Andrey Rublyov (1973)
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| Theatrical Performance | ||
| Domestic Box Office | $102,023 | Details |
| International Box Office | $10,669 | Details |
| Worldwide Box Office | $112,692 | |
| OpusData ID: 260540100 More info... | ||
| Further financial details... | ||
Synopsis
With his second feature, a towering epic that took him years to complete, Andrei Tarkovsky waded deep into the past and emerged with a visionary masterwork. Threading together several self-contained episodes, the filmmaker traces the renowned icon painter Andrei Rublev through the harsh realities of fifteenth-century Russian life, vividly conjuring the dark and otherworldly atmosphere of the age: a primitive hot-air balloon takes to the sky, snow falls inside an unfinished church, naked pagans celebrate the midsummer solstice, a young man oversees the casting of a gigantic bell. Appearing here in Tarkovsky’s preferred 183-minute cut, as well as the version that was originally censored by Soviet authorities, Andrei Rublev is an arresting meditation on art, faith, and endurance, and a powerful reflection on expressive constraints in the director’s own time.
Metrics
| Legs: | 6.28 (domestic box office/biggest weekend) |
| Domestic Share: | 90.5% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | October 1973 (Limited) by Columbia, released as Andrei Rublev August 24th, 2018 (Limited) by Janus Films, released as Andrei Rublev (1966) (Re-Release) |
| International Releases: | May 20th, 2016 (Limited), released as Andrei Rublev (Re: 2016) (United Kingdom) |
| Video Release: | February 2nd, 1999 by Criterion, released as Andrei Rublev |
| MPA Rating: | R |
| Running Time: | 183 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | Moscow |
| Plot point: | Betrayal, Falsely Accused, Non-Chronological, Painter, Religious, Tortured as Punishment |
| Time period setting: | 1400s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Janus Films, Mosfilm |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2018 | 63 | $12,807 | 2 | $6,404 | $12,807 | 2,339 | |
| Aug 31, 2018 | 62 | $16,250 | +27% | 3 | $5,417 | $37,441 | 2,340 |
| Sep 7, 2018 | 66 | $9,204 | -43% | 4 | $2,301 | $53,004 | 2,341 |
| Sep 14, 2018 | 69 | $7,956 | -14% | 3 | $2,652 | $67,351 | 2,342 |
| Sep 21, 2018 | 79 | $2,798 | -65% | 1 | $2,798 | $75,958 | 2,343 |
| Sep 28, 2018 | 99 | $941 | -66% | 1 | $941 | $87,354 | 2,344 |
| Oct 5, 2018 | 96 | $897 | -5% | 1 | $897 | $89,238 | 2,345 |
| Oct 12, 2018 | 86 | $897 | n/c | 1 | $897 | $93,152 | 2,346 |
| Oct 19, 2018 | 87 | $631 | -30% | 1 | $631 | $94,213 | 2,347 |
| Nov 16, 2018 | 74 | $1,243 | 1 | $1,243 | $100,150 | 2,351 | |
| Nov 23, 2018 | 82 | $798 | -36% | 1 | $798 | $101,398 | 2,352 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2018 | 64 | $21,191 | 1 | $21,191 | $21,191 | 2,340 | |
| Aug 31, 2018 | 66 | $22,609 | +7% | 3 | $7,536 | $43,800 | 2,341 |
| Sep 7, 2018 | 66 | $15,595 | -31% | 4 | $3,899 | $59,395 | 2,342 |
| Sep 14, 2018 | 66 | $13,765 | -12% | 3 | $4,588 | $73,160 | 2,343 |
| Sep 21, 2018 | 64 | $13,253 | -4% | 2 | $6,627 | $86,413 | 2,344 |
| Sep 28, 2018 | 96 | $1,928 | -85% | 1 | $1,928 | $88,341 | 2,345 |
| Oct 5, 2018 | 89 | $3,614 | +87% | 2 | $1,807 | $92,255 | 2,346 |
| Oct 12, 2018 | 94 | $1,327 | -63% | 1 | $1,327 | $93,582 | 2,347 |
| Oct 19, 2018 | 95 | $931 | -30% | 1 | $931 | $94,513 | 2,348 |
| Nov 9, 2018 | 70 | $4,392 | 1 | $4,392 | $98,907 | 2,351 | |
| Nov 16, 2018 | 75 | $1,693 | -61% | 1 | $1,693 | $100,600 | 2,352 |
| Nov 23, 2018 | 76 | $1,423 | -16% | 1 | $1,423 | $102,023 | 2,353 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/20/2016 | $10,363 | 2 | 2 | 2 | $10,363 | 6/9/2016 | |||
| Rest of World | $306 | |||||||||
| International Total | $10,669 | 6/9/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anatoly Solonitsyn | Andrei Rublev |
Supporting
| Ivan Lapikov | Kirill | |
| Nikolai Grinko | Danil Chorny | |
| Nikolai Sergeyev | Theophanes the Greek | |
| Irma Raush | Durochka |
Production and Technical Credits
| Andrei Tarkovsky | Director | |
| Andrei Tarkovsky | Screenwriter | |
| Andrei Mikhalkov-Konchalovsky | Screenwriter | |
| Tamara Ogorodnikova | Producer | |
| Vadim Yusov | Cinematographer | |
| Vyacheslav Ovchinnikov | Composer | |
| Evgeniy Chernyaev | Production Designer | |
| Ludmila Feganova | Editor | |
| E. Zelentsova | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Synopsis
With his second feature, a towering epic that took him years to complete, Andrei Tarkovsky waded deep into the past and emerged with a visionary masterwork. Threading together several self-contained episodes, the filmmaker traces the renowned icon painter Andrei Rublev through the harsh realities of fifteenth-century Russian life, vividly conjuring the dark and otherworldly atmosphere of the age: a primitive hot-air balloon takes to the sky, snow falls inside an unfinished church, naked pagans celebrate the midsummer solstice, a young man oversees the casting of a gigantic bell. Appearing here in Tarkovsky’s preferred 183-minute cut, as well as the version that was originally censored by Soviet authorities, Andrei Rublev is an arresting meditation on art, faith, and endurance, and a powerful reflection on expressive constraints in the director’s own time.
Metrics
| Legs: | 6.28 (domestic box office/biggest weekend) |
| Domestic Share: | 90.5% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | October 1973 (Limited) by Columbia, released as Andrei Rublev August 24th, 2018 (Limited) by Janus Films, released as Andrei Rublev (1966) (Re-Release) |
| International Releases: | May 20th, 2016 (Limited), released as Andrei Rublev (Re: 2016) (United Kingdom) |
| Video Release: | February 2nd, 1999 by Criterion, released as Andrei Rublev |
| MPA Rating: | R |
| Running Time: | 183 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | Moscow |
| Plot point: | Betrayal, Falsely Accused, Non-Chronological, Painter, Religious, Tortured as Punishment |
| Time period setting: | 1400s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Janus Films, Mosfilm |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2018 | 63 | $12,807 | 2 | $6,404 | $12,807 | 2,339 | |
| Aug 31, 2018 | 62 | $16,250 | +27% | 3 | $5,417 | $37,441 | 2,340 |
| Sep 7, 2018 | 66 | $9,204 | -43% | 4 | $2,301 | $53,004 | 2,341 |
| Sep 14, 2018 | 69 | $7,956 | -14% | 3 | $2,652 | $67,351 | 2,342 |
| Sep 21, 2018 | 79 | $2,798 | -65% | 1 | $2,798 | $75,958 | 2,343 |
| Sep 28, 2018 | 99 | $941 | -66% | 1 | $941 | $87,354 | 2,344 |
| Oct 5, 2018 | 96 | $897 | -5% | 1 | $897 | $89,238 | 2,345 |
| Oct 12, 2018 | 86 | $897 | n/c | 1 | $897 | $93,152 | 2,346 |
| Oct 19, 2018 | 87 | $631 | -30% | 1 | $631 | $94,213 | 2,347 |
| Nov 16, 2018 | 74 | $1,243 | 1 | $1,243 | $100,150 | 2,351 | |
| Nov 23, 2018 | 82 | $798 | -36% | 1 | $798 | $101,398 | 2,352 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2018 | 64 | $21,191 | 1 | $21,191 | $21,191 | 2,340 | |
| Aug 31, 2018 | 66 | $22,609 | +7% | 3 | $7,536 | $43,800 | 2,341 |
| Sep 7, 2018 | 66 | $15,595 | -31% | 4 | $3,899 | $59,395 | 2,342 |
| Sep 14, 2018 | 66 | $13,765 | -12% | 3 | $4,588 | $73,160 | 2,343 |
| Sep 21, 2018 | 64 | $13,253 | -4% | 2 | $6,627 | $86,413 | 2,344 |
| Sep 28, 2018 | 96 | $1,928 | -85% | 1 | $1,928 | $88,341 | 2,345 |
| Oct 5, 2018 | 89 | $3,614 | +87% | 2 | $1,807 | $92,255 | 2,346 |
| Oct 12, 2018 | 94 | $1,327 | -63% | 1 | $1,327 | $93,582 | 2,347 |
| Oct 19, 2018 | 95 | $931 | -30% | 1 | $931 | $94,513 | 2,348 |
| Nov 9, 2018 | 70 | $4,392 | 1 | $4,392 | $98,907 | 2,351 | |
| Nov 16, 2018 | 75 | $1,693 | -61% | 1 | $1,693 | $100,600 | 2,352 |
| Nov 23, 2018 | 76 | $1,423 | -16% | 1 | $1,423 | $102,023 | 2,353 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/20/2016 | $10,363 | 2 | 2 | 2 | $10,363 | 6/9/2016 | |||
| Rest of World | $306 | |||||||||
| International Total | $10,669 | 6/9/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anatoly Solonitsyn | Andrei Rublev |
Supporting
| Ivan Lapikov | Kirill | |
| Nikolai Grinko | Danil Chorny | |
| Nikolai Sergeyev | Theophanes the Greek | |
| Irma Raush | Durochka |
Production and Technical Credits
| Andrei Tarkovsky | Director | |
| Andrei Tarkovsky | Screenwriter | |
| Andrei Mikhalkov-Konchalovsky | Screenwriter | |
| Tamara Ogorodnikova | Producer | |
| Vadim Yusov | Cinematographer | |
| Vyacheslav Ovchinnikov | Composer | |
| Evgeniy Chernyaev | Production Designer | |
| Ludmila Feganova | Editor | |
| E. Zelentsova | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.