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Alien: Covenant (2017)

Alien: Covenant
Theatrical Performance
Domestic Box Office $74,262,031Details
International Box Office $164,600,000Details
Worldwide Box Office $238,862,031
Home Market Performance
Est. Domestic DVD Sales $3,525,826 Details
Est. Domestic Blu-ray Sales $15,130,055 Details
Total Est. Domestic Video Sales $18,655,881
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world—whose sole inhabitant is the “synthetic” David, survivor of the doomed Prometheus expedition.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,001-1,100) 1,009 $74,262,031
All Time International Box Office (Rank 401-500) 472 $164,600,000
All Time Worldwide Box Office (Rank 501-600) 569 $238,862,031
All Time Domestic Box Office for R Movies (Rank 201-300) 257 $74,262,031
All Time International Box Office for R Movies 80 $164,600,000
All Time Worldwide Box Office for R Movies (Rank 101-200) 114 $238,862,031

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$97,000,000
Domestic Releases: May 19th, 2017 (Wide) by 20th Century Fox
International Releases: May 4th, 2017 (Wide) (South Korea)
May 12th, 2017 (Wide) (Australia)
May 12th, 2017 (Wide) (Brazil)
May 12th, 2017 (Wide) (France)
May 12th, 2017 (Wide) (Hong Kong)
... Show all releases
Video Release: August 15th, 2017 by Fox Home Entertainment
MPAA Rating: R for sci-fi violence, bloody images, language and some sexuality/nudity.
(Rating bulletin 2473 (Cert #50665), 4/27/2017)
Running Time: 123 minutes
Franchise: Alien
Comparisons: vs. Blade Runner 2049
Create your own comparison chart…
Keywords: Alien Encounters, Outer Space, Robot, Archaeology, Trapped, Inbetwequel, Same Actor, Multiple Roles, Humans as Aliens, Space Colonization, 3-D
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production Companies: 20th Century Fox, Scott Free Films, TSG Entertainment, Brandywine
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Memorial Day (All Movies, 3-Day) 108 $10,614,539 May 26, 2017 10
Memorial Day (All Movies, 3-Day, Inflation Adjusted) 162 $10,686,583 May 26, 2017 10
Memorial Day (All Movies, 4-Day, Fri-Mon) 80 $13,383,150 May 26, 2017 10
Memorial Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 94 $13,473,986 May 26, 2017 10
Fastest to $50m 489 $53,764,150 May 26, 2017 9
Top 20th Century Fox Weekend Domestic 70 $36,160,621 May 19, 2017 3
Top Horror Weekend Domestic 17 $36,160,621 May 19, 2017 3
Top R Weekend Domestic 64 $36,160,621 May 19, 2017 3
Top Science Fiction Weekend Domestic 95 $36,160,621 May 19, 2017 3
Top Horror Day Domestic 24 $15,301,274 May 19, 2017 1

Cast

   Walter and David
   Daniels
Billy Crudup    Captain
Danny McBride    Tennessee
Demián Bichir    Sergeant Lope
Carmen Ejogo    Karine
Jussie Smollett    Ricks
Callie Hernandez    Upworth
Amy Seimetz    Faris
Nathaniel Dean    Sergeant Hallett
Alexander England    Ankor
Benjamin Rigby    Ledward
Uli Latukefu    Cole
Tess Haubrich    Rosenthal
Charlize Theron    Vickers
Noomi Rapace    Elizabeth Shaw
Kate Dickie    Ford
Rafe Spall    Milburn
Logan Marshall-Green    Holloway
Idris Elba    Janek
Sean Harris    Fifield
Benedict Wong    Ravel
Emun Elliott    Chance
Guy Pearce    Peter Weyland
James Franco    Branson
Goran D. Kleut    Neomorph/Xenomorph
Matt Scaletti    Covenant Crew Member

Production and Technical Credits

Director   
Screenwriter    John Logan
Story by    Jack Paglen
Story by    Michael Green
Producer    Ridley Scott
Producer    Mark Huffam
Producer    Michael Schaefer
Producer    David Giler
Producer    Walter Hill
Editor    Pietro Scalia
Composer    Jed Kurzel
Director of Photography    Dariusz Wolski
Production Designer    Chris Seagers
Special Effects Supervisor    Neil Corbould
Visual Effects Supervisor    Charley Henley
Prosthetics Supervisor    Conor O'Sullivan
Costume Designer    Janty Yates

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

Thursday Night Previews: Apes Battle for $5 million Debut

July 14th, 2017

War for the Planet of the Apes

War for the Planet of the Apes started its box office run with $5 million in Thursday previews, which is a little lower than expected, but not tragically so. For example, Alien: Covenant earned $4.2 million during its previews on its was to a $36.16 million weekend. If War for the Planet of the Apes has the same legs, it would make $43 million this weekend. On the other hand, The Mummy earned $2.66 million pulling in $31.67 million during its opening weekend. If War for the Planet has the same legs as that film, it would earn just shy of $60 million during its opening weekend. War has much better reviews than either of those films, to it could have better legs than either of those films. That said, it is also the third installment in the reboot franchise and that tends to shrink legs. The average is just over $50 million, which sounds about right. More...

In Defense of Rotten Tomatoes

July 4th, 2017

Transformers: The Last Knight

I’ve seen a lot of people attacking Rotten Tomatoes recently saying it is bad for the movie business. Some even point to Transformers: The Last Knight as proof that the site can ruin a film’s box office chances. Besides that charge, the other two main complaints I’m hearing over and over again are A.) Rotten Tomatoes is a very shallow site, especially the Tomatometer. And B.) It is killing in-depth critical examination of movies. I’ll tackle those claims below. More...

International Box Office: The Mummy Tumbles, Still Tops Chart with $53.0 million

June 22nd, 2017

The Mummy

The Mummy remained on top of the international box office chart, but it fell more than 60% to $53.0 million in 68 markets for totals of $239.1 million internationally and $296.2 million worldwide. The film opened in first place in France, but with just $3.0 million on 615 screens. Its biggest market overall was China, where it was down 77% to $11.63 million over the weekend for a two-week total of $81.62 million. Its best market is arguably South Korea, where it added $3.73 million on 933 screens over the weekend for a two-week total of $23.64 million. The only major market left for the film is Japan, where it opens at the end of the month. It is on pace for about $400 million worldwide, which is not enough to pay for its $195 million production budget. Even if it is a bigger than expected hit on the home market, it will have trouble covering its combined production and advertising budget, which is at least $300 million. More...

International Box Office: Pirates Sail International Waters with $208.4 million

June 1st, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales dominated the international box office earning five times more than the rest of the top five combined. The film pulled in $208.4 million in 54 markets and had $271.4 million worldwide by the end of its first weekend. Its biggest single market was China, where it earned $68.55 million over the weekend. This is bigger than its domestic opening. While this is impressive, it is only the third biggest opening in China for a Disney film, behind Avengers: Age of Ultron and Captain America: Civil War. On the other hand, the film had a big opening in Russia with $19.10 million, which is the biggest opening weekend in that market of all time. However, it wasn’t all good news, as the only market left to open in is Japan, so it will have to rely on long legs to continue its run. More...

Weekend Wrap-Up: Pirates Sinks Lower with $78.47 million, Takes 2017 With It

May 31st, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Memorial Day long weekend wasn’t as potent as expected as both new releases struggled. Pirates of the Caribbean: Dead Men Tell No Tales led the way with $78.47 million over four days. This marks the third year in a row where no film released on Memorial Day long weekend earned at least $100 million over four days. I’ve heard some talk that this means it is losing its importance as a long weekend. However, I think the actual answer is much simpler, as it is also the third weekend in a row where no wide releases have earned overall positive reviews. I don’t think the box office power of Memorial Day has dropped since X-Men: Days of Future Past came out. I just think the quality of films has dropped since then. Speaking of lack of quality, Baywatch was DOA earning just $27.71 million over five days and unlike Dead Men Tell No Tales, it likely won’t do significantly better internationally. Despite both new releases struggling, the holiday helped the overall box office grow 14% from last weekend to $141 million. Unfortunately, this was 14% lower than the same weekend last year. 2017 still maintains its lead over 2016, but that lead as slipped to 2.6% or $110 million at $4.46 billion to $4.35 billion. More...

Friday Estimates: Dead Men Tops Chart, but Struggles, with $23.40 million

May 27th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

As expected, Pirates of the Caribbean: Dead Men Tell No Tales earned first place at the Friday box office. Unfortunately, it missed the low end of expectations with $23.40 million, putting it on pace for a $62 million three-day weekend and a $73 million total opening. The film’s reviews are just 32% positive, putting it in a tie with On Stranger Tides for worst in the franchise. On the other hand, the film earned an A minus from CinemaScore compared to a B plus for the previous installment, so that should help its legs a little. That said, the film cost $230 million to make, so unless it is a monster hit at the international box office, there’s little hope the sequel teased in the end credits will happen. More...

Thursday Night Previews: Dead Men are not Lively, Baywatch Going Unseen

May 26th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales will have no trouble earning first place at the weekend box office, not after earning $5.5 million in previews last night. This would have given it number one for the night, if the numbers weren’t rolled into its Friday debut. On Stranger Tides managed $4.7 million during its midnight shows, but it was truly a midnight show, rather than starting at 7 pm like Dead Men Tell No Tales did. This is 30% higher than Alien: Covenant managed last week, but well behind the $8.2 million X-Men: Apocalypse managed this weekend last year. Dead Men Tell No Tales will need serious growth to match our previous prediction of $67 million / $82 million debut. On the positive side, it is a long weekend and that will undoubtedly help. On the negative side, its reviews are quite terrible. More...

Weekend Predictions: Will New Releases Make a Splash, or are They Dead in the Water?

May 25th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

It’s Memorial Day long weekend, which is historically one of the best long weekends at the box office all year. However, this year the two new releases are far from the best. Pirates of the Caribbean: Dead Men Tell No Tales has the worst reviews in the franchise and its domestic box office will likely be the same. Sadly, Baywatch’s reviews are even worse. That said, they should still finish one-two over the weekend, while Alien: Covenant and Guardians of the Galaxy Vol 2 will be in a race for third place. It likely won’t be close. Meanwhile, this weekend last year, X-Men: Apocalypse and Alice Through the Looking Glass opened one-two during the weekend with results that are similar to what Dead Men Tell No Tales / Baywatch are expected to make. I don’t know if 2017 will win in the year-over-year comparison, but it should be close. More...

International Box Office: Dangal Dominates China in Groundbreaking Run

May 25th, 2017

Dangal

Dangal became the first Indian film to have its biggest single market not be India. It earned first place in China with $34.22 million over the weekend for totals of $113.55 million in China, $185.6 million internationally, and $198.0 million worldwide. It will shortly become the second Indian film to earn more than $200 million worldwide. More...

Contest: Make an Arrangement: Winning Announcement

May 25th, 2017

Alien: Covenant

The winners of our Make an Arrangement contest were determined and the entrants with the closest predictions for Alien: Covenant’s opening weekend were... More...

Theater Averages: Abacus Counts its Blessing with $12,528

May 24th, 2017

Abacus: Small Enough to Jail

The only film in the $10,000 club was Abacus: Small Enough to Jail, which earned $12,528 in its lone theater during its opening weekend. The only other film that came close was Alien: Covenant, which earned an average of $9,615. More...

Weekend Wrap-Up: Aliens Crash, but Still Top Chart with $36.16 million

May 23rd, 2017

Alien: Covenant

As expected, Alien: Covenant earned first place on the weekend box office chart. However, it had a strange journey there. Everything, Everything earned more during its opening weekend than it cost to make, which is great news for the studio. On the other hand, Diary of a Wimpy Kid: The Long Haul will be the last entry in this franchise for a long time. Meanwhile, Guardians of the Galaxy Vol 2 became only the second film released in 2017 to hit $300 million domestically. Unfortunately, the good news didn’t outweigh the bad news and the overall box office fell 10% from last weekend to $122 million. Compared to last year, the weekend box office was 11% lower. Fortunately, 2017 still has a $130 million lead over 2016 at $4.23 billion to $4.10 billion, so there’s no reason to panic. More...

Thursday Night Previews: Aliens Take a Bite Out of Thursday with $4.2 million in Previews

May 19th, 2017

Alien: Covenant

Alien: Covenant opened with $4.2 million in previews last night, which is about what we expected. Maybe it’s a bit higher that anticipated. In fact, it is a little better than the $3.7 million Kong managed. The film won’t have the same legs, as it is a sequel and those tend to be more front-loaded. Furthermore, its reviews have slipped to 72% positive, which isn’t good enough to truly help its legs. We predicted a little under $40 million, but now a little over $40 million seems more likely. More...

Weekend Predictions: Can Aliens Invade First Place?

May 18th, 2017

Alien: Covenant

Alien: Covenant is looking to unseat Guardians of the Galaxy Vol 2 for top spot on the box office chart this weekend. Meanwhile, Diary of a Wimpy Kid: The Long Haul and Everything, Everything are just trying to survive in counter-programming roles. The prognosis for those two is mixed. Meanwhile, this weekend last year, there were five films that earned more than $10 million over the weekend. This year, there might be only two. Hopefully the new releases aren’t that bad, while the holdovers don’t completely collapse. If this happens, 2017 could win in the year-over-year comparison for the second weekend in a row. If not, then 2017's winning streak will end at one. More...

International Box Office: Guardians Completes the Hat Trick with $52.2 million

May 17th, 2017

Guardians of the Galaxy Vol 2

For the third weekend in a row, Guardians of the Galaxy Vol 2 led the international box office chart, earning $52.2 million in 56 markets for totals of $384.4 million internationally and $632.8 million worldwide. This pushes it into seventh place on the MCU chart. The film opened in second place in Japan, where it pulled in $3.0 million, which is 15% better than the original Guardians of the Galaxy did. On the downside, this is the film’s last market to open in, so it will be coasting on holdovers from now on. Speaking of holdovers, the film’s biggest market is China, where it added $15.16 million over the weekend for a total of $80.56 million. This is the film’s biggest single market and it could hit $100 million there shortly. More...

Contest: Sharp as a Sword: Winning Announcement

May 17th, 2017

King Arthur: Legend of the Sword

The winners of our Sharp as a Sword contest were determined and the entrants with the closest predictions for King Arthur: Legend of the Sword’s opening weekend were... More...

Contest: Make an Arrangement

May 11th, 2017

Alien: Covenant

There are three wide releases coming out next week, but only one of them, Alien: Covenant, has any real chance at earning first place. (Diary of a Wimpy Kid: The Long Haul and Everything, Everything could become midlevel hits.) Because of this, it’s the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Alien: Covenant.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: May

May 1st, 2017

Guardians of the Galaxy, Vol. 2

April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth. More...

Alien: Covenant Trailer

March 1st, 2017

Sci-fi horror movie directed by Ridley Scott opens May 19 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/05/19 1 $36,160,621   3,761 $9,615   $36,160,621 1
2017/05/26 4 $10,614,539 -71% 3,772 $2,814   $57,436,720 2
2017/06/02 6 $4,122,884 -61% 2,660 $1,550   $67,342,368 3
2017/06/09 9 $1,826,579 -56% 1,814 $1,007   $71,238,791 4
2017/06/16 15 $568,149 -69% 400 $1,420   $72,754,134 5
2017/06/23 18 $341,308 -40% 294 $1,161   $73,334,769 6
2017/06/30 23 $172,131 -50% 213 $808   $73,653,439 7
2017/07/07 30 $85,793 -50% 132 $650   $73,842,907 8
2017/07/14 29 $79,953 -7% 104 $769   $73,975,898 9
2017/07/21 29 $67,502 -16% 103 $655   $74,084,353 10
2017/07/28 38 $43,060 -36% 98 $439   $74,154,523 11
2017/08/04 44 $32,154 -25% 74 $435   $74,204,630 12
2017/08/11 56 $11,757 -63% 45 $261   $74,228,655 13
2017/08/18 67 $5,567 -53% 38 $147   $74,242,280 14
2017/08/25 72 $6,370 +14% 29 $220   $74,255,908 15

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/05/19 1 $15,301,274   3,761 $4,068   $15,301,274 1
2017/05/20 2 $12,001,611 -22% 3,761 $3,191   $27,302,885 2
2017/05/21 2 $8,857,736 -26% 3,761 $2,355   $36,160,621 3
2017/05/22 2 $3,323,184 -62% 3,761 $884   $39,483,805 4
2017/05/23 2 $3,384,529 +2% 3,761 $900   $42,868,334 5
2017/05/24 2 $2,173,358 -36% 3,761 $578   $45,041,692 6
2017/05/25 3 $1,780,489 -18% 3,761 $473   $46,822,181 7
2017/05/26 4 $3,010,821 +69% 3,772 $798   $49,833,002 8
2017/05/27 4 $3,931,148 +31% 3,772 $1,042   $53,764,150 9
2017/05/28 4 $3,672,570 -7% 3,772 $974   $57,436,720 10
2017/05/29 4 $2,768,611 -25% 3,772 $734   $60,205,331 11
2017/05/30 4 $1,324,220 -52% 3,772 $351   $61,529,551 12
2017/05/31 4 $953,638 -28% 3,772 $253   $62,483,189 13
2017/06/01 4 $736,295 -23% 3,772 $195   $63,219,484 14
2017/06/02 6 $1,145,142 +56% 2,660 $431   $64,364,626 15
2017/06/03 6 $1,703,572 +49% 2,660 $640   $66,068,198 16
2017/06/04 6 $1,274,170 -25% 2,660 $479   $67,342,368 17
2017/06/05 6 $546,806 -57% 2,660 $206   $67,889,174 18
2017/06/06 6 $685,586 +25% 2,660 $258   $68,574,760 19
2017/06/07 6 $461,918 -33% 2,660 $174   $69,036,678 20
2017/06/08 6 $375,534 -19% 2,660 $141   $69,412,212 21
2017/06/09 10 $505,957 +35% 1,814 $279   $69,918,169 22
2017/06/10 9 $787,216 +56% 1,814 $434   $70,705,385 23
2017/06/11 9 $533,406 -32% 1,814 $294   $71,238,791 24
2017/06/12 10 $225,592 -58% 1,814 $124   $71,464,383 25
2017/06/13 10 $304,375 +35% 1,814 $168   $71,768,758 26
2017/06/14 10 $246,929 -19% 1,814 $136   $72,015,687 27
2017/06/15 10 $170,298 -31% 1,814 $94   $72,185,985 28
2017/06/16 - $141,490 -17% 400 $354   $72,327,475 29
2017/06/17 - $218,627 +55% 400 $547   $72,546,102 30
2017/06/18 14 $208,032 -5% 400 $520   $72,754,134 31
2017/06/19 15 $74,640 -64% 400 $187   $72,828,774 32
2017/06/20 - $68,044 -9% 400 $170   $72,896,818 33
2017/06/21 - $49,300 -28% 400 $123   $72,946,118 34
2017/06/22 - $47,343 -4% 400 $118   $72,993,461 35
2017/06/23 - $100,089 +111% 294 $340   $73,093,550 36
2017/06/24 - $137,644 +38% 294 $468   $73,231,194 37
2017/06/25 - $103,575 -25% 294 $352   $73,334,769 38
2017/06/26 - $40,782 -61% 294 $139   $73,375,551 39
2017/06/27 - $45,245 +11% 294 $154   $73,420,796 40
2017/06/28 - $32,599 -28% 294 $111   $73,453,395 41
2017/06/29 - $27,913 -14% 294 $95   $73,481,308 42
2017/06/30 - $47,369 +70% 213 $222   $73,528,677 43
2017/07/01 - $65,368 +38% 213 $307   $73,594,045 44
2017/07/02 - $59,394 -9% 213 $279   $73,653,439 45
2017/07/03 - $36,429 -39% 213 $171   $73,689,868 46
2017/07/04 - $27,090 -26% 213 $127   $73,716,958 47
2017/07/05 - $21,752 -20% 213 $102   $73,738,710 48
2017/07/06 - $18,404 -15% 213 $86   $73,757,114 49
2017/07/07 - $23,995 +30% 132 $182   $73,781,109 50
2017/07/08 - $34,404 +43% 132 $261   $73,815,513 51
2017/07/09 - $27,394 -20% 132 $208   $73,842,907 52
2017/07/10 - $14,006 -49% 132 $106   $73,856,913 53
2017/07/11 - $15,169 +8% 132 $115   $73,872,082 54
2017/07/12 - $12,497 -18% 132 $95   $73,884,579 55
2017/07/13 - $11,366 -9% 132 $86   $73,895,945 56
2017/07/14 - $26,000 +129% 104 $250   $73,921,945 57
2017/07/15 - $34,810 +34% 104 $335   $73,956,755 58
2017/07/16 - $19,143 -45% 104 $184   $73,975,898 59
2017/07/17 - $9,702 -49% 104 $93   $73,985,600 60
2017/07/18 - $10,469 +8% 104 $101   $73,996,069 61
2017/07/19 - $10,541 +1% 104 $101   $74,006,610 62
2017/07/20 - $10,241 -3% 104 $98   $74,016,851 63
2017/07/21 - $20,413 +99% 103 $198   $74,037,264 64
2017/07/22 - $27,514 +35% 103 $267   $74,064,778 65
2017/07/23 - $19,575 -29% 103 $190   $74,084,353 66
2017/07/24 - $7,707 -61% 103 $75   $74,092,060 67
2017/07/25 - $7,269 -6% 103 $71   $74,099,329 68
2017/07/26 - $6,211 -15% 103 $60   $74,105,540 69
2017/07/27 - $5,923 -5% 103 $58   $74,111,463 70
2017/07/28 - $9,954 +68% 98 $102   $74,121,417 71
2017/07/29 - $19,002 +91% 98 $194   $74,140,419 72
2017/07/30 - $14,104 -26% 98 $144   $74,154,523 73
2017/07/31 - $4,317 -69% 98 $44   $74,158,840 74
2017/08/01 - $4,585 +6% 98 $47   $74,163,425 75
2017/08/02 - $4,814 +5% 98 $49   $74,168,239 76
2017/08/03 - $4,237 -12% 98 $43   $74,172,476 77
2017/08/04 - $9,055 +114% 74 $122   $74,181,531 78
2017/08/05 - $13,075 +44% 74 $177   $74,194,606 79
2017/08/06 - $10,024 -23% 74 $135   $74,204,630 80
2017/08/07 - $2,986 -70% 74 $40   $74,207,616 81
2017/08/08 - $2,866 -4% 74 $39   $74,210,482 82
2017/08/09 - $3,078 +7% 74 $42   $74,213,560 83
2017/08/10 - $3,338 +8% 74 $45   $74,216,898 84
2017/08/11 - $3,219 -4% 45 $72   $74,220,117 85
2017/08/12 - $5,373 +67% 45 $119   $74,225,490 86
2017/08/13 - $3,165 -41% 45 $70   $74,228,655 87
2017/08/14 - $2,101 -34% 45 $47   $74,230,756 88
2017/08/15 - $1,954 -7% 45 $43   $74,232,710 89
2017/08/16 - $1,876 -4% 45 $42   $74,234,586 90
2017/08/17 - $2,127 +13% 45 $47   $74,236,713 91
2017/08/18 - $1,470 -31% 38 $39   $74,238,183 92
2017/08/19 - $3,068 +109% 38 $81   $74,241,251 93
2017/08/20 - $1,029 -66% 38 $27   $74,242,280 94
2017/08/21 - $1,650 +60% 38 $43   $74,243,930 95
2017/08/22 - $2,059 +25% 38 $54   $74,245,989 96
2017/08/23 - $1,736 -16% 38 $46   $74,247,725 97
2017/08/24 - $1,813 +4% 38 $48   $74,249,538 98

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/05/19 1 $46,822,181   3,761 $12,449   $46,822,181 1
2017/05/26 4 $16,397,303 -65% 3,772 $4,347   $63,219,484 2
2017/06/02 6 $6,192,728 -62% 2,660 $2,328   $69,412,212 3
2017/06/09 9 $2,773,773 -55% 1,814 $1,529   $72,185,985 4
2017/06/16 16 $807,476 -71% 400 $2,019   $72,993,461 5
2017/06/23 19 $487,847 -40% 294 $1,659   $73,481,308 6
2017/06/30 24 $275,806 -43% 213 $1,295   $73,757,114 7
2017/07/07 29 $138,831 -50% 132 $1,052   $73,895,945 8
2017/07/14 31 $120,906 -13% 104 $1,163   $74,016,851 9
2017/07/21 30 $94,612 -22% 103 $919   $74,111,463 10
2017/07/28 38 $61,013 -36% 98 $623   $74,172,476 11
2017/08/04 44 $44,422 -27% 74 $600   $74,216,898 12
2017/08/11 56 $19,815 -55% 45 $440   $74,236,713 13
2017/08/18 62 $12,825 -35% 38 $338   $74,249,538 14
2017/08/25 69 $12,493 -3% 29 $431   $74,262,031 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 5/12/2017 $2,951,928 310 316 1239 $7,100,668 6/22/2017
Brazil 5/12/2017 $1,600,000 0 0 0 $1,600,000 5/15/2017
Bulgaria 5/18/2017 $78,581 0 0 0 $210,752 7/7/2017
China 6/6/2017 $0 0 99849 118152 $45,270,000 7/12/2017
Czech Republic 5/19/2017 $356,694 152 152 366 $712,552 6/29/2017
France 5/12/2017 $4,500,000 0 0 0 $8,000,000 6/1/2017
Germany 5/19/2017 $2,200,000 0 0 0 $4,700,000 6/5/2017
Hong Kong 5/12/2017 $1,800,000 0 0 0 $2,900,000 5/23/2017
India 5/12/2017 $0 0 0 0 $480,620 6/2/2017
Italy 5/12/2017 $1,238,427 0 0 0 $3,029,439 8/2/2017
Japan 9/15/2017 $1,750,271 0 0 0 $2,400,000 9/21/2017
Lithuania 5/12/2017 $36,642 137 137 365 $121,264 7/19/2017
Mexico 5/12/2017 $2,404,072 0 0 0 $5,520,839 6/1/2017
Netherlands 5/18/2017 $523,234 106 106 491 $1,258,935 6/27/2017
New Zealand 5/12/2017 $353,511 71 81 316 $877,085 6/26/2017
Portugal 5/19/2017 $17,979 2 71 293 $604,700 7/12/2017
Russia (CIS) 5/19/2017 $4,513,646 1241 1241 3743 $7,509,045 6/19/2017
Slovakia 5/19/2017 $167,882 79 79 181 $324,384 7/6/2017
South Korea 5/4/2017 $0 0 836 1539 $9,631,684 7/27/2017
Spain 5/12/2017 $1,708,071 603 603 2273 $4,417,031 7/13/2017
Sweden 5/19/2017 $837,000 0 0 0 $837,000 5/23/2017
Taiwan 5/12/2017 $1,600,000 0 0 0 $2,300,000 5/23/2017
Turkey 5/12/2017 $198,601 344 344 650 $730,284 6/8/2017
United Kingdom 5/12/2017 $6,669,927 626 631 2677 $16,854,156 8/9/2017
 
Rest of World $37,209,562
 
International Total$164,600,000 9/21/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
8/20/20172120,740 120,740$1,808,685$1,808,6851
8/27/2017444,093-63% 164,833$660,954$2,469,6392
9/3/2017631,460-29% 196,293$471,585$2,941,2253
9/10/20171122,680-28% 218,973$339,520$3,280,7444
9/17/20171810,600-53% 229,573$158,576$3,439,3205

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
8/20/20171371,921 371,921$10,038,148$10,038,1481
8/27/2017285,563-77% 457,484$2,309,338$12,347,4862
9/3/2017548,662-43% 506,146$1,293,923$13,641,4093
9/10/2017534,199-30% 540,345$885,413$14,526,8224
9/17/2017715,160-56% 555,505$378,552$14,905,3745
9/24/2017148,991-41% 564,496$224,681$15,130,0556

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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