Angels and Insects (1996)
| Theatrical Performance | ||
| Domestic Box Office | $3,390,811 | Details |
| OpusData ID: 50970100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $39,089 (1.2% of total gross) |
| Legs: | 11.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/91 max. theaters, 8.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,676,478 |
Movie Details
| Domestic Releases: | January 26th, 1996 (Wide) by Goldwyn Entertainment |
| MPA Rating: | R for strong sexuality and graphic nudity |
| Running Time: | 116 minutes |
| Plot point: | Dysfunctional Family, Family Secrets, Incest, Romance, Sex Crimes |
| Subgenre: | Romantic Drama |
| Time period setting: | 1860s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 1996 | 49 | $39,089 | 2 | $19,545 | $39,089 | 1 | |
| Feb 2, 1996 | 49 | $48,888 | +25% | 2 | $24,444 | $116,782 | 2 |
| Feb 9, 1996 | 37 | $140,904 | +188% | 14 | $10,065 | $277,274 | 3 |
| Feb 16, 1996 | 36 | $224,048 | +59% | 24 | $9,335 | $553,924 | 4 |
| Feb 23, 1996 | 32 | $221,452 | -1% | 44 | $5,033 | $829,298 | 5 |
| Mar 1, 1996 | 28 | $285,684 | +29% | 57 | $5,012 | $1,193,693 | 6 |
| Mar 8, 1996 | 31 | $234,435 | -18% | 77 | $3,045 | $1,527,135 | 7 |
| Mar 15, 1996 | 29 | $268,230 | +14% | 91 | $2,948 | $1,890,642 | 8 |
| Mar 22, 1996 | 30 | $221,145 | -18% | 90 | $2,457 | $2,216,774 | 9 |
| Mar 29, 1996 | 37 | $160,248 | -28% | 88 | $1,821 | $2,456,890 | 10 |
| Apr 5, 1996 | 34 | $130,848 | -18% | 87 | $1,504 | $2,663,770 | 11 |
| Apr 12, 1996 | 36 | $99,112 | -24% | 71 | $1,396 | $2,835,292 | 12 |
| Apr 19, 1996 | 37 | $77,160 | -22% | 60 | $1,286 | $2,958,870 | 13 |
| Apr 26, 1996 | 42 | $53,789 | -30% | 68 | $791 | $3,048,439 | 14 |
| Jul 5, 1996 | 47 | $16,138 | 6 | $2,690 | $3,390,811 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 1996 | 42 | $67,894 | 2 | $33,947 | $67,894 | 1 | |
| Feb 2, 1996 | 43 | $68,476 | +1% | 2 | $34,238 | $136,370 | 2 |
| Feb 9, 1996 | 36 | $193,506 | +183% | 14 | $13,822 | $329,876 | 3 |
| Feb 16, 1996 | 36 | $277,970 | +44% | 24 | $11,582 | $607,846 | 4 |
| Feb 23, 1996 | 32 | $300,163 | +8% | 44 | $6,822 | $908,009 | 5 |
| Mar 1, 1996 | 27 | $384,691 | +28% | 57 | $6,749 | $1,292,700 | 6 |
| Mar 8, 1996 | 31 | $329,712 | -14% | 77 | $4,282 | $1,622,412 | 7 |
| Mar 15, 1996 | 28 | $373,217 | +13% | 91 | $4,101 | $1,995,629 | 8 |
| Mar 22, 1996 | 31 | $301,013 | -19% | 90 | $3,345 | $2,296,642 | 9 |
| Mar 29, 1996 | 34 | $236,280 | -22% | 88 | $2,685 | $2,532,922 | 10 |
| Apr 5, 1996 | 32 | $203,258 | -14% | 87 | $2,336 | $2,736,180 | 11 |
| Apr 12, 1996 | 32 | $145,530 | -28% | 71 | $2,050 | $2,881,710 | 12 |
| Apr 19, 1996 | 33 | $112,940 | -22% | 60 | $1,882 | $2,994,650 | 13 |
Leading
| Mark Rylance | William Adamson | |
| Kristin Scott Thomas | Matty Crompton | |
| Patsy Kensit | Eugenia Alabaster Adamson |
Supporting
| Jeremy Kemp | Sir Harold Alabaster | |
| Douglas Henshall | Edgar Alabaster |
Production and Technical Credits
| Philip Haas | Director | |
| Philip Haas | Screenwriter | |
| Belinda Haas | Screenwriter | |
| A.S. Byatt | Story Creator | |
| Joyce Herlihy | Producer | |
| Belinda Haas | Producer | |
| Belinda Haas | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $39,089 (1.2% of total gross) |
| Legs: | 11.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/91 max. theaters, 8.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,676,478 |
Movie Details
| Domestic Releases: | January 26th, 1996 (Wide) by Goldwyn Entertainment |
| MPA Rating: | R for strong sexuality and graphic nudity |
| Running Time: | 116 minutes |
| Plot point: | Dysfunctional Family, Family Secrets, Incest, Romance, Sex Crimes |
| Subgenre: | Romantic Drama |
| Time period setting: | 1860s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 1996 | 49 | $39,089 | 2 | $19,545 | $39,089 | 1 | |
| Feb 2, 1996 | 49 | $48,888 | +25% | 2 | $24,444 | $116,782 | 2 |
| Feb 9, 1996 | 37 | $140,904 | +188% | 14 | $10,065 | $277,274 | 3 |
| Feb 16, 1996 | 36 | $224,048 | +59% | 24 | $9,335 | $553,924 | 4 |
| Feb 23, 1996 | 32 | $221,452 | -1% | 44 | $5,033 | $829,298 | 5 |
| Mar 1, 1996 | 28 | $285,684 | +29% | 57 | $5,012 | $1,193,693 | 6 |
| Mar 8, 1996 | 31 | $234,435 | -18% | 77 | $3,045 | $1,527,135 | 7 |
| Mar 15, 1996 | 29 | $268,230 | +14% | 91 | $2,948 | $1,890,642 | 8 |
| Mar 22, 1996 | 30 | $221,145 | -18% | 90 | $2,457 | $2,216,774 | 9 |
| Mar 29, 1996 | 37 | $160,248 | -28% | 88 | $1,821 | $2,456,890 | 10 |
| Apr 5, 1996 | 34 | $130,848 | -18% | 87 | $1,504 | $2,663,770 | 11 |
| Apr 12, 1996 | 36 | $99,112 | -24% | 71 | $1,396 | $2,835,292 | 12 |
| Apr 19, 1996 | 37 | $77,160 | -22% | 60 | $1,286 | $2,958,870 | 13 |
| Apr 26, 1996 | 42 | $53,789 | -30% | 68 | $791 | $3,048,439 | 14 |
| Jul 5, 1996 | 47 | $16,138 | 6 | $2,690 | $3,390,811 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 1996 | 42 | $67,894 | 2 | $33,947 | $67,894 | 1 | |
| Feb 2, 1996 | 43 | $68,476 | +1% | 2 | $34,238 | $136,370 | 2 |
| Feb 9, 1996 | 36 | $193,506 | +183% | 14 | $13,822 | $329,876 | 3 |
| Feb 16, 1996 | 36 | $277,970 | +44% | 24 | $11,582 | $607,846 | 4 |
| Feb 23, 1996 | 32 | $300,163 | +8% | 44 | $6,822 | $908,009 | 5 |
| Mar 1, 1996 | 27 | $384,691 | +28% | 57 | $6,749 | $1,292,700 | 6 |
| Mar 8, 1996 | 31 | $329,712 | -14% | 77 | $4,282 | $1,622,412 | 7 |
| Mar 15, 1996 | 28 | $373,217 | +13% | 91 | $4,101 | $1,995,629 | 8 |
| Mar 22, 1996 | 31 | $301,013 | -19% | 90 | $3,345 | $2,296,642 | 9 |
| Mar 29, 1996 | 34 | $236,280 | -22% | 88 | $2,685 | $2,532,922 | 10 |
| Apr 5, 1996 | 32 | $203,258 | -14% | 87 | $2,336 | $2,736,180 | 11 |
| Apr 12, 1996 | 32 | $145,530 | -28% | 71 | $2,050 | $2,881,710 | 12 |
| Apr 19, 1996 | 33 | $112,940 | -22% | 60 | $1,882 | $2,994,650 | 13 |
Leading
| Mark Rylance | William Adamson | |
| Kristin Scott Thomas | Matty Crompton | |
| Patsy Kensit | Eugenia Alabaster Adamson |
Supporting
| Jeremy Kemp | Sir Harold Alabaster | |
| Douglas Henshall | Edgar Alabaster |
Production and Technical Credits
| Philip Haas | Director | |
| Philip Haas | Screenwriter | |
| Belinda Haas | Screenwriter | |
| A.S. Byatt | Story Creator | |
| Joyce Herlihy | Producer | |
| Belinda Haas | Producer | |
| Belinda Haas | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.