American Mustang (2014)
| Theatrical Performance | ||
| Domestic Box Office | $48,218 | Details |
| OpusData ID: 201730100 More info... | ||
| Further financial details... | ||
Synopsis
In an artful blend of nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl's eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the American mustang.
Metrics
| Opening Weekend: | $7,906 (16.4% of total gross) |
| Legs: | 6.10 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $70,588 |
Movie Details
| Domestic Releases: | January 17th, 2014 (Limited) by Vitagraph Films |
| MPA Rating: | PG for thematic elements. (Rating bulletin 2303, 12/24/2013) |
| Running Time: | 68 minutes |
| Cast, crew, or production detail: | Animal Lead, Digital Cinematography |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Subgenre: | Nature Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Just Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 17, 2014 | 49 | $7,906 | 1 | $7,906 | $7,906 | 1 | |
| Jan 24, 2014 | 51 | $4,649 | -41% | 1 | $4,649 | $13,317 | 2 |
| Jan 31, 2014 | 70 | $2,916 | -37% | 2 | $1,458 | $16,459 | 3 |
| Feb 7, 2014 | 62 | $2,027 | -30% | 3 | $676 | $18,850 | 4 |
| Feb 21, 2014 | 69 | $5,209 | 1 | $5,209 | $24,583 | 6 | |
| Feb 28, 2014 | 76 | $2,656 | -49% | 2 | $1,328 | $28,019 | 7 |
| Mar 7, 2014 | 77 | $6,442 | +143% | 1 | $6,442 | $35,673 | 8 |
| Mar 14, 2014 | 84 | $1,935 | -70% | 1 | $1,935 | $38,726 | 9 |
| Apr 18, 2014 | 74 | $4,658 | 1 | $4,658 | $43,775 | 14 | |
| Apr 25, 2014 | 99 | $1,513 | -68% | 1 | $1,513 | $47,679 | 15 |
| May 2, 2014 | 85 | $482 | -68% | 1 | $482 | $48,218 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 17, 2014 | 48 | $8,668 | 1 | $8,668 | $8,668 | 1 | |
| Jan 24, 2014 | 55 | $4,875 | -44% | 1 | $4,875 | $13,543 | 2 |
| Jan 31, 2014 | 63 | $3,280 | -33% | 2 | $1,640 | $16,823 | 3 |
| Feb 21, 2014 | 68 | $5,989 | 1 | $5,989 | $24,593 | 6 | |
| Feb 28, 2014 | 79 | $1,934 | -68% | 1 | $1,934 | $29,231 | 7 |
| Mar 7, 2014 | 77 | $7,560 | +291% | 1 | $7,560 | $36,791 | 8 |
| Mar 14, 2014 | 78 | $2,306 | -69% | 1 | $2,306 | $39,097 | 9 |
| Apr 18, 2014 | 65 | $7,049 | 1 | $7,049 | $46,166 | 14 | |
| Apr 25, 2014 | 88 | $2,052 | -71% | 1 | $2,052 | $46,166 | 15 |
Narrator
| Daryl Hannah | Narrator |
Interviewee
| Julia Putnam | Herself | |
| Luke Neubert | Himself | |
| Jim Neubert | Himself | |
| Alison Eastwood | Herself |
Production and Technical Credits
| Monty Miranda | Director | |
| Henry Ansbacher | Producer | |
| Ellie Phipps Price | Executive Producer | |
| Henry Ansbacher | Screenwriter | |
| Ellie Phipps Price | Screenwriter | |
| Ron Fish | Composer | |
| David Dodson | Editor | |
| David M. Blum | Editor | |
| Pablo Berron | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In an artful blend of nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl's eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the American mustang.
Metrics
| Opening Weekend: | $7,906 (16.4% of total gross) |
| Legs: | 6.10 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $70,588 |
Movie Details
| Domestic Releases: | January 17th, 2014 (Limited) by Vitagraph Films |
| MPA Rating: | PG for thematic elements. (Rating bulletin 2303, 12/24/2013) |
| Running Time: | 68 minutes |
| Cast, crew, or production detail: | Animal Lead, Digital Cinematography |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Subgenre: | Nature Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Just Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 17, 2014 | 49 | $7,906 | 1 | $7,906 | $7,906 | 1 | |
| Jan 24, 2014 | 51 | $4,649 | -41% | 1 | $4,649 | $13,317 | 2 |
| Jan 31, 2014 | 70 | $2,916 | -37% | 2 | $1,458 | $16,459 | 3 |
| Feb 7, 2014 | 62 | $2,027 | -30% | 3 | $676 | $18,850 | 4 |
| Feb 21, 2014 | 69 | $5,209 | 1 | $5,209 | $24,583 | 6 | |
| Feb 28, 2014 | 76 | $2,656 | -49% | 2 | $1,328 | $28,019 | 7 |
| Mar 7, 2014 | 77 | $6,442 | +143% | 1 | $6,442 | $35,673 | 8 |
| Mar 14, 2014 | 84 | $1,935 | -70% | 1 | $1,935 | $38,726 | 9 |
| Apr 18, 2014 | 74 | $4,658 | 1 | $4,658 | $43,775 | 14 | |
| Apr 25, 2014 | 99 | $1,513 | -68% | 1 | $1,513 | $47,679 | 15 |
| May 2, 2014 | 85 | $482 | -68% | 1 | $482 | $48,218 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 17, 2014 | 48 | $8,668 | 1 | $8,668 | $8,668 | 1 | |
| Jan 24, 2014 | 55 | $4,875 | -44% | 1 | $4,875 | $13,543 | 2 |
| Jan 31, 2014 | 63 | $3,280 | -33% | 2 | $1,640 | $16,823 | 3 |
| Feb 21, 2014 | 68 | $5,989 | 1 | $5,989 | $24,593 | 6 | |
| Feb 28, 2014 | 79 | $1,934 | -68% | 1 | $1,934 | $29,231 | 7 |
| Mar 7, 2014 | 77 | $7,560 | +291% | 1 | $7,560 | $36,791 | 8 |
| Mar 14, 2014 | 78 | $2,306 | -69% | 1 | $2,306 | $39,097 | 9 |
| Apr 18, 2014 | 65 | $7,049 | 1 | $7,049 | $46,166 | 14 | |
| Apr 25, 2014 | 88 | $2,052 | -71% | 1 | $2,052 | $46,166 | 15 |
Narrator
| Daryl Hannah | Narrator |
Interviewee
| Julia Putnam | Herself | |
| Luke Neubert | Himself | |
| Jim Neubert | Himself | |
| Alison Eastwood | Herself |
Production and Technical Credits
| Monty Miranda | Director | |
| Henry Ansbacher | Producer | |
| Ellie Phipps Price | Executive Producer | |
| Henry Ansbacher | Screenwriter | |
| Ellie Phipps Price | Screenwriter | |
| Ron Fish | Composer | |
| David Dodson | Editor | |
| David M. Blum | Editor | |
| Pablo Berron | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.