At Play in the Fields of the Lord (1991)
| Theatrical Performance | ||
| Domestic Box Office | $1,342,903 | Details |
| OpusData ID: 58980100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $3,607,652 |
Movie Details
| Domestic Releases: | December 6th, 1991 (Wide) by Universal |
| MPA Rating: | R for language and sensuality. |
| Running Time: | 189 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Saul Zaentz Company |
| Production Countries: | United States, Brazil |
| Languages: | English |
| Daryl Hannah | Andy Huben | |
| John Lithgow | Leslie Huben | |
| Kathy Bates | Hazel Quarrier | |
| Tom Berenger | Lewis Moon | |
| Aidan Quinn | Martin Quarrier | |
| Tom Waits | Wolf |
Production and Technical Credits
| Héctor Babenco | Director | |
| Saul Zaentz | Producer | |
| Ewa Sztompke | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $3,607,652 |
Movie Details
| Domestic Releases: | December 6th, 1991 (Wide) by Universal |
| MPA Rating: | R for language and sensuality. |
| Running Time: | 189 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Saul Zaentz Company |
| Production Countries: | United States, Brazil |
| Languages: | English |
| Daryl Hannah | Andy Huben | |
| John Lithgow | Leslie Huben | |
| Kathy Bates | Hazel Quarrier | |
| Tom Berenger | Lewis Moon | |
| Aidan Quinn | Martin Quarrier | |
| Tom Waits | Wolf |
Production and Technical Credits
| Héctor Babenco | Director | |
| Saul Zaentz | Producer | |
| Ewa Sztompke | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.