All Night Long (1981)
| Theatrical Performance | ||
| Domestic Box Office | $7,800,000 | Details |
| OpusData ID: 40920100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,392,852 (17.9% of total gross) |
| Legs: | 5.60 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 362 opening theaters/362 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,733,089 |
Movie Details
| Domestic Releases: | March 6th, 1981 (Wide) by Universal |
| Video Release: | December 14th, 2004 by Universal Home Entertainment |
| MPA Rating: | R |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Domestic Abuse, Dysfunctional Family, Firefighter, Inventor, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Universal Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 1981 | 1 | $1,392,852 | 362 | $3,848 | $1,392,852 | 1 |
Leading
| Gene Hackman | George Dupler | |
| Barbra Streisand | Cheryl Gibbons | |
| Dennis Quaid | Freddie Dupler |
Supporting
| Diane Ladd | Helen Dupler |
Leading
| Kevin James Dobson | Bobby Gibbons |
Supporting
| Judy Kerr | Joan Gibbons | |
| William Daniels | Richard H. Copleston | |
| Hamilton Camp | Buggams | |
| Terry Kiser | Ultra-Sav Day Manager | |
| Charles Siebert | Nevins |
Production and Technical Credits
| Jean-Claude Tramont | Director | |
| W.D. Richter | Screenwriter | |
| Leonard Goldberg | Producer | |
| Jerry Weintraub | Producer | |
| Ira Newborn | Composer | |
| Richard Hazard | Composer | |
| Philip Lathrop | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,392,852 (17.9% of total gross) |
| Legs: | 5.60 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 362 opening theaters/362 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,733,089 |
Movie Details
| Domestic Releases: | March 6th, 1981 (Wide) by Universal |
| Video Release: | December 14th, 2004 by Universal Home Entertainment |
| MPA Rating: | R |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Domestic Abuse, Dysfunctional Family, Firefighter, Inventor, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Universal Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 1981 | 1 | $1,392,852 | 362 | $3,848 | $1,392,852 | 1 |
Leading
| Gene Hackman | George Dupler | |
| Barbra Streisand | Cheryl Gibbons | |
| Dennis Quaid | Freddie Dupler |
Supporting
| Diane Ladd | Helen Dupler |
Leading
| Kevin James Dobson | Bobby Gibbons |
Supporting
| Judy Kerr | Joan Gibbons | |
| William Daniels | Richard H. Copleston | |
| Hamilton Camp | Buggams | |
| Terry Kiser | Ultra-Sav Day Manager | |
| Charles Siebert | Nevins |
Production and Technical Credits
| Jean-Claude Tramont | Director | |
| W.D. Richter | Screenwriter | |
| Leonard Goldberg | Producer | |
| Jerry Weintraub | Producer | |
| Ira Newborn | Composer | |
| Richard Hazard | Composer | |
| Philip Lathrop | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.