American Pastoral (2016)
| Theatrical Performance | ||
| Domestic Box Office | $544,098 | Details |
| International Box Office | $1,348,077 | Details |
| Worldwide Box Office | $1,892,175 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $304,672 | |
| Blu-ray Sales (estimated) | $58,722 | |
| Total | $363,394 | |
| OpusData ID: 141190100 More info... | ||
| Further financial details... | ||
Synopsis
Follows a family whose seemingly idyllic existence is shattered by the social and political turmoil of the 1960s. Levov, a once legendary high school athlete who is now a successful businessman married to Dawn, a former beauty queen. But turmoil brews beneath the polished veneer of Swede's life. When his beloved teenage daughter, Merry, disappears after being accused of committing a violent act, Swede dedicates himself to finding her and reuniting his family. What he discovers shakes him to the core, forcing him to look beneath the surface and confront the chaos that is shaping the world around him.
Metrics
| Opening Weekend: | $149,038 (27.4% of total gross) |
| Legs: | 3.65 (domestic box office/biggest weekend) |
| Domestic Share: | 28.8% (domestic box office/worldwide) |
| Theater counts: | 50 opening theaters/70 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $752,308 |
Movie Details
| Domestic Releases: | October 21st, 2016 (Limited) by Lionsgate |
| International Releases: | October 20th, 2016 (Wide) (Italy)
October 28th, 2016 (Limited), released as Американска идилия (Bulgaria) November 11th, 2016 (Wide) (United Kingdom) November 18th, 2016 (Wide), released as Uma História Americana (Portugal) November 18th, 2016 (Wide) (Slovakia) ... Show all releases |
| Video Release: | January 24th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for some strong sexual material, language and brief violent images. (Rating bulletin 2416 (Cert #50345), 3/16/2016) |
| Running Time: | 108 minutes |
| Plot point: | Dysfunctional Family, Infidelity, Sex Crimes, Terrorism |
| Social setting: | Vietnam War |
| Time period setting: | 1960s, 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lakeshore Entertainment, Lionsgate |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 31 | $149,038 | 50 | $2,981 | $149,038 | 1 | |
| Oct 28, 2016 | 38 | $88,695 | -40% | 51 | $1,739 | $296,630 | 2 |
| Nov 4, 2016 | 36 | $84,484 | -5% | 70 | $1,207 | $421,349 | 3 |
| Nov 11, 2016 | 45 | $45,656 | -46% | 59 | $774 | $507,028 | 4 |
| Nov 18, 2016 | 61 | $7,538 | -83% | 20 | $377 | $533,508 | 5 |
| Nov 25, 2016 | 69 | $3,085 | -59% | 14 | $220 | $541,457 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | - | $48,307 | 50 | $966 | $48,307 | 1 | ||
| Oct 22, 2016 | - | $63,802 | +32% | 50 | $1,276 | $112,109 | 2 | |
| Oct 23, 2016 | - | $36,929 | -42% | 50 | $739 | $149,038 | 3 | |
| Oct 24, 2016 | - | $15,695 | -57% | 50 | $314 | $164,733 | 4 | |
| Oct 25, 2016 | - | $14,834 | -5% | 50 | $297 | $179,567 | 5 | |
| Oct 26, 2016 | - | $14,400 | -3% | 50 | $288 | $193,967 | 6 | |
| Oct 27, 2016 | - | $13,968 | -3% | 50 | $279 | $207,935 | 7 | |
| Oct 28, 2016 | - | $22,478 | +61% | -53% | 51 | $441 | $230,413 | 8 |
| Oct 29, 2016 | - | $41,055 | +83% | -36% | 51 | $805 | $271,468 | 9 |
| Oct 30, 2016 | - | $25,162 | -39% | -32% | 51 | $493 | $296,630 | 10 |
| Oct 31, 2016 | - | $10,731 | -57% | -32% | 51 | $210 | $307,361 | 11 |
| Nov 1, 2016 | - | $10,555 | -2% | -29% | 51 | $207 | $317,916 | 12 |
| Nov 2, 2016 | - | $8,838 | -16% | -39% | 51 | $173 | $326,754 | 13 |
| Nov 3, 2016 | - | $10,111 | +14% | -28% | 51 | $198 | $336,865 | 14 |
| Nov 4, 2016 | - | $22,283 | +120% | -1% | 70 | $318 | $359,148 | 15 |
| Nov 5, 2016 | - | $39,559 | +78% | -4% | 70 | $565 | $398,707 | 16 |
| Nov 6, 2016 | - | $22,642 | -43% | -10% | 70 | $323 | $421,349 | 17 |
| Nov 7, 2016 | - | $8,591 | -62% | -20% | 70 | $123 | $429,940 | 18 |
| Nov 8, 2016 | - | $9,843 | +15% | -7% | 70 | $141 | $439,783 | 19 |
| Nov 9, 2016 | - | $10,452 | +6% | +18% | 70 | $149 | $450,235 | 20 |
| Nov 10, 2016 | - | $11,137 | +7% | +10% | 70 | $159 | $461,372 | 21 |
| Nov 11, 2016 | - | $13,837 | +24% | -38% | 59 | $235 | $475,209 | 22 |
| Nov 12, 2016 | - | $21,001 | +52% | -47% | 59 | $356 | $496,210 | 23 |
| Nov 13, 2016 | - | $10,818 | -48% | -52% | 59 | $183 | $507,028 | 24 |
| Nov 14, 2016 | - | $4,446 | -59% | -48% | 59 | $75 | $511,474 | 25 |
| Nov 15, 2016 | - | $4,891 | +10% | -50% | 59 | $83 | $516,365 | 26 |
| Nov 16, 2016 | - | $4,993 | +2% | -52% | 59 | $85 | $521,358 | 27 |
| Nov 17, 2016 | - | $4,612 | -8% | -59% | 59 | $78 | $525,970 | 28 |
| Nov 18, 2016 | - | $1,910 | -59% | -86% | 20 | $96 | $527,880 | 29 |
| Nov 19, 2016 | - | $3,472 | +82% | -83% | 20 | $174 | $531,352 | 30 |
| Nov 20, 2016 | - | $2,156 | -38% | -80% | 20 | $108 | $533,508 | 31 |
| Nov 21, 2016 | - | $688 | -68% | -85% | 20 | $34 | $534,196 | 32 |
| Nov 22, 2016 | - | $1,074 | +56% | -78% | 20 | $54 | $535,270 | 33 |
| Nov 23, 2016 | - | $1,860 | +73% | -63% | 12 | $155 | $537,130 | 34 |
| Nov 24, 2016 | - | $1,242 | -33% | -73% | 12 | $104 | $538,372 | 35 |
| Nov 25, 2016 | - | $569 | -54% | -70% | 14 | $41 | $538,941 | 36 |
| Nov 26, 2016 | - | $1,391 | +144% | -60% | 14 | $99 | $540,332 | 37 |
| Nov 27, 2016 | - | $1,125 | -19% | -48% | 14 | $80 | $541,457 | 38 |
| Nov 28, 2016 | - | $940 | -16% | +37% | 14 | $67 | $542,397 | 39 |
| Nov 29, 2016 | - | $441 | -53% | -59% | 14 | $32 | $542,838 | 40 |
| Nov 30, 2016 | - | $672 | +52% | -64% | 14 | $48 | $543,510 | 41 |
| Dec 1, 2016 | - | $588 | -13% | -53% | 14 | $42 | $544,098 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 32 | $207,935 | 50 | $4,159 | $207,935 | 1 | |
| Oct 28, 2016 | 38 | $128,930 | -38% | 51 | $2,528 | $336,865 | 2 |
| Nov 4, 2016 | 36 | $124,507 | -3% | 70 | $1,779 | $461,372 | 3 |
| Nov 11, 2016 | 47 | $64,598 | -48% | 59 | $1,095 | $525,970 | 4 |
| Nov 18, 2016 | 65 | $12,402 | -81% | 12 | $1,034 | $538,372 | 5 |
| Nov 25, 2016 | 70 | $5,726 | -54% | 14 | $409 | $544,098 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 10/28/2016 | $0 | 0 | 0 | 0 | $19,612 | 2/26/2019 | |||
| France | 12/30/2016 | $99,399 | 0 | 0 | 0 | $99,399 | 8/17/2018 | |||
| Italy | 10/20/2016 | $378,299 | 0 | 0 | 0 | $815,948 | 11/9/2016 | |||
| Netherlands | 12/1/2016 | $11,721 | 15 | 15 | 15 | $23,323 | 12/7/2016 | |||
| Portugal | 11/18/2016 | $30,561 | 24 | 26 | 69 | $70,940 | 12/22/2016 | |||
| Russia (CIS) | 12/2/2016 | $4,666 | 46 | 46 | 81 | $11,525 | 11/15/2018 | |||
| Slovakia | 11/18/2016 | $1,936 | 25 | 25 | 25 | $1,936 | 11/24/2016 | |||
| Slovenia | 1/13/2017 | $448 | 2 | 2 | 2 | $678 | 2/6/2017 | |||
| South Korea | 5/17/2017 | $0 | 0 | 24 | 24 | $13,188 | 6/12/2017 | |||
| Spain | 6/9/2017 | $52,607 | 81 | 82 | 195 | $136,069 | 7/6/2017 | |||
| Turkey | 11/25/2016 | $10,183 | 16 | 16 | 22 | $18,360 | 2/26/2019 | |||
| United Kingdom | 11/11/2016 | $71,173 | 82 | 82 | 82 | $137,099 | 9/8/2018 | |||
| International Total | $1,348,077 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ewan McGregor | Swede Levov | |
| Jennifer Connelly | Dawn Levov | |
| Dakota Fanning | Merry Levov |
Supporting
| Peter Riegert | Lou Levov | |
| Rupert Evans | Jerry Levov | |
| Uzo Aduba | Vicky | |
| Molly Parker | Sheila Smith | |
| David Strathairn | Nathan Zuckerman | |
| Valorie Curry | Rita Cohen | |
| Hannah Nordberg | Merry (12 Years Old) | |
| Julia Silverman | Sylvia Levov | |
| Mark Hildreth | Agent Dolan | |
| Samantha Mathis | Penny Hamlin | |
| Ocean Nalu James* | Merry (8 years old) | |
| David Whalen | Bill Orcutt | |
| Corrie Danieley | Jessie Orcutt | |
| David Case | Russ Hamlin | |
| Max Ivcic | Hamlin’s Son | |
| Chuck Diamond | Rabbi | |
| Brian Knoebel | Young Guardsman | |
| Carter Ellis | Guardsman #1 | |
| Nick Marzock | Reunion Singer | |
| Tommy LaFitte | Freddy | |
| Idolo Zinobile | Harry | |
| Peter Gannon | Police Officer | |
| Emily Peachey | Hospital Nurse | |
| Jenny Vos* | Sanatorium Nurse | |
| Davion Traylor | Demonstrator #1 | |
| Chukky Okobi | Demonstrator #2 | |
| Siovhan Christensen | Demonstrator #3 | |
| Yannick Hogarth | Demonstrator #4 | |
| Justin Lonesome | Demonstrator #5 | |
| Steve Ravid | Reunion Greeter #1 | |
| Ron Emanuel | Reunion Greeter #2 | |
| Kathy Emanuel | Reunion Greeter #3 |
Production and Technical Credits
| Ewan McGregor | Director | |
| John Romano | Screenwriter | |
| Philip Roth | Based on the novel by | |
| Tom Rosenberg | Producer | |
| Gary Lucchesi | Producer | |
| Andre Lamal | Producer | |
| Eric Reid | Executive Producer | |
| Terry A. McKay | Executive Producer | |
| Martin Ruhe | Director of Photography | |
| Melissa Kent | Editor | |
| Lindsay Ann McKay | Costume Designer | |
| Alexandre Desplat | Composer | |
| Zane Weiner | Co-Producer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Nash Edgerton | Stunt Coordinator | |
| Janice F. Sperling | Production Supervisor | |
| Wilma Garscadden-Gahret | Script Supervisor | |
| Gregory Weimerskirch | Art Director | |
| Christina Myal | Assistant Art Director | |
| Julie Smith | Set Decorator | |
| Chris Strollo | Sound Mixer | |
| Judy Chin | Make up | |
| Jonah Levy | Make up | |
| Jasen Sica | Hairstylist | |
| Gary Martori | Hairstylist | |
| Mike Marino | Make-up and Prosthetic Effects Designer | |
| Jeanie Baker | Costume Supervisor | |
| Shawn Boyacheck | Location Manager | |
| Ray Bivins | Special Effects Coordinator | |
| Lis Kern Shaw* | Post-Production Supervisor | |
| Susan E. Kim | Assistant Editor | |
| Christopher S. Aud | Supervising Sound Editor | |
| Christopher S. Aud | Sound Designer | |
| Christopher S. Aud | Re-recording Mixer | |
| Aaron Glascock | Re-recording Mixer | |
| Matthew W. Kielkopf | Dialogue Editor | |
| Mary Jo Lang | Foley Mixer | |
| Dominique “Solrey” Lemonnier* | Score Producer | |
| Peter Cobbin | Score Recordist | |
| Peter Cobbin | Score Mixer | |
| Kirsty Whalley | Score Mixer | |
| Kenneth Karman | Supervising Music Editor | |
| Nate Underkuffler | Music Editor | |
| Brian McNelis | Music Supervisor | |
| Eric Craig | Music Supervisor | |
| James McQuaide | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Follows a family whose seemingly idyllic existence is shattered by the social and political turmoil of the 1960s. Levov, a once legendary high school athlete who is now a successful businessman married to Dawn, a former beauty queen. But turmoil brews beneath the polished veneer of Swede's life. When his beloved teenage daughter, Merry, disappears after being accused of committing a violent act, Swede dedicates himself to finding her and reuniting his family. What he discovers shakes him to the core, forcing him to look beneath the surface and confront the chaos that is shaping the world around him.
Metrics
| Opening Weekend: | $149,038 (27.4% of total gross) |
| Legs: | 3.65 (domestic box office/biggest weekend) |
| Domestic Share: | 28.8% (domestic box office/worldwide) |
| Theater counts: | 50 opening theaters/70 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $752,308 |
Movie Details
| Domestic Releases: | October 21st, 2016 (Limited) by Lionsgate |
| International Releases: | October 20th, 2016 (Wide) (Italy)
October 28th, 2016 (Limited), released as Американска идилия (Bulgaria) November 11th, 2016 (Wide) (United Kingdom) November 18th, 2016 (Wide), released as Uma História Americana (Portugal) November 18th, 2016 (Wide) (Slovakia) ... Show all releases |
| Video Release: | January 24th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for some strong sexual material, language and brief violent images. (Rating bulletin 2416 (Cert #50345), 3/16/2016) |
| Running Time: | 108 minutes |
| Plot point: | Dysfunctional Family, Infidelity, Sex Crimes, Terrorism |
| Social setting: | Vietnam War |
| Time period setting: | 1960s, 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lakeshore Entertainment, Lionsgate |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 31 | $149,038 | 50 | $2,981 | $149,038 | 1 | |
| Oct 28, 2016 | 38 | $88,695 | -40% | 51 | $1,739 | $296,630 | 2 |
| Nov 4, 2016 | 36 | $84,484 | -5% | 70 | $1,207 | $421,349 | 3 |
| Nov 11, 2016 | 45 | $45,656 | -46% | 59 | $774 | $507,028 | 4 |
| Nov 18, 2016 | 61 | $7,538 | -83% | 20 | $377 | $533,508 | 5 |
| Nov 25, 2016 | 69 | $3,085 | -59% | 14 | $220 | $541,457 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | - | $48,307 | 50 | $966 | $48,307 | 1 | ||
| Oct 22, 2016 | - | $63,802 | +32% | 50 | $1,276 | $112,109 | 2 | |
| Oct 23, 2016 | - | $36,929 | -42% | 50 | $739 | $149,038 | 3 | |
| Oct 24, 2016 | - | $15,695 | -57% | 50 | $314 | $164,733 | 4 | |
| Oct 25, 2016 | - | $14,834 | -5% | 50 | $297 | $179,567 | 5 | |
| Oct 26, 2016 | - | $14,400 | -3% | 50 | $288 | $193,967 | 6 | |
| Oct 27, 2016 | - | $13,968 | -3% | 50 | $279 | $207,935 | 7 | |
| Oct 28, 2016 | - | $22,478 | +61% | -53% | 51 | $441 | $230,413 | 8 |
| Oct 29, 2016 | - | $41,055 | +83% | -36% | 51 | $805 | $271,468 | 9 |
| Oct 30, 2016 | - | $25,162 | -39% | -32% | 51 | $493 | $296,630 | 10 |
| Oct 31, 2016 | - | $10,731 | -57% | -32% | 51 | $210 | $307,361 | 11 |
| Nov 1, 2016 | - | $10,555 | -2% | -29% | 51 | $207 | $317,916 | 12 |
| Nov 2, 2016 | - | $8,838 | -16% | -39% | 51 | $173 | $326,754 | 13 |
| Nov 3, 2016 | - | $10,111 | +14% | -28% | 51 | $198 | $336,865 | 14 |
| Nov 4, 2016 | - | $22,283 | +120% | -1% | 70 | $318 | $359,148 | 15 |
| Nov 5, 2016 | - | $39,559 | +78% | -4% | 70 | $565 | $398,707 | 16 |
| Nov 6, 2016 | - | $22,642 | -43% | -10% | 70 | $323 | $421,349 | 17 |
| Nov 7, 2016 | - | $8,591 | -62% | -20% | 70 | $123 | $429,940 | 18 |
| Nov 8, 2016 | - | $9,843 | +15% | -7% | 70 | $141 | $439,783 | 19 |
| Nov 9, 2016 | - | $10,452 | +6% | +18% | 70 | $149 | $450,235 | 20 |
| Nov 10, 2016 | - | $11,137 | +7% | +10% | 70 | $159 | $461,372 | 21 |
| Nov 11, 2016 | - | $13,837 | +24% | -38% | 59 | $235 | $475,209 | 22 |
| Nov 12, 2016 | - | $21,001 | +52% | -47% | 59 | $356 | $496,210 | 23 |
| Nov 13, 2016 | - | $10,818 | -48% | -52% | 59 | $183 | $507,028 | 24 |
| Nov 14, 2016 | - | $4,446 | -59% | -48% | 59 | $75 | $511,474 | 25 |
| Nov 15, 2016 | - | $4,891 | +10% | -50% | 59 | $83 | $516,365 | 26 |
| Nov 16, 2016 | - | $4,993 | +2% | -52% | 59 | $85 | $521,358 | 27 |
| Nov 17, 2016 | - | $4,612 | -8% | -59% | 59 | $78 | $525,970 | 28 |
| Nov 18, 2016 | - | $1,910 | -59% | -86% | 20 | $96 | $527,880 | 29 |
| Nov 19, 2016 | - | $3,472 | +82% | -83% | 20 | $174 | $531,352 | 30 |
| Nov 20, 2016 | - | $2,156 | -38% | -80% | 20 | $108 | $533,508 | 31 |
| Nov 21, 2016 | - | $688 | -68% | -85% | 20 | $34 | $534,196 | 32 |
| Nov 22, 2016 | - | $1,074 | +56% | -78% | 20 | $54 | $535,270 | 33 |
| Nov 23, 2016 | - | $1,860 | +73% | -63% | 12 | $155 | $537,130 | 34 |
| Nov 24, 2016 | - | $1,242 | -33% | -73% | 12 | $104 | $538,372 | 35 |
| Nov 25, 2016 | - | $569 | -54% | -70% | 14 | $41 | $538,941 | 36 |
| Nov 26, 2016 | - | $1,391 | +144% | -60% | 14 | $99 | $540,332 | 37 |
| Nov 27, 2016 | - | $1,125 | -19% | -48% | 14 | $80 | $541,457 | 38 |
| Nov 28, 2016 | - | $940 | -16% | +37% | 14 | $67 | $542,397 | 39 |
| Nov 29, 2016 | - | $441 | -53% | -59% | 14 | $32 | $542,838 | 40 |
| Nov 30, 2016 | - | $672 | +52% | -64% | 14 | $48 | $543,510 | 41 |
| Dec 1, 2016 | - | $588 | -13% | -53% | 14 | $42 | $544,098 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 21, 2016 | 32 | $207,935 | 50 | $4,159 | $207,935 | 1 | |
| Oct 28, 2016 | 38 | $128,930 | -38% | 51 | $2,528 | $336,865 | 2 |
| Nov 4, 2016 | 36 | $124,507 | -3% | 70 | $1,779 | $461,372 | 3 |
| Nov 11, 2016 | 47 | $64,598 | -48% | 59 | $1,095 | $525,970 | 4 |
| Nov 18, 2016 | 65 | $12,402 | -81% | 12 | $1,034 | $538,372 | 5 |
| Nov 25, 2016 | 70 | $5,726 | -54% | 14 | $409 | $544,098 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 10/28/2016 | $0 | 0 | 0 | 0 | $19,612 | 2/26/2019 | |||
| France | 12/30/2016 | $99,399 | 0 | 0 | 0 | $99,399 | 8/17/2018 | |||
| Italy | 10/20/2016 | $378,299 | 0 | 0 | 0 | $815,948 | 11/9/2016 | |||
| Netherlands | 12/1/2016 | $11,721 | 15 | 15 | 15 | $23,323 | 12/7/2016 | |||
| Portugal | 11/18/2016 | $30,561 | 24 | 26 | 69 | $70,940 | 12/22/2016 | |||
| Russia (CIS) | 12/2/2016 | $4,666 | 46 | 46 | 81 | $11,525 | 11/15/2018 | |||
| Slovakia | 11/18/2016 | $1,936 | 25 | 25 | 25 | $1,936 | 11/24/2016 | |||
| Slovenia | 1/13/2017 | $448 | 2 | 2 | 2 | $678 | 2/6/2017 | |||
| South Korea | 5/17/2017 | $0 | 0 | 24 | 24 | $13,188 | 6/12/2017 | |||
| Spain | 6/9/2017 | $52,607 | 81 | 82 | 195 | $136,069 | 7/6/2017 | |||
| Turkey | 11/25/2016 | $10,183 | 16 | 16 | 22 | $18,360 | 2/26/2019 | |||
| United Kingdom | 11/11/2016 | $71,173 | 82 | 82 | 82 | $137,099 | 9/8/2018 | |||
| International Total | $1,348,077 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ewan McGregor | Swede Levov | |
| Jennifer Connelly | Dawn Levov | |
| Dakota Fanning | Merry Levov |
Supporting
| Peter Riegert | Lou Levov | |
| Rupert Evans | Jerry Levov | |
| Uzo Aduba | Vicky | |
| Molly Parker | Sheila Smith | |
| David Strathairn | Nathan Zuckerman | |
| Valorie Curry | Rita Cohen | |
| Hannah Nordberg | Merry (12 Years Old) | |
| Julia Silverman | Sylvia Levov | |
| Mark Hildreth | Agent Dolan | |
| Samantha Mathis | Penny Hamlin | |
| Ocean Nalu James* | Merry (8 years old) | |
| David Whalen | Bill Orcutt | |
| Corrie Danieley | Jessie Orcutt | |
| David Case | Russ Hamlin | |
| Max Ivcic | Hamlin’s Son | |
| Chuck Diamond | Rabbi | |
| Brian Knoebel | Young Guardsman | |
| Carter Ellis | Guardsman #1 | |
| Nick Marzock | Reunion Singer | |
| Tommy LaFitte | Freddy | |
| Idolo Zinobile | Harry | |
| Peter Gannon | Police Officer | |
| Emily Peachey | Hospital Nurse | |
| Jenny Vos* | Sanatorium Nurse | |
| Davion Traylor | Demonstrator #1 | |
| Chukky Okobi | Demonstrator #2 | |
| Siovhan Christensen | Demonstrator #3 | |
| Yannick Hogarth | Demonstrator #4 | |
| Justin Lonesome | Demonstrator #5 | |
| Steve Ravid | Reunion Greeter #1 | |
| Ron Emanuel | Reunion Greeter #2 | |
| Kathy Emanuel | Reunion Greeter #3 |
Production and Technical Credits
| Ewan McGregor | Director | |
| John Romano | Screenwriter | |
| Philip Roth | Based on the novel by | |
| Tom Rosenberg | Producer | |
| Gary Lucchesi | Producer | |
| Andre Lamal | Producer | |
| Eric Reid | Executive Producer | |
| Terry A. McKay | Executive Producer | |
| Martin Ruhe | Director of Photography | |
| Melissa Kent | Editor | |
| Lindsay Ann McKay | Costume Designer | |
| Alexandre Desplat | Composer | |
| Zane Weiner | Co-Producer | |
| Deborah Aquila | Casting Director | |
| Tricia Wood | Casting Director | |
| Nash Edgerton | Stunt Coordinator | |
| Janice F. Sperling | Production Supervisor | |
| Wilma Garscadden-Gahret | Script Supervisor | |
| Gregory Weimerskirch | Art Director | |
| Christina Myal | Assistant Art Director | |
| Julie Smith | Set Decorator | |
| Chris Strollo | Sound Mixer | |
| Judy Chin | Make up | |
| Jonah Levy | Make up | |
| Jasen Sica | Hairstylist | |
| Gary Martori | Hairstylist | |
| Mike Marino | Make-up and Prosthetic Effects Designer | |
| Jeanie Baker | Costume Supervisor | |
| Shawn Boyacheck | Location Manager | |
| Ray Bivins | Special Effects Coordinator | |
| Lis Kern Shaw* | Post-Production Supervisor | |
| Susan E. Kim | Assistant Editor | |
| Christopher S. Aud | Supervising Sound Editor | |
| Christopher S. Aud | Sound Designer | |
| Christopher S. Aud | Re-recording Mixer | |
| Aaron Glascock | Re-recording Mixer | |
| Matthew W. Kielkopf | Dialogue Editor | |
| Mary Jo Lang | Foley Mixer | |
| Dominique “Solrey” Lemonnier* | Score Producer | |
| Peter Cobbin | Score Recordist | |
| Peter Cobbin | Score Mixer | |
| Kirsty Whalley | Score Mixer | |
| Kenneth Karman | Supervising Music Editor | |
| Nate Underkuffler | Music Editor | |
| Brian McNelis | Music Supervisor | |
| Eric Craig | Music Supervisor | |
| James McQuaide | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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