Armageddon Time (2022)
| Theatrical Performance | ||
| Domestic Box Office | $1,872,625 | Details |
| International Box Office | $4,695,459 | Details |
| Worldwide Box Office | $6,568,084 | |
| OpusData ID: 460280100 More info... | ||
| Further financial details... | ||
Synopsis
ARMAGEDDON TIME is a deeply personal story on the strength of family, the complexity of friendship and the generational pursuit of the American Dream.
Metrics
| Opening Weekend: | $70,275 (3.8% of total gross) |
| Legs: | 2.36 (domestic box office/biggest weekend) |
| Domestic Share: | 28.5% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 6 opening theaters/1,006 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,126,392 |
Movie Details
| Domestic Releases: | October 28th, 2022 (Limited) by Focus Features November 4th, 2022 (Expands Wide) by Focus Features |
| International Releases: | September 14th, 2022 (Wide) (France)
October 6th, 2022 (Wide) (Switzerland) November 3rd, 2022 (Wide) (Australia) November 10th, 2022 (Wide) (Slovenia) November 10th, 2022 (Wide) (Brazil) ... Show all releases |
| Video Release: | November 22nd, 2022 by Focus Features |
| MPA Rating: | R for language and some drug use involving minors. (Rating bulletin 2752 (cert #53611), 10/5/2022) |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Geographical setting: | Queens NY |
| Plot point: | Coming of Age |
| Source material: | Inspired by a True Story |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Focus Features, Mad River Pictures, Keep Your Head, Spacemaker Productions, RT Features |
| Production Countries: | United States, Brazil |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2022 | - | $70,275 | 6 | $11,713 | $70,275 | 1 | |
| Nov 4, 2022 | 12 | $792,760 | +1,028% | 1,006 | $788 | $884,935 | 2 |
| Nov 11, 2022 | 12 | $368,695 | -53% | 981 | $376 | $1,599,265 | 3 |
| Nov 18, 2022 | - | $52,150 | -86% | 169 | $309 | $1,838,505 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 28, 2022 | - | $35,010 | 6 | $5,835 | $35,010 | 1 | ||
| Oct 29, 2022 | - | $20,050 | -43% | 6 | $3,342 | $55,060 | 2 | |
| Oct 30, 2022 | - | $15,215 | -24% | 6 | $2,536 | $70,275 | 3 | |
| Oct 31, 2022 | - | $4,320 | -72% | 6 | $720 | $74,595 | 4 | |
| Nov 1, 2022 | - | $5,755 | +33% | 6 | $959 | $80,350 | 5 | |
| Nov 2, 2022 | - | $6,795 | +18% | 6 | $1,133 | $87,145 | 6 | |
| Nov 3, 2022 | - | $5,030 | -26% | 6 | $838 | $92,175 | 7 | |
| Nov 4, 2022 | 11 | $298,510 | +5,835% | +753% | 1,006 | $297 | $390,685 | 8 |
| Nov 5, 2022 | 12 | $300,045 | +1% | +1,396% | 1,006 | $298 | $690,730 | 9 |
| Nov 6, 2022 | 13 | $194,205 | -35% | +1,176% | 1,006 | $193 | $884,935 | 10 |
| Nov 7, 2022 | 13 | $74,180 | -62% | +1,617% | 1,006 | $74 | $959,115 | 11 |
| Nov 8, 2022 | 10 | $133,355 | +80% | +2,217% | 1,006 | $133 | $1,092,470 | 12 |
| Nov 9, 2022 | 12 | $80,785 | -39% | +1,089% | 1,006 | $80 | $1,173,255 | 13 |
| Nov 10, 2022 | 11 | $57,315 | -29% | +1,039% | 1,006 | $57 | $1,230,570 | 14 |
| Nov 11, 2022 | - | $119,815 | +109% | -60% | 981 | $122 | $1,350,385 | 15 |
| Nov 12, 2022 | - | $147,500 | +23% | -51% | 981 | $150 | $1,497,885 | 16 |
| Nov 13, 2022 | - | $101,380 | -31% | -48% | 981 | $103 | $1,599,265 | 17 |
| Nov 14, 2022 | - | $40,545 | -60% | -45% | 981 | $41 | $1,639,810 | 18 |
| Nov 15, 2022 | - | $65,010 | +60% | -51% | 981 | $66 | $1,704,820 | 19 |
| Nov 16, 2022 | - | $45,185 | -30% | -44% | 981 | $46 | $1,750,005 | 20 |
| Nov 17, 2022 | - | $36,350 | -20% | -37% | 981 | $37 | $1,786,355 | 21 |
| Nov 18, 2022 | - | $13,365 | -63% | -89% | 169 | $79 | $1,799,720 | 22 |
| Nov 19, 2022 | - | $23,355 | +75% | -84% | 169 | $138 | $1,823,075 | 23 |
| Nov 20, 2022 | - | $15,430 | -34% | -85% | 169 | $91 | $1,838,505 | 24 |
| Nov 21, 2022 | - | $6,335 | -59% | -84% | 169 | $37 | $1,844,840 | 25 |
| Nov 22, 2022 | - | $6,910 | +9% | -89% | 169 | $41 | $1,851,750 | 26 |
| Nov 23, 2022 | - | $5,290 | -23% | -88% | 169 | $31 | $1,857,040 | 27 |
| Nov 24, 2022 | - | $3,010 | -43% | -92% | 169 | $18 | $1,860,050 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2022 | 25 | $92,175 | 6 | $15,363 | $92,175 | 1 | |
| Nov 4, 2022 | 12 | $1,138,395 | +1,135% | 1,006 | $1,132 | $1,230,570 | 2 |
| Nov 11, 2022 | 10 | $555,785 | -51% | 981 | $567 | $1,786,355 | 3 |
| Nov 18, 2022 | 26 | $73,695 | -87% | 169 | $436 | $1,860,050 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/3/2022 | $62,828 | 71 | 71 | 301 | $214,634 | 1/18/2023 | |||
| Austria | 11/25/2022 | $25,801 | 26 | 26 | 109 | $57,161 | 2/22/2023 | |||
| Belgium | 3/18/2023 | $0 | 0 | 14 | 59 | $53,498 | 4/4/2026 | |||
| Bosnia and Herzegovina | 12/1/2022 | $236 | 5 | 5 | 8 | $407 | 12/14/2022 | |||
| Brazil | 11/10/2022 | $18,481 | 20 | 20 | 106 | $56,464 | 3/1/2023 | |||
| Croatia | 12/1/2022 | $1,926 | 34 | 34 | 42 | $3,496 | 3/1/2023 | |||
| France | 9/14/2022 | $0 | 0 | 429 | 1,739 | $2,758,049 | 1/26/2023 | |||
| Germany | 11/24/2022 | $124,527 | 91 | 98 | 477 | $336,923 | 3/29/2023 | |||
| Israel | 1/26/2023 | $17,959 | 26 | 26 | 57 | $50,434 | 3/9/2023 | |||
| Italy | 3/23/2023 | $154,061 | 0 | 6 | 13 | $263,597 | 6/28/2023 | |||
| Japan | 5/12/2023 | $21,496 | 28 | 28 | 141 | $97,046 | 12/30/2024 | |||
| Mexico | 12/22/2022 | $0 | 0 | 0 | 0 | $96,811 | 1/26/2023 | |||
| Netherlands | 12/8/2022 | $37,254 | 37 | 37 | 170 | $160,960 | 3/1/2023 | |||
| Serbia and Montenegro | 12/1/2022 | $3,039 | 29 | 29 | 32 | $4,894 | 1/18/2023 | |||
| Serbia / Others Balkans | 12/2/2022 | $3,000 | 30 | 30 | 30 | $3,000 | 12/5/2022 | |||
| Slovenia | 11/10/2022 | $982 | 9 | 9 | 14 | $3,955 | 2/1/2023 | |||
| South Korea | 11/23/2022 | $22,630 | 177 | 177 | 223 | $60,952 | 1/18/2023 | |||
| Spain | 11/18/2022 | $108,544 | 132 | 132 | 314 | $249,423 | 3/29/2023 | |||
| Switzerland | 10/6/2022 | $0 | 0 | 0 | 0 | $24,460 | 4/5/2023 | |||
| United Kingdom | 11/18/2022 | $79,794 | 305 | 305 | 405 | $180,864 | 12/21/2022 | |||
| Rest of World | $18,431 | |||||||||
| International Total | $4,695,459 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Anne Hathaway | Esther Graff | |
| Jeremy Strong | Irving Graff | |
| Michael Banks Repeta | Paul Graff | |
| Jaylin Webb | Johnny Davis | |
| Anthony Hopkins | Grandpa Aaron Rabinowitz |
Supporting
| Ryan Sell | Ted Graff | |
| Andrew Polk | Mr. Turkeltaub | |
| Tovah Feldshuh | Grandma Mickey Rabinowitz | |
| Marcia Haufrecht | Aunt Ruth | |
| Teddy Coluca | Uncle Louis |
Production and Technical Credits
| James Gray | Director | |
| James Gray | Screenwriter | |
| Rodrigo Teixeira | Producer | |
| Anthony Katagas | Producer | |
| James Gray | Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Rodrigo Gutierrez | Executive Producer | |
| Gustavo Debs | Executive Producer | |
| Francisco Civita | Executive Producer | |
| Beto Gauss | Executive Producer | |
| Alan Terpins | Executive Producer | |
| Marco Tulio Kehdi | Executive Producer | |
| Richard Mancuso | Line Producer | |
| Darius Khondji | Director of Photography | |
| Happy Massee | Production Designer | |
| Scott Morris | Editor | |
| Madeline Weeks | Costume Designer | |
| Christopher Spelman | Composer | |
| Joe Rudge | Music Supervisor | |
| Douglas Aibel | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
ARMAGEDDON TIME is a deeply personal story on the strength of family, the complexity of friendship and the generational pursuit of the American Dream.
Metrics
| Opening Weekend: | $70,275 (3.8% of total gross) |
| Legs: | 2.36 (domestic box office/biggest weekend) |
| Domestic Share: | 28.5% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 6 opening theaters/1,006 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,126,392 |
Movie Details
| Domestic Releases: | October 28th, 2022 (Limited) by Focus Features November 4th, 2022 (Expands Wide) by Focus Features |
| International Releases: | September 14th, 2022 (Wide) (France)
October 6th, 2022 (Wide) (Switzerland) November 3rd, 2022 (Wide) (Australia) November 10th, 2022 (Wide) (Slovenia) November 10th, 2022 (Wide) (Brazil) ... Show all releases |
| Video Release: | November 22nd, 2022 by Focus Features |
| MPA Rating: | R for language and some drug use involving minors. (Rating bulletin 2752 (cert #53611), 10/5/2022) |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Geographical setting: | Queens NY |
| Plot point: | Coming of Age |
| Source material: | Inspired by a True Story |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Focus Features, Mad River Pictures, Keep Your Head, Spacemaker Productions, RT Features |
| Production Countries: | United States, Brazil |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2022 | - | $70,275 | 6 | $11,713 | $70,275 | 1 | |
| Nov 4, 2022 | 12 | $792,760 | +1,028% | 1,006 | $788 | $884,935 | 2 |
| Nov 11, 2022 | 12 | $368,695 | -53% | 981 | $376 | $1,599,265 | 3 |
| Nov 18, 2022 | - | $52,150 | -86% | 169 | $309 | $1,838,505 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 28, 2022 | - | $35,010 | 6 | $5,835 | $35,010 | 1 | ||
| Oct 29, 2022 | - | $20,050 | -43% | 6 | $3,342 | $55,060 | 2 | |
| Oct 30, 2022 | - | $15,215 | -24% | 6 | $2,536 | $70,275 | 3 | |
| Oct 31, 2022 | - | $4,320 | -72% | 6 | $720 | $74,595 | 4 | |
| Nov 1, 2022 | - | $5,755 | +33% | 6 | $959 | $80,350 | 5 | |
| Nov 2, 2022 | - | $6,795 | +18% | 6 | $1,133 | $87,145 | 6 | |
| Nov 3, 2022 | - | $5,030 | -26% | 6 | $838 | $92,175 | 7 | |
| Nov 4, 2022 | 11 | $298,510 | +5,835% | +753% | 1,006 | $297 | $390,685 | 8 |
| Nov 5, 2022 | 12 | $300,045 | +1% | +1,396% | 1,006 | $298 | $690,730 | 9 |
| Nov 6, 2022 | 13 | $194,205 | -35% | +1,176% | 1,006 | $193 | $884,935 | 10 |
| Nov 7, 2022 | 13 | $74,180 | -62% | +1,617% | 1,006 | $74 | $959,115 | 11 |
| Nov 8, 2022 | 10 | $133,355 | +80% | +2,217% | 1,006 | $133 | $1,092,470 | 12 |
| Nov 9, 2022 | 12 | $80,785 | -39% | +1,089% | 1,006 | $80 | $1,173,255 | 13 |
| Nov 10, 2022 | 11 | $57,315 | -29% | +1,039% | 1,006 | $57 | $1,230,570 | 14 |
| Nov 11, 2022 | - | $119,815 | +109% | -60% | 981 | $122 | $1,350,385 | 15 |
| Nov 12, 2022 | - | $147,500 | +23% | -51% | 981 | $150 | $1,497,885 | 16 |
| Nov 13, 2022 | - | $101,380 | -31% | -48% | 981 | $103 | $1,599,265 | 17 |
| Nov 14, 2022 | - | $40,545 | -60% | -45% | 981 | $41 | $1,639,810 | 18 |
| Nov 15, 2022 | - | $65,010 | +60% | -51% | 981 | $66 | $1,704,820 | 19 |
| Nov 16, 2022 | - | $45,185 | -30% | -44% | 981 | $46 | $1,750,005 | 20 |
| Nov 17, 2022 | - | $36,350 | -20% | -37% | 981 | $37 | $1,786,355 | 21 |
| Nov 18, 2022 | - | $13,365 | -63% | -89% | 169 | $79 | $1,799,720 | 22 |
| Nov 19, 2022 | - | $23,355 | +75% | -84% | 169 | $138 | $1,823,075 | 23 |
| Nov 20, 2022 | - | $15,430 | -34% | -85% | 169 | $91 | $1,838,505 | 24 |
| Nov 21, 2022 | - | $6,335 | -59% | -84% | 169 | $37 | $1,844,840 | 25 |
| Nov 22, 2022 | - | $6,910 | +9% | -89% | 169 | $41 | $1,851,750 | 26 |
| Nov 23, 2022 | - | $5,290 | -23% | -88% | 169 | $31 | $1,857,040 | 27 |
| Nov 24, 2022 | - | $3,010 | -43% | -92% | 169 | $18 | $1,860,050 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2022 | 25 | $92,175 | 6 | $15,363 | $92,175 | 1 | |
| Nov 4, 2022 | 12 | $1,138,395 | +1,135% | 1,006 | $1,132 | $1,230,570 | 2 |
| Nov 11, 2022 | 10 | $555,785 | -51% | 981 | $567 | $1,786,355 | 3 |
| Nov 18, 2022 | 26 | $73,695 | -87% | 169 | $436 | $1,860,050 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/3/2022 | $62,828 | 71 | 71 | 301 | $214,634 | 1/18/2023 | |||
| Austria | 11/25/2022 | $25,801 | 26 | 26 | 109 | $57,161 | 2/22/2023 | |||
| Belgium | 3/18/2023 | $0 | 0 | 14 | 59 | $53,498 | 4/4/2026 | |||
| Bosnia and Herzegovina | 12/1/2022 | $236 | 5 | 5 | 8 | $407 | 12/14/2022 | |||
| Brazil | 11/10/2022 | $18,481 | 20 | 20 | 106 | $56,464 | 3/1/2023 | |||
| Croatia | 12/1/2022 | $1,926 | 34 | 34 | 42 | $3,496 | 3/1/2023 | |||
| France | 9/14/2022 | $0 | 0 | 429 | 1,739 | $2,758,049 | 1/26/2023 | |||
| Germany | 11/24/2022 | $124,527 | 91 | 98 | 477 | $336,923 | 3/29/2023 | |||
| Israel | 1/26/2023 | $17,959 | 26 | 26 | 57 | $50,434 | 3/9/2023 | |||
| Italy | 3/23/2023 | $154,061 | 0 | 6 | 13 | $263,597 | 6/28/2023 | |||
| Japan | 5/12/2023 | $21,496 | 28 | 28 | 141 | $97,046 | 12/30/2024 | |||
| Mexico | 12/22/2022 | $0 | 0 | 0 | 0 | $96,811 | 1/26/2023 | |||
| Netherlands | 12/8/2022 | $37,254 | 37 | 37 | 170 | $160,960 | 3/1/2023 | |||
| Serbia and Montenegro | 12/1/2022 | $3,039 | 29 | 29 | 32 | $4,894 | 1/18/2023 | |||
| Serbia / Others Balkans | 12/2/2022 | $3,000 | 30 | 30 | 30 | $3,000 | 12/5/2022 | |||
| Slovenia | 11/10/2022 | $982 | 9 | 9 | 14 | $3,955 | 2/1/2023 | |||
| South Korea | 11/23/2022 | $22,630 | 177 | 177 | 223 | $60,952 | 1/18/2023 | |||
| Spain | 11/18/2022 | $108,544 | 132 | 132 | 314 | $249,423 | 3/29/2023 | |||
| Switzerland | 10/6/2022 | $0 | 0 | 0 | 0 | $24,460 | 4/5/2023 | |||
| United Kingdom | 11/18/2022 | $79,794 | 305 | 305 | 405 | $180,864 | 12/21/2022 | |||
| Rest of World | $18,431 | |||||||||
| International Total | $4,695,459 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Anne Hathaway | Esther Graff | |
| Jeremy Strong | Irving Graff | |
| Michael Banks Repeta | Paul Graff | |
| Jaylin Webb | Johnny Davis | |
| Anthony Hopkins | Grandpa Aaron Rabinowitz |
Supporting
| Ryan Sell | Ted Graff | |
| Andrew Polk | Mr. Turkeltaub | |
| Tovah Feldshuh | Grandma Mickey Rabinowitz | |
| Marcia Haufrecht | Aunt Ruth | |
| Teddy Coluca | Uncle Louis |
Production and Technical Credits
| James Gray | Director | |
| James Gray | Screenwriter | |
| Rodrigo Teixeira | Producer | |
| Anthony Katagas | Producer | |
| James Gray | Producer | |
| Lourenco Sant' Anna | Executive Producer | |
| Rodrigo Gutierrez | Executive Producer | |
| Gustavo Debs | Executive Producer | |
| Francisco Civita | Executive Producer | |
| Beto Gauss | Executive Producer | |
| Alan Terpins | Executive Producer | |
| Marco Tulio Kehdi | Executive Producer | |
| Richard Mancuso | Line Producer | |
| Darius Khondji | Director of Photography | |
| Happy Massee | Production Designer | |
| Scott Morris | Editor | |
| Madeline Weeks | Costume Designer | |
| Christopher Spelman | Composer | |
| Joe Rudge | Music Supervisor | |
| Douglas Aibel | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.