Alone in Berlin (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $33,125 | Details |
| International Box Office | $1,691,580 | Details |
| Worldwide Box Office | $1,724,705 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $118,431 | |
| Total | $118,431 | |
| OpusData ID: 284260100 More info... | ||
| Further financial details... | ||
Synopsis
Otto and Anna are an ordinary couple living in a shabby apartment in Berlin, trying to stay out of trouble under Nazi rule. But when their only child is killed fighting at the front, their loss propels them into an act of resistance.
Metrics
| Opening Weekend: | $8,869 (26.8% of total gross) |
| Legs: | 3.73 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/5 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $44,168 |
Movie Details
| Domestic Releases: | January 13th, 2017 (Limited) by IFC Films |
| International Releases: | October 14th, 2016 (Wide) (Italy)
November 18th, 2016 (Wide) (Portugal) November 25th, 2016 (Wide) (France) March 3rd, 2017 (Wide) (New Zealand) March 3rd, 2017 (Wide), released as Alone In Berlin (Australia) ... Show all releases |
| Video Release: | June 13th, 2017 by IFC Video |
| MPA Rating: | R for brief violence (Rating bulletin 2448 (Cert #50754), 10/26/2016) |
| Running Time: | 103 minutes |
| Geographical setting: | Berlin, Germany |
| Plot point: | Death of a Son or Daughter, Nazi, True Crime |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | World War II |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | X Filme Creative Pool, Master Movies, Filmwave, Pathe, Buffalo Film Company, Alone in Berlin Ltd, WS Filmproduktion, Lipsync Productions, Canal Plus |
| Production Countries: | United Kingdom, France, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 46 | $8,869 | 2 | $4,435 | $8,869 | 1 | |
| Jan 20, 2017 | 57 | $4,926 | -44% | 3 | $1,642 | $19,428 | 2 |
| Jan 27, 2017 | 53 | $5,254 | +7% | 3 | $1,751 | $27,856 | 3 |
| Feb 3, 2017 | 65 | $1,319 | -75% | 5 | $264 | $28,959 | 4 |
| Feb 10, 2017 | 65 | $2,307 | +75% | 4 | $577 | $33,125 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 46 | $14,502 | 2 | $7,251 | $14,502 | 1 | |
| Jan 20, 2017 | 56 | $8,100 | -44% | 3 | $2,700 | $22,602 | 2 |
| Feb 3, 2017 | 62 | $3,178 | 5 | $636 | $30,818 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/3/2017 | $134,006 | 119 | 119 | 443 | $586,712 | 5/15/2017 | |||
| France | 11/25/2016 | $136,344 | 0 | 0 | 0 | $136,344 | 8/17/2018 | |||
| Italy | 10/14/2016 | $149,694 | 0 | 63 | 63 | $266,522 | 11/2/2018 | |||
| Netherlands | 4/28/2017 | $29,602 | 23 | 24 | 70 | $94,935 | 11/2/2018 | |||
| New Zealand | 3/3/2017 | $20,201 | 22 | 29 | 132 | $115,280 | 4/18/2017 | |||
| Portugal | 11/18/2016 | $15,183 | 12 | 13 | 35 | $38,513 | 11/2/2018 | |||
| United Kingdom | 6/30/2017 | $140,412 | 38 | 46 | 165 | $453,274 | 9/28/2017 | |||
| International Total | $1,691,580 | 11/2/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emma Thompson | Anna Quangel | |
| Brendan Gleeson | Otto Quangel |
Supporting
| Daniel Brühl | Inspector Escherich | |
| Mikael Persbrandt | SS Officer Prall | |
| Monique Chaumette | Ms. Rosenthal | |
| Joachim Bissmeier | Mr. Fromm | |
| Katrin Pollitt | Eva Kluge | |
| Lars Rudolph | Enno Kluge | |
| Uwe Preuss | Persicke | |
| Daniel Strasser | Zott | |
| Rainer Egger | Emil Barkhausen |
Production and Technical Credits
| Vincent Perez | Director | |
| Hans Fallada | Story based on the novel by | |
| Achim Von Borries | Screenwriter | |
| Vincent Perez | Screenwriter | |
| Stefan Arndt | Producer | |
| Uwe Schott | Producer | |
| Marco Pacchioni | Producer | |
| James Schamus | Producer | |
| Paul Trijbits | Producer | |
| Christian Grass | Producer | |
| Michael Scheel | Executive Producer | |
| Alison Thompson | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Romain Le Grand | Co-Producer | |
| Christophe Beaucarne | Director of Photography | |
| Jean-Vincent Puzo | Production Designer | |
| Francois Gedigier | Editor | |
| Alexandre Desplat | Composer | |
| Roland Winke | Sound Mixer | |
| Nicole Fischnaller | Costume Designer | |
| Jina Jay | Casting Director | |
| Simone Bar | Casting Director | |
| Uel Hormann | Visual Effects Supervisor | |
| Jan R. Martin | Unit Production Manager | |
| Laila Tahhar | Unit Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Otto and Anna are an ordinary couple living in a shabby apartment in Berlin, trying to stay out of trouble under Nazi rule. But when their only child is killed fighting at the front, their loss propels them into an act of resistance.
Metrics
| Opening Weekend: | $8,869 (26.8% of total gross) |
| Legs: | 3.73 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/5 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $44,168 |
Movie Details
| Domestic Releases: | January 13th, 2017 (Limited) by IFC Films |
| International Releases: | October 14th, 2016 (Wide) (Italy)
November 18th, 2016 (Wide) (Portugal) November 25th, 2016 (Wide) (France) March 3rd, 2017 (Wide) (New Zealand) March 3rd, 2017 (Wide), released as Alone In Berlin (Australia) ... Show all releases |
| Video Release: | June 13th, 2017 by IFC Video |
| MPA Rating: | R for brief violence (Rating bulletin 2448 (Cert #50754), 10/26/2016) |
| Running Time: | 103 minutes |
| Geographical setting: | Berlin, Germany |
| Plot point: | Death of a Son or Daughter, Nazi, True Crime |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | World War II |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | X Filme Creative Pool, Master Movies, Filmwave, Pathe, Buffalo Film Company, Alone in Berlin Ltd, WS Filmproduktion, Lipsync Productions, Canal Plus |
| Production Countries: | United Kingdom, France, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 46 | $8,869 | 2 | $4,435 | $8,869 | 1 | |
| Jan 20, 2017 | 57 | $4,926 | -44% | 3 | $1,642 | $19,428 | 2 |
| Jan 27, 2017 | 53 | $5,254 | +7% | 3 | $1,751 | $27,856 | 3 |
| Feb 3, 2017 | 65 | $1,319 | -75% | 5 | $264 | $28,959 | 4 |
| Feb 10, 2017 | 65 | $2,307 | +75% | 4 | $577 | $33,125 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 13, 2017 | 46 | $14,502 | 2 | $7,251 | $14,502 | 1 | |
| Jan 20, 2017 | 56 | $8,100 | -44% | 3 | $2,700 | $22,602 | 2 |
| Feb 3, 2017 | 62 | $3,178 | 5 | $636 | $30,818 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/3/2017 | $134,006 | 119 | 119 | 443 | $586,712 | 5/15/2017 | |||
| France | 11/25/2016 | $136,344 | 0 | 0 | 0 | $136,344 | 8/17/2018 | |||
| Italy | 10/14/2016 | $149,694 | 0 | 63 | 63 | $266,522 | 11/2/2018 | |||
| Netherlands | 4/28/2017 | $29,602 | 23 | 24 | 70 | $94,935 | 11/2/2018 | |||
| New Zealand | 3/3/2017 | $20,201 | 22 | 29 | 132 | $115,280 | 4/18/2017 | |||
| Portugal | 11/18/2016 | $15,183 | 12 | 13 | 35 | $38,513 | 11/2/2018 | |||
| United Kingdom | 6/30/2017 | $140,412 | 38 | 46 | 165 | $453,274 | 9/28/2017 | |||
| International Total | $1,691,580 | 11/2/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emma Thompson | Anna Quangel | |
| Brendan Gleeson | Otto Quangel |
Supporting
| Daniel Brühl | Inspector Escherich | |
| Mikael Persbrandt | SS Officer Prall | |
| Monique Chaumette | Ms. Rosenthal | |
| Joachim Bissmeier | Mr. Fromm | |
| Katrin Pollitt | Eva Kluge | |
| Lars Rudolph | Enno Kluge | |
| Uwe Preuss | Persicke | |
| Daniel Strasser | Zott | |
| Rainer Egger | Emil Barkhausen |
Production and Technical Credits
| Vincent Perez | Director | |
| Hans Fallada | Story based on the novel by | |
| Achim Von Borries | Screenwriter | |
| Vincent Perez | Screenwriter | |
| Stefan Arndt | Producer | |
| Uwe Schott | Producer | |
| Marco Pacchioni | Producer | |
| James Schamus | Producer | |
| Paul Trijbits | Producer | |
| Christian Grass | Producer | |
| Michael Scheel | Executive Producer | |
| Alison Thompson | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Romain Le Grand | Co-Producer | |
| Christophe Beaucarne | Director of Photography | |
| Jean-Vincent Puzo | Production Designer | |
| Francois Gedigier | Editor | |
| Alexandre Desplat | Composer | |
| Roland Winke | Sound Mixer | |
| Nicole Fischnaller | Costume Designer | |
| Jina Jay | Casting Director | |
| Simone Bar | Casting Director | |
| Uel Hormann | Visual Effects Supervisor | |
| Jan R. Martin | Unit Production Manager | |
| Laila Tahhar | Unit Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.