All I Can Say (2020)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,689 | Details |
| Worldwide Box Office | $1,689 | |
| OpusData ID: 463190100 More info... | ||
| Further financial details... | ||
Synopsis
Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself from 1990-95 with a Hi8 video camera, recording up until a few hours before his sudden death at the age of 28. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life — his family, his creative process, his television, his band’s rise to fame and his struggle with addiction. He filmed his daughter’s birth, and archived the politics and culture of the 90’s, an era right before the internet changed the world. Created with his own footage, voice and music, this intimate autobiography is a prescient exploration of experience and memory in the age of video. It is also Shannon Hoon’s last work, completed 23 years after his death.
Metrics
Movie Details
| Domestic Releases: | June 26th, 2020 (Virtual) by Oscilloscope Pictures |
| International Releases: | April 8th, 2022 (Limited) (United Kingdom) |
| Running Time: | 102 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Double E Pictures, Live Nation Productions, Oscilloscope Laboratories |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/8/2022 | $1,689 | 7 | 7 | 7 | $1,689 | 4/13/2022 | |||
| International Total | $1,689 | 4/13/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Shannon Hoon | Himself |
Inverviewee
| Glen Graham | Himself | |
| Brad Smith | Himself | |
| Christopher Thorn | Himself | |
| Nico Hoon | Herself | |
| Lisa Crouse Sinha | Herself | |
| Nel Hoon | Herself | |
| Richard Hoon | Himself | |
| Chip Midnight | Himself | |
| Earl Dittman | Himself |
Production and Technical Credits
| Danny Clinch | Director | |
| Taryn Gould | Director | |
| Colleen Hennessy | Director | |
| Shannon Hoon | Director | |
| Lindha Narvaez | Producer | |
| Sam Gursky | Producer | |
| Taryn Gould | Producer | |
| Danny Clinch | Executive Producer | |
| John Beug | Executive Producer | |
| Shawna Kaszer | Co-Producer | |
| Taryn Gould | Editor | |
| Colleen Hennessy | Assistant Editor | |
| Kevin Moyer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself from 1990-95 with a Hi8 video camera, recording up until a few hours before his sudden death at the age of 28. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life — his family, his creative process, his television, his band’s rise to fame and his struggle with addiction. He filmed his daughter’s birth, and archived the politics and culture of the 90’s, an era right before the internet changed the world. Created with his own footage, voice and music, this intimate autobiography is a prescient exploration of experience and memory in the age of video. It is also Shannon Hoon’s last work, completed 23 years after his death.
Metrics
Movie Details
| Domestic Releases: | June 26th, 2020 (Virtual) by Oscilloscope Pictures |
| International Releases: | April 8th, 2022 (Limited) (United Kingdom) |
| Running Time: | 102 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Double E Pictures, Live Nation Productions, Oscilloscope Laboratories |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/8/2022 | $1,689 | 7 | 7 | 7 | $1,689 | 4/13/2022 | |||
| International Total | $1,689 | 4/13/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Shannon Hoon | Himself |
Inverviewee
| Glen Graham | Himself | |
| Brad Smith | Himself | |
| Christopher Thorn | Himself | |
| Nico Hoon | Herself | |
| Lisa Crouse Sinha | Herself | |
| Nel Hoon | Herself | |
| Richard Hoon | Himself | |
| Chip Midnight | Himself | |
| Earl Dittman | Himself |
Production and Technical Credits
| Danny Clinch | Director | |
| Taryn Gould | Director | |
| Colleen Hennessy | Director | |
| Shannon Hoon | Director | |
| Lindha Narvaez | Producer | |
| Sam Gursky | Producer | |
| Taryn Gould | Producer | |
| Danny Clinch | Executive Producer | |
| John Beug | Executive Producer | |
| Shawna Kaszer | Co-Producer | |
| Taryn Gould | Editor | |
| Colleen Hennessy | Assistant Editor | |
| Kevin Moyer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.