As Mil e Uma Noites: Volume 1, O Inquieto (2015)
| Theatrical Performance | ||
| Domestic Box Office | $12,260 | Details |
| International Box Office | $23,747 | Details |
| Worldwide Box Office | $36,007 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $51,490 | |
| Blu-ray Sales (estimated) | $62,582 | |
| Total | $114,072 | |
| OpusData ID: 248360100 More info... | ||
| Further financial details... | ||
Synopsis
In Portugal- one European country in crisis- a film director proposes to build fictional stories from the miserable reality he is immersed in. However, failing to find meaning in his work, he cowardly runs away and leaves the beautiful Scheherazade to stand in his shoes. She will require enthusiasm and courage so as not to bore the King with sad stories of this country. As nights go past, restlessness leads to desolation and in turn to enchantment. Therefore Scheherazade organizes the stories she tells the King in three volumes. She begins like this: "It hath reached me, O auspicious King, that in a sad country among all countries...".
Metrics
| Legs: | 13.53 (domestic box office/biggest weekend) |
| Domestic Share: | 34.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $16,332 |
Movie Details
| Domestic Releases: | December 4th, 2015 (Limited) by Kino Lorber, released as Arabian Nights: Vol. 1, The Restless One |
| International Releases: | April 22nd, 2016 (Wide), released as Arabian Nights Volume 1: The Restless One (United Kingdom)
June 3rd, 2016 (Wide) (Spain) |
| Video Release: | May 3rd, 2016 by Kino Lorber, released as Arabian Nights: Vol. 1, The Restless One |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Franchise: | As Mil e Uma Noites |
| Cast, crew, or production detail: | Directing Yourself, Non Professional Actor, Screenplay Written By the Star |
| Geographical setting: | Portugal |
| Plot point: | Economic Crash, Poverty, Unemployed |
| Source material: | Modern Adaptation |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | O Som e a Furia, Shellac Sud, Komplizen, Box Productions, Arte France Cinema, Arte |
| Production Countries: | Portugal, France, Germany, Switzerland |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 76 | $830 | 1 | $830 | $8,112 | 3 | |
| Feb 5, 2016 | 78 | $906 | 10 | $91 | $11,098 | 10 | |
| Feb 12, 2016 | 92 | $199 | -78% | 1 | $199 | $11,515 | 11 |
| Feb 19, 2016 | 101 | $236 | +19% | 1 | $236 | $12,017 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 2015 | 70 | $6,481 | 1 | $6,481 | $6,481 | 1 | |
| Dec 11, 2015 | 87 | $801 | -88% | 1 | $801 | $7,282 | 2 |
| Dec 18, 2015 | 75 | $830 | +4% | 3 | $277 | $8,112 | 3 |
| Dec 25, 2015 | 72 | $945 | +14% | 1 | $945 | $9,057 | 4 |
| Jan 1, 2016 | 81 | $659 | -30% | 1 | $659 | $9,716 | 5 |
| Feb 5, 2016 | 83 | $1,124 | 3 | $375 | $11,316 | 10 | |
| Feb 12, 2016 | 95 | $465 | -59% | 1 | $465 | $11,781 | 11 |
| Feb 19, 2016 | 104 | $307 | -34% | 1 | $307 | $12,088 | 12 |
| Mar 18, 2016 | 121 | $172 | 1 | $172 | $12,260 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 6/3/2016 | $5,223 | 13 | 19 | 46 | $17,553 | 11/17/2018 | |||
| United Kingdom | 4/22/2016 | $6,194 | 9 | 9 | 9 | $6,194 | 6/9/2016 | |||
| International Total | $23,747 | 11/17/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Crista Alfaiate | Punk Maria | |
| Adriano Luz | Luis |
Supporting
| Americo Silva | Grand Vizier | |
| Luisa Cruz | Judge in The Tears of the Judge | |
| Chico Chapas | Simao "Without Bowels" | |
| Joana De Verona | Vania / Judge's Daughter | |
| Goncalo Waddington | Vasco | |
| Margarida Carpinteiro | ||
| Carloto Cotta | Brazilian Translator | |
| Teresa Madruga | Luisa |
Production and Technical Credits
| Miguel Gomes | Director | |
| Miguel Gomes | Screenwriter | |
| Mariana Ricardo | Screenwriter | |
| Telmo Churro | Screenwriter | |
| Luis Urbano | Executive Producer | |
| Isabel Silva | Production Manager | |
| Miguel Martins | Sound Editor | |
| Miguel Martins | Sound Mixer | |
| Telmo Churro | Editor | |
| Pedro Felipe Marques | Editor | |
| Miguel Gomes | Editor | |
| Sylvia Grabowski | Costume Designer | |
| Lucha D'Orey | Costume Designer | |
| Bruno Duarte | Set Decorator | |
| Bruno Lourenco | Assistant Director | |
| Vasco Pimentel | Sound Mixer | |
| Sayombhu Mukdeeprom | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In Portugal- one European country in crisis- a film director proposes to build fictional stories from the miserable reality he is immersed in. However, failing to find meaning in his work, he cowardly runs away and leaves the beautiful Scheherazade to stand in his shoes. She will require enthusiasm and courage so as not to bore the King with sad stories of this country. As nights go past, restlessness leads to desolation and in turn to enchantment. Therefore Scheherazade organizes the stories she tells the King in three volumes. She begins like this: "It hath reached me, O auspicious King, that in a sad country among all countries...".
Metrics
| Legs: | 13.53 (domestic box office/biggest weekend) |
| Domestic Share: | 34.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $16,332 |
Movie Details
| Domestic Releases: | December 4th, 2015 (Limited) by Kino Lorber, released as Arabian Nights: Vol. 1, The Restless One |
| International Releases: | April 22nd, 2016 (Wide), released as Arabian Nights Volume 1: The Restless One (United Kingdom)
June 3rd, 2016 (Wide) (Spain) |
| Video Release: | May 3rd, 2016 by Kino Lorber, released as Arabian Nights: Vol. 1, The Restless One |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Franchise: | As Mil e Uma Noites |
| Cast, crew, or production detail: | Directing Yourself, Non Professional Actor, Screenplay Written By the Star |
| Geographical setting: | Portugal |
| Plot point: | Economic Crash, Poverty, Unemployed |
| Source material: | Modern Adaptation |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | O Som e a Furia, Shellac Sud, Komplizen, Box Productions, Arte France Cinema, Arte |
| Production Countries: | Portugal, France, Germany, Switzerland |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 18, 2015 | 76 | $830 | 1 | $830 | $8,112 | 3 | |
| Feb 5, 2016 | 78 | $906 | 10 | $91 | $11,098 | 10 | |
| Feb 12, 2016 | 92 | $199 | -78% | 1 | $199 | $11,515 | 11 |
| Feb 19, 2016 | 101 | $236 | +19% | 1 | $236 | $12,017 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 4, 2015 | 70 | $6,481 | 1 | $6,481 | $6,481 | 1 | |
| Dec 11, 2015 | 87 | $801 | -88% | 1 | $801 | $7,282 | 2 |
| Dec 18, 2015 | 75 | $830 | +4% | 3 | $277 | $8,112 | 3 |
| Dec 25, 2015 | 72 | $945 | +14% | 1 | $945 | $9,057 | 4 |
| Jan 1, 2016 | 81 | $659 | -30% | 1 | $659 | $9,716 | 5 |
| Feb 5, 2016 | 83 | $1,124 | 3 | $375 | $11,316 | 10 | |
| Feb 12, 2016 | 95 | $465 | -59% | 1 | $465 | $11,781 | 11 |
| Feb 19, 2016 | 104 | $307 | -34% | 1 | $307 | $12,088 | 12 |
| Mar 18, 2016 | 121 | $172 | 1 | $172 | $12,260 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 6/3/2016 | $5,223 | 13 | 19 | 46 | $17,553 | 11/17/2018 | |||
| United Kingdom | 4/22/2016 | $6,194 | 9 | 9 | 9 | $6,194 | 6/9/2016 | |||
| International Total | $23,747 | 11/17/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Crista Alfaiate | Punk Maria | |
| Adriano Luz | Luis |
Supporting
| Americo Silva | Grand Vizier | |
| Luisa Cruz | Judge in The Tears of the Judge | |
| Chico Chapas | Simao "Without Bowels" | |
| Joana De Verona | Vania / Judge's Daughter | |
| Goncalo Waddington | Vasco | |
| Margarida Carpinteiro | ||
| Carloto Cotta | Brazilian Translator | |
| Teresa Madruga | Luisa |
Production and Technical Credits
| Miguel Gomes | Director | |
| Miguel Gomes | Screenwriter | |
| Mariana Ricardo | Screenwriter | |
| Telmo Churro | Screenwriter | |
| Luis Urbano | Executive Producer | |
| Isabel Silva | Production Manager | |
| Miguel Martins | Sound Editor | |
| Miguel Martins | Sound Mixer | |
| Telmo Churro | Editor | |
| Pedro Felipe Marques | Editor | |
| Miguel Gomes | Editor | |
| Sylvia Grabowski | Costume Designer | |
| Lucha D'Orey | Costume Designer | |
| Bruno Duarte | Set Decorator | |
| Bruno Lourenco | Assistant Director | |
| Vasco Pimentel | Sound Mixer | |
| Sayombhu Mukdeeprom | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.