Armand (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $109,061 | Details |
| International Box Office | $132,951 | Details |
| Worldwide Box Office | $242,012 | |
| OpusData ID: 684110100 More info... | ||
| Further financial details... | ||
Synopsis
Armand, a 6-year-old boy, is accused of overstepping boundaries with his best friend in elementary school. Although no one knows what actually happened between the two boys, the incident sets off a chain of events that forces parents and school staff into a gripping battle for redemption where madness, desire and obsession arise.
Metrics
| Opening Weekend: | $23,474 (21.5% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 45.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/230 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $109,061 |
Movie Details
| Domestic Releases: | November 29th, 2024 (Oscar Qualifying Run) by IFC Films February 7th, 2025 (Limited) by IFC Films February 14th, 2025 (Expands Wide) by IFC Films |
| International Releases: | October 25th, 2024 (Limited) (Sweden)
December 5th, 2024 (Limited), released as Armand (Арман) (Russia (CIS)) December 25th, 2024 (Limited), released as Armand (모든 것은 아르망에서 시작되었다) (South Korea) January 1st, 2025 (Limited) (Italy) January 16th, 2025 (Limited), released as Elternabend (Germany) ... Show all releases |
| Video Release: | March 21st, 2025 by IFC Video |
| MPA Rating: | R for some language and sexual material. (Rating bulletin 2849 (cert #55151), 8/28/2024) |
| Running Time: | 117 minutes |
| Plot point: | Teachers |
| Subgenre: | Life Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Sapan Studio, Eye Eye Pictures, KeplerFilm, One Two Films, Prolaps Produktion, Film i Vast, Mediefondet Zefyr |
| Production Countries: | Norway, Netherlands, Germany, Sweden |
| Languages: | Norwegian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $23,474 | 2 | $11,737 | $23,474 | 11 | |
| Feb 14, 2025 | - | $39,679 | +69% | 230 | $173 | $65,629 | 12 |
| Feb 21, 2025 | - | $13,516 | -66% | 41 | $330 | $105,165 | 13 |
| Feb 28, 2025 | - | $1,028 | -92% | 7 | $147 | $108,513 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $6,812 | 2 | $3,406 | $6,812 | 71 | ||
| Feb 8, 2025 | - | $10,847 | +59% | 2 | $5,424 | $17,659 | 72 | |
| Feb 9, 2025 | - | $5,815 | -46% | 2 | $2,908 | $23,474 | 73 | |
| Feb 10, 2025 | - | $462 | -92% | 2 | $231 | $23,936 | 74 | |
| Feb 11, 2025 | - | $846 | +83% | 2 | $423 | $24,782 | 75 | |
| Feb 12, 2025 | - | $500 | -41% | 2 | $250 | $25,282 | 76 | |
| Feb 13, 2025 | - | $668 | +34% | 2 | $334 | $25,950 | 77 | |
| Feb 14, 2025 | - | $16,782 | +2,412% | +146% | 230 | $73 | $42,732 | 78 |
| Feb 15, 2025 | - | $12,846 | -23% | +18% | 230 | $56 | $55,578 | 79 |
| Feb 16, 2025 | - | $10,051 | -22% | +73% | 230 | $44 | $65,629 | 80 |
| Feb 17, 2025 | - | $8,495 | -15% | +1,739% | 230 | $37 | $74,124 | 81 |
| Feb 18, 2025 | - | $6,072 | -29% | +618% | 230 | $26 | $80,196 | 82 |
| Feb 19, 2025 | - | $6,236 | +3% | +1,147% | 230 | $27 | $86,432 | 83 |
| Feb 20, 2025 | - | $5,217 | -16% | +681% | 230 | $23 | $91,649 | 84 |
| Feb 21, 2025 | - | $3,802 | -27% | -77% | 41 | $93 | $95,451 | 85 |
| Feb 22, 2025 | - | $5,466 | +44% | -57% | 41 | $133 | $100,917 | 86 |
| Feb 23, 2025 | - | $4,248 | -22% | -58% | 41 | $104 | $105,165 | 87 |
| Feb 24, 2025 | - | $648 | -85% | -92% | 41 | $16 | $105,813 | 88 |
| Feb 25, 2025 | - | $601 | -7% | -90% | 41 | $15 | $106,414 | 89 |
| Feb 26, 2025 | - | $567 | -6% | -91% | 41 | $14 | $106,981 | 90 |
| Feb 27, 2025 | - | $504 | -11% | -90% | 41 | $12 | $107,485 | 91 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 44 | $25,950 | 2 | $12,975 | $25,950 | 11 | |
| Feb 14, 2025 | 30 | $65,699 | +153% | 230 | $286 | $91,649 | 12 |
| Feb 21, 2025 | 41 | $15,836 | -76% | 41 | $386 | $107,485 | 13 |
| Feb 28, 2025 | 67 | $1,576 | -90% | 7 | $225 | $109,061 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Finland | 4/11/2025 | $11,522 | 31 | 31 | 31 | $18,422 | 4/21/2026 | |||
| Portugal | 6/5/2025 | $585 | 5 | 5 | 5 | $585 | 4/4/2026 | |||
| Romania | 2/28/2025 | $6,364 | 20 | 24 | 0 | $9,459 | 4/4/2026 | |||
| South Korea | 12/25/2024 | $3,386 | 23 | 23 | 38 | $12,731 | 1/8/2025 | |||
| Spain | 2/14/2025 | $40,555 | 85 | 85 | 134 | $79,650 | 4/4/2026 | |||
| Turkey | 4/11/2025 | $7,226 | 38 | 38 | 41 | $12,104 | 4/4/2026 | |||
| International Total | $132,951 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Renate Reinsve | Elisabeth |
Supporting
| Ellen Dorrit Petersen | Sarah | |
| Endre Hellestveit | Anders | |
| Thea Lambrechts Vaulen | ||
| Oystein Roger | Jarle | |
| Vera Veljovic | ||
| Karen Chika Gjølmesli |
Production and Technical Credits
| Halfdan Ullmann Tøndel | Director | |
| Halfdan Ullmann Tøndel | Screenwriter | |
| Andrea Berensten Ottmar | Producer | |
| Dyveke Graver | Executive Producer | |
| Harald Fagerheim Bugge | Executive Producer | |
| Renate Reinsve | Executive Producer | |
| Derk-Jan Warrink | Co-Producer | |
| Koji Nelissen | Co-Producer | |
| Fred Burle | Co-Producer | |
| Sol Bondy | Co-Producer | |
| Stina Eriksson | Co-Producer | |
| Alicia Hansen | Co-Producer | |
| Kristina Borjeson | Co-Producer | |
| Magnus Thomassen | Co-Producer | |
| Pål Ulvik Rokseth | Director of Photography | |
| Mirjam Veske | Production Designer | |
| Robert Krantz | Editor | |
| Jannicke Stendal Hansen | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Armand, a 6-year-old boy, is accused of overstepping boundaries with his best friend in elementary school. Although no one knows what actually happened between the two boys, the incident sets off a chain of events that forces parents and school staff into a gripping battle for redemption where madness, desire and obsession arise.
Metrics
| Opening Weekend: | $23,474 (21.5% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 45.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/230 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $109,061 |
Movie Details
| Domestic Releases: | November 29th, 2024 (Oscar Qualifying Run) by IFC Films February 7th, 2025 (Limited) by IFC Films February 14th, 2025 (Expands Wide) by IFC Films |
| International Releases: | October 25th, 2024 (Limited) (Sweden)
December 5th, 2024 (Limited), released as Armand (Арман) (Russia (CIS)) December 25th, 2024 (Limited), released as Armand (모든 것은 아르망에서 시작되었다) (South Korea) January 1st, 2025 (Limited) (Italy) January 16th, 2025 (Limited), released as Elternabend (Germany) ... Show all releases |
| Video Release: | March 21st, 2025 by IFC Video |
| MPA Rating: | R for some language and sexual material. (Rating bulletin 2849 (cert #55151), 8/28/2024) |
| Running Time: | 117 minutes |
| Plot point: | Teachers |
| Subgenre: | Life Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Sapan Studio, Eye Eye Pictures, KeplerFilm, One Two Films, Prolaps Produktion, Film i Vast, Mediefondet Zefyr |
| Production Countries: | Norway, Netherlands, Germany, Sweden |
| Languages: | Norwegian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $23,474 | 2 | $11,737 | $23,474 | 11 | |
| Feb 14, 2025 | - | $39,679 | +69% | 230 | $173 | $65,629 | 12 |
| Feb 21, 2025 | - | $13,516 | -66% | 41 | $330 | $105,165 | 13 |
| Feb 28, 2025 | - | $1,028 | -92% | 7 | $147 | $108,513 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $6,812 | 2 | $3,406 | $6,812 | 71 | ||
| Feb 8, 2025 | - | $10,847 | +59% | 2 | $5,424 | $17,659 | 72 | |
| Feb 9, 2025 | - | $5,815 | -46% | 2 | $2,908 | $23,474 | 73 | |
| Feb 10, 2025 | - | $462 | -92% | 2 | $231 | $23,936 | 74 | |
| Feb 11, 2025 | - | $846 | +83% | 2 | $423 | $24,782 | 75 | |
| Feb 12, 2025 | - | $500 | -41% | 2 | $250 | $25,282 | 76 | |
| Feb 13, 2025 | - | $668 | +34% | 2 | $334 | $25,950 | 77 | |
| Feb 14, 2025 | - | $16,782 | +2,412% | +146% | 230 | $73 | $42,732 | 78 |
| Feb 15, 2025 | - | $12,846 | -23% | +18% | 230 | $56 | $55,578 | 79 |
| Feb 16, 2025 | - | $10,051 | -22% | +73% | 230 | $44 | $65,629 | 80 |
| Feb 17, 2025 | - | $8,495 | -15% | +1,739% | 230 | $37 | $74,124 | 81 |
| Feb 18, 2025 | - | $6,072 | -29% | +618% | 230 | $26 | $80,196 | 82 |
| Feb 19, 2025 | - | $6,236 | +3% | +1,147% | 230 | $27 | $86,432 | 83 |
| Feb 20, 2025 | - | $5,217 | -16% | +681% | 230 | $23 | $91,649 | 84 |
| Feb 21, 2025 | - | $3,802 | -27% | -77% | 41 | $93 | $95,451 | 85 |
| Feb 22, 2025 | - | $5,466 | +44% | -57% | 41 | $133 | $100,917 | 86 |
| Feb 23, 2025 | - | $4,248 | -22% | -58% | 41 | $104 | $105,165 | 87 |
| Feb 24, 2025 | - | $648 | -85% | -92% | 41 | $16 | $105,813 | 88 |
| Feb 25, 2025 | - | $601 | -7% | -90% | 41 | $15 | $106,414 | 89 |
| Feb 26, 2025 | - | $567 | -6% | -91% | 41 | $14 | $106,981 | 90 |
| Feb 27, 2025 | - | $504 | -11% | -90% | 41 | $12 | $107,485 | 91 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 44 | $25,950 | 2 | $12,975 | $25,950 | 11 | |
| Feb 14, 2025 | 30 | $65,699 | +153% | 230 | $286 | $91,649 | 12 |
| Feb 21, 2025 | 41 | $15,836 | -76% | 41 | $386 | $107,485 | 13 |
| Feb 28, 2025 | 67 | $1,576 | -90% | 7 | $225 | $109,061 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Finland | 4/11/2025 | $11,522 | 31 | 31 | 31 | $18,422 | 4/21/2026 | |||
| Portugal | 6/5/2025 | $585 | 5 | 5 | 5 | $585 | 4/4/2026 | |||
| Romania | 2/28/2025 | $6,364 | 20 | 24 | 0 | $9,459 | 4/4/2026 | |||
| South Korea | 12/25/2024 | $3,386 | 23 | 23 | 38 | $12,731 | 1/8/2025 | |||
| Spain | 2/14/2025 | $40,555 | 85 | 85 | 134 | $79,650 | 4/4/2026 | |||
| Turkey | 4/11/2025 | $7,226 | 38 | 38 | 41 | $12,104 | 4/4/2026 | |||
| International Total | $132,951 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Renate Reinsve | Elisabeth |
Supporting
| Ellen Dorrit Petersen | Sarah | |
| Endre Hellestveit | Anders | |
| Thea Lambrechts Vaulen | ||
| Oystein Roger | Jarle | |
| Vera Veljovic | ||
| Karen Chika Gjølmesli |
Production and Technical Credits
| Halfdan Ullmann Tøndel | Director | |
| Halfdan Ullmann Tøndel | Screenwriter | |
| Andrea Berensten Ottmar | Producer | |
| Dyveke Graver | Executive Producer | |
| Harald Fagerheim Bugge | Executive Producer | |
| Renate Reinsve | Executive Producer | |
| Derk-Jan Warrink | Co-Producer | |
| Koji Nelissen | Co-Producer | |
| Fred Burle | Co-Producer | |
| Sol Bondy | Co-Producer | |
| Stina Eriksson | Co-Producer | |
| Alicia Hansen | Co-Producer | |
| Kristina Borjeson | Co-Producer | |
| Magnus Thomassen | Co-Producer | |
| Pål Ulvik Rokseth | Director of Photography | |
| Mirjam Veske | Production Designer | |
| Robert Krantz | Editor | |
| Jannicke Stendal Hansen | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.