Ash (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,083,743 | Details |
| OpusData ID: 609240100 More info... | ||
| Further financial details... | ||
Synopsis
A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.
Metrics
| Opening Weekend: | $689,144 (63.6% of total gross) |
| Legs: | 1.57 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,136 opening theaters/1,136 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,083,743 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Wide) by RLJ Entertainment |
| International Releases: | June 19th, 2025 (Limited), released as Ash (Пепел) (Russia (CIS)) |
| Video Release: | April 22nd, 2025 by Image Entertainment Video |
| MPA Rating: | R for bloody violence, gore and language. (Rating bulletin 2865 (cert #55312), 12/18/2024) |
| Running Time: | 95 minutes |
| Filming location (country): | New Zealand |
| Geographical setting: | Outer Space |
| Plot point: | Alien Encounters, Faulty Memory, Lone Survivor, Murder Mystery, Rescue |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | XYZ Films, RLJ Entertainment, Image Entertainment, Shudder, IPR.VC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $689,144 | 1,136 | $607 | $689,144 | 1 | |
| Mar 28, 2025 | - | $76,931 | -89% | 400 | $192 | $1,033,164 | 2 |
| Apr 4, 2025 | - | $1,392 | -98% | 18 | $77 | $1,082,577 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $325,930 | 1,136 | $287 | $325,930 | 1 | ||
| Mar 22, 2025 | - | $215,698 | -34% | 1,136 | $190 | $541,628 | 2 | |
| Mar 23, 2025 | - | $147,516 | -32% | 1,136 | $130 | $689,144 | 3 | |
| Mar 24, 2025 | - | $72,041 | -51% | 1,136 | $63 | $761,185 | 4 | |
| Mar 25, 2025 | - | $89,983 | +25% | 1,136 | $79 | $851,168 | 5 | |
| Mar 26, 2025 | - | $70,594 | -22% | 1,136 | $62 | $921,762 | 6 | |
| Mar 27, 2025 | - | $34,471 | -51% | 1,136 | $30 | $956,233 | 7 | |
| Mar 28, 2025 | - | $22,866 | -34% | -93% | 400 | $57 | $979,099 | 8 |
| Mar 29, 2025 | - | $30,182 | +32% | -86% | 400 | $75 | $1,009,281 | 9 |
| Mar 30, 2025 | - | $23,883 | -21% | -84% | 400 | $60 | $1,033,164 | 10 |
| Mar 31, 2025 | - | $12,892 | -46% | -82% | 400 | $32 | $1,046,056 | 11 |
| Apr 1, 2025 | - | $15,121 | +17% | -83% | 400 | $38 | $1,061,177 | 12 |
| Apr 2, 2025 | - | $12,843 | -15% | -82% | 400 | $32 | $1,074,020 | 13 |
| Apr 3, 2025 | - | $7,165 | -44% | -79% | 400 | $18 | $1,081,185 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 15 | $956,233 | 1,136 | $842 | $956,233 | 1 | |
| Mar 28, 2025 | 27 | $124,952 | -87% | 400 | $312 | $1,081,185 | 2 |
| Apr 4, 2025 | 57 | $2,558 | -98% | 18 | $142 | $1,083,743 | 3 |
Lead Ensemble Member
| Aaron Paul | Brion | |
| Eiza González | Riya | |
| Iko Uwais | ||
| Beulah Koale | ||
| Kate Elliott | ||
| Flying Lotus* |
Production and Technical Credits
| Flying Lotus* | Director | |
| Jonni Remmler | Screenwriter | |
| Nate Bolotin | Producer | |
| Matthew Metcalfe | Producer | |
| Aram Tertzakian | Executive Producer | |
| Nick Spicer | Executive Producer | |
| Maxime Cottray | Executive Producer | |
| Maile Daugherty | Executive Producer | |
| Flying Lotus* | Executive Producer | |
| Neill Blomkamp | Executive Producer | |
| Dave Brown | Executive Producer | |
| Adam Riback | Executive Producer | |
| Tom Blackwell | Co-Producer | |
| Lesley Hansen | Co-Producer | |
| Richard Bluck | Director of Photography | |
| Ross McGarva | Production Designer | |
| Bryan Shaw | Editor | |
| Flying Lotus* | Composer | |
| Aitor Throup | Costume Designer | |
| Gareth Van Niekerk | Sound Designer | |
| Ryan Morrison | Additional Editor | |
| Carol Petrie | Visual Effects Supervisor | |
| Jacob Leaf | Visual Effects Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.
Metrics
| Opening Weekend: | $689,144 (63.6% of total gross) |
| Legs: | 1.57 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,136 opening theaters/1,136 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,083,743 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Wide) by RLJ Entertainment |
| International Releases: | June 19th, 2025 (Limited), released as Ash (Пепел) (Russia (CIS)) |
| Video Release: | April 22nd, 2025 by Image Entertainment Video |
| MPA Rating: | R for bloody violence, gore and language. (Rating bulletin 2865 (cert #55312), 12/18/2024) |
| Running Time: | 95 minutes |
| Filming location (country): | New Zealand |
| Geographical setting: | Outer Space |
| Plot point: | Alien Encounters, Faulty Memory, Lone Survivor, Murder Mystery, Rescue |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | XYZ Films, RLJ Entertainment, Image Entertainment, Shudder, IPR.VC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $689,144 | 1,136 | $607 | $689,144 | 1 | |
| Mar 28, 2025 | - | $76,931 | -89% | 400 | $192 | $1,033,164 | 2 |
| Apr 4, 2025 | - | $1,392 | -98% | 18 | $77 | $1,082,577 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $325,930 | 1,136 | $287 | $325,930 | 1 | ||
| Mar 22, 2025 | - | $215,698 | -34% | 1,136 | $190 | $541,628 | 2 | |
| Mar 23, 2025 | - | $147,516 | -32% | 1,136 | $130 | $689,144 | 3 | |
| Mar 24, 2025 | - | $72,041 | -51% | 1,136 | $63 | $761,185 | 4 | |
| Mar 25, 2025 | - | $89,983 | +25% | 1,136 | $79 | $851,168 | 5 | |
| Mar 26, 2025 | - | $70,594 | -22% | 1,136 | $62 | $921,762 | 6 | |
| Mar 27, 2025 | - | $34,471 | -51% | 1,136 | $30 | $956,233 | 7 | |
| Mar 28, 2025 | - | $22,866 | -34% | -93% | 400 | $57 | $979,099 | 8 |
| Mar 29, 2025 | - | $30,182 | +32% | -86% | 400 | $75 | $1,009,281 | 9 |
| Mar 30, 2025 | - | $23,883 | -21% | -84% | 400 | $60 | $1,033,164 | 10 |
| Mar 31, 2025 | - | $12,892 | -46% | -82% | 400 | $32 | $1,046,056 | 11 |
| Apr 1, 2025 | - | $15,121 | +17% | -83% | 400 | $38 | $1,061,177 | 12 |
| Apr 2, 2025 | - | $12,843 | -15% | -82% | 400 | $32 | $1,074,020 | 13 |
| Apr 3, 2025 | - | $7,165 | -44% | -79% | 400 | $18 | $1,081,185 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 15 | $956,233 | 1,136 | $842 | $956,233 | 1 | |
| Mar 28, 2025 | 27 | $124,952 | -87% | 400 | $312 | $1,081,185 | 2 |
| Apr 4, 2025 | 57 | $2,558 | -98% | 18 | $142 | $1,083,743 | 3 |
Lead Ensemble Member
| Aaron Paul | Brion | |
| Eiza González | Riya | |
| Iko Uwais | ||
| Beulah Koale | ||
| Kate Elliott | ||
| Flying Lotus* |
Production and Technical Credits
| Flying Lotus* | Director | |
| Jonni Remmler | Screenwriter | |
| Nate Bolotin | Producer | |
| Matthew Metcalfe | Producer | |
| Aram Tertzakian | Executive Producer | |
| Nick Spicer | Executive Producer | |
| Maxime Cottray | Executive Producer | |
| Maile Daugherty | Executive Producer | |
| Flying Lotus* | Executive Producer | |
| Neill Blomkamp | Executive Producer | |
| Dave Brown | Executive Producer | |
| Adam Riback | Executive Producer | |
| Tom Blackwell | Co-Producer | |
| Lesley Hansen | Co-Producer | |
| Richard Bluck | Director of Photography | |
| Ross McGarva | Production Designer | |
| Bryan Shaw | Editor | |
| Flying Lotus* | Composer | |
| Aitor Throup | Costume Designer | |
| Gareth Van Niekerk | Sound Designer | |
| Ryan Morrison | Additional Editor | |
| Carol Petrie | Visual Effects Supervisor | |
| Jacob Leaf | Visual Effects Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.