Another Woman (1988)
| Theatrical Performance | ||
| Domestic Box Office | $1,562,749 | Details |
| OpusData ID: 131270100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $4,300,401 |
Movie Details
| Domestic Releases: | October 14th, 1988 (Wide) by Orion Pictures |
| Running Time: | 84 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Production Countries: | United States |
| Languages: | English |
| Ian Holm | Ken | |
| Gene Hackman | Larry | |
| David Ogden Stiers | Young Marion's Father | |
| Gena Rowlands | Marion | |
| John Houseman | Marion's Father | |
| Martha Plimpton | Laura | |
| Mia Farrow | Hope | |
| Sandy Dennis | Claire | |
| Blythe Danner | Lydia | |
| Philip Bosco | Sam | |
| Harris Yulin | Paul |
Cameo
| Dana Ivey | Engagement Party Guest |
| Frances Conroy | Lynn |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $4,300,401 |
Movie Details
| Domestic Releases: | October 14th, 1988 (Wide) by Orion Pictures |
| Running Time: | 84 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Production Countries: | United States |
| Languages: | English |
| Ian Holm | Ken | |
| Gene Hackman | Larry | |
| David Ogden Stiers | Young Marion's Father | |
| Gena Rowlands | Marion | |
| John Houseman | Marion's Father | |
| Martha Plimpton | Laura | |
| Mia Farrow | Hope | |
| Sandy Dennis | Claire | |
| Blythe Danner | Lydia | |
| Philip Bosco | Sam | |
| Harris Yulin | Paul |
Cameo
| Dana Ivey | Engagement Party Guest |
| Frances Conroy | Lynn |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.