The Assessment (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $279,328 | Details |
| OpusData ID: 705840100 More info... | ||
| Further financial details... | ||
Synopsis
In a future where parenthood is strictly controlled, a couple must undergo a rigorous seven-day assessment to prove their fitness to have a child. What begins as a hopeful journey spirals into a psychological nightmare, challenging their relationship and pushing the limits of their moral boundaries in a dystopian society.
Metrics
| Opening Weekend: | $152,905 (54.7% of total gross) |
| Legs: | 1.83 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 265 opening theaters/265 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $279,328 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Limited) by Magnolia Pictures |
| International Releases: | April 3rd, 2025 (Limited) (Germany) |
| Video Release: | April 8th, 2025 by Magnolia Home Entertainment |
| MPA Rating: | R for sexual content, language, suicide, sexual assault and brief nudity. (Rating bulletin 2871 (cert #55373), 2/5/2025) |
| Running Time: | 114 minutes |
| Film festival: | Toronto International Film Festival 2024 |
| Plot point: | Sex Crimes |
| Release detail: | Festival Acquisition |
| Social setting: | Dystopia |
| Subgenre: | Psychological Thriller |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magnolia Pictures, Number 9 Films, Shivhans Pictures, Tiki Tane Pictures, Augenschein Filmproduktion, Project Infinity |
| Production Countries: | Germany, United Kingdom, United States |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $152,905 | 265 | $577 | $152,905 | 1 | |
| Mar 28, 2025 | - | $15,471 | -90% | 61 | $254 | $265,276 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 21 | $249,805 | 265 | $943 | $249,805 | 1 | |
| Mar 28, 2025 | 38 | $26,844 | -89% | 61 | $440 | $276,649 | 2 |
| Apr 4, 2025 | 56 | $2,679 | -90% | 6 | $447 | $279,328 | 3 |
Leading
| Elizabeth Olsen | Mia | |
| Alicia Vikander | Virginia |
Supporting
| Himesh Patel | Aaryan | |
| Minnie Driver | Evie | |
| Indira Varma | Ambika | |
| Charlotte Ritchie | Serena | |
| Leah Harvey | Holly | |
| Nicholas Pinnock | Walter | |
| Anaya Thorley | Amelia | |
| Thiago Braga de Oliveira | Compliance Officer |
Production and Technical Credits
| Fleur Fortune | Director | |
| Dave Thomas | Screenwriter | |
| Mrs Thomas* | Screenwriter | |
| John Donnelly | Screenwriter | |
| Stephen Woolley | Producer | |
| Elizabeth Karlsen | Producer | |
| Shivani Rawat | Producer | |
| Julie Goldstein | Producer | |
| Jonas Katzenstein | Producer | |
| Maximilian Leo | Producer | |
| Grant S. Johnson | Producer | |
| Allen Gilmer | Executive Producer | |
| Riki Rushing | Executive Producer | |
| William Shockley | Executive Producer | |
| Tom Brady | Executive Producer | |
| Connor Flanagan | Executive Producer | |
| Madeleine K. Rudin | Executive Producer | |
| William Bruce Johnson | Executive Producer | |
| Thomas K. Richards | Executive Producer | |
| Carlotta Loffelholz | Executive Producer | |
| Jonathan Saubach | Executive Producer | |
| Rusta Mizani | Executive Producer | |
| Magnus Jønck | Cinematographer | |
| Yorgos Lamprinos | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In a future where parenthood is strictly controlled, a couple must undergo a rigorous seven-day assessment to prove their fitness to have a child. What begins as a hopeful journey spirals into a psychological nightmare, challenging their relationship and pushing the limits of their moral boundaries in a dystopian society.
Metrics
| Opening Weekend: | $152,905 (54.7% of total gross) |
| Legs: | 1.83 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 265 opening theaters/265 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $279,328 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Limited) by Magnolia Pictures |
| International Releases: | April 3rd, 2025 (Limited) (Germany) |
| Video Release: | April 8th, 2025 by Magnolia Home Entertainment |
| MPA Rating: | R for sexual content, language, suicide, sexual assault and brief nudity. (Rating bulletin 2871 (cert #55373), 2/5/2025) |
| Running Time: | 114 minutes |
| Film festival: | Toronto International Film Festival 2024 |
| Plot point: | Sex Crimes |
| Release detail: | Festival Acquisition |
| Social setting: | Dystopia |
| Subgenre: | Psychological Thriller |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magnolia Pictures, Number 9 Films, Shivhans Pictures, Tiki Tane Pictures, Augenschein Filmproduktion, Project Infinity |
| Production Countries: | Germany, United Kingdom, United States |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $152,905 | 265 | $577 | $152,905 | 1 | |
| Mar 28, 2025 | - | $15,471 | -90% | 61 | $254 | $265,276 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 21 | $249,805 | 265 | $943 | $249,805 | 1 | |
| Mar 28, 2025 | 38 | $26,844 | -89% | 61 | $440 | $276,649 | 2 |
| Apr 4, 2025 | 56 | $2,679 | -90% | 6 | $447 | $279,328 | 3 |
Leading
| Elizabeth Olsen | Mia | |
| Alicia Vikander | Virginia |
Supporting
| Himesh Patel | Aaryan | |
| Minnie Driver | Evie | |
| Indira Varma | Ambika | |
| Charlotte Ritchie | Serena | |
| Leah Harvey | Holly | |
| Nicholas Pinnock | Walter | |
| Anaya Thorley | Amelia | |
| Thiago Braga de Oliveira | Compliance Officer |
Production and Technical Credits
| Fleur Fortune | Director | |
| Dave Thomas | Screenwriter | |
| Mrs Thomas* | Screenwriter | |
| John Donnelly | Screenwriter | |
| Stephen Woolley | Producer | |
| Elizabeth Karlsen | Producer | |
| Shivani Rawat | Producer | |
| Julie Goldstein | Producer | |
| Jonas Katzenstein | Producer | |
| Maximilian Leo | Producer | |
| Grant S. Johnson | Producer | |
| Allen Gilmer | Executive Producer | |
| Riki Rushing | Executive Producer | |
| William Shockley | Executive Producer | |
| Tom Brady | Executive Producer | |
| Connor Flanagan | Executive Producer | |
| Madeleine K. Rudin | Executive Producer | |
| William Bruce Johnson | Executive Producer | |
| Thomas K. Richards | Executive Producer | |
| Carlotta Loffelholz | Executive Producer | |
| Jonathan Saubach | Executive Producer | |
| Rusta Mizani | Executive Producer | |
| Magnus Jønck | Cinematographer | |
| Yorgos Lamprinos | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.