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Atomic Blonde (2017)

Atomic Blonde
Theatrical Performance
Domestic Box Office $51,573,925Details
International Box Office $45,100,000Details
Worldwide Box Office $96,673,925
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival to navigate her way through the deadliest game of spies.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$30,000,000
Domestic Releases: July 28th, 2017 (Wide) by Focus Features
International Releases: July 27th, 2017 (Wide) (Russia (CIS))
July 27th, 2017 (Wide), released as Sarışın Bomba (Turkey)
July 28th, 2017 (Wide) (Australia)
August 4th, 2017 (Wide), released as Atomic Blonde: Bez lítosti (Czech Republic)
August 4th, 2017 (Wide), released as Atomica bionda (Atomic Blonde) (Italy)
... Show all releases
Video Release: October 24th, 2017 by Universal Home Entertainment
MPAA Rating: R for sequences of strong violence, language throughout, and some sexuality/nudity.
(Rating bulletin 2477 (Cert #50176), 5/24/2017)
Running Time: 114 minutes
Comparisons: vs. The Dark Tower
Create your own comparison chart…
Keywords: Undercover, Cold War, Berlin, Double Agent, Secret Agent, 1980s, Commies, Independent/Other Comics
Source:Based on Comic/Graphic Novel
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Historical Fiction
Production Companies: Focus Features, Sierra Films, Denver & Delilah Films, Chickie The Cop, GIM Films, 87Eleven Inc.
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Fastest to $50m 1,281 $50,027,090 Sep 1, 2017 37

Cast

   Lorraine Wallace
James McAvoy    David Percival
John Goodman    CIA Agent
Til Schweiger    James Gasxoigne
Eddie Marsan    Spyglass
Sofia Boutella    Sandrine
Toby Jones    Gray
Bill Skarsgård    Merkel
James Faulkner    Chief C
Roland Møller    Beckmentov
Johannes Johansson    Yuri Bakhtin
Sam Hargrave    Gascoigne
Barbara Sukowa    Coroner
Attila Arpa    East German Guard #1
Martin Angerbauer    East German Guard #2
Lili Gesler    Helena
Sara Natasa Szonda    Audrey
Declan Hannigan    Driver
Balazs Lengyel    Gentleman
Daniel Hargrave    Sniper
Greg Rementer    Spotter
Daniel Bernhardt    Soldier
Cale Schultz    Boris

Production and Technical Credits

Director   
Screenwriter    Kurt Johnstad
Based on the Oni Press graphic novel series “The Coldest City” written by    Anthony Johnson
Producer    Charlize Theron
Producer    Beth Kono
Producer    A.J. Dix
Producer    Eric Gitter
Producer    Peter Schwerin
Producer    Kelly McCormick
Executive Producer    David Guillod
Executive Producer    Kurt Johnstad
Executive Producer    Nick Meyer
Executive Producer    Joe Nozemack
Executive Producer    Steven V. Scavelli
Executive Producer    Marc Schaberg
Executive Producer    Ethan Smith
Production Designer    David Scheunemann
Editor    Elisabet Ronalds
Composer    Tyler Bates
Director of Photography    Jonathan Sela
Costume Designer    Cindy Evans
Music Supervisor    John Houlihan
Co-Executive Producer    Fredrik Zander
Co-Executive Producer    Anthony Muir
Co-Producer    Antony Johnston
Co-Producer    Jeff Morrone
Co-Producer    Ildiko Kemeny
Co-Producer    David Minkowski
Casting Director    Mary Vernieu
Casting Director    Marisol Roncali
Unit Production Manager    Ethan Smith
First Assistant Director    Lisa C. Satriano
Key Second Assistant Director    Josy Capkun
Production Supervisor    Vickie M Hsieh
Production Manager    Monika Nagy
Supervising Art Director    Zsuzsa Kismarty-Lechner
Art Director    Tibor Lazar
Set Decorator    Mark Rosinski
Sound Mixer    Mac Ruth
Script Supervisor    Susie Jones
Special Effects Supervisor    Gabor Kiszelly
Assistant Art Director    Bence Kalmar
Assistant Art Director    Balazs Szedlacsek
Assistant Art Director    Laszlo Szirmai
Costume Supervisor    Zsoka Hoka
Make up    Paul Pattison
Make-up and Hair Designer    Csilla Blake-Horvath
Location Manager    Bea Beliczai
Location Manager    Laszlo Rorarius
Post-Production Supervisor    Tim Pedegana
First Assistant Editor    Matt Absher
Assistant Editor    Matyas Fekete
Assistant Editor    Varun Viswanath
Assistant Editor    Christoffer Holmberg
Re-recording Mixer    Jon Taylor
Re-recording Mixer    Frank A. Montano
Re-recording Mixer    Martyn Zub
Re-recording Mixer    Nicklas Lindh
Re-recording Mixer    Jens Johansson
Sound Supervisor    Mark Stoeckinger
Dialogue Editor    Paul Carden
Supervising Sound Editor    Thomas Huhn
Supervising Sound Editor    Nicklas Lindh
Sound Editor    Alan Rankin
Assistant Editor    Mark Coffey
Sound Designer    Jonas Jansson
Sound Effects Editor    Nicklas Lindh
Sound Effects Editor    Jonas Jansson
Sound Effects Editor    Jens Johansson
Sound Effects Editor    Mattias Eklund
Sound Effects Editor    Fredrik Dalenfjäll
Visual Effects Executive Producer    Sebastian Leutner
Visual Effects Supervisor    Michael Wortmann
Visual Effects Producer    Rûken Baran
Visual Effects Producer    Oliver Arnold
Second Unit Director    Sam Hargrave
Stunt Coordinator    Florian Hotz

2017 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 23rd, 2017

Guardians of the Galaxy Vol 2

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, and normally franchise box sets as well, but this year none jump out as essential additions to the Holiday Gift guide. Worse still, 2017 has been awful at the box office with potential blockbuster after potential blockbuster getting savaged by critics and struggling at the box office. Additionally, some of the biggest and some of the best have been on the home market for nearly half a year, meaning nearly everyone who would want them, already own them. That doesn’t mean there are no films worth adding to this list, but the list is a little shorter than usual. On a side note, two of the films on this year’s list are from the MCU and it would have been three, but Thor: Ragnarok is still in theaters. If you know someone who loves the MCU, but has all of the movies, then check out this site, which has some more unique gift ideas. I specifically like the Spider-man Drone. More...

Contest: Christmas at Ground Zero: Winning Announcement

November 22nd, 2017

Atomic Blonde

The winners of our Christmas at Ground Zero contest were determined and the entrants with the closest predictions for Justice League’s opening weekend were... More...

Home Market Releases for November 14th, 2017

November 13th, 2017

Kedi

It’s a bad week for screeners, as the screeners for both Atomic Blonde and Wind River are late. Both look like they are worth picking up, but not quite Pick of the Week material. There are a trio of contenders for this award: In This Corner of the World, Kedi, and Whose Streets? It was a close call, but in the end, Kedi came out on top. More...

Contest: Christmas at Ground Zero

November 10th, 2017

Atomic Blonde

Next weekend, Justice League will open and it will likely earn more than the rest of the box office combined will earn. Because of this, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Justice League.

We are continuing our Christmas contest, but we do have a studio prize this week: Atomic Blonde on Blu-ray Combo Pack. Whomever comes the closest, regardless if they go over or not, will win a copy of Atomic Blonde on Blu-ray combo pack. The other two winners will either get a Christmas present or a lump of coal. The present will include a couple of movies, TV shows, maybe some kids DVDs, etc., while the lump of coal will be the last of my HD-DVD titles, while they last, as well as something from the prize pool.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize, as described above. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final win a Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

Contest: End of the World: Winning Announcement

November 8th, 2017

Thor: Ragnarok

The winners of our End of the World contest were determined and the entrants with the closest predictions for Jigsaw’s opening weekend were... More...

Home Market Releases for October 24th, 2017

October 25th, 2017

War for the Planet of the Apes

There are not many films on this week’s list of home market releases, but there are several bigger titles making their home market debut. Some, like Cars 3, are only coming out on Video on Demand, but there are also some serious Pick of the Week contenders hitting DVD / Blu-ray as well. Of these contenders, War for the Planet of the Apes has the best combination of reviews and extras on the Blu-ray Combo Pack. More...

Weekend Wrap-Up: Dark Tower Struggles with $19.15 million

August 8th, 2017

The Dark Tower

The Dark Tower opened on the very low end of expectation with just $19.15 million over the weekend. The rest of the box office was more or less in line with predictions, leading to a $122 million haul, which is a 15% decline from last weekend. A 15% decline is pretty normal this time of year. What isn’t normal is a decline of 47% from last year; a year-over-year decline like that normally only happens when there’s a misalignment in holiday, but it wasn’t a surprise, as Suicide Squad earned more last year than the entire box office earned this year. 2017 was already behind 2016’s pace by a large amount, but that deficit more than doubled from last weekend and is now $270 million or 3.8% at $6.89 billion to $7.17 billion. Remember, 2017 started the summer about $200 million ahead of 2016, so the summer has been a disaster at the box office. More...

Thursday Night Previews: A Little Light for Dark Tower

August 4th, 2017

The Dark Tower

The Dark Tower got off to a soft start with $1.8 million in previews last night. This is on the low end of expectations, but not a complete disaster. It is about 20% higher than Atomic Blonde earned last weekend and if the film has the same legs, this will result in a $21 million to $22 million opening weekend. Even if it just matches the the average previews to weekend multiplier so far this summer, it would open with $18 million over the weekend. That would still be enough for first place, and quite frankly, it’s not that bad for a film that cost $60 million to make. The average international to domestic ratio this year has been about 2 to 1. If The Dark Tower earns $50 million domestically and $100 million internationally, then it will break even sometime on the home market. On the other hand, its reviews have been simply terrible and that could sink it to the $15 million level, giving Dunkirk a real shot at first place. More...

Contest: Going Nuclear: Winning Announcement

August 3rd, 2017

Girls: Season 6

The winners of our Going Nuclear contest were determined and the entrants with the closest predictions for Atomic Blonde’s opening weekend were... More...

Weekend Wrap-Up: Dunkirk Does in the Competition with $26.61 million

August 1st, 2017

Dunkirk

Summer is coming to a close, as the two new releases, The Emoji Movie and Atomic Blonde had okay openings over the weekend. Dunkirk was able to earn first place with $26.61 million, which is great news for that movie, but bad news for the overall box office, as it is the worst result for a number one film since April. Overall, the box office fell 20% from last week to $144 million. This is 24% lower than the same weekend last year. Year-to-date, 2017 is now behind 2016 by 1.7% or $120 million at $6.70 billion to $6.82 billion. More...

Weekend Estimates: Dunkirk Gives Emojis a Sad Face

July 30th, 2017

Dunkirk

A solid second weekend will be enough to keep Dunkirk at the top of the box office chart this weekend, as The Emoji Movie falls short of a par performance for a family-friendly animated film. Christopher Nolan’s war movie will fall 44% from it opening—a decent figure these days—to earn $28.1 million this time around, according to Warner Bros.’ projection released on Sunday morning. That will take it past $100 million domestically today, puts it on course for around $200 million domestically in total. More...

Friday Estimates: Emoji Earns $10.05 million in Emotional Start

July 29th, 2017

The Emoji Movie

The weekend got off to a strange start with The Emoji Movie earning first place on Friday with $10.05 million. That’s the good news. The bad news is in the future. Not only is the film’s Tomatometer Score just 6% positive, not only are the critics aggressive in their negative reviews, but the film only managed a B from CinemaScore. Family films rarely earn less than a A minus from CinemaScore, so this will be devastating for its legs. That said, a $10.05 million start is still impressive and a second place, $28 million debut is enough that it will break even early in its home market run. More...

Thursday Night Previews: Atomic Nukes the Competition with $1.52 million

July 28th, 2017

Atomic Blonde

Atomic Blonde easily topped The Emoji Movie during previews, earning $1.52 million. However, had the action flick not topped the family film, it would have been a disaster. Compared to other recent action films, Atomic Blonde underperformed Valerian and the City of a Thousand Planets ($1.7 million) and Baby Driver ($2.1 million), but at least it topped King Arthur: Legend of the Sword ($1.15 million). This summer, the average action film has opened with just over 10 times what it made during its previews, which is bad news for Atomic Blonde, as it puts the film’s opening weekend at $15 million to $16 million. Its reviews are good, but not great enough to really change this trend. Even $20 million would be a boon after this start. More...

Weekend Predictions: Atomic Blonde and The Emoji Movie Take On Dunkirk

July 27th, 2017

Atomic Blonde

The final weekend of July has two wide releases, Atomic Blonde and The Emoji Movie. Neither are expected to be monster hits, but both could be profitable at the box office. Atomic Blonde’s reviews are excellent and its connections to the John Wick movies could get people into theaters. The Emoji Movie still has no reviews and its buzz is incredibly negative. I haven’t seen buzz this negative since Diary of a Wimpy Kid: The Long Haul. This does give Dunkirk a real shot at repeating on top of the chart. This weekend last year, Jason Bourne opened with nearly $60 million, which will likely be more than both new releases this year earn. Even if Dunkirk has better legs than expected, there’s little hope 2017 will win in the year-over-year comparison. More...

Contest: Stick Together: Winning Announcement

July 27th, 2017

Dunkirk

The winners of our Stick Together contest were determined and the entrants with the closest predictions for Dunkirk’s opening weekend were... More...

Contest: Going Nuclear

July 20th, 2017

Girls: Season 6

Next weekend could be one of the closest races we’ve seen all year. I can almost guarantee Atomic Blonde will have better previews and will top the chart on Friday; however, The Emoji Movie is just as likely to win on Saturday and that could be enough to win overall. It is literally a coin toss to pick the target film in this week’s box office prediction contest and Atomic Blonde won that toss. In order to win, one must simply predict the opening three-day weekend box office number for Atomic Blonde.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Girls: Season Six on Blu-ray. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprise consisting of one TV on DVD release. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will also win a Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

2017 Preview: July

July 1st, 2017

Spider-Man: Homecoming

I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace. More...

Atomic Blonde Trailer

June 16th, 2017

Thriller starring Charlize Theron opens July 28 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/07/28 4 $18,286,420   3,304 $5,535   $18,286,420 1
2017/08/04 7 $8,157,555 -55% 3,326 $2,453   $34,037,930 2
2017/08/11 10 $4,480,635 -45% 2,093 $2,141   $42,727,860 3
2017/08/18 13 $2,179,190 -51% 1,628 $1,339   $47,158,045 4
2017/08/25 21 $859,195 -61% 989 $869   $49,029,630 5
2017/09/01 25 $880,320 +2% 741 $1,188   $50,361,700 6
2017/09/08 25 $290,200 -67% 390 $744   $51,041,470 7
2017/09/15 24 $184,715 -36% 270 $684   $51,365,430 8
2017/09/22 31 $82,120 -56% 153 $537   $51,536,120 9

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/07/28 3 $7,108,190   3,304 $2,151   $7,108,190 1
2017/07/29 4 $6,581,920 -7% 3,304 $1,992   $13,690,110 2
2017/07/30 4 $4,596,310 -30% 3,304 $1,391   $18,286,420 3
2017/07/31 5 $1,808,905 -61% 3,304 $547   $20,095,325 4
2017/08/01 4 $2,555,890 +41% 3,304 $774   $22,651,215 5
2017/08/02 5 $1,723,300 -33% 3,304 $522   $24,374,515 6
2017/08/03 5 $1,505,860 -13% 3,304 $456   $25,880,375 7
2017/08/04 8 $2,427,770 +61% 3,326 $730   $28,308,145 8
2017/08/05 7 $3,376,720 +39% 3,326 $1,015   $31,684,865 9
2017/08/06 7 $2,353,065 -30% 3,326 $707   $34,037,930 10
2017/08/07 6 $1,145,430 -51% 3,326 $344   $35,183,360 11
2017/08/08 7 $1,330,175 +16% 3,326 $400   $36,513,535 12
2017/08/09 6 $921,795 -31% 3,326 $277   $37,435,330 13
2017/08/10 6 $811,895 -12% 3,326 $244   $38,247,225 14
2017/08/11 10 $1,293,755 +59% 2,093 $618   $39,540,980 15
2017/08/12 9 $1,932,455 +49% 2,093 $923   $41,473,435 16
2017/08/13 9 $1,254,425 -35% 2,093 $599   $42,727,860 17
2017/08/14 10 $530,780 -58% 2,093 $254   $43,258,640 18
2017/08/15 10 $753,340 +42% 2,093 $360   $44,011,980 19
2017/08/16 9 $530,260 -30% 2,093 $253   $44,542,240 20
2017/08/17 9 $436,615 -18% 2,093 $209   $44,978,855 21
2017/08/18 13 $657,335 +51% 1,628 $404   $45,636,190 22
2017/08/19 13 $927,260 +41% 1,628 $570   $46,563,450 23
2017/08/20 13 $594,595 -36% 1,628 $365   $47,158,045 24
2017/08/21 13 $231,580 -61% 1,628 $142   $47,389,625 25
2017/08/22 14 $333,290 +44% 1,628 $205   $47,722,915 26
2017/08/23 14 $247,150 -26% 1,628 $152   $47,970,065 27
2017/08/24 14 $200,370 -19% 1,628 $123   $48,170,435 28
2017/08/25 - $281,110 +40% 989 $284   $48,451,545 29
2017/08/26 - $339,770 +21% 989 $344   $48,791,315 30
2017/08/27 - $238,315 -30% 989 $241   $49,029,630 31
2017/08/28 - $102,050 -57% 989 $103   $49,131,680 32
2017/08/29 - $139,545 +37% 989 $141   $49,271,225 33
2017/08/30 - $105,670 -24% 989 $107   $49,376,895 34
2017/08/31 - $104,485 -1% 989 $106   $49,481,380 35
2017/09/01 - $209,450 +100% 741 $283   $49,690,830 36
2017/09/02 - $336,260 +61% 741 $454   $50,027,090 37
2017/09/03 - $334,610 n/c 741 $452   $50,361,700 38
2017/09/04 - $202,025 -40% 741 $273   $50,563,725 39
2017/09/05 - $79,525 -61% 741 $107   $50,643,250 40
2017/09/06 - $63,045 -21% 741 $85   $50,706,295 41
2017/09/07 - $44,975 -29% 741 $61   $50,751,270 42
2017/09/08 - $87,335 +94% 390 $224   $50,838,605 43
2017/09/09 - $132,020 +51% 390 $339   $50,970,625 44
2017/09/10 - $70,845 -46% 390 $182   $51,041,470 45
2017/09/11 - $30,320 -57% 390 $78   $51,071,790 46
2017/09/12 - $42,595 +40% 390 $109   $51,114,385 47
2017/09/13 - $36,990 -13% 390 $95   $51,151,375 48
2017/09/14 - $29,340 -21% 390 $75   $51,180,715 49
2017/09/15 - $55,600 +90% 270 $206   $51,236,315 50
2017/09/16 - $84,310 +52% 270 $312   $51,320,625 51
2017/09/17 - $44,805 -47% 270 $166   $51,365,430 52
2017/09/18 - $20,635 -54% 270 $76   $51,386,065 53
2017/09/19 - $27,025 +31% 270 $100   $51,413,090 54
2017/09/20 - $22,695 -16% 270 $84   $51,435,785 55
2017/09/21 - $19,030 -16% 270 $70   $51,454,815 56
2017/09/22 - $25,545 +34% 153 $167   $51,480,360 57
2017/09/23 - $36,810 +44% 153 $241   $51,517,170 58
2017/09/24 - $19,765 -46% 153 $129   $51,536,935 59
2017/09/25 - $8,085 -59% 153 $53   $51,545,020 60
2017/09/26 - $10,430 +29% 153 $68   $51,555,450 61
2017/09/27 - $9,955 -5% 153 $65   $51,565,405 62
2017/09/28 - $8,520 -14% 153 $56   $51,573,925 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/07/28 4 $25,880,375   3,304 $7,833   $25,880,375 1
2017/08/04 7 $12,366,850 -52% 3,326 $3,718   $38,247,225 2
2017/08/11 10 $6,731,630 -46% 2,093 $3,216   $44,978,855 3
2017/08/18 13 $3,191,580 -53% 1,628 $1,960   $48,170,435 4
2017/08/25 20 $1,310,945 -59% 989 $1,326   $49,481,380 5
2017/09/01 25 $1,269,890 -3% 741 $1,714   $50,751,270 6
2017/09/08 26 $429,445 -66% 390 $1,101   $51,180,715 7
2017/09/15 24 $274,100 -36% 270 $1,015   $51,454,815 8
2017/09/22 32 $119,110 -57% 153 $778   $51,573,925 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/8/2017 $188,416 100 100 148 $292,278 10/17/2017
Australia 7/28/2017 $359,525 243 436 1540 $3,859,406 10/18/2017
Austria 8/25/2017 $136,648 58 59 217 $337,201 10/18/2017
Belgium 8/18/2017 $225,629 55 60 238 $475,989 10/17/2017
Bolivia 8/31/2017 $0 0 1 1 $36,948 10/17/2017
Brazil 9/1/2017 $820,986 413 413 964 $1,860,852 10/17/2017
Bulgaria 8/11/2017 $23,055 0 0 0 $100,518 9/27/2017
Central America 8/24/2017 $0 0 1 1 $424,206 10/17/2017
Chile 8/31/2017 $81,114 54 54 98 $134,238 10/17/2017
Colombia 8/11/2017 $192,765 204 204 285 $329,269 8/30/2017
Czech Republic 8/4/2017 $42,843 93 93 174 $113,203 8/28/2017
France 8/18/2017 $1,339,728 398 398 1513 $3,256,496 10/18/2017
Germany 8/25/2017 $1,060,929 530 532 2004 $2,740,665 11/16/2017
Italy 8/4/2017 $115,924 0 322 389 $2,095,321 9/27/2017
Japan 10/20/2017 $811,000 0 0 0 $811,000 10/23/2017
Lithuania 8/4/2017 $14,920 97 97 152 $50,215 9/1/2017
Mexico 9/1/2017 $1,142,632 0 81 121 $2,994,302 11/30/2017
Netherlands 8/10/2017 $502,034 94 101 444 $1,408,803 10/18/2017
New Zealand 8/4/2017 $152,796 85 85 323 $429,319 10/18/2017
Panama 8/24/2017 $267,520 116 116 209 $410,323 9/27/2017
Peru 8/31/2017 $178,142 96 96 106 $238,848 9/21/2017
Portugal 8/11/2017 $141,747 92 92 270 $455,196 9/26/2017
Russia (CIS) 7/27/2017 $1,582,547 1213 1214 3365 $3,320,779 8/22/2017
Slovakia 8/4/2017 $24,401 56 56 97 $54,038 8/23/2017
South Korea 8/23/2017 $0 0 460 603 $1,034,278 9/21/2017
Spain 8/4/2017 $584,942 461 461 1286 $2,111,212 9/7/2017
Switzerland 8/16/2017 $98,911 31 86 303 $760,383 10/18/2017
Switzerland (French Speaking) 8/18/2017 $97,000 27 27 27 $97,000 8/21/2017
Switzerland (German Speaking) 8/25/2017 $120,000 0 0 0 $120,000 8/28/2017
Trinidad 8/25/2017 $40,000 0 1 1 $86,286 10/17/2017
Turkey 7/27/2017 $201,771 330 330 841 $707,126 9/6/2017
United Kingdom 8/10/2017 $2,190,453 580 580 1575 $4,832,744 11/30/2017
Venezuela 8/4/2017 $0 0 52 62 $92,659 9/21/2017
 
Rest of World $9,028,899
 
International Total$45,100,000 11/30/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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