Assassination Nation (2018)

Assassination Nation
Theatrical Performance
Domestic Box Office $2,005,142Details
International Box Office $847,617Details
Worldwide Box Office $2,852,759
Home Market Performance
Est. Domestic DVD Sales $39,111 Details
Est. Domestic Blu-ray Sales $43,092 Details
Total Est. Domestic Video Sales $82,203
Further financial details...

Synopsis

High school senior Lily and her group of friends live in a haze of texts, posts, selfies and chats just like the rest of the world. So, when an anonymous hacker starts posting details from the private lives of everyone in their small town, the result is absolute madness leaving Lily and her friends questioning whether they’ll live through the night.

Metrics

Opening Weekend:$1,050,021 (52.4% of total gross)
Legs:1.91 (domestic box office/biggest weekend)
Domestic Share:70.3% (domestic box office/worldwide)
Production Budget:$7,000,000 (worldwide box office is 0.4 times production budget)
Theater counts:1,403 opening theaters/1,403 max. theaters, 1.8 weeks average run per theater
Infl. Adj. Dom. BO $2,372,710

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: September 21st, 2018 (Wide) by Neon
International Releases: November 23rd, 2018 (Wide), released as Mladí zabijáci (Czech Republic)
November 23rd, 2018 (Wide), released as НАЦИЯ УБИЙЦ (Russia (CIS))
November 23rd, 2018 (Wide), released as Mladí zabijaci (Slovakia)
November 23rd, 2018 (Limited) (United Kingdom)
December 7th, 2018 (Wide) (France)
... Show all releases
Video Release: December 18th, 2018 by Universal Home Entertainment
MPAA Rating: R for disturbing bloody violence, strong sexual material including menace, pervasive language, and for drug and alcohol use - all involving teens.
(Rating bulletin 2542 (Cert #51721), 8/29/2018)
Running Time: 110 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Romance, LGBTQ+, Internet, Bullies, Politicians, Suicide, Lynching, Corrupt Cops, Sex Crimes, FBI, Scene in End Credits, Revenge, Sundance Film Festival 2018, Teensploitation
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Bron Studios, Foxtail Entertainment, Phantom Four, Creative Wealth Media Finance
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 15 $1,050,021   1,403 $748   $1,050,021 1
Sep 28, 2018 28 $252,215 -76% 1,035 $244   $1,777,962 2
Oct 5, 2018 65 $7,752 -97% 15 $517   $1,941,708 3
Oct 12, 2018 70 $3,643 -53% 5 $729   $1,997,686 4
Oct 19, 2018 76 $2,342 -36% 5 $468   $2,005,142 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 21, 2018 12 $425,110     1,403 $303   $425,110 1
Sep 22, 2018 15 $357,092 -16%   1,403 $255   $782,202 2
Sep 23, 2018 15 $267,819 -25%   1,403 $191   $1,050,021 3
Sep 24, 2018 11 $141,738 -47%   1,403 $101   $1,191,759 4
Sep 25, 2018 14 $165,833 +17%   1,403 $118   $1,357,592 5
Sep 26, 2018 14 $107,792 -35%   1,403 $77   $1,465,384 6
Sep 27, 2018 15 $60,363 -44%   1,403 $43   $1,525,747 7
Sep 28, 2018 - $60,076 n/c -86% 1,035 $58   $1,585,823 8
Sep 29, 2018 - $86,509 +44% -76% 1,035 $84   $1,672,332 9
Sep 30, 2018 - $59,692 -31% -78% 1,035 $58   $1,732,024 10
Oct 1, 2018 - $52,444 -12% -63% 1,035 $51   $1,784,468 11
Oct 2, 2018 - $59,262 +13% -64% 1,035 $57   $1,843,730 12
Oct 3, 2018 - $51,558 -13% -52% 1,035 $50   $1,895,288 13
Oct 4, 2018 - $38,668 -25% -36% 1,035 $37   $1,933,956 14
Oct 5, 2018 - $2,550 -93% -96% 15 $170   $1,936,506 15
Oct 6, 2018 - $3,060 +20% -96% 15 $204   $1,939,566 16
Oct 7, 2018 - $2,142 -30% -96% 15 $143   $1,941,708 17
Oct 8, 2018 - $1,623 -24% -97% 15 $108   $1,943,331 18
Oct 9, 2018 - $1,834 +13% -97% 15 $122   $1,945,165 19
Oct 10, 2018 - $1,596 -13% -97% 15 $106   $1,946,761 20
Oct 11, 2018 - $1,344 -16% -97% 15 $90   $1,994,043 21
Oct 12, 2018 - $1,061 -21% -58% 5 $212   $1,995,104 22
Oct 13, 2018 - $1,528 +44% -50% 5 $306   $1,996,632 23
Oct 14, 2018 - $1,054 -31% -51% 5 $211   $1,997,686 24
Oct 15, 2018 - $1,211 +15% -25% 5 $242   $1,998,897 25
Oct 16, 2018 - $1,368 +13% -25% 5 $274   $2,000,265 26
Oct 17, 2018 - $1,191 -13% -25% 5 $238   $2,001,456 27
Oct 18, 2018 - $1,344 +13% n/c 5 $269   $2,002,800 28
Oct 19, 2018 - $866 -36% -18% 5 $173   $2,003,666 29
Oct 20, 2018 - $982 +13% -36% 5 $196   $2,004,648 30
Oct 21, 2018 - $494 -50% -53% 5 $99   $2,005,142 31

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 15 $1,525,747   1,403 $1,087   $1,525,747 1
Sep 28, 2018 25 $408,209 -73% 1,035 $394   $1,933,956 2
Oct 5, 2018 65 $14,149 -97% 15 $943   $1,994,043 3
Oct 12, 2018 67 $8,757 -38% 5 $1,751   $2,002,800 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Czech Republic 11/23/2018 $12,013 77 77 97 $17,899 12/4/2018
France 12/7/2018 $127,774 84 84 84 $127,774 12/16/2018
Russia (CIS) 11/23/2018 $166,381 703 703 1,469 $263,647 12/30/2018
Slovakia 11/23/2018 $6,167 46 46 55 $8,672 12/4/2018
United Kingdom 11/23/2018 $90,770 140 140 140 $90,770 11/28/2018
 
Rest of World $338,855
 
International Total$847,617 12/30/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Odessa Young    Lily Colson
Hari Nef    Bex
Abra*    Em
Suki Waterhouse    Sarah

Supporting Cast

Anika Noni Rose    Nance
Colman Domingo    Principal Turrell
Maude Apatow    Grace
Cody Christian    Johnny
Kathryn Erbe    Rebecca Colson
Susie Misner    Rose Mathers
Danny Ramirez    Diamond
Kelvin Harrison Jr    Mason
Noah Galvin    Marty
Joe Chrest    Lawrence
Jeff Pope    Officer Richter
Jennifer Morrison    Margie Duncan
J.D. Evermore    Chief Patterson
Lukas Gage    Eric
Bill Skarsgård    Mark
Joel McHale    Nick
Bella Thorne    Reagan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sam Levinson    Director
Sam Levinson    Screenwriter
Manu Gargi    Producer
Aaron L. Gilbert    Producer
Anita Gou    Producer
David S. Goyer    Producer
Matthew Malek    Producer
Kevin Turen    Producer
Steven Thibault    Executive Producer
Jason Cloth    Executive Producer
Andy Pollack    Executive Producer
Chris Conover    Executive Producer
Mike Novogratz    Executive Producer
J.E. Moore    Executive Producer
Will Greenfield    Executive Producer
David Gendron    Executive Producer
Ali Jazayeri    Executive Producer
Milan Chakraborty    Co-Executive Producer
Brenda Gilbert    Co-Executive Producer
Matthias Mellinghaus    Co-Producer
Harrison Kreiss    Co-Producer
Katia Washington    Co-Producer
Phoebe Fisher    Co-Producer
Mary Vernieu    Casting Director
Jessica Kelly    Casting Director
Ian Hultquist    Composer
Marcell Rev    Director of Photography
Michael Grasley    Production Designer
Ron Patane    Editor
Rachel Dainer Best    Costume Designer
Mary Ramos    Music Supervisor

Home Market Releases for December 18th, 2018

December 18th, 2018

A Simple Favor

It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey. More...

Theater Averages: Mid90s Kickflips to the Top

October 25th, 2018

Mid90s

Mid90s had a much better than expected start earning an average of $64,539 in four theaters. This is the third highest theater average of 2018 behind just Free Solo ($73,572 in four theaters) and Eighth Grade ($65,949 also in four theaters). On the other hand, its reviews are good, but not great, so it could struggle to expand wide. That said, I would be absolutely shocked if the film didn’t earn some measure of mainstream success after this start. Can You Ever Forgive Me? opened in second place with an average of $32,302 in five theaters. Its reviews are award-worthy, so it should have very long legs and if it actually picks up some major award nominations, it could expand truly wide. Wildlife also rode amazing reviews to an average of $26,147 in four theaters. The overall box office leader, Halloween, was next with an average of $19,405. The Price of Everything opened with $16,817 in one theater, while the re-release of Wings of Desire managed $12,885, also in one theater. More...

Weekend Wrap-Up: Wishing September Good Night

October 2nd, 2018

Night School

Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion. More...

Weekend Wrap-Up: Clocking the Opposition

September 24th, 2018

The House with a Clock in its Walls

As expected, The House with a Clock in its Walls topped the chart over the weekend. It was able to open faster than expected with $26.61 million. The other three films combined earned a fraction of that and A Simple Favor was the only other film to earn more than $10 million over the weekend. This caused the overall box office to fall 16% from last weekend to just $90 million. Worse still, this is 23% lower than the same weekend last year, which is a terrible margin. 2018 still has a massive 9.1% / $720 million lead over 2017 at $8.63 billion to $7.91 billion, so there’s no need to panic just yet. More...

Weekend Estimates: Clock Runs Fast, Other Openings Stumble

September 23rd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls was the only new release to top expectations this weekend, and it is doing so with ease. The film will pull in a projected $26.85 million over the weekend, which is close to Goosebumps’s $28.87 million debut and is much better than predicted. Its reviews and its B plus from CinemaScore suggest merely average legs, but this is still a great start for a film that cost $42 million to make. It is way too early to make a call on its international numbers, so I’m a little wary of calling this a financial hit just yet. It did open in first place in the Philippines with 602,000 in 195 theaters, but it only managed third place in Germany with $789,000 in 465. More...

Friday Estimates: Beating the Clock

September 22nd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls is the only new release that opened well on Friday, with $7.82 million during its opening day. Its reviews are in the overall positive level and it earned a B plus from CinemaScore. This is nearly identical to Miss Peregrine’s Home for Peculiar Children and weaker than Goosebumps’ result. If this film has the same legs as Miss Peregrine, then it will earn $25 million during its opening weekend. That would be an amazing start for a film that cost $42 million to make and significantly better than we predicted. More...

Thursday Night Previews: House Wins Previews with $840,000

September 21st, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls opened with $840,000 in previews on Thursday, which sounds terrible for a wide release, but it is actually quite good, all things considered. It is a family film that had previews on a school night, so it is no surprise it couldn’t crack $1 million. By comparison, Goosebumps opened with $600,000, before earning $23.62 million during its opening weekend and if this film has similar legs, it will open with more than $30 million. On the other hand, Miss Peregrine’s Home for Peculiar Children opened with $1.2 million before earning $28.87 million, which would give this film barely more than $20 million. House’s reviews are closer to Miss Peregrine’s reviews than Goosebumpsreviews, so its legs will likely be similar. That said, I’m happy with our $20 million prediction for now, but I could have to adjust it tomorrow when Friday’s numbers show up. More...

Weekend Prediction: Countdown to the Weekend

September 20th, 2018

The House with a Clock in its Walls

It’s a busier week than expected, as there are four films opening wide or semi-wide. The House with a Clock in its Walls is the only one with a shot at first place. In fact, it might be the only new release in the top five. Fahrenheit 11/9 could earn as much as $10 million, but it could also fail to reach the top five with $5 million. Life Itself is aiming even lower, but there’s an outside chance all things line up correctly and it earns a spot in the top five. On the other hand, Assassination Nation is opening semi-wide and it could miss the Mendoza Line. This weekend last year, Kingsman: The Golden Circle opened with nearly $40 million and two other films earned more than $20 million. This weekend, there might not be a single film with $20 million at the box office. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

High school senior Lily and her group of friends live in a haze of texts, posts, selfies and chats just like the rest of the world. So, when an anonymous hacker starts posting details from the private lives of everyone in their small town, the result is absolute madness leaving Lily and her friends questioning whether they’ll live through the night.

Metrics

Opening Weekend:$1,050,021 (52.4% of total gross)
Legs:1.91 (domestic box office/biggest weekend)
Domestic Share:70.3% (domestic box office/worldwide)
Production Budget:$7,000,000 (worldwide box office is 0.4 times production budget)
Theater counts:1,403 opening theaters/1,403 max. theaters, 1.8 weeks average run per theater
Infl. Adj. Dom. BO $2,372,710

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: September 21st, 2018 (Wide) by Neon
International Releases: November 23rd, 2018 (Wide), released as Mladí zabijáci (Czech Republic)
November 23rd, 2018 (Wide), released as НАЦИЯ УБИЙЦ (Russia (CIS))
November 23rd, 2018 (Wide), released as Mladí zabijaci (Slovakia)
November 23rd, 2018 (Limited) (United Kingdom)
December 7th, 2018 (Wide) (France)
... Show all releases
Video Release: December 18th, 2018 by Universal Home Entertainment
MPAA Rating: R for disturbing bloody violence, strong sexual material including menace, pervasive language, and for drug and alcohol use - all involving teens.
(Rating bulletin 2542 (Cert #51721), 8/29/2018)
Running Time: 110 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Romance, LGBTQ+, Internet, Bullies, Politicians, Suicide, Lynching, Corrupt Cops, Sex Crimes, FBI, Scene in End Credits, Revenge, Sundance Film Festival 2018, Teensploitation
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Bron Studios, Foxtail Entertainment, Phantom Four, Creative Wealth Media Finance
Production Countries: United States
Languages: English

Leading Cast

Odessa Young    Lily Colson
Hari Nef    Bex
Abra*    Em
Suki Waterhouse    Sarah

Supporting Cast

Anika Noni Rose    Nance
Colman Domingo    Principal Turrell
Maude Apatow    Grace
Cody Christian    Johnny
Kathryn Erbe    Rebecca Colson
Susie Misner    Rose Mathers
Danny Ramirez    Diamond
Kelvin Harrison Jr    Mason
Noah Galvin    Marty
Joe Chrest    Lawrence
Jeff Pope    Officer Richter
Jennifer Morrison    Margie Duncan
J.D. Evermore    Chief Patterson
Lukas Gage    Eric
Bill Skarsgård    Mark
Joel McHale    Nick
Bella Thorne    Reagan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sam Levinson    Director
Sam Levinson    Screenwriter
Manu Gargi    Producer
Aaron L. Gilbert    Producer
Anita Gou    Producer
David S. Goyer    Producer
Matthew Malek    Producer
Kevin Turen    Producer
Steven Thibault    Executive Producer
Jason Cloth    Executive Producer
Andy Pollack    Executive Producer
Chris Conover    Executive Producer
Mike Novogratz    Executive Producer
J.E. Moore    Executive Producer
Will Greenfield    Executive Producer
David Gendron    Executive Producer
Ali Jazayeri    Executive Producer
Milan Chakraborty    Co-Executive Producer
Brenda Gilbert    Co-Executive Producer
Matthias Mellinghaus    Co-Producer
Harrison Kreiss    Co-Producer
Katia Washington    Co-Producer
Phoebe Fisher    Co-Producer
Mary Vernieu    Casting Director
Jessica Kelly    Casting Director
Ian Hultquist    Composer
Marcell Rev    Director of Photography
Michael Grasley    Production Designer
Ron Patane    Editor
Rachel Dainer Best    Costume Designer
Mary Ramos    Music Supervisor

Home Market Releases for December 18th, 2018

December 18th, 2018

A Simple Favor

It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey. More...

Theater Averages: Mid90s Kickflips to the Top

October 25th, 2018

Mid90s

Mid90s had a much better than expected start earning an average of $64,539 in four theaters. This is the third highest theater average of 2018 behind just Free Solo ($73,572 in four theaters) and Eighth Grade ($65,949 also in four theaters). On the other hand, its reviews are good, but not great, so it could struggle to expand wide. That said, I would be absolutely shocked if the film didn’t earn some measure of mainstream success after this start. Can You Ever Forgive Me? opened in second place with an average of $32,302 in five theaters. Its reviews are award-worthy, so it should have very long legs and if it actually picks up some major award nominations, it could expand truly wide. Wildlife also rode amazing reviews to an average of $26,147 in four theaters. The overall box office leader, Halloween, was next with an average of $19,405. The Price of Everything opened with $16,817 in one theater, while the re-release of Wings of Desire managed $12,885, also in one theater. More...

Weekend Wrap-Up: Wishing September Good Night

October 2nd, 2018

Night School

Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion. More...

Weekend Wrap-Up: Clocking the Opposition

September 24th, 2018

The House with a Clock in its Walls

As expected, The House with a Clock in its Walls topped the chart over the weekend. It was able to open faster than expected with $26.61 million. The other three films combined earned a fraction of that and A Simple Favor was the only other film to earn more than $10 million over the weekend. This caused the overall box office to fall 16% from last weekend to just $90 million. Worse still, this is 23% lower than the same weekend last year, which is a terrible margin. 2018 still has a massive 9.1% / $720 million lead over 2017 at $8.63 billion to $7.91 billion, so there’s no need to panic just yet. More...

Weekend Estimates: Clock Runs Fast, Other Openings Stumble

September 23rd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls was the only new release to top expectations this weekend, and it is doing so with ease. The film will pull in a projected $26.85 million over the weekend, which is close to Goosebumps’s $28.87 million debut and is much better than predicted. Its reviews and its B plus from CinemaScore suggest merely average legs, but this is still a great start for a film that cost $42 million to make. It is way too early to make a call on its international numbers, so I’m a little wary of calling this a financial hit just yet. It did open in first place in the Philippines with 602,000 in 195 theaters, but it only managed third place in Germany with $789,000 in 465. More...

Friday Estimates: Beating the Clock

September 22nd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls is the only new release that opened well on Friday, with $7.82 million during its opening day. Its reviews are in the overall positive level and it earned a B plus from CinemaScore. This is nearly identical to Miss Peregrine’s Home for Peculiar Children and weaker than Goosebumps’ result. If this film has the same legs as Miss Peregrine, then it will earn $25 million during its opening weekend. That would be an amazing start for a film that cost $42 million to make and significantly better than we predicted. More...

Thursday Night Previews: House Wins Previews with $840,000

September 21st, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls opened with $840,000 in previews on Thursday, which sounds terrible for a wide release, but it is actually quite good, all things considered. It is a family film that had previews on a school night, so it is no surprise it couldn’t crack $1 million. By comparison, Goosebumps opened with $600,000, before earning $23.62 million during its opening weekend and if this film has similar legs, it will open with more than $30 million. On the other hand, Miss Peregrine’s Home for Peculiar Children opened with $1.2 million before earning $28.87 million, which would give this film barely more than $20 million. House’s reviews are closer to Miss Peregrine’s reviews than Goosebumpsreviews, so its legs will likely be similar. That said, I’m happy with our $20 million prediction for now, but I could have to adjust it tomorrow when Friday’s numbers show up. More...

Weekend Prediction: Countdown to the Weekend

September 20th, 2018

The House with a Clock in its Walls

It’s a busier week than expected, as there are four films opening wide or semi-wide. The House with a Clock in its Walls is the only one with a shot at first place. In fact, it might be the only new release in the top five. Fahrenheit 11/9 could earn as much as $10 million, but it could also fail to reach the top five with $5 million. Life Itself is aiming even lower, but there’s an outside chance all things line up correctly and it earns a spot in the top five. On the other hand, Assassination Nation is opening semi-wide and it could miss the Mendoza Line. This weekend last year, Kingsman: The Golden Circle opened with nearly $40 million and two other films earned more than $20 million. This weekend, there might not be a single film with $20 million at the box office. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 15 $1,050,021   1,403 $748   $1,050,021 1
Sep 28, 2018 28 $252,215 -76% 1,035 $244   $1,777,962 2
Oct 5, 2018 65 $7,752 -97% 15 $517   $1,941,708 3
Oct 12, 2018 70 $3,643 -53% 5 $729   $1,997,686 4
Oct 19, 2018 76 $2,342 -36% 5 $468   $2,005,142 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 21, 2018 12 $425,110     1,403 $303   $425,110 1
Sep 22, 2018 15 $357,092 -16%   1,403 $255   $782,202 2
Sep 23, 2018 15 $267,819 -25%   1,403 $191   $1,050,021 3
Sep 24, 2018 11 $141,738 -47%   1,403 $101   $1,191,759 4
Sep 25, 2018 14 $165,833 +17%   1,403 $118   $1,357,592 5
Sep 26, 2018 14 $107,792 -35%   1,403 $77   $1,465,384 6
Sep 27, 2018 15 $60,363 -44%   1,403 $43   $1,525,747 7
Sep 28, 2018 - $60,076 n/c -86% 1,035 $58   $1,585,823 8
Sep 29, 2018 - $86,509 +44% -76% 1,035 $84   $1,672,332 9
Sep 30, 2018 - $59,692 -31% -78% 1,035 $58   $1,732,024 10
Oct 1, 2018 - $52,444 -12% -63% 1,035 $51   $1,784,468 11
Oct 2, 2018 - $59,262 +13% -64% 1,035 $57   $1,843,730 12
Oct 3, 2018 - $51,558 -13% -52% 1,035 $50   $1,895,288 13
Oct 4, 2018 - $38,668 -25% -36% 1,035 $37   $1,933,956 14
Oct 5, 2018 - $2,550 -93% -96% 15 $170   $1,936,506 15
Oct 6, 2018 - $3,060 +20% -96% 15 $204   $1,939,566 16
Oct 7, 2018 - $2,142 -30% -96% 15 $143   $1,941,708 17
Oct 8, 2018 - $1,623 -24% -97% 15 $108   $1,943,331 18
Oct 9, 2018 - $1,834 +13% -97% 15 $122   $1,945,165 19
Oct 10, 2018 - $1,596 -13% -97% 15 $106   $1,946,761 20
Oct 11, 2018 - $1,344 -16% -97% 15 $90   $1,994,043 21
Oct 12, 2018 - $1,061 -21% -58% 5 $212   $1,995,104 22
Oct 13, 2018 - $1,528 +44% -50% 5 $306   $1,996,632 23
Oct 14, 2018 - $1,054 -31% -51% 5 $211   $1,997,686 24
Oct 15, 2018 - $1,211 +15% -25% 5 $242   $1,998,897 25
Oct 16, 2018 - $1,368 +13% -25% 5 $274   $2,000,265 26
Oct 17, 2018 - $1,191 -13% -25% 5 $238   $2,001,456 27
Oct 18, 2018 - $1,344 +13% n/c 5 $269   $2,002,800 28
Oct 19, 2018 - $866 -36% -18% 5 $173   $2,003,666 29
Oct 20, 2018 - $982 +13% -36% 5 $196   $2,004,648 30
Oct 21, 2018 - $494 -50% -53% 5 $99   $2,005,142 31

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 21, 2018 15 $1,525,747   1,403 $1,087   $1,525,747 1
Sep 28, 2018 25 $408,209 -73% 1,035 $394   $1,933,956 2
Oct 5, 2018 65 $14,149 -97% 15 $943   $1,994,043 3
Oct 12, 2018 67 $8,757 -38% 5 $1,751   $2,002,800 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Czech Republic 11/23/2018 $12,013 77 77 97 $17,899 12/4/2018
France 12/7/2018 $127,774 84 84 84 $127,774 12/16/2018
Russia (CIS) 11/23/2018 $166,381 703 703 1,469 $263,647 12/30/2018
Slovakia 11/23/2018 $6,167 46 46 55 $8,672 12/4/2018
United Kingdom 11/23/2018 $90,770 140 140 140 $90,770 11/28/2018
 
Rest of World $338,855
 
International Total$847,617 12/30/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.