Akinjeon (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $216,494 | Details |
| International Box Office | $25,345,020 | Details |
| Worldwide Box Office | $25,561,514 | |
| OpusData ID: 409100100 More info... | ||
| Further financial details... | ||
Synopsis
Fierce gang boss Jang Dong-su is violently attacked after a fender bender on a rainy night. After fighting back, he barely escapes, however his reputation as a feared leader is damaged beyond repair. The only way to restore his image is to find his attacker and exact revenge. Jang teams up with Detective Jung Tae-seok to find the assailant, but soon discovers the attacker is actually a serial killer. With no support from the police department, Detective Jung is forced to use gang boss Jang’s resources in order to track down the killer. The two men must work together to find a man simply known as “K”.
Metrics
| Opening Weekend: | $78,655 (36.3% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 0.8% (domestic box office/worldwide) |
| Theater counts: | 21 opening theaters/21 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $282,675 |
Movie Details
| Domestic Releases: | June 7th, 2019 (Limited) by Well Go USA, released as The Gangster, The Cop, The Devil |
| International Releases: | May 15th, 2019 (Wide) (South Korea)
June 7th, 2019 (Wide), released as The Gangster, The Cop, The Devil (Australia) August 16th, 2019 (Wide) (France) |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Plot point: | Crime Boss, Criminals Working With Cops, Gangs, Police Investigation, Serial Killer |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BA Entertainment , Balboa Productions |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | 32 | $78,655 | 21 | $3,745 | $78,655 | 1 | |
| Jun 21, 2019 | 49 | $9,180 | 5 | $1,836 | $197,840 | 3 | |
| Jun 28, 2019 | 55 | $5,228 | -43% | 2 | $2,614 | $207,706 | 4 |
| Jul 5, 2019 | 69 | $1,589 | -70% | 1 | $1,589 | $211,341 | 5 |
| Jul 12, 2019 | 73 | $1,247 | -22% | 1 | $1,247 | $213,414 | 6 |
| Aug 23, 2019 | 75 | $1,410 | 1 | $1,410 | $216,494 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | - | $126,063 | 21 | $6,003 | $126,063 | 1 | |
| Jun 14, 2019 | - | $62,597 | -50% | 12 | $5,216 | $188,660 | 2 |
| Jun 21, 2019 | 50 | $13,818 | -78% | 5 | $2,764 | $202,478 | 3 |
| Jun 28, 2019 | 62 | $7,274 | -47% | 2 | $3,637 | $209,752 | 4 |
| Jul 5, 2019 | 73 | $2,415 | -67% | 1 | $2,415 | $212,167 | 5 |
| Jul 12, 2019 | 78 | $1,895 | -22% | 1 | $1,895 | $214,062 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/7/2019 | $21,414 | 11 | 11 | 21 | $49,749 | 9/10/2019 | |||
| France | 8/16/2019 | $329,433 | 168 | 168 | 391 | $636,693 | 9/8/2019 | |||
| South Korea | 5/15/2019 | $8,476,958 | 1,307 | 1,307 | 3,274 | $24,658,578 | 7/17/2019 | |||
| International Total | $25,345,020 | 9/10/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Don Lee (이동석) | ||
| Kim Moo-yeol | ||
| Kim Sung Kyu |
Production and Technical Credits
| Won-Tae Lee | Director | |
| Don Lee (이동석) | Producer | |
| Won-Suk Jang | Producer | |
| Braden Aftergood | Producer | |
| Sylvester Stallone | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Fierce gang boss Jang Dong-su is violently attacked after a fender bender on a rainy night. After fighting back, he barely escapes, however his reputation as a feared leader is damaged beyond repair. The only way to restore his image is to find his attacker and exact revenge. Jang teams up with Detective Jung Tae-seok to find the assailant, but soon discovers the attacker is actually a serial killer. With no support from the police department, Detective Jung is forced to use gang boss Jang’s resources in order to track down the killer. The two men must work together to find a man simply known as “K”.
Metrics
| Opening Weekend: | $78,655 (36.3% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 0.8% (domestic box office/worldwide) |
| Theater counts: | 21 opening theaters/21 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $282,675 |
Movie Details
| Domestic Releases: | June 7th, 2019 (Limited) by Well Go USA, released as The Gangster, The Cop, The Devil |
| International Releases: | May 15th, 2019 (Wide) (South Korea)
June 7th, 2019 (Wide), released as The Gangster, The Cop, The Devil (Australia) August 16th, 2019 (Wide) (France) |
| MPA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Plot point: | Crime Boss, Criminals Working With Cops, Gangs, Police Investigation, Serial Killer |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BA Entertainment , Balboa Productions |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | 32 | $78,655 | 21 | $3,745 | $78,655 | 1 | |
| Jun 21, 2019 | 49 | $9,180 | 5 | $1,836 | $197,840 | 3 | |
| Jun 28, 2019 | 55 | $5,228 | -43% | 2 | $2,614 | $207,706 | 4 |
| Jul 5, 2019 | 69 | $1,589 | -70% | 1 | $1,589 | $211,341 | 5 |
| Jul 12, 2019 | 73 | $1,247 | -22% | 1 | $1,247 | $213,414 | 6 |
| Aug 23, 2019 | 75 | $1,410 | 1 | $1,410 | $216,494 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 7, 2019 | - | $126,063 | 21 | $6,003 | $126,063 | 1 | |
| Jun 14, 2019 | - | $62,597 | -50% | 12 | $5,216 | $188,660 | 2 |
| Jun 21, 2019 | 50 | $13,818 | -78% | 5 | $2,764 | $202,478 | 3 |
| Jun 28, 2019 | 62 | $7,274 | -47% | 2 | $3,637 | $209,752 | 4 |
| Jul 5, 2019 | 73 | $2,415 | -67% | 1 | $2,415 | $212,167 | 5 |
| Jul 12, 2019 | 78 | $1,895 | -22% | 1 | $1,895 | $214,062 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/7/2019 | $21,414 | 11 | 11 | 21 | $49,749 | 9/10/2019 | |||
| France | 8/16/2019 | $329,433 | 168 | 168 | 391 | $636,693 | 9/8/2019 | |||
| South Korea | 5/15/2019 | $8,476,958 | 1,307 | 1,307 | 3,274 | $24,658,578 | 7/17/2019 | |||
| International Total | $25,345,020 | 9/10/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Don Lee (이동석) | ||
| Kim Moo-yeol | ||
| Kim Sung Kyu |
Production and Technical Credits
| Won-Tae Lee | Director | |
| Don Lee (이동석) | Producer | |
| Won-Suk Jang | Producer | |
| Braden Aftergood | Producer | |
| Sylvester Stallone | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.