Atropia (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $64,144 | Details |
| OpusData ID: 773440100 More info... | ||
| Further financial details... | ||
Synopsis
When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance. Welcome to Atropia: an invented nation just close enough to Los Angeles for Hollywood set builders to create the fake villages, but far enough away that the performers who live on-site are not exactly flourishing in their acting careers.
Metrics
| Opening Weekend: | $9,052 (14.1% of total gross) |
| Legs: | 2.22 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/25 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $64,144 |
Movie Details
| Domestic Releases: | December 12th, 2025 (Limited) by VRC |
| International Releases: | December 12th, 2025 (Limited) (Australia)
December 12th, 2025 (Limited) (New Zealand) |
| MPA Rating: | Not Rated (Rated 12/15/2025) R for language and sexual material. (Rating bulletin 2916 (cert #55836), 12/17/2025) |
| Running Time: | 103 minutes |
| Geographical setting: | California |
| Plot point: | Aspiring Actress / Actor, Satire, Spoof, War |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Vertical Entertainment, Frenesy Film, Paradise City, Ways and Means, Mary of Exeter Pictures, Big Creek |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 12, 2025 | - | $9,052 | 1 | $9,052 | $9,052 | 1 | |
| Dec 19, 2025 | - | $2,005 | -78% | 1 | $2,005 | $14,405 | 2 |
| Dec 26, 2025 | - | $1,929 | -4% | 1 | $1,929 | $16,334 | 3 |
| Jan 23, 2026 | - | $28,945 | 25 | $1,158 | $46,255 | 7 | |
| Jan 30, 2026 | - | $3,896 | -87% | 16 | $244 | $61,416 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 12, 2025 | - | $3,927 | 1 | $3,927 | $3,927 | 1 | ||
| Dec 13, 2025 | - | $2,632 | -33% | 1 | $2,632 | $6,559 | 2 | |
| Dec 14, 2025 | - | $2,493 | -5% | 1 | $2,493 | $9,052 | 3 | |
| Dec 15, 2025 | - | $900 | -64% | 1 | $900 | $9,952 | 4 | |
| Dec 16, 2025 | - | $840 | -7% | 1 | $840 | $10,792 | 5 | |
| Dec 17, 2025 | - | $660 | -21% | 1 | $660 | $11,452 | 6 | |
| Dec 18, 2025 | - | $948 | +44% | 1 | $948 | $12,400 | 7 | |
| Dec 19, 2025 | - | $1,047 | +10% | -73% | 1 | $1,047 | $13,447 | 8 |
| Dec 20, 2025 | - | $582 | -44% | -78% | 1 | $582 | $14,029 | 9 |
| Dec 21, 2025 | - | $376 | -35% | -85% | 1 | $376 | $14,405 | 10 |
| Dec 27, 2025 | - | $1,522 | +162% | 1 | $1,522 | $15,927 | 16 | |
| Dec 28, 2025 | - | $407 | -73% | +8% | 1 | $407 | $16,334 | 17 |
| Dec 31, 2025 | - | $976 | 1 | $976 | $17,310 | 20 | ||
| Jan 23, 2026 | - | $14,821 | 25 | $593 | $32,131 | 43 | ||
| Jan 24, 2026 | - | $8,934 | -40% | 25 | $357 | $41,065 | 44 | |
| Jan 25, 2026 | - | $5,190 | -42% | 25 | $208 | $46,255 | 45 | |
| Jan 26, 2026 | - | $3,523 | -32% | 25 | $141 | $49,778 | 46 | |
| Jan 27, 2026 | - | $3,730 | +6% | 25 | $149 | $53,508 | 47 | |
| Jan 28, 2026 | - | $3,000 | -20% | 25 | $120 | $56,508 | 48 | |
| Jan 29, 2026 | - | $1,012 | -66% | 25 | $40 | $57,520 | 49 | |
| Jan 30, 2026 | - | $1,675 | +66% | -89% | 16 | $105 | $59,195 | 50 |
| Jan 31, 2026 | - | $1,176 | -30% | -87% | 16 | $74 | $60,371 | 51 |
| Feb 1, 2026 | - | $1,045 | -11% | -80% | 16 | $65 | $61,416 | 52 |
| Feb 2, 2026 | - | $386 | -63% | -89% | 16 | $24 | $61,802 | 53 |
| Feb 3, 2026 | - | $732 | +90% | -80% | 16 | $46 | $62,534 | 54 |
| Feb 4, 2026 | - | $926 | +27% | -69% | 16 | $58 | $63,460 | 55 |
| Feb 5, 2026 | - | $684 | -26% | -32% | 16 | $43 | $64,144 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 12, 2025 | 39 | $12,400 | 1 | $12,400 | $12,400 | 1 | |
| Dec 26, 2025 | 40 | $2,905 | 1 | $2,905 | $17,310 | 3 | |
| Jan 23, 2026 | 35 | $40,210 | 25 | $1,608 | $57,520 | 7 | |
| Jan 30, 2026 | 52 | $6,624 | -84% | 16 | $414 | $64,144 | 8 |
Leading
| Alia Shawkat | Fayruz | |
| Callum Turner | Abu Dice |
Supporting
| Zahra Alzubaidi | ||
| Tony Shawkat | ||
| Jane Levy | ||
| Tim Heidecker | ||
| Lola Kirke | ||
| Chloë Sevigny |
Production and Technical Credits
| Hailey Benton Gates* | Director | |
| Hailey Benton Gates* | Screenwriter | |
| Luca Guadagnino | Producer | |
| Naima Abed | Producer | |
| Emilie Georges | Producer | |
| Lana Kim | Producer | |
| Jett Steiger | Producer | |
| Mike Spreter | Executive Producer | |
| Scott McGehee | Executive Producer | |
| David Siegel | Executive Producer | |
| KC Wallace | Executive Producer | |
| Hailey Benton Gates* | Executive Producer | |
| Alia Shawkat | Executive Producer | |
| Eric K. Yue | Director of Photography | |
| Ashley Fenton | Production Designer | |
| Megan Fenton | Production Designer | |
| Madeleine Gavin | Editor | |
| Sophie Corra | Editor | |
| Angelina Vitto | Costume Designer | |
| Max Whipple | Composer | |
| Ari Balouzian | Composer | |
| Robert Ames | Composer | |
| Mark Bennett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance. Welcome to Atropia: an invented nation just close enough to Los Angeles for Hollywood set builders to create the fake villages, but far enough away that the performers who live on-site are not exactly flourishing in their acting careers.
Metrics
| Opening Weekend: | $9,052 (14.1% of total gross) |
| Legs: | 2.22 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/25 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $64,144 |
Movie Details
| Domestic Releases: | December 12th, 2025 (Limited) by VRC |
| International Releases: | December 12th, 2025 (Limited) (Australia)
December 12th, 2025 (Limited) (New Zealand) |
| MPA Rating: | Not Rated (Rated 12/15/2025) R for language and sexual material. (Rating bulletin 2916 (cert #55836), 12/17/2025) |
| Running Time: | 103 minutes |
| Geographical setting: | California |
| Plot point: | Aspiring Actress / Actor, Satire, Spoof, War |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Vertical Entertainment, Frenesy Film, Paradise City, Ways and Means, Mary of Exeter Pictures, Big Creek |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 12, 2025 | - | $9,052 | 1 | $9,052 | $9,052 | 1 | |
| Dec 19, 2025 | - | $2,005 | -78% | 1 | $2,005 | $14,405 | 2 |
| Dec 26, 2025 | - | $1,929 | -4% | 1 | $1,929 | $16,334 | 3 |
| Jan 23, 2026 | - | $28,945 | 25 | $1,158 | $46,255 | 7 | |
| Jan 30, 2026 | - | $3,896 | -87% | 16 | $244 | $61,416 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 12, 2025 | - | $3,927 | 1 | $3,927 | $3,927 | 1 | ||
| Dec 13, 2025 | - | $2,632 | -33% | 1 | $2,632 | $6,559 | 2 | |
| Dec 14, 2025 | - | $2,493 | -5% | 1 | $2,493 | $9,052 | 3 | |
| Dec 15, 2025 | - | $900 | -64% | 1 | $900 | $9,952 | 4 | |
| Dec 16, 2025 | - | $840 | -7% | 1 | $840 | $10,792 | 5 | |
| Dec 17, 2025 | - | $660 | -21% | 1 | $660 | $11,452 | 6 | |
| Dec 18, 2025 | - | $948 | +44% | 1 | $948 | $12,400 | 7 | |
| Dec 19, 2025 | - | $1,047 | +10% | -73% | 1 | $1,047 | $13,447 | 8 |
| Dec 20, 2025 | - | $582 | -44% | -78% | 1 | $582 | $14,029 | 9 |
| Dec 21, 2025 | - | $376 | -35% | -85% | 1 | $376 | $14,405 | 10 |
| Dec 27, 2025 | - | $1,522 | +162% | 1 | $1,522 | $15,927 | 16 | |
| Dec 28, 2025 | - | $407 | -73% | +8% | 1 | $407 | $16,334 | 17 |
| Dec 31, 2025 | - | $976 | 1 | $976 | $17,310 | 20 | ||
| Jan 23, 2026 | - | $14,821 | 25 | $593 | $32,131 | 43 | ||
| Jan 24, 2026 | - | $8,934 | -40% | 25 | $357 | $41,065 | 44 | |
| Jan 25, 2026 | - | $5,190 | -42% | 25 | $208 | $46,255 | 45 | |
| Jan 26, 2026 | - | $3,523 | -32% | 25 | $141 | $49,778 | 46 | |
| Jan 27, 2026 | - | $3,730 | +6% | 25 | $149 | $53,508 | 47 | |
| Jan 28, 2026 | - | $3,000 | -20% | 25 | $120 | $56,508 | 48 | |
| Jan 29, 2026 | - | $1,012 | -66% | 25 | $40 | $57,520 | 49 | |
| Jan 30, 2026 | - | $1,675 | +66% | -89% | 16 | $105 | $59,195 | 50 |
| Jan 31, 2026 | - | $1,176 | -30% | -87% | 16 | $74 | $60,371 | 51 |
| Feb 1, 2026 | - | $1,045 | -11% | -80% | 16 | $65 | $61,416 | 52 |
| Feb 2, 2026 | - | $386 | -63% | -89% | 16 | $24 | $61,802 | 53 |
| Feb 3, 2026 | - | $732 | +90% | -80% | 16 | $46 | $62,534 | 54 |
| Feb 4, 2026 | - | $926 | +27% | -69% | 16 | $58 | $63,460 | 55 |
| Feb 5, 2026 | - | $684 | -26% | -32% | 16 | $43 | $64,144 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 12, 2025 | 39 | $12,400 | 1 | $12,400 | $12,400 | 1 | |
| Dec 26, 2025 | 40 | $2,905 | 1 | $2,905 | $17,310 | 3 | |
| Jan 23, 2026 | 35 | $40,210 | 25 | $1,608 | $57,520 | 7 | |
| Jan 30, 2026 | 52 | $6,624 | -84% | 16 | $414 | $64,144 | 8 |
Leading
| Alia Shawkat | Fayruz | |
| Callum Turner | Abu Dice |
Supporting
| Zahra Alzubaidi | ||
| Tony Shawkat | ||
| Jane Levy | ||
| Tim Heidecker | ||
| Lola Kirke | ||
| Chloë Sevigny |
Production and Technical Credits
| Hailey Benton Gates* | Director | |
| Hailey Benton Gates* | Screenwriter | |
| Luca Guadagnino | Producer | |
| Naima Abed | Producer | |
| Emilie Georges | Producer | |
| Lana Kim | Producer | |
| Jett Steiger | Producer | |
| Mike Spreter | Executive Producer | |
| Scott McGehee | Executive Producer | |
| David Siegel | Executive Producer | |
| KC Wallace | Executive Producer | |
| Hailey Benton Gates* | Executive Producer | |
| Alia Shawkat | Executive Producer | |
| Eric K. Yue | Director of Photography | |
| Ashley Fenton | Production Designer | |
| Megan Fenton | Production Designer | |
| Madeleine Gavin | Editor | |
| Sophie Corra | Editor | |
| Angelina Vitto | Costume Designer | |
| Max Whipple | Composer | |
| Ari Balouzian | Composer | |
| Robert Ames | Composer | |
| Mark Bennett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.