All We Imagine as Light (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $1,089,678 | Details |
| International Box Office | $1,608,723 | Details |
| Worldwide Box Office | $2,698,401 | |
| OpusData ID: 682960100 More info... | ||
| Further financial details... | ||
Synopsis
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital—head nurse Prabha and recent hire Anu—plus their coworker, cook Parvaty, Kapadia’s film alights on moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment.
Metrics
| Opening Weekend: | $46,876 (4.3% of total gross) |
| Legs: | 15.55 (domestic box office/biggest weekend) |
| Domestic Share: | 40.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/51 max. theaters, 8.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,125,762 |
Movie Details
| Domestic Releases: | November 15th, 2024 (Limited) by Janus Films |
| International Releases: | June 20th, 2024 (Limited) (Australia)
October 2nd, 2024 (Limited) (France) October 10th, 2024 (Limited), released as All We Imagine as Light - Amore a Mumbai (Italy) November 29th, 2024 (Limited) (United Kingdom) December 19th, 2024 (Limited), released as All We Imagine as Light – Tudo o Que Imaginamos Como Luz (Portugal) ... Show all releases |
| Video Release: | February 4th, 2025 by Janus Films |
| MPA Rating: | Not Rated |
| Running Time: | 118 minutes |
| Film festival: | Cannes Film Festival 2024 |
| Release detail: | Festival Acquisition |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sideshow , Janus Films |
| Production Countries: | India, France, Netherlands, Luxembourg |
| Languages: | Hindi, Malayalam |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2024 | - | $46,876 | 3 | $15,625 | $46,876 | 1 | |
| Nov 22, 2024 | - | $62,853 | +34% | 19 | $3,308 | $133,179 | 2 |
| Nov 29, 2024 | - | $63,708 | +1% | 26 | $2,450 | $236,071 | 3 |
| Dec 6, 2024 | - | $40,640 | -36% | 24 | $1,693 | $325,754 | 4 |
| Dec 13, 2024 | - | $54,611 | +34% | 34 | $1,606 | $410,882 | 5 |
| Dec 20, 2024 | - | $63,805 | +17% | 37 | $1,724 | $521,060 | 6 |
| Dec 27, 2024 | - | $51,734 | -19% | 31 | $1,669 | $627,780 | 7 |
| Jan 3, 2025 | - | $70,079 | +35% | 44 | $1,593 | $747,870 | 8 |
| Jan 10, 2025 | - | $54,797 | -22% | 51 | $1,074 | $846,058 | 9 |
| Jan 17, 2025 | - | $40,907 | -25% | 34 | $1,203 | $913,398 | 10 |
| Jan 24, 2025 | - | $47,864 | +17% | 48 | $997 | $982,217 | 11 |
| Jan 31, 2025 | - | $22,499 | -53% | 29 | $776 | $1,021,747 | 12 |
| Feb 7, 2025 | - | $15,092 | -33% | 22 | $686 | $1,046,570 | 13 |
| Feb 14, 2025 | - | $7,309 | -52% | 15 | $487 | $1,060,503 | 14 |
| Feb 21, 2025 | - | $6,092 | -17% | 11 | $554 | $1,068,298 | 15 |
| Feb 28, 2025 | - | $5,758 | -5% | 6 | $960 | $1,078,137 | 16 |
| Mar 7, 2025 | - | $2,111 | -63% | 5 | $422 | $1,083,035 | 17 |
| Mar 14, 2025 | - | $999 | -53% | 2 | $500 | $1,086,960 | 18 |
| Mar 21, 2025 | - | $1,179 | +18% | 5 | $236 | $1,088,732 | 19 |
| Mar 28, 2025 | - | $57 | -95% | 1 | $57 | $1,089,576 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2024 | 24 | $70,326 | 3 | $23,442 | $70,326 | 1 | |
| Nov 22, 2024 | 17 | $102,037 | +45% | 19 | $5,370 | $172,363 | 2 |
| Nov 29, 2024 | 17 | $112,751 | +11% | 26 | $4,337 | $285,114 | 3 |
| Dec 6, 2024 | 25 | $71,157 | -37% | 24 | $2,965 | $356,271 | 4 |
| Dec 13, 2024 | 23 | $100,984 | +42% | 34 | $2,970 | $457,255 | 5 |
| Dec 20, 2024 | 21 | $118,791 | +18% | 37 | $3,211 | $576,046 | 6 |
| Dec 27, 2024 | 20 | $101,745 | -14% | 31 | $3,282 | $677,791 | 7 |
| Jan 3, 2025 | 23 | $113,470 | +12% | 44 | $2,579 | $791,261 | 8 |
| Jan 10, 2025 | 29 | $81,230 | -28% | 51 | $1,593 | $872,491 | 9 |
| Jan 17, 2025 | 35 | $61,862 | -24% | 34 | $1,819 | $934,353 | 10 |
| Jan 24, 2025 | 33 | $64,895 | +5% | 48 | $1,352 | $999,248 | 11 |
| Jan 31, 2025 | 39 | $32,230 | -50% | 29 | $1,111 | $1,031,478 | 12 |
| Feb 7, 2025 | 46 | $21,716 | -33% | 22 | $987 | $1,053,194 | 13 |
| Feb 14, 2025 | 45 | $9,012 | -59% | 15 | $601 | $1,062,206 | 14 |
| Feb 21, 2025 | 46 | $10,173 | +13% | 11 | $925 | $1,072,379 | 15 |
| Feb 28, 2025 | 54 | $8,545 | -16% | 6 | $1,424 | $1,080,924 | 16 |
| Mar 7, 2025 | 62 | $5,037 | -41% | 5 | $1,007 | $1,085,961 | 17 |
| Mar 14, 2025 | 64 | $1,592 | -68% | 2 | $796 | $1,087,553 | 18 |
| Mar 21, 2025 | 57 | $1,966 | +23% | 5 | $393 | $1,089,519 | 19 |
| Mar 28, 2025 | 72 | $159 | -92% | 1 | $159 | $1,089,678 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/20/2024 | $2,837 | 1 | 7 | 116 | $309,179 | 4/4/2026 | |||
| Czech Republic | 5/29/2025 | $3,659 | 27 | 27 | 27 | $4,862 | 4/4/2026 | |||
| Finland | 3/7/2025 | $14,179 | 29 | 29 | 29 | $45,748 | 4/4/2026 | |||
| Italy | 10/10/2024 | $62,886 | 0 | 0 | 0 | $263,324 | 10/28/2024 | |||
| Netherlands | 2/27/2025 | $72,065 | 45 | 49 | 141 | $270,557 | 4/4/2026 | |||
| New Zealand | 12/26/2024 | $2,141 | 9 | 4 | 132 | $50,120 | 4/4/2026 | |||
| Portugal | 12/19/2024 | $13,338 | 13 | 13 | 57 | $87,555 | 2/11/2025 | |||
| Romania | 1/24/2025 | $8,964 | 21 | 21 | 21 | $10,698 | 2/5/2025 | |||
| South Korea | 4/23/2025 | $16,798 | 57 | 57 | 0 | $114,217 | 4/6/2026 | |||
| Spain | 1/1/2025 | $45,002 | 38 | 50 | 136 | $201,798 | 1/23/2025 | |||
| Turkey | 1/17/2025 | $5,797 | 23 | 23 | 40 | $18,564 | 3/13/2025 | |||
| United Kingdom | 11/29/2024 | $140,994 | 52 | 52 | 52 | $232,101 | 12/10/2024 | |||
| International Total | $1,608,723 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kani Kusruti | Prabha | |
| Divya Prabha | Anu |
Supporting
| Chhaya Kadam | Parvaty | |
| Hridhu Haroon | Shiaz | |
| Azees Nedumangad | Dr. Manoj |
Production and Technical Credits
| Payal Kapadia | Director | |
| Payal Kapadia | Screenwriter | |
| Ranabir Das | Director of Photography | |
| Clément Pinteaux | Editor | |
| Maxima Basu | Costume Designer | |
| Benjamin Silvestre | Sound Designer | |
| Romain Ozanne | Sound Designer | |
| Olivier Voisin | Sound Designer | |
| Dhritiman Das | Composer | |
| Piyusha Chalke | Production Designer | |
| Yashasvi Sabharwal | Production Designer | |
| Shamim Khan | Production Designer | |
| Thomas Hakim | Producer | |
| Julien Graff | Producer | |
| Zico Maitra | Co-Producer | |
| Ranabir Das | Co-Producer | |
| Frank Hoeve | Co-Producer | |
| Govinda Van Maele | Co-Producer | |
| Gilles Chanial | Co-Producer | |
| Denise Ping Leen | Co-Producer | |
| Roberto Minervini | Co-Producer | |
| Olivier Pere | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital—head nurse Prabha and recent hire Anu—plus their coworker, cook Parvaty, Kapadia’s film alights on moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment.
Metrics
| Opening Weekend: | $46,876 (4.3% of total gross) |
| Legs: | 15.55 (domestic box office/biggest weekend) |
| Domestic Share: | 40.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/51 max. theaters, 8.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,125,762 |
Movie Details
| Domestic Releases: | November 15th, 2024 (Limited) by Janus Films |
| International Releases: | June 20th, 2024 (Limited) (Australia)
October 2nd, 2024 (Limited) (France) October 10th, 2024 (Limited), released as All We Imagine as Light - Amore a Mumbai (Italy) November 29th, 2024 (Limited) (United Kingdom) December 19th, 2024 (Limited), released as All We Imagine as Light – Tudo o Que Imaginamos Como Luz (Portugal) ... Show all releases |
| Video Release: | February 4th, 2025 by Janus Films |
| MPA Rating: | Not Rated |
| Running Time: | 118 minutes |
| Film festival: | Cannes Film Festival 2024 |
| Release detail: | Festival Acquisition |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sideshow , Janus Films |
| Production Countries: | India, France, Netherlands, Luxembourg |
| Languages: | Hindi, Malayalam |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2024 | - | $46,876 | 3 | $15,625 | $46,876 | 1 | |
| Nov 22, 2024 | - | $62,853 | +34% | 19 | $3,308 | $133,179 | 2 |
| Nov 29, 2024 | - | $63,708 | +1% | 26 | $2,450 | $236,071 | 3 |
| Dec 6, 2024 | - | $40,640 | -36% | 24 | $1,693 | $325,754 | 4 |
| Dec 13, 2024 | - | $54,611 | +34% | 34 | $1,606 | $410,882 | 5 |
| Dec 20, 2024 | - | $63,805 | +17% | 37 | $1,724 | $521,060 | 6 |
| Dec 27, 2024 | - | $51,734 | -19% | 31 | $1,669 | $627,780 | 7 |
| Jan 3, 2025 | - | $70,079 | +35% | 44 | $1,593 | $747,870 | 8 |
| Jan 10, 2025 | - | $54,797 | -22% | 51 | $1,074 | $846,058 | 9 |
| Jan 17, 2025 | - | $40,907 | -25% | 34 | $1,203 | $913,398 | 10 |
| Jan 24, 2025 | - | $47,864 | +17% | 48 | $997 | $982,217 | 11 |
| Jan 31, 2025 | - | $22,499 | -53% | 29 | $776 | $1,021,747 | 12 |
| Feb 7, 2025 | - | $15,092 | -33% | 22 | $686 | $1,046,570 | 13 |
| Feb 14, 2025 | - | $7,309 | -52% | 15 | $487 | $1,060,503 | 14 |
| Feb 21, 2025 | - | $6,092 | -17% | 11 | $554 | $1,068,298 | 15 |
| Feb 28, 2025 | - | $5,758 | -5% | 6 | $960 | $1,078,137 | 16 |
| Mar 7, 2025 | - | $2,111 | -63% | 5 | $422 | $1,083,035 | 17 |
| Mar 14, 2025 | - | $999 | -53% | 2 | $500 | $1,086,960 | 18 |
| Mar 21, 2025 | - | $1,179 | +18% | 5 | $236 | $1,088,732 | 19 |
| Mar 28, 2025 | - | $57 | -95% | 1 | $57 | $1,089,576 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2024 | 24 | $70,326 | 3 | $23,442 | $70,326 | 1 | |
| Nov 22, 2024 | 17 | $102,037 | +45% | 19 | $5,370 | $172,363 | 2 |
| Nov 29, 2024 | 17 | $112,751 | +11% | 26 | $4,337 | $285,114 | 3 |
| Dec 6, 2024 | 25 | $71,157 | -37% | 24 | $2,965 | $356,271 | 4 |
| Dec 13, 2024 | 23 | $100,984 | +42% | 34 | $2,970 | $457,255 | 5 |
| Dec 20, 2024 | 21 | $118,791 | +18% | 37 | $3,211 | $576,046 | 6 |
| Dec 27, 2024 | 20 | $101,745 | -14% | 31 | $3,282 | $677,791 | 7 |
| Jan 3, 2025 | 23 | $113,470 | +12% | 44 | $2,579 | $791,261 | 8 |
| Jan 10, 2025 | 29 | $81,230 | -28% | 51 | $1,593 | $872,491 | 9 |
| Jan 17, 2025 | 35 | $61,862 | -24% | 34 | $1,819 | $934,353 | 10 |
| Jan 24, 2025 | 33 | $64,895 | +5% | 48 | $1,352 | $999,248 | 11 |
| Jan 31, 2025 | 39 | $32,230 | -50% | 29 | $1,111 | $1,031,478 | 12 |
| Feb 7, 2025 | 46 | $21,716 | -33% | 22 | $987 | $1,053,194 | 13 |
| Feb 14, 2025 | 45 | $9,012 | -59% | 15 | $601 | $1,062,206 | 14 |
| Feb 21, 2025 | 46 | $10,173 | +13% | 11 | $925 | $1,072,379 | 15 |
| Feb 28, 2025 | 54 | $8,545 | -16% | 6 | $1,424 | $1,080,924 | 16 |
| Mar 7, 2025 | 62 | $5,037 | -41% | 5 | $1,007 | $1,085,961 | 17 |
| Mar 14, 2025 | 64 | $1,592 | -68% | 2 | $796 | $1,087,553 | 18 |
| Mar 21, 2025 | 57 | $1,966 | +23% | 5 | $393 | $1,089,519 | 19 |
| Mar 28, 2025 | 72 | $159 | -92% | 1 | $159 | $1,089,678 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/20/2024 | $2,837 | 1 | 7 | 116 | $309,179 | 4/4/2026 | |||
| Czech Republic | 5/29/2025 | $3,659 | 27 | 27 | 27 | $4,862 | 4/4/2026 | |||
| Finland | 3/7/2025 | $14,179 | 29 | 29 | 29 | $45,748 | 4/4/2026 | |||
| Italy | 10/10/2024 | $62,886 | 0 | 0 | 0 | $263,324 | 10/28/2024 | |||
| Netherlands | 2/27/2025 | $72,065 | 45 | 49 | 141 | $270,557 | 4/4/2026 | |||
| New Zealand | 12/26/2024 | $2,141 | 9 | 4 | 132 | $50,120 | 4/4/2026 | |||
| Portugal | 12/19/2024 | $13,338 | 13 | 13 | 57 | $87,555 | 2/11/2025 | |||
| Romania | 1/24/2025 | $8,964 | 21 | 21 | 21 | $10,698 | 2/5/2025 | |||
| South Korea | 4/23/2025 | $16,798 | 57 | 57 | 0 | $114,217 | 4/6/2026 | |||
| Spain | 1/1/2025 | $45,002 | 38 | 50 | 136 | $201,798 | 1/23/2025 | |||
| Turkey | 1/17/2025 | $5,797 | 23 | 23 | 40 | $18,564 | 3/13/2025 | |||
| United Kingdom | 11/29/2024 | $140,994 | 52 | 52 | 52 | $232,101 | 12/10/2024 | |||
| International Total | $1,608,723 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kani Kusruti | Prabha | |
| Divya Prabha | Anu |
Supporting
| Chhaya Kadam | Parvaty | |
| Hridhu Haroon | Shiaz | |
| Azees Nedumangad | Dr. Manoj |
Production and Technical Credits
| Payal Kapadia | Director | |
| Payal Kapadia | Screenwriter | |
| Ranabir Das | Director of Photography | |
| Clément Pinteaux | Editor | |
| Maxima Basu | Costume Designer | |
| Benjamin Silvestre | Sound Designer | |
| Romain Ozanne | Sound Designer | |
| Olivier Voisin | Sound Designer | |
| Dhritiman Das | Composer | |
| Piyusha Chalke | Production Designer | |
| Yashasvi Sabharwal | Production Designer | |
| Shamim Khan | Production Designer | |
| Thomas Hakim | Producer | |
| Julien Graff | Producer | |
| Zico Maitra | Co-Producer | |
| Ranabir Das | Co-Producer | |
| Frank Hoeve | Co-Producer | |
| Govinda Van Maele | Co-Producer | |
| Gilles Chanial | Co-Producer | |
| Denise Ping Leen | Co-Producer | |
| Roberto Minervini | Co-Producer | |
| Olivier Pere | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.