Anemone (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,161,830 | Details |
| International Box Office | $481,805 | Details |
| Worldwide Box Office | $1,643,635 | |
| OpusData ID: 744890100 More info... | ||
| Further financial details... | ||
Synopsis
Anemone explores the complex and profound ties that exist between brothers, fathers, and sons.
Metrics
| Opening Weekend: | $681,655 (58.7% of total gross) |
| Legs: | 1.70 (domestic box office/biggest weekend) |
| Domestic Share: | 70.7% (domestic box office/worldwide) |
| Theater counts: | 865 opening theaters/879 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,161,830 |
Movie Details
| Domestic Releases: | October 3rd, 2025 (Wide) by Focus Features |
| International Releases: | October 3rd, 2025 (Wide) (South Africa)
November 6th, 2025 (Wide) (Italy) November 7th, 2025 (Wide) (United Kingdom) November 9th, 2025 (Wide) (Estonia) November 13th, 2025 (Wide) (Denmark) ... Show all releases |
| Video Release: | October 21st, 2025 by Universal Home Entertainment |
| MPA Rating: | R for language throughout. (Rating bulletin 2901 (cert #55573), 9/3/2025) |
| Running Time: | 121 minutes |
| Cast, crew, or production detail: | Family Affair, Screenplay Written By the Star |
| Filming location (country): | England, United Kingdom |
| Geographical setting: | England |
| Plot point: | Child Abuse, Dysfunctional Family, Religious, Sex Crimes |
| Subgenre: | Family Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Plan B Entertainment, Focus Features, Absinthe Film Entertainment |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2025 | - | $681,655 | 865 | $788 | $681,655 | 1 | |
| Oct 10, 2025 | - | $140,145 | -79% | 879 | $159 | $1,071,395 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 3, 2025 | - | $309,820 | 865 | $358 | $309,820 | 1 | ||
| Oct 4, 2025 | - | $224,330 | -28% | 865 | $259 | $534,150 | 2 | |
| Oct 5, 2025 | - | $147,505 | -34% | 865 | $171 | $681,655 | 3 | |
| Oct 6, 2025 | - | $60,365 | -59% | 865 | $70 | $742,020 | 4 | |
| Oct 7, 2025 | - | $86,985 | +44% | 865 | $101 | $829,005 | 5 | |
| Oct 8, 2025 | - | $63,585 | -27% | 865 | $74 | $892,590 | 6 | |
| Oct 9, 2025 | - | $38,660 | -39% | 865 | $45 | $931,250 | 7 | |
| Oct 10, 2025 | - | $38,615 | n/c | -88% | 879 | $44 | $969,865 | 8 |
| Oct 11, 2025 | - | $55,950 | +45% | -75% | 879 | $64 | $1,025,815 | 9 |
| Oct 12, 2025 | - | $45,580 | -19% | -69% | 879 | $52 | $1,071,395 | 10 |
| Oct 13, 2025 | - | $29,405 | -35% | -51% | 879 | $33 | $1,100,800 | 11 |
| Oct 14, 2025 | - | $27,055 | -8% | -69% | 879 | $31 | $1,127,855 | 12 |
| Oct 15, 2025 | - | $21,945 | -19% | -65% | 879 | $25 | $1,149,800 | 13 |
| Oct 16, 2025 | - | $12,030 | -45% | -69% | 879 | $14 | $1,161,830 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2025 | 15 | $931,250 | 865 | $1,077 | $931,250 | 1 | |
| Oct 10, 2025 | 20 | $230,580 | -75% | 879 | $262 | $1,161,830 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/12/2026 | $6,640 | 19 | 23 | 0 | $51,400 | 5/31/2026 | |||
| Brazil | 2/19/2026 | $10,331 | 0 | 0 | 0 | $14,160 | 3/11/2026 | |||
| Estonia | 11/9/2025 | $0 | 0 | 0 | 0 | $4,952 | 6/19/2026 | |||
| France | 3/25/2026 | $66,877 | 0 | 0 | 0 | $133,192 | 4/21/2026 | |||
| Germany | 11/27/2025 | $8,684 | 33 | 33 | 77 | $38,759 | 3/6/2026 | |||
| Greece | 11/13/2025 | $21,374 | 41 | 41 | 50 | $34,009 | 12/10/2025 | |||
| Italy | 11/6/2025 | $64,683 | 0 | 0 | 0 | $99,840 | 8/7/2026 | |||
| United Kingdom | 11/7/2025 | $33,727 | 159 | 159 | 213 | $105,493 | 12/3/2025 | |||
| International Total | $481,805 | 8/7/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Day-Lewis | Ray Stoker |
Supporting
| Sean Bean | Jem Stoker | |
| Samantha Morton | Nessa | |
| Samuel Bottomley | Brian | |
| Safia Oakley-Green | Hattie | |
| Lewis Ian Bray | Poacher 2 | |
| Paul Butterworth | Mr. Jarvis | |
| Karl Cam | Barman | |
| JP Conway | Martin | |
| Angus Cooper | Jimbo | |
| Adam Fogerty | Des | |
| Richard Graham | Poacher 1 | |
| Mark Holgate | Fred | |
| Holly Rhys | Sheila | |
| Jag Sanghera | Supervisor | |
| Shaun Mason | Supervisor | |
| Eve Townsend | Young Nessa |
Production and Technical Credits
| Ronan Day-Lewis | Director | |
| Daniel Day-Lewis | Screenwriter | |
| Ronan Day-Lewis | Screenwriter | |
| Dede Gardner | Producer | |
| Jeremy Kleiner | Producer | |
| Brad Pitt | Executive Producer | |
| Daniel Day-Lewis | Executive Producer | |
| Jeremy Campbell | Co-Producer | |
| Ben Fordesman | Director of Photography | |
| Chris Oddy | Production Designer | |
| Nathan Nugent | Editor | |
| Jane Petrie | Costume Designer | |
| Bobby Krlic | Composer | |
| Matt Biffa | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Shaheen Baig | Casting Director | |
| Amaka Ugwunkwo | Unit Production Manager | |
| Stephen Carney | First Assistant Director | |
| James McGeown | Second Assistant Director | |
| Paul Howell | Stunt Coordinator | |
| Adam Smith | Fight Choreographer | |
| Heather Noble | Supervising Art Director | |
| Jack Hawthorn | Art Director | |
| Neil Floyd | Set Decorator | |
| Stevie Haywood | Sound Mixer | |
| Johnny Rafique | Special Effects Supervisor | |
| Gabrielle Spanswick | Costume Supervisor | |
| Mark Walledge | Supervising Location Manager | |
| Michelle Pianca | Location Manager | |
| Freddie Tyson-Brown | Location Manager | |
| Jake Sainsbury | Location Manager | |
| Joel Cockrill | Location Manager | |
| Zoe Morgan | Script Supervisor | |
| Clodagh Z. McCarthy | Post-Production Supervisor | |
| Stephen Kidney | First Assistant Editor | |
| Steve Fanagan | Sound Designer | |
| Steve Fanagan | Re-recording Mixer | |
| Tim Hands | Dialogue Editor | |
| Jean McGrath | Foley Mixer | |
| James Tebbitt | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Anemone explores the complex and profound ties that exist between brothers, fathers, and sons.
Metrics
| Opening Weekend: | $681,655 (58.7% of total gross) |
| Legs: | 1.70 (domestic box office/biggest weekend) |
| Domestic Share: | 70.7% (domestic box office/worldwide) |
| Theater counts: | 865 opening theaters/879 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,161,830 |
Movie Details
| Domestic Releases: | October 3rd, 2025 (Wide) by Focus Features |
| International Releases: | October 3rd, 2025 (Wide) (South Africa)
November 6th, 2025 (Wide) (Italy) November 7th, 2025 (Wide) (United Kingdom) November 9th, 2025 (Wide) (Estonia) November 13th, 2025 (Wide) (Denmark) ... Show all releases |
| Video Release: | October 21st, 2025 by Universal Home Entertainment |
| MPA Rating: | R for language throughout. (Rating bulletin 2901 (cert #55573), 9/3/2025) |
| Running Time: | 121 minutes |
| Cast, crew, or production detail: | Family Affair, Screenplay Written By the Star |
| Filming location (country): | England, United Kingdom |
| Geographical setting: | England |
| Plot point: | Child Abuse, Dysfunctional Family, Religious, Sex Crimes |
| Subgenre: | Family Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Plan B Entertainment, Focus Features, Absinthe Film Entertainment |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2025 | - | $681,655 | 865 | $788 | $681,655 | 1 | |
| Oct 10, 2025 | - | $140,145 | -79% | 879 | $159 | $1,071,395 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 3, 2025 | - | $309,820 | 865 | $358 | $309,820 | 1 | ||
| Oct 4, 2025 | - | $224,330 | -28% | 865 | $259 | $534,150 | 2 | |
| Oct 5, 2025 | - | $147,505 | -34% | 865 | $171 | $681,655 | 3 | |
| Oct 6, 2025 | - | $60,365 | -59% | 865 | $70 | $742,020 | 4 | |
| Oct 7, 2025 | - | $86,985 | +44% | 865 | $101 | $829,005 | 5 | |
| Oct 8, 2025 | - | $63,585 | -27% | 865 | $74 | $892,590 | 6 | |
| Oct 9, 2025 | - | $38,660 | -39% | 865 | $45 | $931,250 | 7 | |
| Oct 10, 2025 | - | $38,615 | n/c | -88% | 879 | $44 | $969,865 | 8 |
| Oct 11, 2025 | - | $55,950 | +45% | -75% | 879 | $64 | $1,025,815 | 9 |
| Oct 12, 2025 | - | $45,580 | -19% | -69% | 879 | $52 | $1,071,395 | 10 |
| Oct 13, 2025 | - | $29,405 | -35% | -51% | 879 | $33 | $1,100,800 | 11 |
| Oct 14, 2025 | - | $27,055 | -8% | -69% | 879 | $31 | $1,127,855 | 12 |
| Oct 15, 2025 | - | $21,945 | -19% | -65% | 879 | $25 | $1,149,800 | 13 |
| Oct 16, 2025 | - | $12,030 | -45% | -69% | 879 | $14 | $1,161,830 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 3, 2025 | 15 | $931,250 | 865 | $1,077 | $931,250 | 1 | |
| Oct 10, 2025 | 20 | $230,580 | -75% | 879 | $262 | $1,161,830 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/12/2026 | $6,640 | 19 | 23 | 0 | $51,400 | 5/31/2026 | |||
| Brazil | 2/19/2026 | $10,331 | 0 | 0 | 0 | $14,160 | 3/11/2026 | |||
| Estonia | 11/9/2025 | $0 | 0 | 0 | 0 | $4,952 | 6/19/2026 | |||
| France | 3/25/2026 | $66,877 | 0 | 0 | 0 | $133,192 | 4/21/2026 | |||
| Germany | 11/27/2025 | $8,684 | 33 | 33 | 77 | $38,759 | 3/6/2026 | |||
| Greece | 11/13/2025 | $21,374 | 41 | 41 | 50 | $34,009 | 12/10/2025 | |||
| Italy | 11/6/2025 | $64,683 | 0 | 0 | 0 | $99,840 | 8/7/2026 | |||
| United Kingdom | 11/7/2025 | $33,727 | 159 | 159 | 213 | $105,493 | 12/3/2025 | |||
| International Total | $481,805 | 8/7/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Day-Lewis | Ray Stoker |
Supporting
| Sean Bean | Jem Stoker | |
| Samantha Morton | Nessa | |
| Samuel Bottomley | Brian | |
| Safia Oakley-Green | Hattie | |
| Lewis Ian Bray | Poacher 2 | |
| Paul Butterworth | Mr. Jarvis | |
| Karl Cam | Barman | |
| JP Conway | Martin | |
| Angus Cooper | Jimbo | |
| Adam Fogerty | Des | |
| Richard Graham | Poacher 1 | |
| Mark Holgate | Fred | |
| Holly Rhys | Sheila | |
| Jag Sanghera | Supervisor | |
| Shaun Mason | Supervisor | |
| Eve Townsend | Young Nessa |
Production and Technical Credits
| Ronan Day-Lewis | Director | |
| Daniel Day-Lewis | Screenwriter | |
| Ronan Day-Lewis | Screenwriter | |
| Dede Gardner | Producer | |
| Jeremy Kleiner | Producer | |
| Brad Pitt | Executive Producer | |
| Daniel Day-Lewis | Executive Producer | |
| Jeremy Campbell | Co-Producer | |
| Ben Fordesman | Director of Photography | |
| Chris Oddy | Production Designer | |
| Nathan Nugent | Editor | |
| Jane Petrie | Costume Designer | |
| Bobby Krlic | Composer | |
| Matt Biffa | Music Supervisor | |
| Gabe Hilfer | Music Supervisor | |
| Shaheen Baig | Casting Director | |
| Amaka Ugwunkwo | Unit Production Manager | |
| Stephen Carney | First Assistant Director | |
| James McGeown | Second Assistant Director | |
| Paul Howell | Stunt Coordinator | |
| Adam Smith | Fight Choreographer | |
| Heather Noble | Supervising Art Director | |
| Jack Hawthorn | Art Director | |
| Neil Floyd | Set Decorator | |
| Stevie Haywood | Sound Mixer | |
| Johnny Rafique | Special Effects Supervisor | |
| Gabrielle Spanswick | Costume Supervisor | |
| Mark Walledge | Supervising Location Manager | |
| Michelle Pianca | Location Manager | |
| Freddie Tyson-Brown | Location Manager | |
| Jake Sainsbury | Location Manager | |
| Joel Cockrill | Location Manager | |
| Zoe Morgan | Script Supervisor | |
| Clodagh Z. McCarthy | Post-Production Supervisor | |
| Stephen Kidney | First Assistant Editor | |
| Steve Fanagan | Sound Designer | |
| Steve Fanagan | Re-recording Mixer | |
| Tim Hands | Dialogue Editor | |
| Jean McGrath | Foley Mixer | |
| James Tebbitt | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.