Ástin sem eftir er (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $146,508 | Details |
| International Box Office | $206,332 | Details |
| Worldwide Box Office | $352,840 | |
| OpusData ID: 774550100 More info... | ||
| Further financial details... | ||
Synopsis
Anna, an artist, and Magnús, a fisherman, live with their three children and charismatic sheepdog in the quiet grandeur of the Icelandic countryside. As the fractures in their marriage come to the surface, the couple try to hold onto the afterimages of a life together and make sense of a deep and lingering devotion.
Metrics
| Opening Weekend: | $23,248 (15.9% of total gross) |
| Legs: | 5.44 (domestic box office/biggest weekend) |
| Domestic Share: | 41.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/25 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $146,508 |
Movie Details
| Domestic Releases: | January 30th, 2026 (Oscar Qualifying Run) by Janus Films, released as The Love That Remains |
| International Releases: | November 21st, 2025 (Limited), released as Dragostea care rămâne (Romania)
December 17th, 2025 (Limited), released as L'amour qu'il nous reste (France) December 18th, 2025 (Limited), released as The Love That Remains (Netherlands) January 16th, 2026 (Limited), released as Aşktan Geriye Kalan (Turkey) February 5th, 2026 (Limited), released as The Love that Remains (Croatia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 2/2/2026) |
| Running Time: | 109 minutes |
| Geographical setting: | Iceland |
| Plot point: | Dysfunctional Family |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Janus Films, Still Vivid, Snowglobe, Hobab, Maneki Films, Film i Vast, ARTE France |
| Production Countries: | Iceland, France, Sweden, Denmark, Finland |
| Languages: | Icelandic, English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2026 | - | $23,248 | 4 | $5,812 | $23,248 | 1 | |
| Feb 6, 2026 | - | $14,840 | -36% | 8 | $1,855 | $46,380 | 2 |
| Feb 13, 2026 | - | $26,938 | +82% | 25 | $1,078 | $81,671 | 3 |
| Feb 20, 2026 | - | $9,146 | -66% | 13 | $704 | $104,190 | 4 |
| Feb 27, 2026 | - | $6,035 | -34% | 7 | $862 | $118,605 | 5 |
| Mar 6, 2026 | - | $4,443 | -26% | 17 | $261 | $127,272 | 6 |
| Mar 13, 2026 | - | $5,096 | +15% | 8 | $637 | $134,992 | 7 |
| Mar 20, 2026 | - | $1,691 | -67% | 6 | $282 | $139,205 | 8 |
| Mar 27, 2026 | - | $1,081 | -36% | 3 | $360 | $141,952 | 9 |
| Apr 3, 2026 | - | $641 | -41% | 1 | $641 | $143,312 | 10 |
| Apr 24, 2026 | - | $2,035 | 1 | $2,035 | $146,508 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2026 | 39 | $31,540 | 2 | $15,770 | $31,540 | 1 | |
| Feb 6, 2026 | 46 | $23,193 | -26% | 8 | $2,899 | $54,733 | 2 |
| Feb 13, 2026 | 49 | $40,311 | +74% | 25 | $1,612 | $95,044 | 3 |
| Feb 20, 2026 | 51 | $17,526 | -57% | 13 | $1,348 | $112,570 | 4 |
| Feb 27, 2026 | 55 | $10,259 | -41% | 7 | $1,466 | $122,829 | 5 |
| Mar 6, 2026 | 52 | $7,067 | -31% | 17 | $416 | $129,896 | 6 |
| Mar 13, 2026 | 50 | $7,618 | +8% | 8 | $952 | $137,514 | 7 |
| Mar 20, 2026 | 55 | $3,357 | -56% | 6 | $560 | $140,871 | 8 |
| Mar 27, 2026 | 54 | $1,800 | -46% | 3 | $600 | $142,671 | 9 |
| Apr 3, 2026 | 63 | $737 | -59% | 1 | $737 | $143,408 | 10 |
| Apr 10, 2026 | 56 | $1,065 | +45% | 1 | $1,065 | $144,473 | 11 |
| Apr 24, 2026 | 59 | $2,035 | 1 | $2,035 | $146,508 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 2/5/2026 | $2,172 | 6 | 6 | 11 | $4,019 | 4/4/2026 | |||
| Netherlands | 12/18/2025 | $36,606 | 41 | 42 | 83 | $140,467 | 4/4/2026 | |||
| Portugal | 6/25/2026 | $1,092 | 5 | 5 | 0 | $2,745 | 7/7/2026 | |||
| Romania | 11/21/2025 | $696 | 4 | 4 | 0 | $3,909 | 4/4/2026 | |||
| Turkey | 1/16/2026 | $2,587 | 13 | 13 | 13 | $2,587 | 4/4/2026 | |||
| United Kingdom | 3/13/2026 | $52,605 | 30 | 30 | 0 | $52,605 | 4/4/2026 | |||
| International Total | $206,332 | 7/7/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Saga Garðarsdóttir | Anna | |
| Sverrir Gudnason | Magnús |
Production and Technical Credits
| Hlynur Palmason | Director | |
| Hlynur Palmason | Screenwriter | |
| Anton Máni Svansson | Producer | |
| Katrin Pors | Producer | |
| Hlynur Palmason | Cinematographer | |
| Julius Krebs Damsbo | Editor | |
| Harry Hunt | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Anna, an artist, and Magnús, a fisherman, live with their three children and charismatic sheepdog in the quiet grandeur of the Icelandic countryside. As the fractures in their marriage come to the surface, the couple try to hold onto the afterimages of a life together and make sense of a deep and lingering devotion.
Metrics
| Opening Weekend: | $23,248 (15.9% of total gross) |
| Legs: | 5.44 (domestic box office/biggest weekend) |
| Domestic Share: | 41.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/25 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $146,508 |
Movie Details
| Domestic Releases: | January 30th, 2026 (Oscar Qualifying Run) by Janus Films, released as The Love That Remains |
| International Releases: | November 21st, 2025 (Limited), released as Dragostea care rămâne (Romania)
December 17th, 2025 (Limited), released as L'amour qu'il nous reste (France) December 18th, 2025 (Limited), released as The Love That Remains (Netherlands) January 16th, 2026 (Limited), released as Aşktan Geriye Kalan (Turkey) February 5th, 2026 (Limited), released as The Love that Remains (Croatia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 2/2/2026) |
| Running Time: | 109 minutes |
| Geographical setting: | Iceland |
| Plot point: | Dysfunctional Family |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Janus Films, Still Vivid, Snowglobe, Hobab, Maneki Films, Film i Vast, ARTE France |
| Production Countries: | Iceland, France, Sweden, Denmark, Finland |
| Languages: | Icelandic, English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2026 | - | $23,248 | 4 | $5,812 | $23,248 | 1 | |
| Feb 6, 2026 | - | $14,840 | -36% | 8 | $1,855 | $46,380 | 2 |
| Feb 13, 2026 | - | $26,938 | +82% | 25 | $1,078 | $81,671 | 3 |
| Feb 20, 2026 | - | $9,146 | -66% | 13 | $704 | $104,190 | 4 |
| Feb 27, 2026 | - | $6,035 | -34% | 7 | $862 | $118,605 | 5 |
| Mar 6, 2026 | - | $4,443 | -26% | 17 | $261 | $127,272 | 6 |
| Mar 13, 2026 | - | $5,096 | +15% | 8 | $637 | $134,992 | 7 |
| Mar 20, 2026 | - | $1,691 | -67% | 6 | $282 | $139,205 | 8 |
| Mar 27, 2026 | - | $1,081 | -36% | 3 | $360 | $141,952 | 9 |
| Apr 3, 2026 | - | $641 | -41% | 1 | $641 | $143,312 | 10 |
| Apr 24, 2026 | - | $2,035 | 1 | $2,035 | $146,508 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2026 | 39 | $31,540 | 2 | $15,770 | $31,540 | 1 | |
| Feb 6, 2026 | 46 | $23,193 | -26% | 8 | $2,899 | $54,733 | 2 |
| Feb 13, 2026 | 49 | $40,311 | +74% | 25 | $1,612 | $95,044 | 3 |
| Feb 20, 2026 | 51 | $17,526 | -57% | 13 | $1,348 | $112,570 | 4 |
| Feb 27, 2026 | 55 | $10,259 | -41% | 7 | $1,466 | $122,829 | 5 |
| Mar 6, 2026 | 52 | $7,067 | -31% | 17 | $416 | $129,896 | 6 |
| Mar 13, 2026 | 50 | $7,618 | +8% | 8 | $952 | $137,514 | 7 |
| Mar 20, 2026 | 55 | $3,357 | -56% | 6 | $560 | $140,871 | 8 |
| Mar 27, 2026 | 54 | $1,800 | -46% | 3 | $600 | $142,671 | 9 |
| Apr 3, 2026 | 63 | $737 | -59% | 1 | $737 | $143,408 | 10 |
| Apr 10, 2026 | 56 | $1,065 | +45% | 1 | $1,065 | $144,473 | 11 |
| Apr 24, 2026 | 59 | $2,035 | 1 | $2,035 | $146,508 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 2/5/2026 | $2,172 | 6 | 6 | 11 | $4,019 | 4/4/2026 | |||
| Netherlands | 12/18/2025 | $36,606 | 41 | 42 | 83 | $140,467 | 4/4/2026 | |||
| Portugal | 6/25/2026 | $1,092 | 5 | 5 | 0 | $2,745 | 7/7/2026 | |||
| Romania | 11/21/2025 | $696 | 4 | 4 | 0 | $3,909 | 4/4/2026 | |||
| Turkey | 1/16/2026 | $2,587 | 13 | 13 | 13 | $2,587 | 4/4/2026 | |||
| United Kingdom | 3/13/2026 | $52,605 | 30 | 30 | 0 | $52,605 | 4/4/2026 | |||
| International Total | $206,332 | 7/7/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Saga Garðarsdóttir | Anna | |
| Sverrir Gudnason | Magnús |
Production and Technical Credits
| Hlynur Palmason | Director | |
| Hlynur Palmason | Screenwriter | |
| Anton Máni Svansson | Producer | |
| Katrin Pors | Producer | |
| Hlynur Palmason | Cinematographer | |
| Julius Krebs Damsbo | Editor | |
| Harry Hunt | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.