Altamira (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,339,604 | Details |
| Worldwide Box Office | $1,339,604 | |
| OpusData ID: 216870100 More info... | ||
| Further financial details... | ||
Synopsis
In 1879, Spanish archaeologist Marcelino and his daughter Maria discover seemingly impossible paintings of galloping bison adorning the walls of a hidden cave. The cave of Altamira brings the world together in amazement, drawing people of all types to see the paintings in person. But, Marcelino soon realizes that the art on the walls must be 10,000 years old, earlier than anyone believes possible. The theory threatens to tear Maria and Marcelino’s family apart while the outside world's astonishment soon turns to fury and fear. The Catholic Church sees his claims as an attack on biblical truth while scientists prove just as dogmatic and reactionary. Maria's fairytale world grows darker as her family faces disaster and Marcelino’s discovery is repressed. Only their love for each other can guide them toward redemption as Marcelino fights to spread the truth.
Metrics
Movie Details
| Domestic Releases: | September 16th, 2016 (Limited) by Samuel Goldwyn Films, released as Finding Altamira |
| International Releases: | April 1st, 2016 (Wide) (Spain)
July 29th, 2016 (Wide) (Portugal) July 28th, 2017 (Wide), released as Алтамира (Bulgaria) |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Plot point: | Archaeology, Science vs. Religion |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Samuel Goldwyn Films, Myriad Pictures, Morena Films, El Maestro De Altamira |
| Production Countries: | Spain, France, United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 7/28/2017 | $589 | 0 | 0 | 0 | $589 | 2/26/2019 | |||
| Portugal | 7/29/2016 | $2,617 | 5 | 5 | 13 | $7,603 | 8/31/2016 | |||
| Spain | 4/1/2016 | $491,182 | 278 | 278 | 821 | $1,331,412 | 6/9/2016 | |||
| International Total | $1,339,604 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Antonio Banderas | Marcelino |
Supporting
| Golshifteh Farahani | Conchita | |
| Nicholas Farrell | Vilanova | |
| Henry Goodman | De Los Rios | |
| Pierre Niney | Paul Ratier | |
| Clement Sibony | Émile Cartailhac | |
| Allegra Allen | María Sautuola | |
| Rupert Everett | Monseñor | |
| Tristan Ulloa | Abbe Breuil | |
| Irene Escolar | Adult Maria |
Production and Technical Credits
| Hugh Hudson | Director | |
| Lucrecia Botin | Producer | |
| Alvaro Longoria | Producer | |
| Andy Paterson | Producer | |
| Lucrecia Botin | Executive Producer | |
| Ana Botin | Executive Producer | |
| Jose Luis Alcaine | Cinematographer | |
| Alexandra Lebret | Producer | |
| Laura Bickford | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1879, Spanish archaeologist Marcelino and his daughter Maria discover seemingly impossible paintings of galloping bison adorning the walls of a hidden cave. The cave of Altamira brings the world together in amazement, drawing people of all types to see the paintings in person. But, Marcelino soon realizes that the art on the walls must be 10,000 years old, earlier than anyone believes possible. The theory threatens to tear Maria and Marcelino’s family apart while the outside world's astonishment soon turns to fury and fear. The Catholic Church sees his claims as an attack on biblical truth while scientists prove just as dogmatic and reactionary. Maria's fairytale world grows darker as her family faces disaster and Marcelino’s discovery is repressed. Only their love for each other can guide them toward redemption as Marcelino fights to spread the truth.
Metrics
Movie Details
| Domestic Releases: | September 16th, 2016 (Limited) by Samuel Goldwyn Films, released as Finding Altamira |
| International Releases: | April 1st, 2016 (Wide) (Spain)
July 29th, 2016 (Wide) (Portugal) July 28th, 2017 (Wide), released as Алтамира (Bulgaria) |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Plot point: | Archaeology, Science vs. Religion |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Samuel Goldwyn Films, Myriad Pictures, Morena Films, El Maestro De Altamira |
| Production Countries: | Spain, France, United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 7/28/2017 | $589 | 0 | 0 | 0 | $589 | 2/26/2019 | |||
| Portugal | 7/29/2016 | $2,617 | 5 | 5 | 13 | $7,603 | 8/31/2016 | |||
| Spain | 4/1/2016 | $491,182 | 278 | 278 | 821 | $1,331,412 | 6/9/2016 | |||
| International Total | $1,339,604 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Antonio Banderas | Marcelino |
Supporting
| Golshifteh Farahani | Conchita | |
| Nicholas Farrell | Vilanova | |
| Henry Goodman | De Los Rios | |
| Pierre Niney | Paul Ratier | |
| Clement Sibony | Émile Cartailhac | |
| Allegra Allen | María Sautuola | |
| Rupert Everett | Monseñor | |
| Tristan Ulloa | Abbe Breuil | |
| Irene Escolar | Adult Maria |
Production and Technical Credits
| Hugh Hudson | Director | |
| Lucrecia Botin | Producer | |
| Alvaro Longoria | Producer | |
| Andy Paterson | Producer | |
| Lucrecia Botin | Executive Producer | |
| Ana Botin | Executive Producer | |
| Jose Luis Alcaine | Cinematographer | |
| Alexandra Lebret | Producer | |
| Laura Bickford | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.