The Alto Knights (2025)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $6,125,566 | Details |
| International Box Office | $4,100,000 | Details |
| Worldwide Box Office | $10,225,566 | |
| OpusData ID: 610670100 More info... | ||
| Further financial details... | ||
Synopsis
Two of New York’s most notorious organized crime bosses, Frank Costello and Vito Genovese vie for control of the city’s streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever.
Metrics
| Opening Weekend: | $3,165,349 (51.7% of total gross) |
| Legs: | 1.94 (domestic box office/biggest weekend) |
| Domestic Share: | 59.9% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2,651 opening theaters/2,651 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,125,566 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Wide) by Warner Bros. |
| International Releases: | March 19th, 2025 (Wide) (France)
March 20th, 2025 (Wide), released as The Alto Knights: Máfia e Poder (Brazil) March 20th, 2025 (Wide) (Australia) March 20th, 2025 (Wide) (New Zealand) March 20th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | April 11th, 2025 by Warner Home Video |
| MPA Rating: | R for violence and pervasive language. (Rating bulletin 2828 (cert #54916), 4/3/2024) |
| Running Time: | 123 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Filming location (country): | United States |
| Filming location (state or county): | Ohio, United States |
| Geographical setting: | New York City |
| Plot point: | Assassination, Biography, Mafia |
| Social setting: | Organized Crime, Retirement |
| Subgenre: | Crime Drama |
| Time period setting: | 1950s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Warner Bros., Domain Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 6 | $3,165,349 | 2,651 | $1,194 | $3,165,349 | 1 | |
| Mar 28, 2025 | 13 | $1,118,040 | -65% | 2,651 | $422 | $5,518,780 | 2 |
| Apr 4, 2025 | - | $68,704 | -94% | 171 | $402 | $6,075,200 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 3 | $1,170,540 | 2,651 | $442 | $1,170,540 | 1 | ||
| Mar 22, 2025 | 6 | $1,210,181 | +3% | 2,651 | $456 | $2,380,721 | 2 | |
| Mar 23, 2025 | 6 | $784,628 | -35% | 2,651 | $296 | $3,165,349 | 3 | |
| Mar 24, 2025 | 6 | $294,692 | -62% | 2,651 | $111 | $3,460,041 | 4 | |
| Mar 25, 2025 | 6 | $493,173 | +67% | 2,651 | $186 | $3,953,214 | 5 | |
| Mar 26, 2025 | - | $272,662 | -45% | 2,651 | $103 | $4,225,876 | 6 | |
| Mar 27, 2025 | 7 | $174,864 | -36% | 2,651 | $66 | $4,400,740 | 7 | |
| Mar 28, 2025 | - | $300,094 | +72% | -74% | 2,651 | $113 | $4,700,834 | 8 |
| Mar 29, 2025 | - | $469,743 | +57% | -61% | 2,651 | $177 | $5,170,577 | 9 |
| Mar 30, 2025 | - | $348,203 | -26% | -56% | 2,651 | $131 | $5,518,780 | 10 |
| Mar 31, 2025 | - | $119,183 | -66% | -60% | 2,651 | $45 | $5,637,963 | 11 |
| Apr 1, 2025 | - | $184,711 | +55% | -63% | 2,651 | $70 | $5,822,674 | 12 |
| Apr 2, 2025 | - | $114,916 | -38% | -58% | 2,651 | $43 | $5,937,590 | 13 |
| Apr 3, 2025 | - | $68,906 | -40% | -61% | 2,651 | $26 | $6,006,496 | 14 |
| Apr 4, 2025 | - | $16,919 | -75% | -94% | 171 | $99 | $6,023,415 | 15 |
| Apr 5, 2025 | - | $29,908 | +77% | -94% | 171 | $175 | $6,053,323 | 16 |
| Apr 6, 2025 | - | $21,877 | -27% | -94% | 171 | $128 | $6,075,200 | 17 |
| Apr 7, 2025 | - | $6,115 | -72% | -95% | 171 | $36 | $6,081,315 | 18 |
| Apr 8, 2025 | - | $11,949 | +95% | -94% | 171 | $70 | $6,093,264 | 19 |
| Apr 9, 2025 | - | $6,770 | -43% | -94% | 171 | $40 | $6,100,034 | 20 |
| Apr 10, 2025 | - | $3,630 | -46% | -95% | 171 | $21 | $6,103,664 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 6 | $4,400,740 | 2,651 | $1,660 | $4,400,740 | 1 | |
| Mar 28, 2025 | 12 | $1,605,756 | -64% | 2,651 | $606 | $6,006,496 | 2 |
| Apr 4, 2025 | 27 | $97,168 | -94% | 171 | $568 | $6,103,664 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/20/2025 | $93,705 | 169 | 169 | 0 | $193,830 | 4/6/2026 | |||
| Brazil | 3/20/2025 | $0 | 0 | 0 | 0 | $170,000 | 4/4/2026 | |||
| France | 3/19/2025 | $412,000 | 248 | 248 | 0 | $708,000 | 4/4/2026 | |||
| Germany | 3/20/2025 | $0 | 0 | 0 | 0 | $232,000 | 4/4/2026 | |||
| Israel | 3/21/2025 | $0 | 0 | 0 | 0 | $20,000 | 4/6/2026 | |||
| Italy | 3/20/2025 | $289,799 | 0 | 0 | 0 | $444,620 | 4/4/2026 | |||
| Mexico | 3/20/2025 | $130,000 | 126 | 126 | 0 | $241,000 | 4/21/2026 | |||
| Spain | 3/21/2025 | $259,978 | 160 | 173 | 442 | $541,438 | 4/4/2026 | |||
| United Kingdom | 3/21/2025 | $501,070 | 706 | 706 | 559 | $926,000 | 4/4/2026 | |||
| Rest of World | $623,112 | |||||||||
| International Total | $4,100,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robert De Niro | Frank Costello / Vito Genovese |
Supporting
| Debra Messing | Bobbie Costello | |
| Kathrine Narducci | Anna Genovese | |
| Cosmo Jarvis | Vincent Gigante | |
| Michael Rispoli | Albert Anastasia | |
| Robert Uricola | Tony Bender | |
| Frank Piccirillo | Richie Boiardo | |
| Matt Servitto | George Wolf | |
| Louis Mustillo | Joe Bonanno | |
| Anthony J. Gallo | Tommy Lucchese | |
| James Ciccone | Carlo Gambino | |
| Joe Bacino | Joe Profaci | |
| Luke Stanton Eddy | Young Frank | |
| Antonio Cipriano | Young Vito | |
| Brian Scolaro | Paul Castellano | |
| Wallace Langham | Senator Estes Kefauver | |
| Ed Amatrudo | Rudolph Halley | |
| Mike Seely | Trooper Crosswell | |
| Amadeo Fusca | Lucky Luciano | |
| Bob Glouberman | Victor Riesel | |
| Kimeron Collins | Joe “Beck” DiPalermo | |
| Peyton Stockdale | Joe Barbara Jr. | |
| John Dinello | Joe Barbara | |
| Jocelyn Sluka | Vickie Barbara | |
| Bryant Carroll | Local Reporter | |
| Todd Covert | Edwin Barry | |
| Christine McBurney | Trish Hawley | |
| Liam Cronin | TV Reporter (Hospital) | |
| James P. Harkins | Detective Jim Mullins | |
| Robert Arce | Norvel Keith | |
| Brian R. Spangler | Harry Anslinger (Fed) | |
| Alex Safi | Big John Ormento | |
| Rich Williams | Walter Hawley | |
| Ashton Wolf | Emcee (Copa) | |
| Sydney Miles | Young Bobbie | |
| Josh Innerst | Reporter 1 (Copa) | |
| Mark Axelowitz | ADA Kamen | |
| Glenn Cunningham | Detective Sergeant Ralph Salerno | |
| Abi van Andel | Judge Peggy Davis | |
| Zach Meiser | Trooper Vasisko | |
| Jeffrey Grover | Judge Liebowitz | |
| Louie Lawless | Joe the Boss | |
| Andy Knode | TV Anchor | |
| Mark Tierno | Juror #1 | |
| Wynn Reichert | Doctor #1 | |
| J. Barrett Cooper | Doctor #2 | |
| Robert Didonato | Edward Guinan (Copa) | |
| Wilson Conkwright | Busboy (Copa) | |
| Michael Patrick Trimm | Younger Ed Guinan | |
| Jeremy Dubin | Wilbur Bandy (Divorce Lawyer) | |
| Michael Adler | Senator Charles Tobey | |
| Itala Sona Ennor | Dora (Candy Store) | |
| Jean Zarzour | Elsa Anastasia | |
| Tino V. Roncone | Joe Magliocco | |
| Nick Ferraro | Carmine “Lilo” Galante | |
| Mike Dennis | Tony Ducks | |
| Belmont Cameli | Frankie Boy | |
| Carrie Lazar | Trooper LT | |
| Frank M. Cervone | Shopkeeper 1 | |
| David Vegh | Warden | |
| Robert Louis Boden | Eye Doctor 1 | |
| Ed Formica | Criminal Court Judge |
Production and Technical Credits
| Barry Levinson | Director | |
| Nicholas Pileggi | Screenwriter | |
| Irwin Winkler | Producer | |
| Barry Levinson | Producer | |
| Jason Sosnoff | Producer | |
| Charles Winkler | Producer | |
| David Winkler | Producer | |
| Mike Drake | Executive Producer | |
| Dante Spinotti | Director of Photography | |
| Neil Spisak | Production Designer | |
| Douglas Crise | Editor | |
| David Fleming | Composer | |
| Jeffrey Kurland | Costume Designer | |
| Ellen Chenoweth | Casting Director | |
| Brett Cranford | Unit Production Manager | |
| Karen Kane | First Assistant Director | |
| Karen Kane | Co-Producer | |
| Ryan Robert Howard | Second Assistant Director | |
| Anthony Tittanegro | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| John A. Amicarella | Associate Producer | |
| J.J. Sacha | Associate Producer | |
| John A. Amicarella | Post-Production Supervisor | |
| Ian Scroggins | Supervising Art Director | |
| Dins Danielsen | Art Director | |
| Katelyn Budke | Assistant Art Director | |
| Taura C.C. Rivera | Assistant Art Director | |
| Vince Calabrese | Set Designer | |
| J. Andre Chaintreuil | Set Designer | |
| Geoff Maxwell | Sound Mixer | |
| Victoria A. Acosta | Production Supervisor | |
| Belle Francisco | Script Supervisor | |
| Keith Sauter | First Assistant Editor | |
| Hector Padilla | First Assistant Editor | |
| Nate Underkuffler | Music Editor | |
| Curt Sobel | Music Editor | |
| Christopher S. Aud | Re-recording Mixer | |
| Bill R. Dean | Re-recording Mixer | |
| Bill R. Dean | Supervising Sound Editor | |
| Bill R. Dean | Sound Designer | |
| Kelly Oxford | Dialogue Editor | |
| Matthew Wilson | Effects Editor/Sound Designer | |
| Christopher S. Aud | Effects Editor/Sound Designer | |
| Matt Manselle | Foley Mixer | |
| Matt Telsey | Foley Editor | |
| Juan Lopez | Costume Supervisor | |
| Raina Mitchell | Costume Supervisor | |
| Ruth G. Carsch | Hairstylist | |
| Kelly Reed | Hairstylist | |
| Lori Hicks | Make up | |
| Todd Kleitsch | Make up | |
| Jason Hamer | Make-up and Prosthetic Effects Designer | |
| Anne Kuljian | Set Decorator | |
| Mark Hawker | Special Effects Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Monica Sonand | Score Supervisor | |
| Jake Boring | Additional Music | |
| David Naroth | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two of New York’s most notorious organized crime bosses, Frank Costello and Vito Genovese vie for control of the city’s streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever.
Metrics
| Opening Weekend: | $3,165,349 (51.7% of total gross) |
| Legs: | 1.94 (domestic box office/biggest weekend) |
| Domestic Share: | 59.9% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2,651 opening theaters/2,651 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,125,566 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Wide) by Warner Bros. |
| International Releases: | March 19th, 2025 (Wide) (France)
March 20th, 2025 (Wide), released as The Alto Knights: Máfia e Poder (Brazil) March 20th, 2025 (Wide) (Australia) March 20th, 2025 (Wide) (New Zealand) March 20th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | April 11th, 2025 by Warner Home Video |
| MPA Rating: | R for violence and pervasive language. (Rating bulletin 2828 (cert #54916), 4/3/2024) |
| Running Time: | 123 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Filming location (country): | United States |
| Filming location (state or county): | Ohio, United States |
| Geographical setting: | New York City |
| Plot point: | Assassination, Biography, Mafia |
| Social setting: | Organized Crime, Retirement |
| Subgenre: | Crime Drama |
| Time period setting: | 1950s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Warner Bros., Domain Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 6 | $3,165,349 | 2,651 | $1,194 | $3,165,349 | 1 | |
| Mar 28, 2025 | 13 | $1,118,040 | -65% | 2,651 | $422 | $5,518,780 | 2 |
| Apr 4, 2025 | - | $68,704 | -94% | 171 | $402 | $6,075,200 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 3 | $1,170,540 | 2,651 | $442 | $1,170,540 | 1 | ||
| Mar 22, 2025 | 6 | $1,210,181 | +3% | 2,651 | $456 | $2,380,721 | 2 | |
| Mar 23, 2025 | 6 | $784,628 | -35% | 2,651 | $296 | $3,165,349 | 3 | |
| Mar 24, 2025 | 6 | $294,692 | -62% | 2,651 | $111 | $3,460,041 | 4 | |
| Mar 25, 2025 | 6 | $493,173 | +67% | 2,651 | $186 | $3,953,214 | 5 | |
| Mar 26, 2025 | - | $272,662 | -45% | 2,651 | $103 | $4,225,876 | 6 | |
| Mar 27, 2025 | 7 | $174,864 | -36% | 2,651 | $66 | $4,400,740 | 7 | |
| Mar 28, 2025 | - | $300,094 | +72% | -74% | 2,651 | $113 | $4,700,834 | 8 |
| Mar 29, 2025 | - | $469,743 | +57% | -61% | 2,651 | $177 | $5,170,577 | 9 |
| Mar 30, 2025 | - | $348,203 | -26% | -56% | 2,651 | $131 | $5,518,780 | 10 |
| Mar 31, 2025 | - | $119,183 | -66% | -60% | 2,651 | $45 | $5,637,963 | 11 |
| Apr 1, 2025 | - | $184,711 | +55% | -63% | 2,651 | $70 | $5,822,674 | 12 |
| Apr 2, 2025 | - | $114,916 | -38% | -58% | 2,651 | $43 | $5,937,590 | 13 |
| Apr 3, 2025 | - | $68,906 | -40% | -61% | 2,651 | $26 | $6,006,496 | 14 |
| Apr 4, 2025 | - | $16,919 | -75% | -94% | 171 | $99 | $6,023,415 | 15 |
| Apr 5, 2025 | - | $29,908 | +77% | -94% | 171 | $175 | $6,053,323 | 16 |
| Apr 6, 2025 | - | $21,877 | -27% | -94% | 171 | $128 | $6,075,200 | 17 |
| Apr 7, 2025 | - | $6,115 | -72% | -95% | 171 | $36 | $6,081,315 | 18 |
| Apr 8, 2025 | - | $11,949 | +95% | -94% | 171 | $70 | $6,093,264 | 19 |
| Apr 9, 2025 | - | $6,770 | -43% | -94% | 171 | $40 | $6,100,034 | 20 |
| Apr 10, 2025 | - | $3,630 | -46% | -95% | 171 | $21 | $6,103,664 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 6 | $4,400,740 | 2,651 | $1,660 | $4,400,740 | 1 | |
| Mar 28, 2025 | 12 | $1,605,756 | -64% | 2,651 | $606 | $6,006,496 | 2 |
| Apr 4, 2025 | 27 | $97,168 | -94% | 171 | $568 | $6,103,664 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/20/2025 | $93,705 | 169 | 169 | 0 | $193,830 | 4/6/2026 | |||
| Brazil | 3/20/2025 | $0 | 0 | 0 | 0 | $170,000 | 4/4/2026 | |||
| France | 3/19/2025 | $412,000 | 248 | 248 | 0 | $708,000 | 4/4/2026 | |||
| Germany | 3/20/2025 | $0 | 0 | 0 | 0 | $232,000 | 4/4/2026 | |||
| Israel | 3/21/2025 | $0 | 0 | 0 | 0 | $20,000 | 4/6/2026 | |||
| Italy | 3/20/2025 | $289,799 | 0 | 0 | 0 | $444,620 | 4/4/2026 | |||
| Mexico | 3/20/2025 | $130,000 | 126 | 126 | 0 | $241,000 | 4/21/2026 | |||
| Spain | 3/21/2025 | $259,978 | 160 | 173 | 442 | $541,438 | 4/4/2026 | |||
| United Kingdom | 3/21/2025 | $501,070 | 706 | 706 | 559 | $926,000 | 4/4/2026 | |||
| Rest of World | $623,112 | |||||||||
| International Total | $4,100,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robert De Niro | Frank Costello / Vito Genovese |
Supporting
| Debra Messing | Bobbie Costello | |
| Kathrine Narducci | Anna Genovese | |
| Cosmo Jarvis | Vincent Gigante | |
| Michael Rispoli | Albert Anastasia | |
| Robert Uricola | Tony Bender | |
| Frank Piccirillo | Richie Boiardo | |
| Matt Servitto | George Wolf | |
| Louis Mustillo | Joe Bonanno | |
| Anthony J. Gallo | Tommy Lucchese | |
| James Ciccone | Carlo Gambino | |
| Joe Bacino | Joe Profaci | |
| Luke Stanton Eddy | Young Frank | |
| Antonio Cipriano | Young Vito | |
| Brian Scolaro | Paul Castellano | |
| Wallace Langham | Senator Estes Kefauver | |
| Ed Amatrudo | Rudolph Halley | |
| Mike Seely | Trooper Crosswell | |
| Amadeo Fusca | Lucky Luciano | |
| Bob Glouberman | Victor Riesel | |
| Kimeron Collins | Joe “Beck” DiPalermo | |
| Peyton Stockdale | Joe Barbara Jr. | |
| John Dinello | Joe Barbara | |
| Jocelyn Sluka | Vickie Barbara | |
| Bryant Carroll | Local Reporter | |
| Todd Covert | Edwin Barry | |
| Christine McBurney | Trish Hawley | |
| Liam Cronin | TV Reporter (Hospital) | |
| James P. Harkins | Detective Jim Mullins | |
| Robert Arce | Norvel Keith | |
| Brian R. Spangler | Harry Anslinger (Fed) | |
| Alex Safi | Big John Ormento | |
| Rich Williams | Walter Hawley | |
| Ashton Wolf | Emcee (Copa) | |
| Sydney Miles | Young Bobbie | |
| Josh Innerst | Reporter 1 (Copa) | |
| Mark Axelowitz | ADA Kamen | |
| Glenn Cunningham | Detective Sergeant Ralph Salerno | |
| Abi van Andel | Judge Peggy Davis | |
| Zach Meiser | Trooper Vasisko | |
| Jeffrey Grover | Judge Liebowitz | |
| Louie Lawless | Joe the Boss | |
| Andy Knode | TV Anchor | |
| Mark Tierno | Juror #1 | |
| Wynn Reichert | Doctor #1 | |
| J. Barrett Cooper | Doctor #2 | |
| Robert Didonato | Edward Guinan (Copa) | |
| Wilson Conkwright | Busboy (Copa) | |
| Michael Patrick Trimm | Younger Ed Guinan | |
| Jeremy Dubin | Wilbur Bandy (Divorce Lawyer) | |
| Michael Adler | Senator Charles Tobey | |
| Itala Sona Ennor | Dora (Candy Store) | |
| Jean Zarzour | Elsa Anastasia | |
| Tino V. Roncone | Joe Magliocco | |
| Nick Ferraro | Carmine “Lilo” Galante | |
| Mike Dennis | Tony Ducks | |
| Belmont Cameli | Frankie Boy | |
| Carrie Lazar | Trooper LT | |
| Frank M. Cervone | Shopkeeper 1 | |
| David Vegh | Warden | |
| Robert Louis Boden | Eye Doctor 1 | |
| Ed Formica | Criminal Court Judge |
Production and Technical Credits
| Barry Levinson | Director | |
| Nicholas Pileggi | Screenwriter | |
| Irwin Winkler | Producer | |
| Barry Levinson | Producer | |
| Jason Sosnoff | Producer | |
| Charles Winkler | Producer | |
| David Winkler | Producer | |
| Mike Drake | Executive Producer | |
| Dante Spinotti | Director of Photography | |
| Neil Spisak | Production Designer | |
| Douglas Crise | Editor | |
| David Fleming | Composer | |
| Jeffrey Kurland | Costume Designer | |
| Ellen Chenoweth | Casting Director | |
| Brett Cranford | Unit Production Manager | |
| Karen Kane | First Assistant Director | |
| Karen Kane | Co-Producer | |
| Ryan Robert Howard | Second Assistant Director | |
| Anthony Tittanegro | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| John A. Amicarella | Associate Producer | |
| J.J. Sacha | Associate Producer | |
| John A. Amicarella | Post-Production Supervisor | |
| Ian Scroggins | Supervising Art Director | |
| Dins Danielsen | Art Director | |
| Katelyn Budke | Assistant Art Director | |
| Taura C.C. Rivera | Assistant Art Director | |
| Vince Calabrese | Set Designer | |
| J. Andre Chaintreuil | Set Designer | |
| Geoff Maxwell | Sound Mixer | |
| Victoria A. Acosta | Production Supervisor | |
| Belle Francisco | Script Supervisor | |
| Keith Sauter | First Assistant Editor | |
| Hector Padilla | First Assistant Editor | |
| Nate Underkuffler | Music Editor | |
| Curt Sobel | Music Editor | |
| Christopher S. Aud | Re-recording Mixer | |
| Bill R. Dean | Re-recording Mixer | |
| Bill R. Dean | Supervising Sound Editor | |
| Bill R. Dean | Sound Designer | |
| Kelly Oxford | Dialogue Editor | |
| Matthew Wilson | Effects Editor/Sound Designer | |
| Christopher S. Aud | Effects Editor/Sound Designer | |
| Matt Manselle | Foley Mixer | |
| Matt Telsey | Foley Editor | |
| Juan Lopez | Costume Supervisor | |
| Raina Mitchell | Costume Supervisor | |
| Ruth G. Carsch | Hairstylist | |
| Kelly Reed | Hairstylist | |
| Lori Hicks | Make up | |
| Todd Kleitsch | Make up | |
| Jason Hamer | Make-up and Prosthetic Effects Designer | |
| Anne Kuljian | Set Decorator | |
| Mark Hawker | Special Effects Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Monica Sonand | Score Supervisor | |
| Jake Boring | Additional Music | |
| David Naroth | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.