All Good Things (2010)
| Theatrical Performance | ||
| Domestic Box Office | $582,024 | Details |
| International Box Office | $291,593 | Details |
| Worldwide Box Office | $873,617 | |
| OpusData ID: 126410100 More info... | ||
| Further financial details... | ||
Synopsis
Inspired by the most notorious missing person's case in New York history, ALL GOOD THINGS is a love story and murder mystery set against the backdrop of a New York real estate dynasty in the 1980s. The drama portrayed in Andrew Jarecki's film was inspired by the story of Robert Durst, scion of the wealthy Durst family. Mr. Durst was suspected but never tried for killing his wife Kathie who disappeared in 1982 and was never found.
Metrics
| Opening Weekend: | $37,172 (6.4% of total gross) |
| Legs: | 9.32 (domestic box office/biggest weekend) |
| Domestic Share: | 66.6% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 2 opening theaters/35 max. theaters, 7.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $853,617 |
Movie Details
| Domestic Releases: | December 3rd, 2010 (Exclusive) by Magnolia Pictures |
| International Releases: | June 1st, 2012 (Wide) (Italy) |
| Video Release: | March 29th, 2011 by Magnolia Home Entertainment |
| MPA Rating: | R for drug use, violence, language and some sexuality |
| Running Time: | 101 minutes |
| Plot point: | Cross-Class Romance, Dysfunctional Family, Relationships Gone Wrong |
| Source material: | Inspired by a True Story |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hit the Ground Running, Groundswell Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2010 | 43 | $37,172 | 2 | $18,586 | $37,172 | 1 | |
| Dec 10, 2010 | 34 | $62,452 | +68% | 20 | $3,123 | $113,893 | 2 |
| Dec 17, 2010 | 39 | $51,365 | -18% | 35 | $1,468 | $194,208 | 3 |
| Dec 24, 2010 | 41 | $31,301 | -39% | 30 | $1,043 | $262,151 | 4 |
| Dec 31, 2010 | 48 | $30,687 | -2% | 20 | $1,534 | $323,651 | 5 |
| Jan 7, 2011 | 41 | $43,038 | +40% | 30 | $1,435 | $381,003 | 6 |
| Jan 14, 2011 | 49 | $24,242 | -44% | 29 | $836 | $422,394 | 7 |
| Jan 21, 2011 | 46 | $31,888 | +32% | 28 | $1,139 | $467,606 | 8 |
| Jan 28, 2011 | 49 | $20,304 | -36% | 23 | $883 | $503,633 | 9 |
| Feb 4, 2011 | 56 | $10,577 | -48% | 15 | $705 | $523,212 | 10 |
| Feb 11, 2011 | 71 | $4,202 | -60% | 4 | $1,051 | $532,066 | 11 |
| Feb 18, 2011 | 81 | $3,662 | -13% | 4 | $916 | $537,342 | 12 |
| Feb 25, 2011 | 82 | $3,205 | -12% | 4 | $801 | $542,918 | 13 |
| Mar 4, 2011 | 91 | $3,714 | +16% | 5 | $743 | $547,950 | 14 |
| Mar 11, 2011 | 76 | $7,202 | +94% | 4 | $1,801 | $557,403 | 15 |
| Mar 18, 2011 | 82 | $6,299 | -13% | 6 | $1,050 | $566,077 | 16 |
| Mar 25, 2011 | 94 | $4,088 | -35% | 6 | $681 | $573,966 | 17 |
| Apr 1, 2011 | 99 | $2,871 | -30% | 3 | $957 | $578,382 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 17, 2011 | 46 | $6,064 | 29 | $209 | $428,458 | 46 | ||
| Feb 21, 2011 | 83 | $335 | 4 | $84 | $537,677 | 81 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2010 | 44 | $51,441 | 2 | $25,721 | $51,441 | 1 | |
| Dec 10, 2010 | 34 | $91,402 | +78% | 20 | $4,570 | $142,843 | 2 |
| Dec 17, 2010 | 40 | $88,007 | -4% | 35 | $2,514 | $230,850 | 3 |
| Dec 24, 2010 | 47 | $62,114 | -29% | 30 | $2,070 | $292,964 | 4 |
| Dec 31, 2010 | 48 | $45,001 | -28% | 20 | $2,250 | $337,965 | 5 |
| Jan 7, 2011 | 41 | $60,187 | +34% | 30 | $2,006 | $398,152 | 6 |
| Jan 14, 2011 | 48 | $37,566 | -38% | 29 | $1,295 | $435,718 | 7 |
| Jan 21, 2011 | 47 | $47,611 | +27% | 28 | $1,700 | $483,329 | 8 |
| Jan 28, 2011 | 50 | $29,306 | -38% | 23 | $1,274 | $512,635 | 9 |
| Feb 4, 2011 | 56 | $15,229 | -48% | 15 | $1,015 | $527,864 | 10 |
| Feb 11, 2011 | 74 | $5,816 | -62% | 4 | $1,454 | $533,680 | 11 |
| Feb 18, 2011 | 77 | $6,033 | +4% | 4 | $1,508 | $539,713 | 12 |
| Feb 25, 2011 | 83 | $4,523 | -25% | 4 | $1,131 | $544,236 | 13 |
| Mar 4, 2011 | 88 | $5,965 | +32% | 5 | $1,193 | $550,201 | 14 |
| Mar 11, 2011 | 79 | $9,577 | +61% | 4 | $2,394 | $559,778 | 15 |
| Mar 18, 2011 | 82 | $10,100 | +5% | 6 | $1,683 | $569,878 | 16 |
| Mar 25, 2011 | 97 | $5,633 | -44% | 6 | $939 | $575,511 | 17 |
| Apr 1, 2011 | 94 | $6,513 | +16% | 3 | $2,171 | $582,024 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 6/1/2012 | $129,687 | 86 | 86 | 208 | $291,593 | 12/10/2015 | |||
| International Total | $291,593 | 12/10/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ryan Gosling | David Marks | |
| Kirsten Dunst | Katie McCarthy |
Supporting
| Frank Langella | Sanford Marks | |
| Philip Baker Hall | Malvern Bump | |
| Diane Venora | Janet Rizzo | |
| Lily Rabe | Deborah Lehrman | |
| Kristen Wiig | Lauren Fleck | |
| Michael Esper | Daniel Marks | |
| Liz Stauber | Sharon McCarthy | |
| Nick Offerman | McCarthy, Jim |
| Jeffrey Dean Morgan |
Production and Technical Credits
| Marc Smerling | Producer | |
| Andrew Jarecki | Producer | |
| Bruna Papandrea | Producer | |
| Michael London | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Michelle Krumm | Executive Producer | |
| Janice Williams | Executive Producer | |
| Barbara A. Hall | Executive Producer | |
| Marcus Hinchey | Screenwriter | |
| Marc Smerling | Screenwriter | |
| Michael Seresin | Cinematographer | |
| David Rosenbloom | Editor | |
| Shelby Siegel | Editor | |
| Wynn Thomas | Production Designer | |
| Rob Simonsen | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Inspired by the most notorious missing person's case in New York history, ALL GOOD THINGS is a love story and murder mystery set against the backdrop of a New York real estate dynasty in the 1980s. The drama portrayed in Andrew Jarecki's film was inspired by the story of Robert Durst, scion of the wealthy Durst family. Mr. Durst was suspected but never tried for killing his wife Kathie who disappeared in 1982 and was never found.
Metrics
| Opening Weekend: | $37,172 (6.4% of total gross) |
| Legs: | 9.32 (domestic box office/biggest weekend) |
| Domestic Share: | 66.6% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 2 opening theaters/35 max. theaters, 7.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $853,617 |
Movie Details
| Domestic Releases: | December 3rd, 2010 (Exclusive) by Magnolia Pictures |
| International Releases: | June 1st, 2012 (Wide) (Italy) |
| Video Release: | March 29th, 2011 by Magnolia Home Entertainment |
| MPA Rating: | R for drug use, violence, language and some sexuality |
| Running Time: | 101 minutes |
| Plot point: | Cross-Class Romance, Dysfunctional Family, Relationships Gone Wrong |
| Source material: | Inspired by a True Story |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hit the Ground Running, Groundswell Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2010 | 43 | $37,172 | 2 | $18,586 | $37,172 | 1 | |
| Dec 10, 2010 | 34 | $62,452 | +68% | 20 | $3,123 | $113,893 | 2 |
| Dec 17, 2010 | 39 | $51,365 | -18% | 35 | $1,468 | $194,208 | 3 |
| Dec 24, 2010 | 41 | $31,301 | -39% | 30 | $1,043 | $262,151 | 4 |
| Dec 31, 2010 | 48 | $30,687 | -2% | 20 | $1,534 | $323,651 | 5 |
| Jan 7, 2011 | 41 | $43,038 | +40% | 30 | $1,435 | $381,003 | 6 |
| Jan 14, 2011 | 49 | $24,242 | -44% | 29 | $836 | $422,394 | 7 |
| Jan 21, 2011 | 46 | $31,888 | +32% | 28 | $1,139 | $467,606 | 8 |
| Jan 28, 2011 | 49 | $20,304 | -36% | 23 | $883 | $503,633 | 9 |
| Feb 4, 2011 | 56 | $10,577 | -48% | 15 | $705 | $523,212 | 10 |
| Feb 11, 2011 | 71 | $4,202 | -60% | 4 | $1,051 | $532,066 | 11 |
| Feb 18, 2011 | 81 | $3,662 | -13% | 4 | $916 | $537,342 | 12 |
| Feb 25, 2011 | 82 | $3,205 | -12% | 4 | $801 | $542,918 | 13 |
| Mar 4, 2011 | 91 | $3,714 | +16% | 5 | $743 | $547,950 | 14 |
| Mar 11, 2011 | 76 | $7,202 | +94% | 4 | $1,801 | $557,403 | 15 |
| Mar 18, 2011 | 82 | $6,299 | -13% | 6 | $1,050 | $566,077 | 16 |
| Mar 25, 2011 | 94 | $4,088 | -35% | 6 | $681 | $573,966 | 17 |
| Apr 1, 2011 | 99 | $2,871 | -30% | 3 | $957 | $578,382 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 17, 2011 | 46 | $6,064 | 29 | $209 | $428,458 | 46 | ||
| Feb 21, 2011 | 83 | $335 | 4 | $84 | $537,677 | 81 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2010 | 44 | $51,441 | 2 | $25,721 | $51,441 | 1 | |
| Dec 10, 2010 | 34 | $91,402 | +78% | 20 | $4,570 | $142,843 | 2 |
| Dec 17, 2010 | 40 | $88,007 | -4% | 35 | $2,514 | $230,850 | 3 |
| Dec 24, 2010 | 47 | $62,114 | -29% | 30 | $2,070 | $292,964 | 4 |
| Dec 31, 2010 | 48 | $45,001 | -28% | 20 | $2,250 | $337,965 | 5 |
| Jan 7, 2011 | 41 | $60,187 | +34% | 30 | $2,006 | $398,152 | 6 |
| Jan 14, 2011 | 48 | $37,566 | -38% | 29 | $1,295 | $435,718 | 7 |
| Jan 21, 2011 | 47 | $47,611 | +27% | 28 | $1,700 | $483,329 | 8 |
| Jan 28, 2011 | 50 | $29,306 | -38% | 23 | $1,274 | $512,635 | 9 |
| Feb 4, 2011 | 56 | $15,229 | -48% | 15 | $1,015 | $527,864 | 10 |
| Feb 11, 2011 | 74 | $5,816 | -62% | 4 | $1,454 | $533,680 | 11 |
| Feb 18, 2011 | 77 | $6,033 | +4% | 4 | $1,508 | $539,713 | 12 |
| Feb 25, 2011 | 83 | $4,523 | -25% | 4 | $1,131 | $544,236 | 13 |
| Mar 4, 2011 | 88 | $5,965 | +32% | 5 | $1,193 | $550,201 | 14 |
| Mar 11, 2011 | 79 | $9,577 | +61% | 4 | $2,394 | $559,778 | 15 |
| Mar 18, 2011 | 82 | $10,100 | +5% | 6 | $1,683 | $569,878 | 16 |
| Mar 25, 2011 | 97 | $5,633 | -44% | 6 | $939 | $575,511 | 17 |
| Apr 1, 2011 | 94 | $6,513 | +16% | 3 | $2,171 | $582,024 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 6/1/2012 | $129,687 | 86 | 86 | 208 | $291,593 | 12/10/2015 | |||
| International Total | $291,593 | 12/10/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ryan Gosling | David Marks | |
| Kirsten Dunst | Katie McCarthy |
Supporting
| Frank Langella | Sanford Marks | |
| Philip Baker Hall | Malvern Bump | |
| Diane Venora | Janet Rizzo | |
| Lily Rabe | Deborah Lehrman | |
| Kristen Wiig | Lauren Fleck | |
| Michael Esper | Daniel Marks | |
| Liz Stauber | Sharon McCarthy | |
| Nick Offerman | McCarthy, Jim |
| Jeffrey Dean Morgan |
Production and Technical Credits
| Marc Smerling | Producer | |
| Andrew Jarecki | Producer | |
| Bruna Papandrea | Producer | |
| Michael London | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Michelle Krumm | Executive Producer | |
| Janice Williams | Executive Producer | |
| Barbara A. Hall | Executive Producer | |
| Marcus Hinchey | Screenwriter | |
| Marc Smerling | Screenwriter | |
| Michael Seresin | Cinematographer | |
| David Rosenbloom | Editor | |
| Shelby Siegel | Editor | |
| Wynn Thomas | Production Designer | |
| Rob Simonsen | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.