The Agony and the Ecstasy (1965)
| Theatrical Performance | ||
| Domestic Box Office | $8,000,000 | Details |
| OpusData ID: 130840100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | October 7th, 1965 (Wide) by 20th Century Fox |
| Video Release: | February 22nd, 2005 by Fox Home Entertainment |
| MPA Rating: | Not Rated Approved |
| Running Time: | 138 minutes |
| Plot point: | Artists, Biography, Christians, Religious |
| Subgenre: | Biographical Drama |
| Time period setting: | 1500s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States, Italy |
| Languages: | English, Latin |
| Charlton Heston | Michelangelo | |
| Rex Harrison | Pope Julius II | |
| Adolfo Celi | Giovanni de Medici |
Production and Technical Credits
| Sir Carol Reed | Director | |
| Philip Dunne | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | October 7th, 1965 (Wide) by 20th Century Fox |
| Video Release: | February 22nd, 2005 by Fox Home Entertainment |
| MPA Rating: | Not Rated Approved |
| Running Time: | 138 minutes |
| Plot point: | Artists, Biography, Christians, Religious |
| Subgenre: | Biographical Drama |
| Time period setting: | 1500s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States, Italy |
| Languages: | English, Latin |
| Charlton Heston | Michelangelo | |
| Rex Harrison | Pope Julius II | |
| Adolfo Celi | Giovanni de Medici |
Production and Technical Credits
| Sir Carol Reed | Director | |
| Philip Dunne | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.