Anna and the Apocalypse (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $545,597 | Details |
| International Box Office | $301,930 | Details |
| Worldwide Box Office | $847,527 | |
| OpusData ID: 318460100 More info... | ||
| Further financial details... | ||
Synopsis
A zombie apocalypse threatens the sleepy town of Little Haven—at Christmas—forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other…
Metrics
| Opening Weekend: | $52,588 (9.6% of total gross) |
| Legs: | 3.84 (domestic box office/biggest weekend) |
| Domestic Share: | 64.4% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/138 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $716,249 |
Movie Details
| Domestic Releases: | November 30th, 2018 (Limited) by Orion Pictures |
| International Releases: | November 2nd, 2018 (Wide), released as Anna And The Apocalypse (Australia)
November 30th, 2018 (Limited) (United Kingdom) December 10th, 2020 (Limited) (Australia) |
| Video Release: | February 12th, 2019 by MGM Video |
| MPA Rating: | R for zombie violence and gore, language, and some sexual material.
NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PREVIOUS R RATED VERSION, BULLETIN NO. 2513 (2/7/18). ONLY THIS EDITED VERSION IS RATED. NO CHANGE IN RATING OR RATING REASON. (Rating bulletin 2547 (Cert #51455), 10/3/2018) |
| Running Time: | 92 minutes |
| Plot point: | Death of a Best Friend, Rescue, Young Child Dealing with the Death of a Parent, Zombies |
| Release detail: | Christmas in November |
| Social setting: | Christmas, Life in a Small Town |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Creative Scotland, Blazing Griffin, Parkhouse Pictures, Constellation Creatives, Orion Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 38 | $52,588 | 5 | $10,518 | $52,588 | 1 | |
| Dec 7, 2018 | 28 | $142,199 | +170% | 46 | $3,091 | $215,331 | 2 |
| Dec 14, 2018 | 25 | $138,038 | -3% | 138 | $1,000 | $415,733 | 3 |
| Dec 21, 2018 | 38 | $24,488 | -82% | 61 | $401 | $518,365 | 4 |
| Dec 28, 2018 | 56 | $7,010 | -71% | 50 | $140 | $539,092 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | - | $19,715 | 5 | $3,943 | $19,715 | 1 | ||
| Dec 1, 2018 | - | $17,948 | -9% | 5 | $3,590 | $37,663 | 2 | |
| Dec 2, 2018 | - | $14,925 | -17% | 5 | $2,985 | $52,588 | 3 | |
| Dec 3, 2018 | - | $4,703 | -68% | 5 | $941 | $57,291 | 4 | |
| Dec 4, 2018 | - | $4,949 | +5% | 5 | $990 | $62,240 | 5 | |
| Dec 5, 2018 | - | $6,836 | +38% | 5 | $1,367 | $69,076 | 6 | |
| Dec 6, 2018 | - | $4,056 | -41% | 5 | $811 | $73,132 | 7 | |
| Dec 7, 2018 | - | $47,010 | +1,059% | +138% | 46 | $1,022 | $120,142 | 8 |
| Dec 8, 2018 | - | $52,598 | +12% | +193% | 57 | $923 | $172,740 | 9 |
| Dec 9, 2018 | - | $42,591 | -19% | +185% | 46 | $926 | $215,331 | 10 |
| Dec 10, 2018 | - | $17,618 | -59% | +275% | 46 | $383 | $232,949 | 11 |
| Dec 11, 2018 | - | $20,474 | +16% | +314% | 46 | $445 | $253,423 | 12 |
| Dec 12, 2018 | - | $16,323 | -20% | +139% | 46 | $355 | $269,746 | 13 |
| Dec 13, 2018 | - | $7,949 | -51% | +96% | 46 | $173 | $277,695 | 14 |
| Dec 14, 2018 | - | $45,927 | +478% | -2% | 138 | $333 | $323,622 | 15 |
| Dec 15, 2018 | - | $50,034 | +9% | -5% | 138 | $363 | $373,656 | 16 |
| Dec 16, 2018 | - | $42,077 | -16% | -1% | 138 | $305 | $415,733 | 17 |
| Dec 17, 2018 | - | $21,110 | -50% | +20% | 138 | $153 | $436,843 | 18 |
| Dec 18, 2018 | - | $27,041 | +28% | +32% | 138 | $196 | $463,884 | 19 |
| Dec 19, 2018 | - | $18,870 | -30% | +16% | 138 | $137 | $482,754 | 20 |
| Dec 20, 2018 | - | $11,123 | -41% | +40% | 138 | $81 | $493,877 | 21 |
| Dec 21, 2018 | - | $6,371 | -43% | -86% | 61 | $104 | $500,248 | 22 |
| Dec 22, 2018 | - | $8,971 | +41% | -82% | 61 | $147 | $509,219 | 23 |
| Dec 23, 2018 | - | $9,146 | +2% | -78% | 61 | $150 | $518,365 | 24 |
| Dec 24, 2018 | - | $3,966 | -57% | -81% | 61 | $65 | $522,331 | 25 |
| Dec 25, 2018 | - | $3,739 | -6% | -86% | 61 | $61 | $526,070 | 26 |
| Dec 26, 2018 | - | $3,457 | -8% | -82% | 61 | $57 | $529,527 | 27 |
| Dec 27, 2018 | - | $2,555 | -26% | -77% | 61 | $42 | $532,082 | 28 |
| Dec 28, 2018 | - | $2,600 | +2% | -59% | 50 | $52 | $534,682 | 29 |
| Dec 29, 2018 | - | $2,002 | -23% | -78% | 50 | $40 | $536,684 | 30 |
| Dec 30, 2018 | - | $2,408 | +20% | -74% | 50 | $48 | $539,092 | 31 |
| Dec 31, 2018 | - | $1,176 | -51% | -70% | 50 | $24 | $540,268 | 32 |
| Jan 1, 2019 | - | $1,963 | +67% | -47% | 50 | $39 | $542,231 | 33 |
| Jan 2, 2019 | - | $1,492 | -24% | -57% | 50 | $30 | $543,723 | 34 |
| Jan 3, 2019 | - | $1,874 | +26% | -27% | 50 | $37 | $545,597 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 39 | $73,132 | 5 | $14,626 | $73,132 | 1 | |
| Dec 7, 2018 | 29 | $204,563 | +180% | 46 | $4,447 | $277,695 | 2 |
| Dec 14, 2018 | 26 | $216,182 | +6% | 138 | $1,567 | $493,877 | 3 |
| Dec 21, 2018 | 45 | $38,205 | -82% | 61 | $626 | $532,082 | 4 |
| Dec 28, 2018 | 55 | $13,515 | -65% | 50 | $270 | $545,597 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/2/2018 | $1,030 | 13 | 13 | 67 | $37,255 | 12/18/2020 | |||
| United Kingdom | 11/30/2018 | $41,298 | 36 | 36 | 81 | $71,310 | 4/4/2026 | |||
| Rest of World | $193,365 | |||||||||
| International Total | $301,930 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ella Hunt | Anna |
Supporting
| Malcolm Cumming | John | |
| Ben Wiggins | Nick | |
| Sarah Swire | Steph | |
| Christopher Leveaux | Chris | |
| Marli Siu | Lisa | |
| Mark Benton | Tony | |
| Paul Kaye | Savage | |
| Calum Cormack | Santa Claus | |
| Euan Bennet | Jake | |
| Sean Connor | Graham | |
| Janet Lawson | Mrs. Hinzmann | |
| Kirsty Strain | Ms. Wright | |
| Ella Jarvis | Katie |
Production and Technical Credits
| Johnny McPhail | Director | |
| Alan McDonald | Screenwriter | |
| Ryan McHenry | Screenwriter | |
| Naysun Alae-Carew | Producer | |
| Nicholas Crum | Producer | |
| Tracy Jarvis | Producer | |
| Steven Little | Co-Producer | |
| Charlotte Walsh | Co-Producer | |
| Al Niblo* | Executive Producer | |
| Anne Mensah | Executive Producer | |
| Todd Brown | Executive Producer | |
| James Norrie | Executive Producer | |
| Mark Thomas | Executive Producer | |
| Peter Van Der Watt | Executive Producer | |
| Steve Jarvis | Executive Producer | |
| Tracy Brimm | Executive Producer | |
| Orion Lee | Executive Producer | |
| Fiona Morrison | Costume Designer | |
| Sophie Holland | Casting Director | |
| Caroline Stewart | Casting Director | |
| Ryan Clachrie | Production Designer | |
| Matt Cameron | Visual Effects Supervisor | |
| Mark Hermida | Editor | |
| Sara Deane | Director of Photography | |
| Roddy Hart | Composer | |
| Tommy Reilly | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A zombie apocalypse threatens the sleepy town of Little Haven—at Christmas—forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other…
Metrics
| Opening Weekend: | $52,588 (9.6% of total gross) |
| Legs: | 3.84 (domestic box office/biggest weekend) |
| Domestic Share: | 64.4% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/138 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $716,249 |
Movie Details
| Domestic Releases: | November 30th, 2018 (Limited) by Orion Pictures |
| International Releases: | November 2nd, 2018 (Wide), released as Anna And The Apocalypse (Australia)
November 30th, 2018 (Limited) (United Kingdom) December 10th, 2020 (Limited) (Australia) |
| Video Release: | February 12th, 2019 by MGM Video |
| MPA Rating: | R for zombie violence and gore, language, and some sexual material.
NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PREVIOUS R RATED VERSION, BULLETIN NO. 2513 (2/7/18). ONLY THIS EDITED VERSION IS RATED. NO CHANGE IN RATING OR RATING REASON. (Rating bulletin 2547 (Cert #51455), 10/3/2018) |
| Running Time: | 92 minutes |
| Plot point: | Death of a Best Friend, Rescue, Young Child Dealing with the Death of a Parent, Zombies |
| Release detail: | Christmas in November |
| Social setting: | Christmas, Life in a Small Town |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Creative Scotland, Blazing Griffin, Parkhouse Pictures, Constellation Creatives, Orion Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 38 | $52,588 | 5 | $10,518 | $52,588 | 1 | |
| Dec 7, 2018 | 28 | $142,199 | +170% | 46 | $3,091 | $215,331 | 2 |
| Dec 14, 2018 | 25 | $138,038 | -3% | 138 | $1,000 | $415,733 | 3 |
| Dec 21, 2018 | 38 | $24,488 | -82% | 61 | $401 | $518,365 | 4 |
| Dec 28, 2018 | 56 | $7,010 | -71% | 50 | $140 | $539,092 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | - | $19,715 | 5 | $3,943 | $19,715 | 1 | ||
| Dec 1, 2018 | - | $17,948 | -9% | 5 | $3,590 | $37,663 | 2 | |
| Dec 2, 2018 | - | $14,925 | -17% | 5 | $2,985 | $52,588 | 3 | |
| Dec 3, 2018 | - | $4,703 | -68% | 5 | $941 | $57,291 | 4 | |
| Dec 4, 2018 | - | $4,949 | +5% | 5 | $990 | $62,240 | 5 | |
| Dec 5, 2018 | - | $6,836 | +38% | 5 | $1,367 | $69,076 | 6 | |
| Dec 6, 2018 | - | $4,056 | -41% | 5 | $811 | $73,132 | 7 | |
| Dec 7, 2018 | - | $47,010 | +1,059% | +138% | 46 | $1,022 | $120,142 | 8 |
| Dec 8, 2018 | - | $52,598 | +12% | +193% | 57 | $923 | $172,740 | 9 |
| Dec 9, 2018 | - | $42,591 | -19% | +185% | 46 | $926 | $215,331 | 10 |
| Dec 10, 2018 | - | $17,618 | -59% | +275% | 46 | $383 | $232,949 | 11 |
| Dec 11, 2018 | - | $20,474 | +16% | +314% | 46 | $445 | $253,423 | 12 |
| Dec 12, 2018 | - | $16,323 | -20% | +139% | 46 | $355 | $269,746 | 13 |
| Dec 13, 2018 | - | $7,949 | -51% | +96% | 46 | $173 | $277,695 | 14 |
| Dec 14, 2018 | - | $45,927 | +478% | -2% | 138 | $333 | $323,622 | 15 |
| Dec 15, 2018 | - | $50,034 | +9% | -5% | 138 | $363 | $373,656 | 16 |
| Dec 16, 2018 | - | $42,077 | -16% | -1% | 138 | $305 | $415,733 | 17 |
| Dec 17, 2018 | - | $21,110 | -50% | +20% | 138 | $153 | $436,843 | 18 |
| Dec 18, 2018 | - | $27,041 | +28% | +32% | 138 | $196 | $463,884 | 19 |
| Dec 19, 2018 | - | $18,870 | -30% | +16% | 138 | $137 | $482,754 | 20 |
| Dec 20, 2018 | - | $11,123 | -41% | +40% | 138 | $81 | $493,877 | 21 |
| Dec 21, 2018 | - | $6,371 | -43% | -86% | 61 | $104 | $500,248 | 22 |
| Dec 22, 2018 | - | $8,971 | +41% | -82% | 61 | $147 | $509,219 | 23 |
| Dec 23, 2018 | - | $9,146 | +2% | -78% | 61 | $150 | $518,365 | 24 |
| Dec 24, 2018 | - | $3,966 | -57% | -81% | 61 | $65 | $522,331 | 25 |
| Dec 25, 2018 | - | $3,739 | -6% | -86% | 61 | $61 | $526,070 | 26 |
| Dec 26, 2018 | - | $3,457 | -8% | -82% | 61 | $57 | $529,527 | 27 |
| Dec 27, 2018 | - | $2,555 | -26% | -77% | 61 | $42 | $532,082 | 28 |
| Dec 28, 2018 | - | $2,600 | +2% | -59% | 50 | $52 | $534,682 | 29 |
| Dec 29, 2018 | - | $2,002 | -23% | -78% | 50 | $40 | $536,684 | 30 |
| Dec 30, 2018 | - | $2,408 | +20% | -74% | 50 | $48 | $539,092 | 31 |
| Dec 31, 2018 | - | $1,176 | -51% | -70% | 50 | $24 | $540,268 | 32 |
| Jan 1, 2019 | - | $1,963 | +67% | -47% | 50 | $39 | $542,231 | 33 |
| Jan 2, 2019 | - | $1,492 | -24% | -57% | 50 | $30 | $543,723 | 34 |
| Jan 3, 2019 | - | $1,874 | +26% | -27% | 50 | $37 | $545,597 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 39 | $73,132 | 5 | $14,626 | $73,132 | 1 | |
| Dec 7, 2018 | 29 | $204,563 | +180% | 46 | $4,447 | $277,695 | 2 |
| Dec 14, 2018 | 26 | $216,182 | +6% | 138 | $1,567 | $493,877 | 3 |
| Dec 21, 2018 | 45 | $38,205 | -82% | 61 | $626 | $532,082 | 4 |
| Dec 28, 2018 | 55 | $13,515 | -65% | 50 | $270 | $545,597 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/2/2018 | $1,030 | 13 | 13 | 67 | $37,255 | 12/18/2020 | |||
| United Kingdom | 11/30/2018 | $41,298 | 36 | 36 | 81 | $71,310 | 4/4/2026 | |||
| Rest of World | $193,365 | |||||||||
| International Total | $301,930 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ella Hunt | Anna |
Supporting
| Malcolm Cumming | John | |
| Ben Wiggins | Nick | |
| Sarah Swire | Steph | |
| Christopher Leveaux | Chris | |
| Marli Siu | Lisa | |
| Mark Benton | Tony | |
| Paul Kaye | Savage | |
| Calum Cormack | Santa Claus | |
| Euan Bennet | Jake | |
| Sean Connor | Graham | |
| Janet Lawson | Mrs. Hinzmann | |
| Kirsty Strain | Ms. Wright | |
| Ella Jarvis | Katie |
Production and Technical Credits
| Johnny McPhail | Director | |
| Alan McDonald | Screenwriter | |
| Ryan McHenry | Screenwriter | |
| Naysun Alae-Carew | Producer | |
| Nicholas Crum | Producer | |
| Tracy Jarvis | Producer | |
| Steven Little | Co-Producer | |
| Charlotte Walsh | Co-Producer | |
| Al Niblo* | Executive Producer | |
| Anne Mensah | Executive Producer | |
| Todd Brown | Executive Producer | |
| James Norrie | Executive Producer | |
| Mark Thomas | Executive Producer | |
| Peter Van Der Watt | Executive Producer | |
| Steve Jarvis | Executive Producer | |
| Tracy Brimm | Executive Producer | |
| Orion Lee | Executive Producer | |
| Fiona Morrison | Costume Designer | |
| Sophie Holland | Casting Director | |
| Caroline Stewart | Casting Director | |
| Ryan Clachrie | Production Designer | |
| Matt Cameron | Visual Effects Supervisor | |
| Mark Hermida | Editor | |
| Sara Deane | Director of Photography | |
| Roddy Hart | Composer | |
| Tommy Reilly | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.