As Good as You (2017)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 283980100 More info... | ||
| Further financial details... | ||
Synopsis
Jo, a bereaved woman is searching for meaning and purpose in the aftermath of her wife’s death. Jo enlists her brother-in-law Jamie as a sperm donor in an effort to salvage her dream of raising a family. Along the way she leans a bit too heavily on her two best friends, a lesbian punk photographer named Lisa and a straight male barfly named Nate.
Metrics
Movie Details
| Domestic Releases: | June 9th, 2017 (Limited) by First Run Features |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, LGBTQ+, Romance, Unconventional Pregnancies |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tanky Productions, Off-Chance Productions |
| Production Countries: | United States |
| Languages: | English |
Lead Ensemble Member
| Laura Heisler | Jo | |
| Anna Fitzwater | Lisa | |
| Raoul Bhaneja | Nate | |
| Bryan Dechart | Jamie | |
| Peter Maloney | Jo’s Dad | |
| Annie Potts | Dr. Laura Berg |
Supporting
| Karis Campbell | Emily Bell | |
| Beth Robbins | Cappy | |
| Elizabeth Herring | Nan | |
| Karen Wexler | Terry | |
| Reena Dutt | Mandy |
Cameo
| Melineh Kurdian | Herself |
Production and Technical Credits
| Heather de Michele | Director | |
| Gretchen M. Michelfeld | Screenwriter | |
| Melineh Kurdian | Composer | |
| Robert Christopher Webb | Director of Photography | |
| Reena Dutt | Producer | |
| Gretchen M. Michelfeld | Executive Producer | |
| Keseh Morgan | Production Designer | |
| Trevor M. Carlee | Editor | |
| Christine Casaus | Costume Designer | |
| Trevor McLean | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jo, a bereaved woman is searching for meaning and purpose in the aftermath of her wife’s death. Jo enlists her brother-in-law Jamie as a sperm donor in an effort to salvage her dream of raising a family. Along the way she leans a bit too heavily on her two best friends, a lesbian punk photographer named Lisa and a straight male barfly named Nate.
Metrics
Movie Details
| Domestic Releases: | June 9th, 2017 (Limited) by First Run Features |
| MPA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, LGBTQ+, Romance, Unconventional Pregnancies |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tanky Productions, Off-Chance Productions |
| Production Countries: | United States |
| Languages: | English |
Lead Ensemble Member
| Laura Heisler | Jo | |
| Anna Fitzwater | Lisa | |
| Raoul Bhaneja | Nate | |
| Bryan Dechart | Jamie | |
| Peter Maloney | Jo’s Dad | |
| Annie Potts | Dr. Laura Berg |
Supporting
| Karis Campbell | Emily Bell | |
| Beth Robbins | Cappy | |
| Elizabeth Herring | Nan | |
| Karen Wexler | Terry | |
| Reena Dutt | Mandy |
Cameo
| Melineh Kurdian | Herself |
Production and Technical Credits
| Heather de Michele | Director | |
| Gretchen M. Michelfeld | Screenwriter | |
| Melineh Kurdian | Composer | |
| Robert Christopher Webb | Director of Photography | |
| Reena Dutt | Producer | |
| Gretchen M. Michelfeld | Executive Producer | |
| Keseh Morgan | Production Designer | |
| Trevor M. Carlee | Editor | |
| Christine Casaus | Costume Designer | |
| Trevor McLean | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.