As Boas Maneiras (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $31,177 | Details |
| International Box Office | $4,537 | Details |
| Worldwide Box Office | $35,714 | |
| OpusData ID: 336340100 More info... | ||
| Further financial details... | ||
Synopsis
Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana to be the nanny of her soon to be born child. Against all odds, the two women develop a strong bond. But a fateful night marked by a full moon changes their plans.
Metrics
| Opening Weekend: | $2,476 (7.9% of total gross) |
| Legs: | 9.49 (domestic box office/biggest weekend) |
| Domestic Share: | 87.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $40,927 |
Movie Details
| Domestic Releases: | July 27th, 2018 (Limited) by Distrib Films, released as Good Manners |
| International Releases: | May 4th, 2018 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 135 minutes |
| Geographical setting: | Brazil |
| Plot point: | LGBTQ+, Nurse, Pregnant Women, Sleepwalking, Werewolf |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Dezenove, Good Fortune Films, Urban Factory, Globo Filmes |
| Production Countries: | Brazil, France |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 73 | $2,476 | 1 | $2,476 | $2,476 | 1 | |
| Aug 3, 2018 | 70 | $3,285 | +33% | 4 | $821 | $8,062 | 2 |
| Aug 10, 2018 | 78 | $1,225 | -63% | 4 | $306 | $11,693 | 3 |
| Aug 17, 2018 | 76 | $2,513 | +105% | 4 | $628 | $16,539 | 4 |
| Aug 24, 2018 | 89 | $848 | -66% | 2 | $424 | $18,723 | 5 |
| Aug 31, 2018 | 94 | $300 | -65% | 1 | $300 | $20,009 | 6 |
| Sep 14, 2018 | 106 | $157 | 1 | $157 | $21,587 | 8 | |
| Sep 21, 2018 | 100 | $58 | -63% | 1 | $58 | $22,468 | 9 |
| Oct 26, 2018 | 88 | $1,393 | 13 | $107 | $29,650 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 69 | $4,777 | 1 | $4,777 | $4,777 | 1 | |
| Aug 3, 2018 | 72 | $5,691 | +19% | 4 | $1,423 | $10,468 | 2 |
| Aug 10, 2018 | 73 | $3,558 | -37% | 4 | $890 | $14,026 | 3 |
| Aug 17, 2018 | 76 | $3,849 | +8% | 4 | $962 | $17,875 | 4 |
| Aug 24, 2018 | 86 | $1,834 | -52% | 4 | $459 | $19,709 | 5 |
| Aug 31, 2018 | 90 | $869 | -53% | 2 | $435 | $20,578 | 6 |
| Sep 7, 2018 | 99 | $852 | -2% | 2 | $426 | $21,430 | 7 |
| Sep 14, 2018 | 102 | $980 | +15% | 1 | $980 | $22,410 | 8 |
| Sep 21, 2018 | 107 | $102 | -90% | 1 | $102 | $22,512 | 9 |
| Oct 12, 2018 | 110 | $130 | 1 | $130 | $28,257 | 12 | |
| Oct 26, 2018 | 103 | $326 | 1 | $326 | $29,976 | 14 | |
| Nov 2, 2018 | 97 | $328 | +1% | 1 | $328 | $30,304 | 15 |
| Nov 9, 2018 | 93 | $621 | +89% | 1 | $621 | $30,925 | 16 |
| Dec 7, 2018 | 96 | $252 | 1 | $252 | $31,177 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 5/4/2018 | $2,198 | 0 | 0 | 0 | $4,537 | 9/10/2018 | |||
| International Total | $4,537 | 9/10/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabél Zuaa | Clara | |
| Marjorie Estiano | Ana | |
| Miguel Lobo | Joel |
Supporting
| Cida Moreira | Dona Amélia | |
| Andrea Marquee | Ângela | |
| Felipe Kenji | Maurício | |
| Nina Medeiros | Amanda | |
| Neusa Velasco | Dona Norma | |
| Gilda Nomacce | Gilda | |
| Eduardo Gomes | Professor Edu |
Production and Technical Credits
| Juliana Rojas | Director | |
| Marco Dutra | Director | |
| Juliana Rojas | Screenwriter | |
| Marco Dutra | Screenwriter | |
| Maria Ionescu | Producer | |
| Sara Silveira | Producer | |
| Clement Duboin | Producer | |
| Frédéric Corvez | Producer | |
| José Alvarenga Jr | Associate Producer | |
| Rui Pocas | Cinematographer | |
| Fernando Zuccolotto | Production Designer | |
| Kiki Orona | Costume Designer | |
| Caetano Gotardo | Editor | |
| Gabriela Cunha | Sound Recorder | |
| Bernardo Uzeda | Sound Designer | |
| Christophe Vingtrinier | Sound Mixer | |
| Guilherme Garbato | Music Director | |
| Gustavo Garbato | Music Director | |
| Marco Dutra | Composer | |
| Juliana Rojas | Composer | |
| Guilherme Garbato | Composer | |
| Gustavo Garbato | Composer | |
| Fran Mosquera | Post-Production Supervisor | |
| Vincent Alexandre | Post-Production Supervisor | |
| Mathieu Vavril | Character Designer | |
| Alice Wolfenson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana to be the nanny of her soon to be born child. Against all odds, the two women develop a strong bond. But a fateful night marked by a full moon changes their plans.
Metrics
| Opening Weekend: | $2,476 (7.9% of total gross) |
| Legs: | 9.49 (domestic box office/biggest weekend) |
| Domestic Share: | 87.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $40,927 |
Movie Details
| Domestic Releases: | July 27th, 2018 (Limited) by Distrib Films, released as Good Manners |
| International Releases: | May 4th, 2018 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 135 minutes |
| Geographical setting: | Brazil |
| Plot point: | LGBTQ+, Nurse, Pregnant Women, Sleepwalking, Werewolf |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Dezenove, Good Fortune Films, Urban Factory, Globo Filmes |
| Production Countries: | Brazil, France |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 73 | $2,476 | 1 | $2,476 | $2,476 | 1 | |
| Aug 3, 2018 | 70 | $3,285 | +33% | 4 | $821 | $8,062 | 2 |
| Aug 10, 2018 | 78 | $1,225 | -63% | 4 | $306 | $11,693 | 3 |
| Aug 17, 2018 | 76 | $2,513 | +105% | 4 | $628 | $16,539 | 4 |
| Aug 24, 2018 | 89 | $848 | -66% | 2 | $424 | $18,723 | 5 |
| Aug 31, 2018 | 94 | $300 | -65% | 1 | $300 | $20,009 | 6 |
| Sep 14, 2018 | 106 | $157 | 1 | $157 | $21,587 | 8 | |
| Sep 21, 2018 | 100 | $58 | -63% | 1 | $58 | $22,468 | 9 |
| Oct 26, 2018 | 88 | $1,393 | 13 | $107 | $29,650 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 69 | $4,777 | 1 | $4,777 | $4,777 | 1 | |
| Aug 3, 2018 | 72 | $5,691 | +19% | 4 | $1,423 | $10,468 | 2 |
| Aug 10, 2018 | 73 | $3,558 | -37% | 4 | $890 | $14,026 | 3 |
| Aug 17, 2018 | 76 | $3,849 | +8% | 4 | $962 | $17,875 | 4 |
| Aug 24, 2018 | 86 | $1,834 | -52% | 4 | $459 | $19,709 | 5 |
| Aug 31, 2018 | 90 | $869 | -53% | 2 | $435 | $20,578 | 6 |
| Sep 7, 2018 | 99 | $852 | -2% | 2 | $426 | $21,430 | 7 |
| Sep 14, 2018 | 102 | $980 | +15% | 1 | $980 | $22,410 | 8 |
| Sep 21, 2018 | 107 | $102 | -90% | 1 | $102 | $22,512 | 9 |
| Oct 12, 2018 | 110 | $130 | 1 | $130 | $28,257 | 12 | |
| Oct 26, 2018 | 103 | $326 | 1 | $326 | $29,976 | 14 | |
| Nov 2, 2018 | 97 | $328 | +1% | 1 | $328 | $30,304 | 15 |
| Nov 9, 2018 | 93 | $621 | +89% | 1 | $621 | $30,925 | 16 |
| Dec 7, 2018 | 96 | $252 | 1 | $252 | $31,177 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 5/4/2018 | $2,198 | 0 | 0 | 0 | $4,537 | 9/10/2018 | |||
| International Total | $4,537 | 9/10/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabél Zuaa | Clara | |
| Marjorie Estiano | Ana | |
| Miguel Lobo | Joel |
Supporting
| Cida Moreira | Dona Amélia | |
| Andrea Marquee | Ângela | |
| Felipe Kenji | Maurício | |
| Nina Medeiros | Amanda | |
| Neusa Velasco | Dona Norma | |
| Gilda Nomacce | Gilda | |
| Eduardo Gomes | Professor Edu |
Production and Technical Credits
| Juliana Rojas | Director | |
| Marco Dutra | Director | |
| Juliana Rojas | Screenwriter | |
| Marco Dutra | Screenwriter | |
| Maria Ionescu | Producer | |
| Sara Silveira | Producer | |
| Clement Duboin | Producer | |
| Frédéric Corvez | Producer | |
| José Alvarenga Jr | Associate Producer | |
| Rui Pocas | Cinematographer | |
| Fernando Zuccolotto | Production Designer | |
| Kiki Orona | Costume Designer | |
| Caetano Gotardo | Editor | |
| Gabriela Cunha | Sound Recorder | |
| Bernardo Uzeda | Sound Designer | |
| Christophe Vingtrinier | Sound Mixer | |
| Guilherme Garbato | Music Director | |
| Gustavo Garbato | Music Director | |
| Marco Dutra | Composer | |
| Juliana Rojas | Composer | |
| Guilherme Garbato | Composer | |
| Gustavo Garbato | Composer | |
| Fran Mosquera | Post-Production Supervisor | |
| Vincent Alexandre | Post-Production Supervisor | |
| Mathieu Vavril | Character Designer | |
| Alice Wolfenson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.