All is True (2019)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $1,199,066 | Details |
| International Box Office | $1,818,632 | Details |
| Worldwide Box Office | $3,017,698 | |
| OpusData ID: 375520100 More info... | ||
| Further financial details... | ||
Synopsis
All is true is a portrait of William Shakespeare during the last three years of his life, as he leaves London and returns to his family in Stratford-upon-Avon. The film follows Shakespeare as he strives to bridge the distance between himself and his wife and two daughters, recover from the loss of his son, and come to terms with his legacy as an artist.
Metrics
| Opening Weekend: | $44,211 (3.7% of total gross) |
| Legs: | 5.29 (domestic box office/biggest weekend) |
| Domestic Share: | 39.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/328 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,565,588 |
Movie Details
| Domestic Releases: | December 21st, 2018 (Oscar Qualifying Run) by Sony Pictures Classics May 10th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | February 8th, 2019 (Wide) (United Kingdom)
May 3rd, 2019 (Wide) (Poland) May 9th, 2019 (Wide) (New Zealand) May 10th, 2019 (Wide), released as All Is True (Australia) ... Show all releases |
| Video Release: | August 13th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic elements, suggestive material and language. (Rating bulletin 2554 (Cert #51921), 11/21/2018) |
| Running Time: | 101 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Geographical setting: | England |
| Plot point: | Biography, Disaster, Dysfunctional Family, Writing and Writers |
| Subgenre: | Historical Drama |
| Time period setting: | 1600s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Sony Pictures Classics, TKBC |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 34 | $44,211 | 4 | $11,053 | $47,927 | 21 | |
| May 17, 2019 | 32 | $61,637 | +39% | 20 | $3,082 | $126,510 | 22 |
| May 24, 2019 | 26 | $134,899 | +119% | 64 | $2,108 | $291,854 | 23 |
| May 31, 2019 | 26 | $90,704 | -33% | 81 | $1,120 | $464,904 | 24 |
| Jun 7, 2019 | 19 | $226,606 | +150% | 328 | $691 | $741,653 | 25 |
| Jun 14, 2019 | 28 | $87,614 | -61% | 190 | $461 | $968,943 | 26 |
| Jun 21, 2019 | 33 | $46,813 | -47% | 77 | $608 | $1,075,681 | 27 |
| Jun 28, 2019 | 41 | $20,437 | -56% | 34 | $601 | $1,125,820 | 28 |
| Jul 5, 2019 | 39 | $12,216 | -40% | 23 | $531 | $1,151,244 | 29 |
| Jul 12, 2019 | 47 | $9,487 | -22% | 17 | $558 | $1,171,166 | 30 |
| Jul 19, 2019 | 49 | $6,091 | -36% | 10 | $609 | $1,185,139 | 31 |
| Jul 26, 2019 | 51 | $3,134 | -49% | 7 | $448 | $1,191,725 | 32 |
| Aug 2, 2019 | 67 | $1,357 | -57% | 3 | $452 | $1,194,257 | 33 |
| Aug 9, 2019 | 65 | $1,988 | +46% | 5 | $398 | $1,196,697 | 34 |
| Aug 16, 2019 | 71 | $1,157 | -42% | 2 | $579 | $1,199,066 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 33 | $64,873 | 4 | $16,218 | $64,873 | 21 | |
| May 17, 2019 | 31 | $92,082 | +42% | 20 | $4,604 | $156,955 | 22 |
| May 24, 2019 | 25 | $217,245 | +136% | 64 | $3,394 | $374,200 | 23 |
| May 31, 2019 | 27 | $140,847 | -35% | 81 | $1,739 | $515,047 | 24 |
| Jun 7, 2019 | - | $366,282 | +160% | 328 | $1,117 | $881,329 | 25 |
| Jun 14, 2019 | - | $147,539 | -60% | 190 | $777 | $1,028,868 | 26 |
| Jun 21, 2019 | 30 | $76,515 | -48% | 77 | $994 | $1,105,383 | 27 |
| Jun 28, 2019 | 43 | $33,645 | -56% | 34 | $990 | $1,139,028 | 28 |
| Jul 5, 2019 | 39 | $22,651 | -33% | 23 | $985 | $1,161,679 | 29 |
| Jul 12, 2019 | 50 | $17,369 | -23% | 17 | $1,022 | $1,179,048 | 30 |
| Jul 19, 2019 | 50 | $9,543 | -45% | 10 | $954 | $1,188,591 | 31 |
| Jul 26, 2019 | 59 | $4,309 | -55% | 7 | $616 | $1,192,900 | 32 |
| Aug 2, 2019 | 74 | $1,809 | -58% | 3 | $603 | $1,194,709 | 33 |
| Aug 9, 2019 | 70 | $3,200 | +77% | 5 | $640 | $1,197,909 | 34 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/10/2019 | $81,328 | 32 | 36 | 243 | $373,240 | 9/11/2019 | |||
| New Zealand | 5/9/2019 | $21,023 | 21 | 26 | 111 | $82,296 | 7/10/2019 | |||
| Poland | 5/3/2019 | $22,604 | 46 | 46 | 110 | $50,023 | 5/29/2019 | |||
| United Kingdom | 2/8/2019 | $345,017 | 252 | 252 | 742 | $1,313,073 | 4/4/2026 | |||
| International Total | $1,818,632 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kenneth Branagh | William Shakespeare | |
| Judi Dench | Anne Shakespeare | |
| Ian McKellen | Earl of Southampton |
Supporting
| Kathryn Wilder | Judith Shakespeare | |
| Lydia Wilson | Susanna Hall | |
| Hadley Fraser | John Hall | |
| Jack Colgrave Hirst | Tom Quiney | |
| John Dagleish | Rafe Smith | |
| Sean Foley | John Lane | |
| Gerard Horan | Ben Jonson | |
| Jimmy Yuill | Vicar Edward Woolmer | |
| Alex MacQueen | Sir Thomas Lucy | |
| Eleanor De Rohan | Margaret Wheeler | |
| Sabi Perez | Maria, Shakespeare’s Maid | |
| Sam Ellis | Hamnet Shakespeare | |
| Phil Dunster | Henry, the Student | |
| Darryl Clark | Mr. Wheeler | |
| Penny Ryder | Mrs. Wheeler | |
| Michael Rouse | Francis Collins | |
| Lolita Chakrabarti | Stratford Landlady | |
| Matt Jessup | Frank | |
| Nonso Anozie | Ator Playing Aaron | |
| Clara Duczmal | Elizabeth Hall | |
| Hamish McColl | Judge | |
| Harry Lister Smith | Jack Cade | |
| Doug Colling | Douglas, Shakespeare’s Servant | |
| Freya Durkan | Young Judith Shakespeare | |
| Kate Tydman | Lady Thomas Lucy |
Production and Technical Credits
| Kenneth Branagh | Director | |
| Ben Elton | Screenwriter | |
| Kenneth Branagh | Producer | |
| Tamar Thomas | Producer | |
| Ted Gagliano | Producer | |
| Judy Hofflund | Executive Producer | |
| Matthew Jenkins | Executive Producer | |
| Becca Kovacik | Executive Producer | |
| Laura Berwick | Executive Producer | |
| Zac Nicholson | Director of Photography | |
| James Merifield | Production Designer | |
| Una Ni Dhonghaile | Editor | |
| Patrick Doyle | Composer | |
| Michael O’Connor | Costume Designer | |
| Lucy Bevan | Casting Director | |
| Emily Brockmann | Casting Director | |
| Andy Nelson | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
All is true is a portrait of William Shakespeare during the last three years of his life, as he leaves London and returns to his family in Stratford-upon-Avon. The film follows Shakespeare as he strives to bridge the distance between himself and his wife and two daughters, recover from the loss of his son, and come to terms with his legacy as an artist.
Metrics
| Opening Weekend: | $44,211 (3.7% of total gross) |
| Legs: | 5.29 (domestic box office/biggest weekend) |
| Domestic Share: | 39.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/328 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,565,588 |
Movie Details
| Domestic Releases: | December 21st, 2018 (Oscar Qualifying Run) by Sony Pictures Classics May 10th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | February 8th, 2019 (Wide) (United Kingdom)
May 3rd, 2019 (Wide) (Poland) May 9th, 2019 (Wide) (New Zealand) May 10th, 2019 (Wide), released as All Is True (Australia) ... Show all releases |
| Video Release: | August 13th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic elements, suggestive material and language. (Rating bulletin 2554 (Cert #51921), 11/21/2018) |
| Running Time: | 101 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Geographical setting: | England |
| Plot point: | Biography, Disaster, Dysfunctional Family, Writing and Writers |
| Subgenre: | Historical Drama |
| Time period setting: | 1600s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Sony Pictures Classics, TKBC |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 34 | $44,211 | 4 | $11,053 | $47,927 | 21 | |
| May 17, 2019 | 32 | $61,637 | +39% | 20 | $3,082 | $126,510 | 22 |
| May 24, 2019 | 26 | $134,899 | +119% | 64 | $2,108 | $291,854 | 23 |
| May 31, 2019 | 26 | $90,704 | -33% | 81 | $1,120 | $464,904 | 24 |
| Jun 7, 2019 | 19 | $226,606 | +150% | 328 | $691 | $741,653 | 25 |
| Jun 14, 2019 | 28 | $87,614 | -61% | 190 | $461 | $968,943 | 26 |
| Jun 21, 2019 | 33 | $46,813 | -47% | 77 | $608 | $1,075,681 | 27 |
| Jun 28, 2019 | 41 | $20,437 | -56% | 34 | $601 | $1,125,820 | 28 |
| Jul 5, 2019 | 39 | $12,216 | -40% | 23 | $531 | $1,151,244 | 29 |
| Jul 12, 2019 | 47 | $9,487 | -22% | 17 | $558 | $1,171,166 | 30 |
| Jul 19, 2019 | 49 | $6,091 | -36% | 10 | $609 | $1,185,139 | 31 |
| Jul 26, 2019 | 51 | $3,134 | -49% | 7 | $448 | $1,191,725 | 32 |
| Aug 2, 2019 | 67 | $1,357 | -57% | 3 | $452 | $1,194,257 | 33 |
| Aug 9, 2019 | 65 | $1,988 | +46% | 5 | $398 | $1,196,697 | 34 |
| Aug 16, 2019 | 71 | $1,157 | -42% | 2 | $579 | $1,199,066 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 10, 2019 | 33 | $64,873 | 4 | $16,218 | $64,873 | 21 | |
| May 17, 2019 | 31 | $92,082 | +42% | 20 | $4,604 | $156,955 | 22 |
| May 24, 2019 | 25 | $217,245 | +136% | 64 | $3,394 | $374,200 | 23 |
| May 31, 2019 | 27 | $140,847 | -35% | 81 | $1,739 | $515,047 | 24 |
| Jun 7, 2019 | - | $366,282 | +160% | 328 | $1,117 | $881,329 | 25 |
| Jun 14, 2019 | - | $147,539 | -60% | 190 | $777 | $1,028,868 | 26 |
| Jun 21, 2019 | 30 | $76,515 | -48% | 77 | $994 | $1,105,383 | 27 |
| Jun 28, 2019 | 43 | $33,645 | -56% | 34 | $990 | $1,139,028 | 28 |
| Jul 5, 2019 | 39 | $22,651 | -33% | 23 | $985 | $1,161,679 | 29 |
| Jul 12, 2019 | 50 | $17,369 | -23% | 17 | $1,022 | $1,179,048 | 30 |
| Jul 19, 2019 | 50 | $9,543 | -45% | 10 | $954 | $1,188,591 | 31 |
| Jul 26, 2019 | 59 | $4,309 | -55% | 7 | $616 | $1,192,900 | 32 |
| Aug 2, 2019 | 74 | $1,809 | -58% | 3 | $603 | $1,194,709 | 33 |
| Aug 9, 2019 | 70 | $3,200 | +77% | 5 | $640 | $1,197,909 | 34 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/10/2019 | $81,328 | 32 | 36 | 243 | $373,240 | 9/11/2019 | |||
| New Zealand | 5/9/2019 | $21,023 | 21 | 26 | 111 | $82,296 | 7/10/2019 | |||
| Poland | 5/3/2019 | $22,604 | 46 | 46 | 110 | $50,023 | 5/29/2019 | |||
| United Kingdom | 2/8/2019 | $345,017 | 252 | 252 | 742 | $1,313,073 | 4/4/2026 | |||
| International Total | $1,818,632 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kenneth Branagh | William Shakespeare | |
| Judi Dench | Anne Shakespeare | |
| Ian McKellen | Earl of Southampton |
Supporting
| Kathryn Wilder | Judith Shakespeare | |
| Lydia Wilson | Susanna Hall | |
| Hadley Fraser | John Hall | |
| Jack Colgrave Hirst | Tom Quiney | |
| John Dagleish | Rafe Smith | |
| Sean Foley | John Lane | |
| Gerard Horan | Ben Jonson | |
| Jimmy Yuill | Vicar Edward Woolmer | |
| Alex MacQueen | Sir Thomas Lucy | |
| Eleanor De Rohan | Margaret Wheeler | |
| Sabi Perez | Maria, Shakespeare’s Maid | |
| Sam Ellis | Hamnet Shakespeare | |
| Phil Dunster | Henry, the Student | |
| Darryl Clark | Mr. Wheeler | |
| Penny Ryder | Mrs. Wheeler | |
| Michael Rouse | Francis Collins | |
| Lolita Chakrabarti | Stratford Landlady | |
| Matt Jessup | Frank | |
| Nonso Anozie | Ator Playing Aaron | |
| Clara Duczmal | Elizabeth Hall | |
| Hamish McColl | Judge | |
| Harry Lister Smith | Jack Cade | |
| Doug Colling | Douglas, Shakespeare’s Servant | |
| Freya Durkan | Young Judith Shakespeare | |
| Kate Tydman | Lady Thomas Lucy |
Production and Technical Credits
| Kenneth Branagh | Director | |
| Ben Elton | Screenwriter | |
| Kenneth Branagh | Producer | |
| Tamar Thomas | Producer | |
| Ted Gagliano | Producer | |
| Judy Hofflund | Executive Producer | |
| Matthew Jenkins | Executive Producer | |
| Becca Kovacik | Executive Producer | |
| Laura Berwick | Executive Producer | |
| Zac Nicholson | Director of Photography | |
| James Merifield | Production Designer | |
| Una Ni Dhonghaile | Editor | |
| Patrick Doyle | Composer | |
| Michael O’Connor | Costume Designer | |
| Lucy Bevan | Casting Director | |
| Emily Brockmann | Casting Director | |
| Andy Nelson | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.