Alan Partridge (2014)
| Theatrical Performance | ||
| Domestic Box Office | $153,426 | Details |
| International Box Office | $8,100,000 | |
| Worldwide Box Office | $8,253,426 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $152,698 | |
| Blu-ray Sales (estimated) | $67,926 | |
| Total | $220,624 | |
| OpusData ID: 196270100 More info... | ||
| Further financial details... | ||
Synopsis
Alan finds himself at the center of a siege when a disgruntled fellow DJ decides to hold their station hostage after learning that he’s getting sacked by the new management.
Metrics
| Opening Weekend: | $12,664 (8.3% of total gross) |
| Legs: | 5.35 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/22 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $224,597 |
Movie Details
| Domestic Releases: | April 4th, 2014 (Limited) by Magnolia Pictures |
| Video Release: | June 10th, 2014 by Magnolia Home Entertainment |
| MPA Rating: | R for language, brief violence and nudity. (Rating bulletin 2307, 1/19/2014) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Digital Cinematography, Epilogue, Intertitle |
| Plot point: | Fired, Hostage, Media Circus, Revenge |
| Social setting: | Radio Industry |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Baby Cow |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 64 | $12,664 | 3 | $4,221 | $12,664 | 1 | |
| Apr 11, 2014 | 64 | $11,875 | -6% | 7 | $1,696 | $64,571 | 2 |
| Apr 18, 2014 | 60 | $12,653 | +7% | 11 | $1,150 | $82,234 | 3 |
| Apr 25, 2014 | 53 | $28,688 | +127% | 22 | $1,304 | $117,304 | 4 |
| May 2, 2014 | 58 | $11,418 | -60% | 18 | $634 | $140,482 | 5 |
| May 9, 2014 | 96 | $1,558 | -86% | 7 | $223 | $147,831 | 6 |
| May 16, 2014 | 75 | $2,640 | +69% | 4 | $660 | $152,211 | 7 |
| May 23, 2014 | 87 | $444 | -83% | 2 | $222 | $153,146 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 15, 2014 | - | $12,653 | 11 | $1,150 | $82,234 | 12 | ||
| May 26, 2014 | - | $139 | 2 | $70 | $153,285 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 59 | $17,447 | 3 | $5,816 | $17,447 | 1 | |
| Apr 11, 2014 | 54 | $16,885 | -3% | 7 | $2,412 | $69,581 | 2 |
| Apr 18, 2014 | 56 | $19,035 | +13% | 12 | $1,586 | $88,616 | 3 |
| Apr 25, 2014 | 49 | $40,448 | +112% | 22 | $1,839 | $129,064 | 4 |
| May 2, 2014 | 58 | $17,209 | -57% | 18 | $956 | $146,273 | 5 |
| May 9, 2014 | 90 | $3,298 | -81% | 8 | $412 | $149,571 | 6 |
| May 16, 2014 | 75 | $3,131 | -5% | 4 | $783 | $152,702 | 7 |
| May 23, 2014 | 85 | $724 | -77% | 2 | $362 | $153,426 | 8 |
Leading
| Steve Coogan | Alan Partridge |
Supporting
| Colm Meaney | Pat Farrell | |
| Tim Key | Side Kick Simon | |
| Karl Theobald | Greg Frampton | |
| Nigel Lindsay | Jason Tresswell | |
| Felicity Montagu | Lynn Benfield | |
| Dustin Demri-Burns | Danny Sinclair | |
| Simon Greenall | Michael | |
| Phil Cornwell | Dave Clifton | |
| Monica Dolan | Angela Ashbourne |
Production and Technical Credits
| Declan Lowney | Director | |
| Kevin Loader | Producer | |
| Henry Normal | Producer | |
| Rob Gibbons | Screenwriter | |
| Neil Gibbons | Screenwriter | |
| Steve Coogan | Screenwriter | |
| Armando Iannucci | Screenwriter | |
| Peter Baynham | Screenwriter | |
| Rob Gibbons | Executive Producer | |
| Neil Gibbons | Executive Producer | |
| Armando Iannucci | Executive Producer | |
| Danny Perkins | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Christine Langan | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alan finds himself at the center of a siege when a disgruntled fellow DJ decides to hold their station hostage after learning that he’s getting sacked by the new management.
Metrics
| Opening Weekend: | $12,664 (8.3% of total gross) |
| Legs: | 5.35 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/22 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $224,597 |
Movie Details
| Domestic Releases: | April 4th, 2014 (Limited) by Magnolia Pictures |
| Video Release: | June 10th, 2014 by Magnolia Home Entertainment |
| MPA Rating: | R for language, brief violence and nudity. (Rating bulletin 2307, 1/19/2014) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Digital Cinematography, Epilogue, Intertitle |
| Plot point: | Fired, Hostage, Media Circus, Revenge |
| Social setting: | Radio Industry |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Baby Cow |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 64 | $12,664 | 3 | $4,221 | $12,664 | 1 | |
| Apr 11, 2014 | 64 | $11,875 | -6% | 7 | $1,696 | $64,571 | 2 |
| Apr 18, 2014 | 60 | $12,653 | +7% | 11 | $1,150 | $82,234 | 3 |
| Apr 25, 2014 | 53 | $28,688 | +127% | 22 | $1,304 | $117,304 | 4 |
| May 2, 2014 | 58 | $11,418 | -60% | 18 | $634 | $140,482 | 5 |
| May 9, 2014 | 96 | $1,558 | -86% | 7 | $223 | $147,831 | 6 |
| May 16, 2014 | 75 | $2,640 | +69% | 4 | $660 | $152,211 | 7 |
| May 23, 2014 | 87 | $444 | -83% | 2 | $222 | $153,146 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 15, 2014 | - | $12,653 | 11 | $1,150 | $82,234 | 12 | ||
| May 26, 2014 | - | $139 | 2 | $70 | $153,285 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2014 | 59 | $17,447 | 3 | $5,816 | $17,447 | 1 | |
| Apr 11, 2014 | 54 | $16,885 | -3% | 7 | $2,412 | $69,581 | 2 |
| Apr 18, 2014 | 56 | $19,035 | +13% | 12 | $1,586 | $88,616 | 3 |
| Apr 25, 2014 | 49 | $40,448 | +112% | 22 | $1,839 | $129,064 | 4 |
| May 2, 2014 | 58 | $17,209 | -57% | 18 | $956 | $146,273 | 5 |
| May 9, 2014 | 90 | $3,298 | -81% | 8 | $412 | $149,571 | 6 |
| May 16, 2014 | 75 | $3,131 | -5% | 4 | $783 | $152,702 | 7 |
| May 23, 2014 | 85 | $724 | -77% | 2 | $362 | $153,426 | 8 |
Leading
| Steve Coogan | Alan Partridge |
Supporting
| Colm Meaney | Pat Farrell | |
| Tim Key | Side Kick Simon | |
| Karl Theobald | Greg Frampton | |
| Nigel Lindsay | Jason Tresswell | |
| Felicity Montagu | Lynn Benfield | |
| Dustin Demri-Burns | Danny Sinclair | |
| Simon Greenall | Michael | |
| Phil Cornwell | Dave Clifton | |
| Monica Dolan | Angela Ashbourne |
Production and Technical Credits
| Declan Lowney | Director | |
| Kevin Loader | Producer | |
| Henry Normal | Producer | |
| Rob Gibbons | Screenwriter | |
| Neil Gibbons | Screenwriter | |
| Steve Coogan | Screenwriter | |
| Armando Iannucci | Screenwriter | |
| Peter Baynham | Screenwriter | |
| Rob Gibbons | Executive Producer | |
| Neil Gibbons | Executive Producer | |
| Armando Iannucci | Executive Producer | |
| Danny Perkins | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Christine Langan | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.