Amos & Andrew (1993)
| Theatrical Performance | ||
| Domestic Box Office | $9,461,630 | Details |
| OpusData ID: 38160100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,612,317 (38.2% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,233 opening theaters/1,233 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,848,066 |
Movie Details
| Domestic Releases: | March 5th, 1993 (Wide) by Sony Pictures |
| MPA Rating: | PG |
| Running Time: | 107 minutes |
| Plot point: | African Americans, Bigotry, Falsely Accused, Fugitive / On the Run, Mistaken Identity |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Castle Rock Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 1993 | 6 | $3,612,317 | 1,233 | $2,930 | $3,612,317 | 1 | |
| Mar 12, 1993 | 10 | $1,701,566 | -53% | 1,233 | $1,380 | $6,284,666 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 1993 | 6 | $4,583,100 | 1,233 | $3,717 | $4,583,100 | 1 |
Leading
| Nicolas Cage | Amos Odell | |
| Samuel L. Jackson | Andrew Sterling |
Supporting
| Michael Lerner | Phil Gillman | |
| Margaret Colin | Judy Gillman | |
| Brad Dourif | Officer Donnie Donaldson | |
| Dabney Coleman | Chief of Police Cecil Tolliver | |
| Chelcie Ross | Earl | |
| I.M. Hobson | Waldo Lake | |
| Bob Balaban | Dr. R.A. (Roy) Fink | |
| Giancarlo Esposito | The Reverend Fenton Brunch | |
| Tracey Walter | Bloodhound Bob | |
| Jodi Long | Wendy Wong | |
| Jeff Bluemenkrantz | Ernie | |
| Todd Weeks | Stan | |
| Jordan Lund | Riley | |
| Michael Burgess | Black Reporter | |
| Leonor Anthony | Hispanic Reporter | |
| Walter Raymond | Anchorman | |
| Loretta Devine | Ula | |
| Ron Taylor | Sherman | |
| Aimee Graham | Stacy | |
| Ernie Garrett | State Police Captain | |
| Allison Mackie | Anchorwoman | |
| Eric Paisley | Mainland Gatekeeper | |
| Kim Staunton | Mrs. Andrew Sterling |
Production and Technical Credits
| E. Max Frye | Director | |
| E. Max Frye | Screenwriter | |
| Gary Goetzman | Producer | |
| Jack Cummins | Co-Producer | |
| Marshall Persinger | Co-Producer | |
| Walt Lloyd | Director of Photography | |
| Patricia Norris | Production Designer | |
| Jane Kurson | Editor | |
| Richard Gibbs | Composer | |
| Henry Bronchtein | Assistant Director | |
| Jack Cummins | Production Manager | |
| Leslie Morales | Set Decorator | |
| Patricia Norris | Costume Designer | |
| Amy Stofsky | Costume Supervisor | |
| John Pritchett | Sound Mixer | |
| Christopher Jenkins | Re-recording Mixer | |
| Doug Hemphill | Re-recording Mixer | |
| Mark Smith | Re-recording Mixer | |
| John J. Morris | Supervising Sound Editor | |
| John Benson | Sound Effects Editor | |
| Rodger Pardee | Sound Effects Editor | |
| John Joseph Thomas | Sound Effects Editor | |
| Michael J. Benavente | Dialogue Editor | |
| Hugo Weng | Dialogue Editor | |
| Carlton Kaller | Music Editor | |
| John Lyons | Casting Director | |
| Glenn Randall Jr. | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,612,317 (38.2% of total gross) |
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,233 opening theaters/1,233 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,848,066 |
Movie Details
| Domestic Releases: | March 5th, 1993 (Wide) by Sony Pictures |
| MPA Rating: | PG |
| Running Time: | 107 minutes |
| Plot point: | African Americans, Bigotry, Falsely Accused, Fugitive / On the Run, Mistaken Identity |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Castle Rock Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 1993 | 6 | $3,612,317 | 1,233 | $2,930 | $3,612,317 | 1 | |
| Mar 12, 1993 | 10 | $1,701,566 | -53% | 1,233 | $1,380 | $6,284,666 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 1993 | 6 | $4,583,100 | 1,233 | $3,717 | $4,583,100 | 1 |
Leading
| Nicolas Cage | Amos Odell | |
| Samuel L. Jackson | Andrew Sterling |
Supporting
| Michael Lerner | Phil Gillman | |
| Margaret Colin | Judy Gillman | |
| Brad Dourif | Officer Donnie Donaldson | |
| Dabney Coleman | Chief of Police Cecil Tolliver | |
| Chelcie Ross | Earl | |
| I.M. Hobson | Waldo Lake | |
| Bob Balaban | Dr. R.A. (Roy) Fink | |
| Giancarlo Esposito | The Reverend Fenton Brunch | |
| Tracey Walter | Bloodhound Bob | |
| Jodi Long | Wendy Wong | |
| Jeff Bluemenkrantz | Ernie | |
| Todd Weeks | Stan | |
| Jordan Lund | Riley | |
| Michael Burgess | Black Reporter | |
| Leonor Anthony | Hispanic Reporter | |
| Walter Raymond | Anchorman | |
| Loretta Devine | Ula | |
| Ron Taylor | Sherman | |
| Aimee Graham | Stacy | |
| Ernie Garrett | State Police Captain | |
| Allison Mackie | Anchorwoman | |
| Eric Paisley | Mainland Gatekeeper | |
| Kim Staunton | Mrs. Andrew Sterling |
Production and Technical Credits
| E. Max Frye | Director | |
| E. Max Frye | Screenwriter | |
| Gary Goetzman | Producer | |
| Jack Cummins | Co-Producer | |
| Marshall Persinger | Co-Producer | |
| Walt Lloyd | Director of Photography | |
| Patricia Norris | Production Designer | |
| Jane Kurson | Editor | |
| Richard Gibbs | Composer | |
| Henry Bronchtein | Assistant Director | |
| Jack Cummins | Production Manager | |
| Leslie Morales | Set Decorator | |
| Patricia Norris | Costume Designer | |
| Amy Stofsky | Costume Supervisor | |
| John Pritchett | Sound Mixer | |
| Christopher Jenkins | Re-recording Mixer | |
| Doug Hemphill | Re-recording Mixer | |
| Mark Smith | Re-recording Mixer | |
| John J. Morris | Supervising Sound Editor | |
| John Benson | Sound Effects Editor | |
| Rodger Pardee | Sound Effects Editor | |
| John Joseph Thomas | Sound Effects Editor | |
| Michael J. Benavente | Dialogue Editor | |
| Hugo Weng | Dialogue Editor | |
| Carlton Kaller | Music Editor | |
| John Lyons | Casting Director | |
| Glenn Randall Jr. | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.