All Things Must Pass (2015)
| Theatrical Performance | ||
| Domestic Box Office | $166,872 | Details |
| OpusData ID: 242500100 More info... | ||
| Further financial details... | ||
Synopsis
Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that's not the story. 'All Things Must Pass' is a feature documentary film examining this iconic company's explosive trajectory, tragic demise, and legacy forged by its rebellious founder Russ Solomon.
Metrics
| Opening Weekend: | $19,001 (11.4% of total gross) |
| Legs: | 5.99 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/14 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $236,748 |
Movie Details
| Domestic Releases: | October 16th, 2015 (Limited) by Gravitas Ventures |
| Video Release: | January 19th, 2016 by FilmRise |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Entrepreneur, Rags to Riches, Riches to Rags |
| Social setting: | Music Industry |
| Time period setting: | 1960s, 1970s, 1980s, 1990s, 2000s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Company Name |
| Production Countries: | United States, Japan |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2015 | 57 | $19,001 | 2 | $9,501 | $19,001 | 1 | |
| Oct 23, 2015 | 46 | $27,865 | +47% | 8 | $3,483 | $53,309 | 2 |
| Oct 30, 2015 | 53 | $17,558 | -37% | 10 | $1,756 | $82,369 | 3 |
| Nov 6, 2015 | 52 | $25,732 | +47% | 12 | $2,144 | $117,827 | 4 |
| Nov 13, 2015 | 63 | $13,500 | -48% | 14 | $964 | $142,759 | 5 |
| Dec 4, 2015 | 62 | $5,226 | 4 | $1,307 | $166,872 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 16, 2015 | - | $7,000 | 2 | $3,500 | $7,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2015 | 61 | $25,444 | 2 | $12,722 | $25,444 | 1 | |
| Oct 23, 2015 | 49 | $39,367 | +55% | 8 | $4,921 | $64,811 | 2 |
| Oct 30, 2015 | 56 | $27,284 | -31% | 10 | $2,728 | $92,095 | 3 |
| Nov 6, 2015 | 55 | $37,164 | +36% | 12 | $3,097 | $129,259 | 4 |
| Nov 13, 2015 | 62 | $21,648 | -42% | 14 | $1,546 | $150,907 | 5 |
| Nov 20, 2015 | 75 | $5,993 | -72% | 9 | $666 | $156,900 | 6 |
| Nov 27, 2015 | 68 | $4,746 | -21% | 4 | $1,187 | $161,646 | 7 |
Interviewee
| Russ Solomon | Himself | |
| Michael Solomon | Himself | |
| Chris Cornell | Himself | |
| Chuck D. | Himself | |
| David Geffen | Himself | |
| Dave Grohl | Himself | |
| Elton John | Himself | |
| Heidi Cotler | Herself | |
| Mark Viducich | Himself | |
| Stan Goman | Himself |
Production and Technical Credits
| Colin Hanks | Director | |
| Steven Leckart | Screenwriter | |
| Sean Stuart | Producer | |
| Glen Zipper | Executive Producer | |
| Nick Ferrall | Co-Executive Producer | |
| Darrin Roberts | Editor | |
| Bill Sherman | Composer | |
| Nicola Marsh | Director of Photography | |
| Bridger Nielson | Director of Photography | |
| Neil Lisk | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that's not the story. 'All Things Must Pass' is a feature documentary film examining this iconic company's explosive trajectory, tragic demise, and legacy forged by its rebellious founder Russ Solomon.
Metrics
| Opening Weekend: | $19,001 (11.4% of total gross) |
| Legs: | 5.99 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/14 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $236,748 |
Movie Details
| Domestic Releases: | October 16th, 2015 (Limited) by Gravitas Ventures |
| Video Release: | January 19th, 2016 by FilmRise |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Entrepreneur, Rags to Riches, Riches to Rags |
| Social setting: | Music Industry |
| Time period setting: | 1960s, 1970s, 1980s, 1990s, 2000s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Company Name |
| Production Countries: | United States, Japan |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2015 | 57 | $19,001 | 2 | $9,501 | $19,001 | 1 | |
| Oct 23, 2015 | 46 | $27,865 | +47% | 8 | $3,483 | $53,309 | 2 |
| Oct 30, 2015 | 53 | $17,558 | -37% | 10 | $1,756 | $82,369 | 3 |
| Nov 6, 2015 | 52 | $25,732 | +47% | 12 | $2,144 | $117,827 | 4 |
| Nov 13, 2015 | 63 | $13,500 | -48% | 14 | $964 | $142,759 | 5 |
| Dec 4, 2015 | 62 | $5,226 | 4 | $1,307 | $166,872 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 16, 2015 | - | $7,000 | 2 | $3,500 | $7,000 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2015 | 61 | $25,444 | 2 | $12,722 | $25,444 | 1 | |
| Oct 23, 2015 | 49 | $39,367 | +55% | 8 | $4,921 | $64,811 | 2 |
| Oct 30, 2015 | 56 | $27,284 | -31% | 10 | $2,728 | $92,095 | 3 |
| Nov 6, 2015 | 55 | $37,164 | +36% | 12 | $3,097 | $129,259 | 4 |
| Nov 13, 2015 | 62 | $21,648 | -42% | 14 | $1,546 | $150,907 | 5 |
| Nov 20, 2015 | 75 | $5,993 | -72% | 9 | $666 | $156,900 | 6 |
| Nov 27, 2015 | 68 | $4,746 | -21% | 4 | $1,187 | $161,646 | 7 |
Interviewee
| Russ Solomon | Himself | |
| Michael Solomon | Himself | |
| Chris Cornell | Himself | |
| Chuck D. | Himself | |
| David Geffen | Himself | |
| Dave Grohl | Himself | |
| Elton John | Himself | |
| Heidi Cotler | Herself | |
| Mark Viducich | Himself | |
| Stan Goman | Himself |
Production and Technical Credits
| Colin Hanks | Director | |
| Steven Leckart | Screenwriter | |
| Sean Stuart | Producer | |
| Glen Zipper | Executive Producer | |
| Nick Ferrall | Co-Executive Producer | |
| Darrin Roberts | Editor | |
| Bill Sherman | Composer | |
| Nicola Marsh | Director of Photography | |
| Bridger Nielson | Director of Photography | |
| Neil Lisk | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.