As It Is in Heaven (2014)
| Theatrical Performance | ||
| Domestic Box Office | $13,486 | Details |
| International Box Office | $115,506 | Details |
| Worldwide Box Office | $128,992 | |
| OpusData ID: 210570100 More info... | ||
| Further financial details... | ||
Synopsis
Devoted to a simple life of faith in unforgiving Kentucky backcountry, a small religious sect seeks spiritual awakening as their Prophet nears death and his son, Eamon, prepares to step forward as their new leader. But, in his last moments, the Prophet instead names newcomer David as his spiritual successor.
Metrics
| Legs: | 5.28 (domestic box office/biggest weekend) |
| Domestic Share: | 10.5% (domestic box office/worldwide) |
| Production Budget: | $450,000 (worldwide box office is 0.3 times production budget) |
| Infl. Adj. Dom. BO | $19,746 |
Movie Details
| Domestic Releases: | July 11th, 2014 (Limited) by Cinema Purgatorio |
| International Releases: | August 28th, 2025 (Limited) (Re-release) (Netherlands) |
| MPA Rating: | Not Rated |
| Running Time: | 86 minutes |
| Plot point: | Religious |
| Social setting: | Cults |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Embark Visuals, Tracking Shot Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 18, 2014 | 95 | $531 | 1 | $531 | $3,526 | 2 | |
| Jul 25, 2014 | 86 | $2,554 | +381% | 1 | $2,554 | $8,261 | 3 |
| Aug 1, 2014 | 98 | $361 | -86% | 1 | $361 | $9,910 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 4, 2014 | - | $404 | 11 | $37 | $10,314 | 25 | ||
| Aug 5, 2014 | - | $414 | +2% | 11 | $38 | $10,728 | 26 | |
| Aug 6, 2014 | - | $779 | +88% | 11 | $71 | $11,507 | 27 | |
| Aug 7, 2014 | - | $1,979 | +154% | 11 | $180 | $13,486 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 18, 2014 | 96 | $884 | 1 | $884 | $5,707 | 2 | |
| Jul 25, 2014 | 88 | $3,842 | +335% | 1 | $3,842 | $9,549 | 3 |
| Aug 1, 2014 | 87 | $3,576 | -7% | 11 | $325 | $13,486 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 8/28/2025 | $0 | 0 | 41 | 72 | $115,506 | 4/4/2026 | |||
| International Total | $115,506 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Chris Nelson | David |
Leading
| Luke Beavers | Eamon |
Supporting
| Abi van Andel | Naomi | |
| Jin Park | Abiella | |
| John Lina | Edward | |
| Sylvia Boykin | Carmella | |
| Shannon Baker | Deb | |
| Todd Bagley | Daniel | |
| Meredith Cave | Joy | |
| Carola Lina | Azra |
Production and Technical Credits
| Joshua Overbay | Director | |
| Ginny Lee Overbay | Screenwriter | |
| Joshua Overbay | Story Creator | |
| Ginny Lee Overbay | Story Creator | |
| Nathaniel Glass | Producer | |
| Joshua Overbay | Producer | |
| Michael Grout | Producer | |
| Debra James | Executive Producer | |
| Aaron Holmes | Executive Producer | |
| Christopher Free | Executive Producer | |
| Joshua Overbay | Executive Producer | |
| Isaac Pletcher | Executive Producer | |
| Michael Grout | Executive Producer | |
| Meg Barker | Production Designer | |
| L.E. Nicollette | Editor | |
| Ben Zoeller | Composer | |
| Timothy Morton | Composer | |
| Isaac Pletcher | Director of Photography | |
| Barry Blair | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Devoted to a simple life of faith in unforgiving Kentucky backcountry, a small religious sect seeks spiritual awakening as their Prophet nears death and his son, Eamon, prepares to step forward as their new leader. But, in his last moments, the Prophet instead names newcomer David as his spiritual successor.
Metrics
| Legs: | 5.28 (domestic box office/biggest weekend) |
| Domestic Share: | 10.5% (domestic box office/worldwide) |
| Production Budget: | $450,000 (worldwide box office is 0.3 times production budget) |
| Infl. Adj. Dom. BO | $19,746 |
Movie Details
| Domestic Releases: | July 11th, 2014 (Limited) by Cinema Purgatorio |
| International Releases: | August 28th, 2025 (Limited) (Re-release) (Netherlands) |
| MPA Rating: | Not Rated |
| Running Time: | 86 minutes |
| Plot point: | Religious |
| Social setting: | Cults |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Embark Visuals, Tracking Shot Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 18, 2014 | 95 | $531 | 1 | $531 | $3,526 | 2 | |
| Jul 25, 2014 | 86 | $2,554 | +381% | 1 | $2,554 | $8,261 | 3 |
| Aug 1, 2014 | 98 | $361 | -86% | 1 | $361 | $9,910 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 4, 2014 | - | $404 | 11 | $37 | $10,314 | 25 | ||
| Aug 5, 2014 | - | $414 | +2% | 11 | $38 | $10,728 | 26 | |
| Aug 6, 2014 | - | $779 | +88% | 11 | $71 | $11,507 | 27 | |
| Aug 7, 2014 | - | $1,979 | +154% | 11 | $180 | $13,486 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 18, 2014 | 96 | $884 | 1 | $884 | $5,707 | 2 | |
| Jul 25, 2014 | 88 | $3,842 | +335% | 1 | $3,842 | $9,549 | 3 |
| Aug 1, 2014 | 87 | $3,576 | -7% | 11 | $325 | $13,486 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 8/28/2025 | $0 | 0 | 41 | 72 | $115,506 | 4/4/2026 | |||
| International Total | $115,506 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Chris Nelson | David |
Leading
| Luke Beavers | Eamon |
Supporting
| Abi van Andel | Naomi | |
| Jin Park | Abiella | |
| John Lina | Edward | |
| Sylvia Boykin | Carmella | |
| Shannon Baker | Deb | |
| Todd Bagley | Daniel | |
| Meredith Cave | Joy | |
| Carola Lina | Azra |
Production and Technical Credits
| Joshua Overbay | Director | |
| Ginny Lee Overbay | Screenwriter | |
| Joshua Overbay | Story Creator | |
| Ginny Lee Overbay | Story Creator | |
| Nathaniel Glass | Producer | |
| Joshua Overbay | Producer | |
| Michael Grout | Producer | |
| Debra James | Executive Producer | |
| Aaron Holmes | Executive Producer | |
| Christopher Free | Executive Producer | |
| Joshua Overbay | Executive Producer | |
| Isaac Pletcher | Executive Producer | |
| Michael Grout | Executive Producer | |
| Meg Barker | Production Designer | |
| L.E. Nicollette | Editor | |
| Ben Zoeller | Composer | |
| Timothy Morton | Composer | |
| Isaac Pletcher | Director of Photography | |
| Barry Blair | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.