Alice (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $373,037 | Details |
| OpusData ID: 464580100 More info... | ||
| Further financial details... | ||
Synopsis
Alice spends her days enslaved on a rural Georgia plantation restlessly yearning for freedom. After a violent clash with plantation owner Paul, Alice flees through the neighboring woods and stumbles onto the unfamiliar sight of a highway, soon discovering that the year is actually 1973. Rescued on the roadside by a disillusioned Black activist named Frank, Alice uncovers the lies that have kept her enslaved and the promise of Black liberation.
Metrics
| Opening Weekend: | $173,614 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 169 opening theaters/169 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $423,695 |
Movie Details
| Domestic Releases: | March 18th, 2022 (Limited) by Roadside Attractions |
| Video Release: | April 5th, 2022 by Vertical Entertainment |
| MPA Rating: | R for some violence and language. (Rating bulletin 2722 (cert #53606), 3/9/2022) |
| Running Time: | 98 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | African Americans, Revenge, Runaway Slave, Surprise Twist |
| Social setting: | Slavery |
| Source material: | Inspired by a True Story |
| Subgenre: | Action Thriller |
| Time period setting: | 1800s, 1970s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Steel Springs Pictures, Vertical Entertainment, Roadside Attractions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $173,614 | 169 | $1,027 | $173,614 | 1 | |
| Mar 25, 2022 | - | $68,132 | -61% | 116 | $587 | $314,085 | 2 |
| Apr 1, 2022 | - | $19,239 | -72% | 38 | $506 | $364,169 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $61,467 | 169 | $364 | $61,467 | 1 | ||
| Mar 19, 2022 | - | $69,266 | +13% | 169 | $410 | $130,733 | 2 | |
| Mar 20, 2022 | - | $42,881 | -38% | 169 | $254 | $173,614 | 3 | |
| Mar 21, 2022 | - | $17,924 | -58% | 169 | $106 | $191,538 | 4 | |
| Mar 22, 2022 | - | $23,438 | +31% | 169 | $139 | $214,976 | 5 | |
| Mar 23, 2022 | - | $17,832 | -24% | 169 | $106 | $232,808 | 6 | |
| Mar 24, 2022 | - | $13,145 | -26% | 169 | $78 | $245,953 | 7 | |
| Mar 25, 2022 | - | $17,518 | +33% | -72% | 117 | $150 | $263,471 | 8 |
| Mar 26, 2022 | - | $30,907 | +76% | -55% | 117 | $264 | $294,378 | 9 |
| Mar 27, 2022 | - | $19,707 | -36% | -54% | 117 | $168 | $314,085 | 10 |
| Mar 28, 2022 | - | $7,073 | -64% | -61% | 117 | $60 | $321,158 | 11 |
| Mar 29, 2022 | - | $9,417 | +33% | -60% | 117 | $80 | $330,575 | 12 |
| Mar 30, 2022 | - | $8,478 | -10% | -52% | 117 | $72 | $339,053 | 13 |
| Mar 31, 2022 | - | $5,877 | -31% | -55% | 117 | $50 | $344,930 | 14 |
| Apr 1, 2022 | - | $5,433 | -8% | -69% | 38 | $143 | $350,363 | 15 |
| Apr 2, 2022 | - | $8,527 | +57% | -72% | 38 | $224 | $358,890 | 16 |
| Apr 3, 2022 | - | $5,279 | -38% | -73% | 38 | $139 | $364,169 | 17 |
| Apr 4, 2022 | - | $2,058 | -61% | -71% | 38 | $54 | $366,227 | 18 |
| Apr 5, 2022 | - | $3,196 | +55% | -66% | 38 | $84 | $369,423 | 19 |
| Apr 6, 2022 | - | $1,890 | -41% | -78% | 38 | $50 | $371,313 | 20 |
| Apr 7, 2022 | - | $1,724 | -9% | -71% | 38 | $45 | $373,037 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $245,953 | 169 | $1,455 | $245,953 | 1 | |
| Mar 25, 2022 | - | $98,977 | -60% | 117 | $846 | $344,930 | 2 |
| Apr 1, 2022 | - | $28,107 | -72% | 38 | $740 | $373,037 | 3 |
Leading
| Keke Palmer | Alice |
Supporting
| Common | Frank | |
| Jonny Lee Miller | Paul Bennet | |
| Gaius Charles | Joseph | |
| Alicia Witt | Rachel | |
| Natasha Yvette Williams | Ruth | |
| Jaxon Goldenberg | Daniel | |
| Craig Stark | Aaron | |
| David Andrew Nash | Danny | |
| Jim McKeny | Levi | |
| Katie Gill | Receptionist | |
| Sharonne Lanier | Nurse Pam | |
| Janet L. Burns | Waitress Mary | |
| Durrell Lyons | Ben | |
| Rodrick Dorsey | Firefighter | |
| Eddie King | Man |
Production and Technical Credits
| Krystin Ver Linden | Director | |
| Krystin Ver Linden | Screenwriter | |
| Peter Lawson | Producer | |
| Jose Agustin Valdes | Executive Producer | |
| Luisa Fernanda Espinosa | Executive Producer | |
| Keke Palmer | Executive Producer | |
| Vickie de Varona Hsieh | Executive Producer | |
| Common | Executive Producer | |
| Alex Disenhof | Director of Photography | |
| Gregory A. Weimerskirch* | Production Designer | |
| Byron Smith | Editor | |
| Karyn Wagner | Costume Designer | |
| Common | Original Music | |
| Patrick Warren | Original Music | |
| Karriem Riggins | Original Music | |
| Isaiah Sharkey | Original Music | |
| Burniss Travis | Original Music | |
| Jennifer Presser | Casting Director | |
| Caitlin Well | Casting Director | |
| Vickie de Varona Hsieh | Unit Production Manager | |
| Jeffrey David Fuller | First Assistant Director | |
| Wendy Geary | Second Assistant Director | |
| Nancy Kirhoffer | Post-Production Producer | |
| Greg Silverman | Executive Producer | |
| Chris Bosco | Executive Producer | |
| Byron Smith | Associate Producer | |
| Laura Milosch Miller | Associate Producer | |
| Jeffrey David Fuller | Associate Producer | |
| Anderson Martin | Stunt Coordinator | |
| Samantha McDonald | Intimacy Coordinator | |
| Laura Belle | Set Decorator | |
| Brad Haviland | Leadman | |
| Aaron Robert Hall | On Set Dresser | |
| Brendan McHale | Special Effects Coordinator | |
| Jennifer Schreck | Costume Supervisor | |
| Jeremy Dell | Make-up Department Head | |
| Tomica Sarver | Hair Department Head | |
| Deb Walters* | Script Supervisor | |
| RaShawn Cash | Location Manager | |
| David Townsend | Post-Production Coordinator | |
| Brandon Marchionda | Assistant Editor | |
| Onnalee Blank | Re-recording Mixer | |
| Greg P. Russell | Re-recording Mixer | |
| Sean McCormack | Supervising Sound Editor | |
| Branden Spencer | Supervising Sound Editor | |
| Tim Tuchrello | First Assistant Sound Editor | |
| Paul Pirola | Sound Designer | |
| Alicia Slusarski | Sound Effects Editor | |
| James Harvey | Sound Effects Editor | |
| Justin Scott Wilson | Dialogue Editor | |
| Sam Fan | Sound Editor | |
| Brendan Croxon | Foley Supervisor | |
| Troy Mauri | Foley Recordist | |
| Adam Shaw | Foley Mixer | |
| Christopher Campagna | Foley Editor | |
| Ann Kline | Music Supervisor | |
| Carly Van Skaik | Music Supervisor | |
| Michael Alexander | Music Editor | |
| Andrea Marotti | Visual Effects Executive Producer | |
| Carlo Tosi | Visual Effects Executive Producer | |
| Max Pareschi | Visual Effects Supervisor | |
| Glen Bennett | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alice spends her days enslaved on a rural Georgia plantation restlessly yearning for freedom. After a violent clash with plantation owner Paul, Alice flees through the neighboring woods and stumbles onto the unfamiliar sight of a highway, soon discovering that the year is actually 1973. Rescued on the roadside by a disillusioned Black activist named Frank, Alice uncovers the lies that have kept her enslaved and the promise of Black liberation.
Metrics
| Opening Weekend: | $173,614 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 169 opening theaters/169 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $423,695 |
Movie Details
| Domestic Releases: | March 18th, 2022 (Limited) by Roadside Attractions |
| Video Release: | April 5th, 2022 by Vertical Entertainment |
| MPA Rating: | R for some violence and language. (Rating bulletin 2722 (cert #53606), 3/9/2022) |
| Running Time: | 98 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | African Americans, Revenge, Runaway Slave, Surprise Twist |
| Social setting: | Slavery |
| Source material: | Inspired by a True Story |
| Subgenre: | Action Thriller |
| Time period setting: | 1800s, 1970s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Steel Springs Pictures, Vertical Entertainment, Roadside Attractions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $173,614 | 169 | $1,027 | $173,614 | 1 | |
| Mar 25, 2022 | - | $68,132 | -61% | 116 | $587 | $314,085 | 2 |
| Apr 1, 2022 | - | $19,239 | -72% | 38 | $506 | $364,169 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $61,467 | 169 | $364 | $61,467 | 1 | ||
| Mar 19, 2022 | - | $69,266 | +13% | 169 | $410 | $130,733 | 2 | |
| Mar 20, 2022 | - | $42,881 | -38% | 169 | $254 | $173,614 | 3 | |
| Mar 21, 2022 | - | $17,924 | -58% | 169 | $106 | $191,538 | 4 | |
| Mar 22, 2022 | - | $23,438 | +31% | 169 | $139 | $214,976 | 5 | |
| Mar 23, 2022 | - | $17,832 | -24% | 169 | $106 | $232,808 | 6 | |
| Mar 24, 2022 | - | $13,145 | -26% | 169 | $78 | $245,953 | 7 | |
| Mar 25, 2022 | - | $17,518 | +33% | -72% | 117 | $150 | $263,471 | 8 |
| Mar 26, 2022 | - | $30,907 | +76% | -55% | 117 | $264 | $294,378 | 9 |
| Mar 27, 2022 | - | $19,707 | -36% | -54% | 117 | $168 | $314,085 | 10 |
| Mar 28, 2022 | - | $7,073 | -64% | -61% | 117 | $60 | $321,158 | 11 |
| Mar 29, 2022 | - | $9,417 | +33% | -60% | 117 | $80 | $330,575 | 12 |
| Mar 30, 2022 | - | $8,478 | -10% | -52% | 117 | $72 | $339,053 | 13 |
| Mar 31, 2022 | - | $5,877 | -31% | -55% | 117 | $50 | $344,930 | 14 |
| Apr 1, 2022 | - | $5,433 | -8% | -69% | 38 | $143 | $350,363 | 15 |
| Apr 2, 2022 | - | $8,527 | +57% | -72% | 38 | $224 | $358,890 | 16 |
| Apr 3, 2022 | - | $5,279 | -38% | -73% | 38 | $139 | $364,169 | 17 |
| Apr 4, 2022 | - | $2,058 | -61% | -71% | 38 | $54 | $366,227 | 18 |
| Apr 5, 2022 | - | $3,196 | +55% | -66% | 38 | $84 | $369,423 | 19 |
| Apr 6, 2022 | - | $1,890 | -41% | -78% | 38 | $50 | $371,313 | 20 |
| Apr 7, 2022 | - | $1,724 | -9% | -71% | 38 | $45 | $373,037 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2022 | - | $245,953 | 169 | $1,455 | $245,953 | 1 | |
| Mar 25, 2022 | - | $98,977 | -60% | 117 | $846 | $344,930 | 2 |
| Apr 1, 2022 | - | $28,107 | -72% | 38 | $740 | $373,037 | 3 |
Leading
| Keke Palmer | Alice |
Supporting
| Common | Frank | |
| Jonny Lee Miller | Paul Bennet | |
| Gaius Charles | Joseph | |
| Alicia Witt | Rachel | |
| Natasha Yvette Williams | Ruth | |
| Jaxon Goldenberg | Daniel | |
| Craig Stark | Aaron | |
| David Andrew Nash | Danny | |
| Jim McKeny | Levi | |
| Katie Gill | Receptionist | |
| Sharonne Lanier | Nurse Pam | |
| Janet L. Burns | Waitress Mary | |
| Durrell Lyons | Ben | |
| Rodrick Dorsey | Firefighter | |
| Eddie King | Man |
Production and Technical Credits
| Krystin Ver Linden | Director | |
| Krystin Ver Linden | Screenwriter | |
| Peter Lawson | Producer | |
| Jose Agustin Valdes | Executive Producer | |
| Luisa Fernanda Espinosa | Executive Producer | |
| Keke Palmer | Executive Producer | |
| Vickie de Varona Hsieh | Executive Producer | |
| Common | Executive Producer | |
| Alex Disenhof | Director of Photography | |
| Gregory A. Weimerskirch* | Production Designer | |
| Byron Smith | Editor | |
| Karyn Wagner | Costume Designer | |
| Common | Original Music | |
| Patrick Warren | Original Music | |
| Karriem Riggins | Original Music | |
| Isaiah Sharkey | Original Music | |
| Burniss Travis | Original Music | |
| Jennifer Presser | Casting Director | |
| Caitlin Well | Casting Director | |
| Vickie de Varona Hsieh | Unit Production Manager | |
| Jeffrey David Fuller | First Assistant Director | |
| Wendy Geary | Second Assistant Director | |
| Nancy Kirhoffer | Post-Production Producer | |
| Greg Silverman | Executive Producer | |
| Chris Bosco | Executive Producer | |
| Byron Smith | Associate Producer | |
| Laura Milosch Miller | Associate Producer | |
| Jeffrey David Fuller | Associate Producer | |
| Anderson Martin | Stunt Coordinator | |
| Samantha McDonald | Intimacy Coordinator | |
| Laura Belle | Set Decorator | |
| Brad Haviland | Leadman | |
| Aaron Robert Hall | On Set Dresser | |
| Brendan McHale | Special Effects Coordinator | |
| Jennifer Schreck | Costume Supervisor | |
| Jeremy Dell | Make-up Department Head | |
| Tomica Sarver | Hair Department Head | |
| Deb Walters* | Script Supervisor | |
| RaShawn Cash | Location Manager | |
| David Townsend | Post-Production Coordinator | |
| Brandon Marchionda | Assistant Editor | |
| Onnalee Blank | Re-recording Mixer | |
| Greg P. Russell | Re-recording Mixer | |
| Sean McCormack | Supervising Sound Editor | |
| Branden Spencer | Supervising Sound Editor | |
| Tim Tuchrello | First Assistant Sound Editor | |
| Paul Pirola | Sound Designer | |
| Alicia Slusarski | Sound Effects Editor | |
| James Harvey | Sound Effects Editor | |
| Justin Scott Wilson | Dialogue Editor | |
| Sam Fan | Sound Editor | |
| Brendan Croxon | Foley Supervisor | |
| Troy Mauri | Foley Recordist | |
| Adam Shaw | Foley Mixer | |
| Christopher Campagna | Foley Editor | |
| Ann Kline | Music Supervisor | |
| Carly Van Skaik | Music Supervisor | |
| Michael Alexander | Music Editor | |
| Andrea Marotti | Visual Effects Executive Producer | |
| Carlo Tosi | Visual Effects Executive Producer | |
| Max Pareschi | Visual Effects Supervisor | |
| Glen Bennett | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.