Apprentice (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $2,578 | Details |
| International Box Office | $54,577 | Details |
| Worldwide Box Office | $57,155 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $13,319 | |
| Total | $13,319 | |
| OpusData ID: 267450100 More info... | ||
| Further financial details... | ||
Synopsis
When ambitious young correctional officer Aiman is transferred to the country’s highest-security prison, he catches the attention of the seasoned chief executioner Rahim. Aiman’s desire to become the hangman’s apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him.
Metrics
| Opening Weekend: | $676 (26.2% of total gross) |
| Legs: | 3.81 (domestic box office/biggest weekend) |
| Domestic Share: | 4.5% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,433 |
Movie Details
| Domestic Releases: | March 3rd, 2017 (Limited) by Film Movement |
| International Releases: | June 10th, 2016 (Wide) (France)
July 14th, 2017 (Wide) (Turkey) |
| Video Release: | May 9th, 2017 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Geographical setting: | Singapore |
| Plot point: | Car Accident, Dysfunctional Family, Prison |
| Social setting: | Death Row |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Akanga Film Asia, Peanut Pictures, Zhao Wei Films, Augenschein Filmproduktion, Cinema Defacto, ZDF, Das Kleine Fernsehspiel, Arte, Making Film, Infinite Frameworks |
| Production Countries: | Singapore, Germany, France, Hong Kong, Qatar |
| Languages: | Malayalam |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 83 | $676 | 1 | $676 | $676 | 53 | |
| Mar 10, 2017 | 86 | $125 | -82% | 1 | $125 | $1,226 | 54 |
| Mar 17, 2017 | 91 | $107 | -14% | 2 | $54 | $1,588 | 55 |
| Mar 24, 2017 | 87 | $52 | -51% | 1 | $52 | $1,678 | 56 |
| Mar 31, 2017 | 82 | $57 | +10% | 1 | $57 | $1,858 | 57 |
| Apr 14, 2017 | 94 | $84 | 1 | $84 | $2,578 | 59 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 76 | $1,101 | 1 | $1,101 | $1,101 | 54 | |
| Mar 10, 2017 | 78 | $380 | -65% | 2 | $190 | $1,481 | 55 |
| Mar 17, 2017 | 86 | $145 | -62% | 2 | $73 | $1,626 | 56 |
| Mar 24, 2017 | 83 | $175 | +21% | 1 | $175 | $1,801 | 57 |
| Mar 31, 2017 | 81 | $451 | +158% | 3 | $150 | $2,252 | 58 |
| Apr 7, 2017 | 88 | $242 | -46% | 1 | $242 | $2,494 | 59 |
| Apr 14, 2017 | 95 | $84 | -65% | 1 | $84 | $2,578 | 60 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 6/10/2016 | $52,991 | 0 | 0 | 0 | $52,991 | 10/2/2018 | |||
| Turkey | 7/14/2017 | $1,586 | 0 | 0 | 0 | $1,586 | 1/1/2019 | |||
| International Total | $54,577 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fir Rahman | Aiman | |
| Wan Hanafi Su | Rahim |
Supporting
| Mastura Ahmad | Suhaila | |
| Koh Boon Pin | James | |
| Nickson Cheng | Joseph | |
| Crispian Chan | Randy | |
| Gerald Chew | Hock |
Production and Technical Credits
| Junfeng Boo | Director | |
| Junfeng Boo | Screenwriter | |
| Junfeng Boo | Story by | |
| Raymond Phathanavirangoon | Story by | |
| Raymond Phathanavirangoon | Producer | |
| Fran Borgia | Producer | |
| Tan Fong Cheng | Producer | |
| Eric Khoo | Executive Producer | |
| Ho Cheung Pang | Executive Producer | |
| Subi Liang | Executive Producer | |
| Jim Rogers | Executive Producer | |
| Paige Parker | Executive Producer | |
| Alvin Chau | Co-Executive Producer | |
| Alex Dong | Co-Executive Producer | |
| Jonas Katzenstein | Co-Producer | |
| Maximilian Leo | Co-Producer | |
| Tom Dercourt | Co-Producer | |
| Sophie Erbs | Co-Producer | |
| Huang Junxiang | Associate Producer | |
| Rachel Higgins | Associate Producer | |
| Philipp Stendebach | Associate Producer | |
| Benoit Soler | Director of Photography | |
| James Page | Production Designer | |
| Natalie Soh | Editor | |
| Lee Chatametikool | Editor | |
| Andy Phua | Art Director | |
| Meredith Lee | Costume Designer | |
| Ting Li Lim | Supervising Sound Editor | |
| Alexander Zekke | Composer | |
| Matthew James Kelly | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When ambitious young correctional officer Aiman is transferred to the country’s highest-security prison, he catches the attention of the seasoned chief executioner Rahim. Aiman’s desire to become the hangman’s apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him.
Metrics
| Opening Weekend: | $676 (26.2% of total gross) |
| Legs: | 3.81 (domestic box office/biggest weekend) |
| Domestic Share: | 4.5% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,433 |
Movie Details
| Domestic Releases: | March 3rd, 2017 (Limited) by Film Movement |
| International Releases: | June 10th, 2016 (Wide) (France)
July 14th, 2017 (Wide) (Turkey) |
| Video Release: | May 9th, 2017 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Geographical setting: | Singapore |
| Plot point: | Car Accident, Dysfunctional Family, Prison |
| Social setting: | Death Row |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Akanga Film Asia, Peanut Pictures, Zhao Wei Films, Augenschein Filmproduktion, Cinema Defacto, ZDF, Das Kleine Fernsehspiel, Arte, Making Film, Infinite Frameworks |
| Production Countries: | Singapore, Germany, France, Hong Kong, Qatar |
| Languages: | Malayalam |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 83 | $676 | 1 | $676 | $676 | 53 | |
| Mar 10, 2017 | 86 | $125 | -82% | 1 | $125 | $1,226 | 54 |
| Mar 17, 2017 | 91 | $107 | -14% | 2 | $54 | $1,588 | 55 |
| Mar 24, 2017 | 87 | $52 | -51% | 1 | $52 | $1,678 | 56 |
| Mar 31, 2017 | 82 | $57 | +10% | 1 | $57 | $1,858 | 57 |
| Apr 14, 2017 | 94 | $84 | 1 | $84 | $2,578 | 59 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 3, 2017 | 76 | $1,101 | 1 | $1,101 | $1,101 | 54 | |
| Mar 10, 2017 | 78 | $380 | -65% | 2 | $190 | $1,481 | 55 |
| Mar 17, 2017 | 86 | $145 | -62% | 2 | $73 | $1,626 | 56 |
| Mar 24, 2017 | 83 | $175 | +21% | 1 | $175 | $1,801 | 57 |
| Mar 31, 2017 | 81 | $451 | +158% | 3 | $150 | $2,252 | 58 |
| Apr 7, 2017 | 88 | $242 | -46% | 1 | $242 | $2,494 | 59 |
| Apr 14, 2017 | 95 | $84 | -65% | 1 | $84 | $2,578 | 60 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 6/10/2016 | $52,991 | 0 | 0 | 0 | $52,991 | 10/2/2018 | |||
| Turkey | 7/14/2017 | $1,586 | 0 | 0 | 0 | $1,586 | 1/1/2019 | |||
| International Total | $54,577 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fir Rahman | Aiman | |
| Wan Hanafi Su | Rahim |
Supporting
| Mastura Ahmad | Suhaila | |
| Koh Boon Pin | James | |
| Nickson Cheng | Joseph | |
| Crispian Chan | Randy | |
| Gerald Chew | Hock |
Production and Technical Credits
| Junfeng Boo | Director | |
| Junfeng Boo | Screenwriter | |
| Junfeng Boo | Story by | |
| Raymond Phathanavirangoon | Story by | |
| Raymond Phathanavirangoon | Producer | |
| Fran Borgia | Producer | |
| Tan Fong Cheng | Producer | |
| Eric Khoo | Executive Producer | |
| Ho Cheung Pang | Executive Producer | |
| Subi Liang | Executive Producer | |
| Jim Rogers | Executive Producer | |
| Paige Parker | Executive Producer | |
| Alvin Chau | Co-Executive Producer | |
| Alex Dong | Co-Executive Producer | |
| Jonas Katzenstein | Co-Producer | |
| Maximilian Leo | Co-Producer | |
| Tom Dercourt | Co-Producer | |
| Sophie Erbs | Co-Producer | |
| Huang Junxiang | Associate Producer | |
| Rachel Higgins | Associate Producer | |
| Philipp Stendebach | Associate Producer | |
| Benoit Soler | Director of Photography | |
| James Page | Production Designer | |
| Natalie Soh | Editor | |
| Lee Chatametikool | Editor | |
| Andy Phua | Art Director | |
| Meredith Lee | Costume Designer | |
| Ting Li Lim | Supervising Sound Editor | |
| Alexander Zekke | Composer | |
| Matthew James Kelly | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.