Another Day of Life (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $3,190 | Details |
| International Box Office | $577,707 | Details |
| Worldwide Box Office | $580,897 | |
| OpusData ID: 375890100 More info... | ||
| Further financial details... | ||
Synopsis
Intercutting a graphically bold animation style with interviews and archival footage, the film conveys a rare immediacy as it tells of the outbreak of civil war following Angola’s independence from Portugal in 1975. Against all advice, Kapuściński is intent on driving south into the heart of the bloody conflict to find the isolated rebel leader Farrusco. His animated trip through corpse-strewn roads conveys an undeniable urgency, while the documentary testimony reminds us that we are watching actual history.
Metrics
| Opening Weekend: | $1,691 (53.0% of total gross) |
| Legs: | 1.89 (domestic box office/biggest weekend) |
| Domestic Share: | 0.5% (domestic box office/worldwide) |
| Production Budget: | $9,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,162 |
Movie Details
| Domestic Releases: | September 13th, 2019 (Limited) by GKIDS |
| International Releases: | October 26th, 2018 (Wide), released as Un dia mas con vida (Spain)
November 9th, 2018 (Wide), released as Mais um dia de vida (Portugal) April 24th, 2019 (Wide), released as Ancora un giorno (Italy) October 25th, 2019 (Wide) (New Zealand) ... Show all releases |
| Video Release: | February 4th, 2020 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Platige Films, Kanaki Films, Walking the Dog, Wuste Film, Animationsfabrik, GKIDS |
| Production Countries: | Poland, Spain, Germany, Belgium |
| Languages: | English, Portuguese, Polish, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 83 | $1,691 | 1 | $1,691 | $1,691 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | - | $422 | 1 | $422 | $422 | 1 | |
| Sep 14, 2019 | - | $891 | +111% | 1 | $891 | $1,313 | 2 |
| Sep 15, 2019 | - | $378 | -58% | 1 | $378 | $1,691 | 3 |
| Sep 16, 2019 | - | $427 | +13% | 1 | $427 | $2,118 | 4 |
| Sep 17, 2019 | - | $249 | -42% | 1 | $249 | $2,367 | 5 |
| Sep 18, 2019 | - | $317 | +27% | 1 | $317 | $2,684 | 6 |
| Sep 19, 2019 | - | $506 | +60% | 1 | $506 | $3,190 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 85 | $3,190 | 1 | $3,190 | $3,190 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 4/24/2019 | $32,115 | 0 | 24 | 42 | $91,441 | 5/24/2019 | |||
| New Zealand | 10/25/2019 | $1,164 | 1 | 1 | 1 | $1,164 | 10/29/2019 | |||
| Portugal | 11/9/2018 | $3,952 | 8 | 8 | 21 | $13,312 | 7/2/2019 | |||
| Spain | 10/26/2018 | $26,825 | 36 | 36 | 137 | $143,391 | 3/23/2023 | |||
| Rest of World | $328,399 | |||||||||
| International Total | $577,707 | 3/23/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miroslaw Haniszewski | Ryszard Kapuscinski |
Supporting
| Olga Boladz | Carlotta | |
| Tomasz Zietek | Farrusco |
Production and Technical Credits
| Raúl de la Fuente | Director | |
| Damian Nenow | Director | |
| Raul Del La Fuente | Screenwriter | |
| Amaia Remirez | Screenwriter | |
| Niall Johnson | Screenwriter | |
| David Weber | Screenwriter | |
| Damian Nenow | Screenwriter | |
| Ryszard Kapuscinski | Story based on the book by | |
| Amaia Remirez | Producer | |
| Jarek Sawko | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Intercutting a graphically bold animation style with interviews and archival footage, the film conveys a rare immediacy as it tells of the outbreak of civil war following Angola’s independence from Portugal in 1975. Against all advice, Kapuściński is intent on driving south into the heart of the bloody conflict to find the isolated rebel leader Farrusco. His animated trip through corpse-strewn roads conveys an undeniable urgency, while the documentary testimony reminds us that we are watching actual history.
Metrics
| Opening Weekend: | $1,691 (53.0% of total gross) |
| Legs: | 1.89 (domestic box office/biggest weekend) |
| Domestic Share: | 0.5% (domestic box office/worldwide) |
| Production Budget: | $9,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,162 |
Movie Details
| Domestic Releases: | September 13th, 2019 (Limited) by GKIDS |
| International Releases: | October 26th, 2018 (Wide), released as Un dia mas con vida (Spain)
November 9th, 2018 (Wide), released as Mais um dia de vida (Portugal) April 24th, 2019 (Wide), released as Ancora un giorno (Italy) October 25th, 2019 (Wide) (New Zealand) ... Show all releases |
| Video Release: | February 4th, 2020 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Platige Films, Kanaki Films, Walking the Dog, Wuste Film, Animationsfabrik, GKIDS |
| Production Countries: | Poland, Spain, Germany, Belgium |
| Languages: | English, Portuguese, Polish, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 83 | $1,691 | 1 | $1,691 | $1,691 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | - | $422 | 1 | $422 | $422 | 1 | |
| Sep 14, 2019 | - | $891 | +111% | 1 | $891 | $1,313 | 2 |
| Sep 15, 2019 | - | $378 | -58% | 1 | $378 | $1,691 | 3 |
| Sep 16, 2019 | - | $427 | +13% | 1 | $427 | $2,118 | 4 |
| Sep 17, 2019 | - | $249 | -42% | 1 | $249 | $2,367 | 5 |
| Sep 18, 2019 | - | $317 | +27% | 1 | $317 | $2,684 | 6 |
| Sep 19, 2019 | - | $506 | +60% | 1 | $506 | $3,190 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 85 | $3,190 | 1 | $3,190 | $3,190 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 4/24/2019 | $32,115 | 0 | 24 | 42 | $91,441 | 5/24/2019 | |||
| New Zealand | 10/25/2019 | $1,164 | 1 | 1 | 1 | $1,164 | 10/29/2019 | |||
| Portugal | 11/9/2018 | $3,952 | 8 | 8 | 21 | $13,312 | 7/2/2019 | |||
| Spain | 10/26/2018 | $26,825 | 36 | 36 | 137 | $143,391 | 3/23/2023 | |||
| Rest of World | $328,399 | |||||||||
| International Total | $577,707 | 3/23/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Miroslaw Haniszewski | Ryszard Kapuscinski |
Supporting
| Olga Boladz | Carlotta | |
| Tomasz Zietek | Farrusco |
Production and Technical Credits
| Raúl de la Fuente | Director | |
| Damian Nenow | Director | |
| Raul Del La Fuente | Screenwriter | |
| Amaia Remirez | Screenwriter | |
| Niall Johnson | Screenwriter | |
| David Weber | Screenwriter | |
| Damian Nenow | Screenwriter | |
| Ryszard Kapuscinski | Story based on the book by | |
| Amaia Remirez | Producer | |
| Jarek Sawko | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.