Always Shine (2016)
| Theatrical Performance | ||
| Domestic Box Office | $16,140 | Details |
| OpusData ID: 218390100 More info... | ||
| Further financial details... | ||
Synopsis
Two friends, both actresses living in Los Angeles, take a trip to Big Sur to re-connect. Once alone, however, the two women’s suppressed jealousies and deep-seated resentments begin to rise, causing them to lose grasp not only on the true nature of their relationship, but also on their own identities.
Metrics
| Opening Weekend: | $4,211 (26.1% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/15 max. theaters, 0.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $22,317 |
Movie Details
| Domestic Releases: | November 25th, 2016 (Limited) by Oscilloscope Pictures |
| Video Release: | November 29th, 2016 by Oscilloscope Video |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Geographical setting: | California |
| Plot point: | Rivals Becoming Friends |
| Social setting: | Vacation |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Oscilloscope Laboratories, Visit Films, Little Teeth Pictures, Salem Street Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 25, 2016 | 65 | $4,211 | 1 | $4,211 | $4,211 | 1 | |
| Dec 2, 2016 | 64 | $6,157 | +46% | 13 | $474 | $11,891 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 25, 2016 | 69 | $5,734 | 1 | $5,734 | $5,734 | 1 | |
| Dec 2, 2016 | 67 | $9,334 | +63% | 15 | $622 | $15,068 | 2 |
| Dec 9, 2016 | 97 | $1,072 | -89% | 2 | $536 | $16,140 | 3 |
Leading
| Mackenzie Davis | Anna | |
| Caitlin Fitzgerald | Beth |
Supporting
| Lawrence Michael Levine | Jesse | |
| Jane Adams | Summer | |
| Khan Baykal | Paul | |
| Michael Lowry | Vic | |
| Colleen Camp | Sandra | |
| Julian Tolentino | Jack | |
| Mason Foster | Joplin | |
| Stella Foster | Stella |
Production and Technical Credits
| Sophia Takal | Director | |
| Lawrence Michael Levine | Screenwriter | |
| Lawrence Michael Levine | Producer | |
| Sophia Takal | Producer | |
| Pierce Varous | Producer | |
| Ryan Kampe | Executive Producer | |
| Todd Remis | Executive Producer | |
| Marilyn White | Executive Producer | |
| Sig De Miguel | Casting Director | |
| Stephen Vincent | Casting Director | |
| Michael Montes | Composer | |
| Zach Clark | Editor | |
| Gene Park | Sound Designer | |
| Lanie Faith Marie Overton | Production Designer | |
| Mark Schwarzbard | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two friends, both actresses living in Los Angeles, take a trip to Big Sur to re-connect. Once alone, however, the two women’s suppressed jealousies and deep-seated resentments begin to rise, causing them to lose grasp not only on the true nature of their relationship, but also on their own identities.
Metrics
| Opening Weekend: | $4,211 (26.1% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/15 max. theaters, 0.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $22,317 |
Movie Details
| Domestic Releases: | November 25th, 2016 (Limited) by Oscilloscope Pictures |
| Video Release: | November 29th, 2016 by Oscilloscope Video |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Geographical setting: | California |
| Plot point: | Rivals Becoming Friends |
| Social setting: | Vacation |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Oscilloscope Laboratories, Visit Films, Little Teeth Pictures, Salem Street Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 25, 2016 | 65 | $4,211 | 1 | $4,211 | $4,211 | 1 | |
| Dec 2, 2016 | 64 | $6,157 | +46% | 13 | $474 | $11,891 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 25, 2016 | 69 | $5,734 | 1 | $5,734 | $5,734 | 1 | |
| Dec 2, 2016 | 67 | $9,334 | +63% | 15 | $622 | $15,068 | 2 |
| Dec 9, 2016 | 97 | $1,072 | -89% | 2 | $536 | $16,140 | 3 |
Leading
| Mackenzie Davis | Anna | |
| Caitlin Fitzgerald | Beth |
Supporting
| Lawrence Michael Levine | Jesse | |
| Jane Adams | Summer | |
| Khan Baykal | Paul | |
| Michael Lowry | Vic | |
| Colleen Camp | Sandra | |
| Julian Tolentino | Jack | |
| Mason Foster | Joplin | |
| Stella Foster | Stella |
Production and Technical Credits
| Sophia Takal | Director | |
| Lawrence Michael Levine | Screenwriter | |
| Lawrence Michael Levine | Producer | |
| Sophia Takal | Producer | |
| Pierce Varous | Producer | |
| Ryan Kampe | Executive Producer | |
| Todd Remis | Executive Producer | |
| Marilyn White | Executive Producer | |
| Sig De Miguel | Casting Director | |
| Stephen Vincent | Casting Director | |
| Michael Montes | Composer | |
| Zach Clark | Editor | |
| Gene Park | Sound Designer | |
| Lanie Faith Marie Overton | Production Designer | |
| Mark Schwarzbard | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.