Aikoku Joshi: Kurenai Michi (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $19,100 | Details |
| Further financial details... | ||
Synopsis
Shizuka is a college student with a strong sense of justice and a patriotic spirit. She is looking for a job, but she is secretly wishing to take over the dojo owned by her father, Shingen. One day, Shizuka is scouted by an entertainment agency, but in fact, it was a non-profit organization which was run by a group called the “Japan Salvation Conference (JSC).” The head of JSC, Satoshi tells her about the divine revelation that Japan may face its extinction in the 21st century. Shizuka joins the JSC and after undergoing rigorous spiritual training under the guidance of Satoshi, Shizuka decides to go on a special mission to save Japan from its crisis. Shizuka and her pals leave their astral bodies and head for the spirit world to defeat the Great Demon of Hades, a demon with an aim to destroy Japan. Will they be able to save Japan?
Metrics
| Opening Weekend: | $7,781 (40.7% of total gross) |
| Legs: | 2.45 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,695 |
Movie Details
| Domestic Releases: | March 11th, 2022 (Limited) by Freestyle Releasing, released as The Cherry Bushido |
| MPA Rating: | PG-13 for some violence. (Rating bulletin 2721 (cert #53664), 3/2/2022) |
| Running Time: | 125 minutes |
| Geographical setting: | Japan |
| Social setting: | Secret Societies |
| Subgenre: | Heroic Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2022 | - | $7,781 | 6 | $1,297 | $7,781 | 1 | |
| Mar 18, 2022 | - | $3,060 | -61% | 6 | $510 | $14,182 | 2 |
| Mar 25, 2022 | - | $2,517 | -18% | 4 | $629 | $18,431 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 11, 2022 | - | $2,302 | 6 | $384 | $2,302 | 1 | ||
| Mar 12, 2022 | - | $2,515 | +9% | 6 | $419 | $4,817 | 2 | |
| Mar 13, 2022 | - | $2,964 | +18% | 6 | $494 | $7,781 | 3 | |
| Mar 14, 2022 | - | $844 | -72% | 6 | $141 | $8,625 | 4 | |
| Mar 15, 2022 | - | $747 | -11% | 6 | $125 | $9,372 | 5 | |
| Mar 16, 2022 | - | $1,297 | +74% | 6 | $216 | $10,669 | 6 | |
| Mar 17, 2022 | - | $453 | -65% | 6 | $76 | $11,122 | 7 | |
| Mar 18, 2022 | - | $715 | +58% | -69% | 6 | $119 | $11,837 | 8 |
| Mar 19, 2022 | - | $937 | +31% | -63% | 6 | $156 | $12,774 | 9 |
| Mar 20, 2022 | - | $1,408 | +50% | -52% | 6 | $235 | $14,182 | 10 |
| Mar 21, 2022 | - | $114 | -92% | -86% | 6 | $19 | $14,296 | 11 |
| Mar 22, 2022 | - | $246 | +116% | -67% | 6 | $41 | $14,542 | 12 |
| Mar 23, 2022 | - | $407 | +65% | -69% | 6 | $68 | $14,949 | 13 |
| Mar 24, 2022 | - | $120 | -71% | -74% | 6 | $20 | $15,069 | 14 |
| Mar 25, 2022 | - | $658 | +448% | -8% | 4 | $165 | $15,727 | 15 |
| Mar 26, 2022 | - | $685 | +4% | -27% | 6 | $114 | $16,412 | 16 |
| Mar 27, 2022 | - | $1,174 | +71% | -17% | 4 | $294 | $18,431 | 17 |
| Mar 28, 2022 | - | $227 | -81% | +99% | 4 | $57 | $18,658 | 18 |
| Mar 29, 2022 | - | $103 | -55% | -58% | 4 | $26 | $18,761 | 19 |
| Mar 30, 2022 | - | $119 | +16% | -71% | 4 | $30 | $18,880 | 20 |
| Mar 31, 2022 | - | $220 | +85% | +83% | 4 | $55 | $19,100 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2022 | - | $11,122 | 6 | $1,854 | $11,122 | 1 | |
| Mar 18, 2022 | - | $3,947 | -65% | 6 | $658 | $15,069 | 2 |
| Mar 25, 2022 | - | $4,031 | +2% | 4 | $1,008 | $19,100 | 3 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Shizuka is a college student with a strong sense of justice and a patriotic spirit. She is looking for a job, but she is secretly wishing to take over the dojo owned by her father, Shingen. One day, Shizuka is scouted by an entertainment agency, but in fact, it was a non-profit organization which was run by a group called the “Japan Salvation Conference (JSC).” The head of JSC, Satoshi tells her about the divine revelation that Japan may face its extinction in the 21st century. Shizuka joins the JSC and after undergoing rigorous spiritual training under the guidance of Satoshi, Shizuka decides to go on a special mission to save Japan from its crisis. Shizuka and her pals leave their astral bodies and head for the spirit world to defeat the Great Demon of Hades, a demon with an aim to destroy Japan. Will they be able to save Japan?
Metrics
| Opening Weekend: | $7,781 (40.7% of total gross) |
| Legs: | 2.45 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,695 |
Movie Details
| Domestic Releases: | March 11th, 2022 (Limited) by Freestyle Releasing, released as The Cherry Bushido |
| MPA Rating: | PG-13 for some violence. (Rating bulletin 2721 (cert #53664), 3/2/2022) |
| Running Time: | 125 minutes |
| Geographical setting: | Japan |
| Social setting: | Secret Societies |
| Subgenre: | Heroic Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2022 | - | $7,781 | 6 | $1,297 | $7,781 | 1 | |
| Mar 18, 2022 | - | $3,060 | -61% | 6 | $510 | $14,182 | 2 |
| Mar 25, 2022 | - | $2,517 | -18% | 4 | $629 | $18,431 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 11, 2022 | - | $2,302 | 6 | $384 | $2,302 | 1 | ||
| Mar 12, 2022 | - | $2,515 | +9% | 6 | $419 | $4,817 | 2 | |
| Mar 13, 2022 | - | $2,964 | +18% | 6 | $494 | $7,781 | 3 | |
| Mar 14, 2022 | - | $844 | -72% | 6 | $141 | $8,625 | 4 | |
| Mar 15, 2022 | - | $747 | -11% | 6 | $125 | $9,372 | 5 | |
| Mar 16, 2022 | - | $1,297 | +74% | 6 | $216 | $10,669 | 6 | |
| Mar 17, 2022 | - | $453 | -65% | 6 | $76 | $11,122 | 7 | |
| Mar 18, 2022 | - | $715 | +58% | -69% | 6 | $119 | $11,837 | 8 |
| Mar 19, 2022 | - | $937 | +31% | -63% | 6 | $156 | $12,774 | 9 |
| Mar 20, 2022 | - | $1,408 | +50% | -52% | 6 | $235 | $14,182 | 10 |
| Mar 21, 2022 | - | $114 | -92% | -86% | 6 | $19 | $14,296 | 11 |
| Mar 22, 2022 | - | $246 | +116% | -67% | 6 | $41 | $14,542 | 12 |
| Mar 23, 2022 | - | $407 | +65% | -69% | 6 | $68 | $14,949 | 13 |
| Mar 24, 2022 | - | $120 | -71% | -74% | 6 | $20 | $15,069 | 14 |
| Mar 25, 2022 | - | $658 | +448% | -8% | 4 | $165 | $15,727 | 15 |
| Mar 26, 2022 | - | $685 | +4% | -27% | 6 | $114 | $16,412 | 16 |
| Mar 27, 2022 | - | $1,174 | +71% | -17% | 4 | $294 | $18,431 | 17 |
| Mar 28, 2022 | - | $227 | -81% | +99% | 4 | $57 | $18,658 | 18 |
| Mar 29, 2022 | - | $103 | -55% | -58% | 4 | $26 | $18,761 | 19 |
| Mar 30, 2022 | - | $119 | +16% | -71% | 4 | $30 | $18,880 | 20 |
| Mar 31, 2022 | - | $220 | +85% | +83% | 4 | $55 | $19,100 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2022 | - | $11,122 | 6 | $1,854 | $11,122 | 1 | |
| Mar 18, 2022 | - | $3,947 | -65% | 6 | $658 | $15,069 | 2 |
| Mar 25, 2022 | - | $4,031 | +2% | 4 | $1,008 | $19,100 | 3 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.