Around the World in 80 Days (1956)
| Theatrical Performance | ||
| Domestic Box Office | $42,000,000 | Details |
| OpusData ID: 13240100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 7.0 times production budget) |
Movie Details
| Domestic Releases: | October 17th, 1956 (Wide) by United Artists |
| MPA Rating: | PG for action violence, some crude humor and mild language. |
| Running Time: | 182 minutes |
| Franchise: | Around the World in 80 Days |
| Cast, crew, or production detail: | Gratuitous Cameos |
| Geographical setting: | England, India, London, New York City, Spain |
| Plot point: | Falsely Accused, Gambling, On a Boat, Romance, Surprise Twist, Travelogue |
| Social setting: | In a Plane |
| Subgenre: | Chase Adventure |
| Time period setting: | 1870s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| David Niven | Phileas Fogg | |
| Cantinflas* | Passepartout | |
| Shirley MacLaine | Princess Aouda | |
| Robert Newton | Inspector Fix |
Cameo
| Frank Sinatra | Saloon Pianist | |
| Buster Keaton | Train conductor | |
| Ava Gardner | Cameo |
| John Carradine | Col. Proctor Stamp |
Cameo
| Marlene Dietrich | Saloon Hostess |
| John Gielgud | Mr. Foster | |
| Trevor Howard | Denis Fallentin, Reform Club Member | |
| Charles Boyer | Monsieur Gasse, Travel Agent |
Cameo
| Cesar Romero | Achmed Abdullah's Henchman | |
| Charles Coburn | Steamship Company Clerk | |
| Peter Lorre | Japanese Steward | |
| Red Skelton | Drunk in Saloon | |
| Joe E. Brown | Stationmaster |
| Melville Cooper | Mr. Talley, Captain of the 'Rangoon' |
Production and Technical Credits
| Michael Anderson | Director | |
| James Poe | Screenwriter | |
| John Farrow | Screenwriter | |
| S. J. Perelman | Screenwriter | |
| Jules Verne | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 7.0 times production budget) |
Movie Details
| Domestic Releases: | October 17th, 1956 (Wide) by United Artists |
| MPA Rating: | PG for action violence, some crude humor and mild language. |
| Running Time: | 182 minutes |
| Franchise: | Around the World in 80 Days |
| Cast, crew, or production detail: | Gratuitous Cameos |
| Geographical setting: | England, India, London, New York City, Spain |
| Plot point: | Falsely Accused, Gambling, On a Boat, Romance, Surprise Twist, Travelogue |
| Social setting: | In a Plane |
| Subgenre: | Chase Adventure |
| Time period setting: | 1870s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| David Niven | Phileas Fogg | |
| Cantinflas* | Passepartout | |
| Shirley MacLaine | Princess Aouda | |
| Robert Newton | Inspector Fix |
Cameo
| Frank Sinatra | Saloon Pianist | |
| Buster Keaton | Train conductor | |
| Ava Gardner | Cameo |
| John Carradine | Col. Proctor Stamp |
Cameo
| Marlene Dietrich | Saloon Hostess |
| John Gielgud | Mr. Foster | |
| Trevor Howard | Denis Fallentin, Reform Club Member | |
| Charles Boyer | Monsieur Gasse, Travel Agent |
Cameo
| Cesar Romero | Achmed Abdullah's Henchman | |
| Charles Coburn | Steamship Company Clerk | |
| Peter Lorre | Japanese Steward | |
| Red Skelton | Drunk in Saloon | |
| Joe E. Brown | Stationmaster |
| Melville Cooper | Mr. Talley, Captain of the 'Rangoon' |
Production and Technical Credits
| Michael Anderson | Director | |
| James Poe | Screenwriter | |
| John Farrow | Screenwriter | |
| S. J. Perelman | Screenwriter | |
| Jules Verne | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.