 |
| Apr 8, 2003 | 10 | $226,000 | +12% | -25% | 2,331 | $97 | $40,432,000 | 26 |
| Apr 9, 2003 | 10 | $215,000 | -5% | -21% | 2,331 | $92 | $40,647,000 | 27 |
| Apr 10, 2003 | 9 | $212,000 | -1% | -28% | 2,331 | $91 | $40,858,000 | 28 |
| Apr 14, 2003 | 10 | $220,000 | +9% | 2,007 | $110 | $42,767,000 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2003 | 2 | $17,303,970 | 3,369 | $5,136 | $17,303,970 | 1 | |
| Mar 21, 2003 | 3 | $11,443,230 | -34% | 3,369 | $3,397 | $28,747,200 | 2 |
| Mar 28, 2003 | 7 | $7,631,183 | -33% | 2,786 | $2,739 | $36,378,383 | 3 |
| Apr 4, 2003 | 9 | $4,479,630 | -41% | 2,331 | $1,922 | $40,858,013 | 4 |
| Apr 11, 2003 | 11 | $2,796,827 | -38% | 2,007 | $1,394 | $43,654,840 | 5 |
| Apr 18, 2003 | 17 | $1,825,146 | -35% | 1,480 | $1,233 | $45,479,986 | 6 |
| Apr 25, 2003 | 22 | $893,501 | -51% | 1,422 | $628 | $46,373,487 | 7 |
| May 2, 2003 | 21 | $519,136 | -42% | 1,404 | $370 | $46,892,623 | 8 |
| May 9, 2003 | 21 | $508,263 | -2% | 1,224 | $415 | $47,400,886 | 9 |
| May 16, 2003 | 46 | $77,701 | -85% | 106 | $733 | $47,478,587 | 10 |
| May 23, 2003 | 49 | $66,473 | -14% | 134 | $496 | $47,545,060 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/25/2003 | $0 | 0 | 361 | 658 | $2,242,083 | 6/23/2020 | |||
| Rest of World | $8,453,315 | |||||||||
| International Total | $10,695,398 | 6/23/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Frankie Muniz | Cody Banks | |
| Hilary Duff | Lynne | |
| Angie Harmon | Ronica Miles |
Supporting
| Keith David | CIA Director | |
| Cynthia Stevenson | Mrs. Banks | |
| Arnold Vosloo | Molay | |
| Ian McShane | Brinlman | |
| Daniel Roebuck | Mr. Banks | |
| Darrell Hammond | Earl | |
| Martin Donovan | Dr. Connors | |
| Marc Shelton | Surveillance Van Agent | |
| Chris Gauthier | Surveillance Van Agent | |
| Harry Van Gorkum | Double Agent | |
| Connor Widdows | Alex Banks | |
| Eliza Norbury | Mom | |
| Justin Kalvari | Baby | |
| Saul Kalvari | Baby | |
| Andy Thompson | CIA Assistant | |
| Andrew Johnston | Paranoid Agent | |
| Benjamin Ratner | McAllister | |
| Stephen E. Miller | Army Colonel | |
| Miriam Smith | Cynical Agent | |
| Alexandra Purvis | Amy | |
| Chad Krowchuk | Jefferson Buddy | |
| Jeffrey Ballard | Jefferson Buddy | |
| Shayn Solberg | Jefferson Buddy | |
| Anthony Quao | Jefferson Buddy | |
| Dee Jay Jackson | Helicopter Agent | |
| Peter New | Rosychuk | |
| Jared Van Snellenberg | Earl's Intern | |
| Natalie Sellers | Young Girl | |
| Noel Fisher | Fenster | |
| Andrew Francis | Fenster Drooge | |
| Branden Nadon | Fenster Droog | |
| Jessica Harmon | Natalie's Friend | |
| Hayley Bouey | Natalie's Friend | |
| Chang Tseng | Mr. Yip | |
| Michael Cromien | Bug Man | |
| Dan Zukovic | Disgruntled Agent | |
| Fiona Hogan | Inept Agent | |
| Eric Keenleyside | Kitchen Cleaning Agent | |
| Scott Swanson | Bedroom Agent | |
| Terence Kelly | Dog Walker | |
| Gary Peterman | Gardener | |
| Dennis Caughlan | Farting Agent | |
| Xantha Radley | Animal Behavior Scientist | |
| Prevail | Rapper | |
| Alex Diakun | Intelligence Agent | |
| Lisa Calder | Relationship Agent | |
| Alan C. Peterson | Dark Agent | |
| Moneca Delain | Hologram Babe | |
| Sonja Bakker | School Nurse | |
| Ty Olsson | Security Guard | |
| Forbes Angus | Croupier | |
| Lorena Gale | Waitress | |
| Tyler Boissonnault | Kid | |
| Anabel Kershaw | Parent | |
| Gail Worobets | Mrs. Connors |
Production and Technical Credits
| Harald Zwart | Director | |
| Ashley Edward Miller | Screenwriter | |
| Zack Stentz | Screenwriter | |
| Scott Alexander | Screenwriter | |
| Larry Karaszewski | Screenwriter | |
| Jeffrey Jurgensen | Story Creator | |
| Dylan Sellers | Producer | |
| David C. Glasser* | Producer | |
| Andreas Klein | Producer | |
| Guy Oseary | Producer | |
| David Nicksay | Producer | |
| Denis Crossan | Director of Photography | |
| Rusty Smith | Production Designer | |
| Jim Miller | Editor | |
| Suzanne McCabe | Costume Designer | |
| Julianne Jordan | Music Supervisor | |
| John Powell | Composer | |
| Madonna | Executive Producer | |
| Jason Alexander | Executive Producer | |
| Jennifer Birchfield-Eick | Executive Producer | |
| Kerry David | Executive Producer | |
| Danny Gold | Executive Producer | |
| Michael Jackman | Executive Producer | |
| Mark Morgan | Executive Producer | |
| Bob Yari | Executive Producer | |
| Robert Meyer Burnett | Co-Producer | |
| Veslemoy Ruud Zwart | Associate Producer | |
| Tom Gulbrandsen | Associate Producer | |
| Jim Brebner | Assistant Director | |
| Terry J. Leonard | Second Unit Director | |
| Scott Ateah | Second Unit Director | |
| George Chapman | Unit Production Manager | |
| David Nicksay | Unit Production Manager | |
| Bryan Yaconelli | Production Supervisor | |
| Kelvin Humenny | Art Director | |
| Lesley Beale | Set Decorator | |
| Karl Herrmann | Second Unit Photography | |
| Suzanne Armstrong | Costume Supervisor | |
| Larry Sutton | Production Sound Mixer | |
| Matthew Iadarola | Re-recording Mixer | |
| Gary Gegan | Re-recording Mixer | |
| Richard L. Anderson | Supervising Sound Editor | |
| Michael Chock | Supervising Sound Editor | |
| Jeff Kushner | Sound Editor | |
| Marvin Walowitz | Sound Editor | |
| Robert Getty | Sound Editor | |
| Avram D. Gold | Sound Editor | |
| Jussi Tegelman | Sound Editor | |
| Thomas Jones | Dialogue Editor | |
| Bunny Andrews | Music Editor | |
| Shannon Erbe | Music Editor | |
| Rosalina Da Silva | Key Makeup | |
| Donna Bis | Key Hairstylist | |
| James McKee Smith | Additional Music | |
| John Papsidera | Casting Director | |
| Coreen Mayrs | Casting (Canada) | |
| Heike Brandstatter | Casting (Canada) | |
| Scott Ateah | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
To his family and friends, Cody Banks is a typical teen—he loves to skateboard, hates math, and feels like a complete idiot around girls. But Cody’s got a secret—he’s actually part of a secret teen CIA program. Cody’s living every boy's dream life—he can drive like a stuntman, has an incredible arsenal of cool gadgets, and his agency mentor, Ronica Miles, is totally hot. But Cody’s training is put to the test when he’s sent to pose as a prep school student and befriend fellow teen Natalie Connors in order to gain access to her father—a scientist unknowingly developing a fleet of deadly nanobots for the evil organization ERIS. From runaway cars and high-speed snowboard chases to a final mountaintop showdown, Cody has to use everything he’s learned to prove himself as an agent and stop ERIS from completing their mission—and, maybe, even get the girl.
Metrics
| Opening Weekend: | $14,064,317 (29.6% of total gross) |
| Legs: | 3.38 (domestic box office/biggest weekend) |
| Domestic Share: | 81.6% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 2.3 times production budget) |
| Theater counts: | 3,369 opening theaters/3,369 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $94,301,646 |
Movie Details
| Domestic Releases: | March 14th, 2003 (Wide) by MGM |
| International Releases: | July 25th, 2003 (Wide) (United Kingdom) |
| Video Release: | September 29th, 2003 by MGM Video |
| MPA Rating: | PG for action violence, mild language and some sensual content |
| Running Time: | 102 minutes |
| Franchise: | Agent Cody Banks |
| Plot point: | Bullies, Dysfunctional Family, Kid Spies, Mad Scientist, Rescue, Romance, Undercover |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures |
| Production Countries: | Canada, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2003 | 2 | $14,064,317 | 3,369 | $4,175 | $14,064,317 | 1 | |
| Mar 21, 2003 | 3 | $9,227,614 | -34% | 3,369 | $2,739 | $26,531,584 | 2 |
| Mar 28, 2003 | 7 | $6,419,524 | -30% | 2,786 | $2,304 | $35,166,724 | 3 |
| Apr 4, 2003 | 9 | $3,626,002 | -44% | 2,331 | $1,556 | $40,004,385 | 4 |
| Apr 11, 2003 | 11 | $1,688,886 | -53% | 2,007 | $841 | $42,546,899 | 5 |
| Apr 18, 2003 | 19 | $985,134 | -42% | 1,480 | $666 | $44,639,974 | 6 |
| Apr 25, 2003 | 21 | $779,089 | -21% | 1,422 | $548 | $46,259,075 | 7 |
| May 2, 2003 | 20 | $418,029 | -46% | 1,404 | $298 | $46,791,516 | 8 |
| May 9, 2003 | 20 | $392,876 | -6% | 1,224 | $321 | $47,285,499 | 9 |
| May 16, 2003 | 51 | $42,247 | -89% | 106 | $399 | $47,443,133 | 10 |
| May 23, 2003 | 43 | $66,473 | +57% | 134 | $496 | $47,545,060 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 14, 2003 | 3 | $4,185,681 | 3,369 | $1,242 | $4,185,681 | 1 | ||
| Mar 15, 2003 | 2 | $6,173,293 | +47% | 3,369 | $1,832 | $10,358,974 | 2 | |
| Mar 16, 2003 | 2 | $3,705,343 | -40% | 3,369 | $1,100 | $14,064,317 | 3 | |
| Mar 17, 2003 | 3 | $830,000 | -78% | 3,369 | $246 | $14,894,000 | 4 | |
| Mar 18, 2003 | 4 | $834,000 | n/c | 3,369 | $248 | $15,728,000 | 5 | |
| Mar 19, 2003 | 3 | $766,000 | -8% | 3,369 | $227 | $16,494,000 | 6 | |
| Mar 20, 2003 | 2 | $810,000 | +6% | 3,369 | $240 | $17,304,000 | 7 | |
| Mar 21, 2003 | 4 | $2,502,002 | +209% | -40% | 3,369 | $743 | $19,805,972 | 8 |
| Mar 22, 2003 | 3 | $4,139,268 | +65% | -33% | 3,369 | $1,229 | $23,945,240 | 9 |
| Mar 23, 2003 | 3 | $2,586,344 | -38% | -30% | 3,369 | $768 | $26,531,584 | 10 |
| Mar 24, 2003 | 5 | $508,000 | -80% | -39% | 3,369 | $151 | $27,040,000 | 11 |
| Mar 25, 2003 | 5 | $554,000 | +9% | -34% | 3,369 | $164 | $27,594,000 | 12 |
| Mar 26, 2003 | 5 | $540,000 | -3% | -30% | 3,369 | $160 | $28,134,000 | 13 |
| Mar 27, 2003 | 4 | $613,000 | +14% | -24% | 3,369 | $182 | $28,747,000 | 14 |
| Mar 28, 2003 | 7 | $1,549,150 | +153% | -38% | 2,786 | $556 | $30,296,350 | 15 |
| Mar 29, 2003 | 7 | $2,809,225 | +81% | -32% | 2,786 | $1,008 | $33,105,575 | 16 |
| Mar 30, 2003 | 5 | $2,061,149 | -27% | -20% | 2,786 | $740 | $35,166,724 | 17 |
| Mar 31, 2003 | 7 | $342,000 | -83% | -33% | 2,786 | $123 | $35,509,000 | 18 |
| Apr 1, 2003 | 8 | $303,000 | -11% | -45% | 2,786 | $109 | $35,812,000 | 19 |
| Apr 2, 2003 | 8 | $272,000 | -10% | -50% | 2,786 | $98 | $36,084,000 | 20 |
| Apr 3, 2003 | 7 | $295,000 | +8% | -52% | 2,786 | $106 | $36,378,383 | 21 |
| Apr 4, 2003 | 9 | $833,588 | +183% | -46% | 2,331 | $358 | $37,211,971 | 22 |
| Apr 5, 2003 | 9 | $1,702,002 | +104% | -39% | 2,331 | $730 | $38,913,973 | 23 |
| Apr 6, 2003 | 9 | $1,090,412 | -36% | -47% | 2,331 | $468 | $40,004,385 | 24 |
| Apr 7, 2003 | 10 | $202,000 | -81% | -41% | 2,331 | $87 | $40,206,000 | 25 |
| Apr 8, 2003 | 10 | $226,000 | +12% | -25% | 2,331 | $97 | $40,432,000 | 26 |
| Apr 9, 2003 | 10 | $215,000 | -5% | -21% | 2,331 | $92 | $40,647,000 | 27 |
| Apr 10, 2003 | 9 | $212,000 | -1% | -28% | 2,331 | $91 | $40,858,000 | 28 |
| Apr 14, 2003 | 10 | $220,000 | +9% | 2,007 | $110 | $42,767,000 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 14, 2003 | 2 | $17,303,970 | 3,369 | $5,136 | $17,303,970 | 1 | |
| Mar 21, 2003 | 3 | $11,443,230 | -34% | 3,369 | $3,397 | $28,747,200 | 2 |
| Mar 28, 2003 | 7 | $7,631,183 | -33% | 2,786 | $2,739 | $36,378,383 | 3 |
| Apr 4, 2003 | 9 | $4,479,630 | -41% | 2,331 | $1,922 | $40,858,013 | 4 |
| Apr 11, 2003 | 11 | $2,796,827 | -38% | 2,007 | $1,394 | $43,654,840 | 5 |
| Apr 18, 2003 | 17 | $1,825,146 | -35% | 1,480 | $1,233 | $45,479,986 | 6 |
| Apr 25, 2003 | 22 | $893,501 | -51% | 1,422 | $628 | $46,373,487 | 7 |
| May 2, 2003 | 21 | $519,136 | -42% | 1,404 | $370 | $46,892,623 | 8 |
| May 9, 2003 | 21 | $508,263 | -2% | 1,224 | $415 | $47,400,886 | 9 |
| May 16, 2003 | 46 | $77,701 | -85% | 106 | $733 | $47,478,587 | 10 |
| May 23, 2003 | 49 | $66,473 | -14% | 134 | $496 | $47,545,060 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/25/2003 | $0 | 0 | 361 | 658 | $2,242,083 | 6/23/2020 | |||
| Rest of World | $8,453,315 | |||||||||
| International Total | $10,695,398 | 6/23/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Frankie Muniz | Cody Banks | |
| Hilary Duff | Lynne | |
| Angie Harmon | Ronica Miles |
Supporting
| Keith David | CIA Director | |
| Cynthia Stevenson | Mrs. Banks | |
| Arnold Vosloo | Molay | |
| Ian McShane | Brinlman | |
| Daniel Roebuck | Mr. Banks | |
| Darrell Hammond | Earl | |
| Martin Donovan | Dr. Connors | |
| Marc Shelton | Surveillance Van Agent | |
| Chris Gauthier | Surveillance Van Agent | |
| Harry Van Gorkum | Double Agent | |
| Connor Widdows | Alex Banks | |
| Eliza Norbury | Mom | |
| Justin Kalvari | Baby | |
| Saul Kalvari | Baby | |
| Andy Thompson | CIA Assistant | |
| Andrew Johnston | Paranoid Agent | |
| Benjamin Ratner | McAllister | |
| Stephen E. Miller | Army Colonel | |
| Miriam Smith | Cynical Agent | |
| Alexandra Purvis | Amy | |
| Chad Krowchuk | Jefferson Buddy | |
| Jeffrey Ballard | Jefferson Buddy | |
| Shayn Solberg | Jefferson Buddy | |
| Anthony Quao | Jefferson Buddy | |
| Dee Jay Jackson | Helicopter Agent | |
| Peter New | Rosychuk | |
| Jared Van Snellenberg | Earl's Intern | |
| Natalie Sellers | Young Girl | |
| Noel Fisher | Fenster | |
| Andrew Francis | Fenster Drooge | |
| Branden Nadon | Fenster Droog | |
| Jessica Harmon | Natalie's Friend | |
| Hayley Bouey | Natalie's Friend | |
| Chang Tseng | Mr. Yip | |
| Michael Cromien | Bug Man | |
| Dan Zukovic | Disgruntled Agent | |
| Fiona Hogan | Inept Agent | |
| Eric Keenleyside | Kitchen Cleaning Agent | |
| Scott Swanson | Bedroom Agent | |
| Terence Kelly | Dog Walker | |
| Gary Peterman | Gardener | |
| Dennis Caughlan | Farting Agent | |
| Xantha Radley | Animal Behavior Scientist | |
| Prevail | Rapper | |
| Alex Diakun | Intelligence Agent | |
| Lisa Calder | Relationship Agent | |
| Alan C. Peterson | Dark Agent | |
| Moneca Delain | Hologram Babe | |
| Sonja Bakker | School Nurse | |
| Ty Olsson | Security Guard | |
| Forbes Angus | Croupier | |
| Lorena Gale | Waitress | |
| Tyler Boissonnault | Kid | |
| Anabel Kershaw | Parent | |
| Gail Worobets | Mrs. Connors |
Production and Technical Credits
| Harald Zwart | Director | |
| Ashley Edward Miller | Screenwriter | |
| Zack Stentz | Screenwriter | |
| Scott Alexander | Screenwriter | |
| Larry Karaszewski | Screenwriter | |
| Jeffrey Jurgensen | Story Creator | |
| Dylan Sellers | Producer | |
| David C. Glasser* | Producer | |
| Andreas Klein | Producer | |
| Guy Oseary | Producer | |
| David Nicksay | Producer | |
| Denis Crossan | Director of Photography | |
| Rusty Smith | Production Designer | |
| Jim Miller | Editor | |
| Suzanne McCabe | Costume Designer | |
| Julianne Jordan | Music Supervisor | |
| John Powell | Composer | |
| Madonna | Executive Producer | |
| Jason Alexander | Executive Producer | |
| Jennifer Birchfield-Eick | Executive Producer | |
| Kerry David | Executive Producer | |
| Danny Gold | Executive Producer | |
| Michael Jackman | Executive Producer | |
| Mark Morgan | Executive Producer | |
| Bob Yari | Executive Producer | |
| Robert Meyer Burnett | Co-Producer | |
| Veslemoy Ruud Zwart | Associate Producer | |
| Tom Gulbrandsen | Associate Producer | |
| Jim Brebner | Assistant Director | |
| Terry J. Leonard | Second Unit Director | |
| Scott Ateah | Second Unit Director | |
| George Chapman | Unit Production Manager | |
| David Nicksay | Unit Production Manager | |
| Bryan Yaconelli | Production Supervisor | |
| Kelvin Humenny | Art Director | |
| Lesley Beale | Set Decorator | |
| Karl Herrmann | Second Unit Photography | |
| Suzanne Armstrong | Costume Supervisor | |
| Larry Sutton | Production Sound Mixer | |
| Matthew Iadarola | Re-recording Mixer | |
| Gary Gegan | Re-recording Mixer | |
| Richard L. Anderson | Supervising Sound Editor | |
| Michael Chock | Supervising Sound Editor | |
| Jeff Kushner | Sound Editor | |
| Marvin Walowitz | Sound Editor | |
| Robert Getty | Sound Editor | |
| Avram D. Gold | Sound Editor | |
| Jussi Tegelman | Sound Editor | |
| Thomas Jones | Dialogue Editor | |
| Bunny Andrews | Music Editor | |
| Shannon Erbe | Music Editor | |
| Rosalina Da Silva | Key Makeup | |
| Donna Bis | Key Hairstylist | |
| James McKee Smith | Additional Music | |
| John Papsidera | Casting Director | |
| Coreen Mayrs | Casting (Canada) | |
| Heike Brandstatter | Casting (Canada) | |
| Scott Ateah | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.