All the Old Knives (2022)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 226730100 More info... | ||
| Further financial details... | ||
Synopsis
When the CIA discovers one of its agents leaked information that cost more than 100 people their lives, veteran operative Henry Pelham is assigned to root out the mole from among his former officemates at the agency’s Vienna station. His investigation takes him from Austria to England to California, where he is reunited with his one-time colleague and ex-lover Celia Harrison. The pair are forced to blur the lines between profession and passion in this riveting tale of global espionage, moral ambiguity, and deadly betrayal.
Metrics
Movie Details
| Domestic Releases: | April 8th, 2022 (Limited) by Amazon Studios |
| Video Release: | April 8th, 2022 by Prime Video |
| MPA Rating: | R for sexuality/nudity, violence and language. (Rating bulletin 2710 (cert #53446), 12/8/2021) |
| Running Time: | 101 minutes |
| Plot point: | C.I.A., Death of a Son or Daughter, Hostage, Revenge, Terrorism |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Mark Gordon Company, Clockstone Pictures, Amazon Studios, Big Indie Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Chris Pine | Henry Pelham | |
| Thandiwe Newton | Celia Harrison | |
| Laurence Fishburne | Vick Wallinger | |
| Jonathan Pryce | Bill Compton |
Production and Technical Credits
| Janus Metz | Director | |
| Olen Steinhauer | Screenwriter | |
| Olen Steinhauer | Based on the novel by | |
| Nick Wechsler | Producer | |
| Steve Schwartz | Producer | |
| Paula Mae Schwartz | Producer | |
| Matt Jackson | Producer | |
| Kate Churchill | Executive Producer | |
| Chris Pine | Executive Producer | |
| Charlotte Bruus Christensen | Director of Photography | |
| Stephanie Collie | Costume Designer | |
| Kirstin Chalmers | Hair and Makeup Artist | |
| Marcus Rowland | Production Designer | |
| Mark Eckersley | Editor | |
| Per Sandholt | Editor | |
| Jina Jay | Casting Director | |
| Jon Ekstrand | Composer | |
| Rebekka Karijord | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When the CIA discovers one of its agents leaked information that cost more than 100 people their lives, veteran operative Henry Pelham is assigned to root out the mole from among his former officemates at the agency’s Vienna station. His investigation takes him from Austria to England to California, where he is reunited with his one-time colleague and ex-lover Celia Harrison. The pair are forced to blur the lines between profession and passion in this riveting tale of global espionage, moral ambiguity, and deadly betrayal.
Metrics
Movie Details
| Domestic Releases: | April 8th, 2022 (Limited) by Amazon Studios |
| Video Release: | April 8th, 2022 by Prime Video |
| MPA Rating: | R for sexuality/nudity, violence and language. (Rating bulletin 2710 (cert #53446), 12/8/2021) |
| Running Time: | 101 minutes |
| Plot point: | C.I.A., Death of a Son or Daughter, Hostage, Revenge, Terrorism |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Mark Gordon Company, Clockstone Pictures, Amazon Studios, Big Indie Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Chris Pine | Henry Pelham | |
| Thandiwe Newton | Celia Harrison | |
| Laurence Fishburne | Vick Wallinger | |
| Jonathan Pryce | Bill Compton |
Production and Technical Credits
| Janus Metz | Director | |
| Olen Steinhauer | Screenwriter | |
| Olen Steinhauer | Based on the novel by | |
| Nick Wechsler | Producer | |
| Steve Schwartz | Producer | |
| Paula Mae Schwartz | Producer | |
| Matt Jackson | Producer | |
| Kate Churchill | Executive Producer | |
| Chris Pine | Executive Producer | |
| Charlotte Bruus Christensen | Director of Photography | |
| Stephanie Collie | Costume Designer | |
| Kirstin Chalmers | Hair and Makeup Artist | |
| Marcus Rowland | Production Designer | |
| Mark Eckersley | Editor | |
| Per Sandholt | Editor | |
| Jina Jay | Casting Director | |
| Jon Ekstrand | Composer | |
| Rebekka Karijord | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.