Antonio Lopez 1970: Sex Fashion & Disco (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $43,169 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $32,121 | |
| Total | $32,121 | |
| OpusData ID: 346310100 More info... | ||
| Further financial details... | ||
Synopsis
A feature documentary-based time capsule concerning Paris and New York between 1969 and 1973 and viewed through the eyes of Antonio Lopez, the dominant fashion illustrator of the time, and told through the lives of his colorful and sometimes outrageous milieu. A native of Puerto Rico and raised in The Bronx, Antonio was a seductive arbiter of style and glamour who, beginning in the 1960s, brought elements of the urban street and ethnicity to bear on a postwar fashion world desperate for change and diversity.
Metrics
| Opening Weekend: | $7,167 (16.6% of total gross) |
| Legs: | 6.02 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $56,678 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Limited) by Film Movement |
| Video Release: | February 12th, 2019 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Archive Footage |
| Geographical setting: | New York, Paris |
| Plot point: | Fashion |
| Time period setting: | 1960s, 1970s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Film Movement, Summitridge Pictures, RSJC LLC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 72 | $7,167 | 1 | $7,167 | $7,167 | 1 | |
| Sep 21, 2018 | 68 | $7,001 | -2% | 3 | $2,334 | $18,762 | 2 |
| Sep 28, 2018 | 88 | $2,625 | -63% | 3 | $875 | $24,730 | 3 |
| Oct 5, 2018 | 80 | $3,109 | +18% | 5 | $622 | $29,545 | 4 |
| Oct 12, 2018 | 94 | $387 | -88% | 2 | $194 | $33,097 | 5 |
| Oct 19, 2018 | 95 | $250 | -35% | 1 | $250 | $33,716 | 6 |
| Nov 2, 2018 | 79 | $1,615 | 4 | $404 | $40,650 | 8 | |
| Nov 9, 2018 | 86 | $692 | -57% | 1 | $692 | $42,240 | 9 |
| Nov 16, 2018 | 82 | $432 | -38% | 1 | $432 | $43,169 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 69 | $11,761 | 1 | $11,761 | $11,761 | 1 | |
| Sep 21, 2018 | 68 | $10,344 | -12% | 3 | $3,448 | $22,105 | 2 |
| Sep 28, 2018 | 81 | $4,331 | -58% | 3 | $1,444 | $26,436 | 3 |
| Oct 5, 2018 | 79 | $6,274 | +45% | 5 | $1,255 | $32,710 | 4 |
| Oct 12, 2018 | 100 | $756 | -88% | 3 | $252 | $33,466 | 5 |
| Oct 19, 2018 | 87 | $1,397 | +85% | 2 | $699 | $34,863 | 6 |
| Oct 26, 2018 | 74 | $4,197 | +200% | 5 | $839 | $39,060 | 7 |
| Nov 2, 2018 | 74 | $2,488 | -41% | 4 | $622 | $41,548 | 8 |
| Nov 9, 2018 | 85 | $1,189 | -52% | 1 | $1,189 | $42,737 | 9 |
| Nov 16, 2018 | 82 | $432 | -64% | 1 | $432 | $43,169 | 10 |
Documentary Subject
| Antonio Lopez | Himself |
Inverviewee
| Jessica Lange | Herself | |
| Jerry Hall | Herself | |
| Grace Jones | Herself | |
| Karl Lagerfeld | Himself | |
| Patti D’Arbanville | Herself | |
| Joan Juliet Buck | Herself | |
| Grace Coddington | Herself | |
| Yves Saint Laurent | Himself | |
| Bill Cunningham | Himself | |
| Pat Cleveland | Herself | |
| Michael Chow | Himself |
Production and Technical Credits
| James Crump | Director | |
| James Crump | Screenwriter | |
| Ronnie Sassoon | Executive Producer | |
| James Crump | Producer | |
| Ronnie Sassoon | Producer | |
| Andre Purwo | Visual Effects Designer | |
| Rick Ash | Sound Designer | |
| Gary Gegan | Sound Designer | |
| Nick Tamburri | Editor | |
| Robert O'Haire | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A feature documentary-based time capsule concerning Paris and New York between 1969 and 1973 and viewed through the eyes of Antonio Lopez, the dominant fashion illustrator of the time, and told through the lives of his colorful and sometimes outrageous milieu. A native of Puerto Rico and raised in The Bronx, Antonio was a seductive arbiter of style and glamour who, beginning in the 1960s, brought elements of the urban street and ethnicity to bear on a postwar fashion world desperate for change and diversity.
Metrics
| Opening Weekend: | $7,167 (16.6% of total gross) |
| Legs: | 6.02 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $56,678 |
Movie Details
| Domestic Releases: | September 14th, 2018 (Limited) by Film Movement |
| Video Release: | February 12th, 2019 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Archive Footage |
| Geographical setting: | New York, Paris |
| Plot point: | Fashion |
| Time period setting: | 1960s, 1970s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Film Movement, Summitridge Pictures, RSJC LLC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 72 | $7,167 | 1 | $7,167 | $7,167 | 1 | |
| Sep 21, 2018 | 68 | $7,001 | -2% | 3 | $2,334 | $18,762 | 2 |
| Sep 28, 2018 | 88 | $2,625 | -63% | 3 | $875 | $24,730 | 3 |
| Oct 5, 2018 | 80 | $3,109 | +18% | 5 | $622 | $29,545 | 4 |
| Oct 12, 2018 | 94 | $387 | -88% | 2 | $194 | $33,097 | 5 |
| Oct 19, 2018 | 95 | $250 | -35% | 1 | $250 | $33,716 | 6 |
| Nov 2, 2018 | 79 | $1,615 | 4 | $404 | $40,650 | 8 | |
| Nov 9, 2018 | 86 | $692 | -57% | 1 | $692 | $42,240 | 9 |
| Nov 16, 2018 | 82 | $432 | -38% | 1 | $432 | $43,169 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2018 | 69 | $11,761 | 1 | $11,761 | $11,761 | 1 | |
| Sep 21, 2018 | 68 | $10,344 | -12% | 3 | $3,448 | $22,105 | 2 |
| Sep 28, 2018 | 81 | $4,331 | -58% | 3 | $1,444 | $26,436 | 3 |
| Oct 5, 2018 | 79 | $6,274 | +45% | 5 | $1,255 | $32,710 | 4 |
| Oct 12, 2018 | 100 | $756 | -88% | 3 | $252 | $33,466 | 5 |
| Oct 19, 2018 | 87 | $1,397 | +85% | 2 | $699 | $34,863 | 6 |
| Oct 26, 2018 | 74 | $4,197 | +200% | 5 | $839 | $39,060 | 7 |
| Nov 2, 2018 | 74 | $2,488 | -41% | 4 | $622 | $41,548 | 8 |
| Nov 9, 2018 | 85 | $1,189 | -52% | 1 | $1,189 | $42,737 | 9 |
| Nov 16, 2018 | 82 | $432 | -64% | 1 | $432 | $43,169 | 10 |
Documentary Subject
| Antonio Lopez | Himself |
Inverviewee
| Jessica Lange | Herself | |
| Jerry Hall | Herself | |
| Grace Jones | Herself | |
| Karl Lagerfeld | Himself | |
| Patti D’Arbanville | Herself | |
| Joan Juliet Buck | Herself | |
| Grace Coddington | Herself | |
| Yves Saint Laurent | Himself | |
| Bill Cunningham | Himself | |
| Pat Cleveland | Herself | |
| Michael Chow | Himself |
Production and Technical Credits
| James Crump | Director | |
| James Crump | Screenwriter | |
| Ronnie Sassoon | Executive Producer | |
| James Crump | Producer | |
| Ronnie Sassoon | Producer | |
| Andre Purwo | Visual Effects Designer | |
| Rick Ash | Sound Designer | |
| Gary Gegan | Sound Designer | |
| Nick Tamburri | Editor | |
| Robert O'Haire | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.