Attack of the Killer Donuts (2017)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 311460100 More info... | ||
| Further financial details... | ||
Synopsis
When a chemical accident turns ordinary donuts into bloodthirsty monsters, three friends must track down the killer donuts as they begin eating their victims! It’s up to the friends to destroy the donuts and save their sleepy little town.
Metrics
Movie Details
| Domestic Releases: | November 17th, 2017 (Limited) by Level 33 |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Intentional B Movie |
| Plot point: | Food, Killer Inanimate Objects |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Restless Nomad Films |
| Production Countries: | United States |
| Languages: | English |
| Justin Ray | Johnny Wentworth |
Supporting
| Kayla Compton | Michelle Kester | |
| Christine Nguyen | Martha | |
| Alison England | Mrs. Scolari | |
| Mike Gaglio* | Mr. Richards | |
| Grant O'Connell | Conrad | |
| Michael Swan | Uncle Luther | |
| Kassandra Voyagis | Emma Wentworth | |
| Burt Rutherford | Brian Kester | |
| Lauren Compton | Veronica | |
| Sean Smith | Homeless Jacks | |
| Vince Royale | Tom the Perp | |
| Michael Rene Walton | Flanagan |
| C. Thomas Howell | Officer Roberts |
Production and Technical Credits
| Scott Wheeler | Director | |
| Nathan Dalton | Screenwriter | |
| Chris De Christopher | Screenwriter | |
| Rafael Diaz-Wagner | Screenwriter | |
| Nicole M. Saad | Producer | |
| Rafael Diaz-Wagner | Producer | |
| Robert Hummel | Production Designer | |
| Howard Wexler | Director of Photography | |
| Christian McIntire | Editor | |
| Joel Someillan | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a chemical accident turns ordinary donuts into bloodthirsty monsters, three friends must track down the killer donuts as they begin eating their victims! It’s up to the friends to destroy the donuts and save their sleepy little town.
Metrics
Movie Details
| Domestic Releases: | November 17th, 2017 (Limited) by Level 33 |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Intentional B Movie |
| Plot point: | Food, Killer Inanimate Objects |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Restless Nomad Films |
| Production Countries: | United States |
| Languages: | English |
| Justin Ray | Johnny Wentworth |
Supporting
| Kayla Compton | Michelle Kester | |
| Christine Nguyen | Martha | |
| Alison England | Mrs. Scolari | |
| Mike Gaglio* | Mr. Richards | |
| Grant O'Connell | Conrad | |
| Michael Swan | Uncle Luther | |
| Kassandra Voyagis | Emma Wentworth | |
| Burt Rutherford | Brian Kester | |
| Lauren Compton | Veronica | |
| Sean Smith | Homeless Jacks | |
| Vince Royale | Tom the Perp | |
| Michael Rene Walton | Flanagan |
| C. Thomas Howell | Officer Roberts |
Production and Technical Credits
| Scott Wheeler | Director | |
| Nathan Dalton | Screenwriter | |
| Chris De Christopher | Screenwriter | |
| Rafael Diaz-Wagner | Screenwriter | |
| Nicole M. Saad | Producer | |
| Rafael Diaz-Wagner | Producer | |
| Robert Hummel | Production Designer | |
| Howard Wexler | Director of Photography | |
| Christian McIntire | Editor | |
| Joel Someillan | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.