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Audrie & Daisy (2016)

Audrie & Daisy
Theatrical Performance
Domestic Box Office $0Details
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  7. Trailer


An urgent real-life drama that examines the ripple effects on families, friends, schools and communities when two underage young women find that sexual assault crimes against them have been caught on camera. It takes a hard look at American’s teenagers who are coming of age in this new world of social media bullying, spun wildly out of control.


Movie Details

Domestic Releases: September 23rd, 2016 (Limited) by Netflix
MPAA Rating: Not Rated
Running Time: 95 minutes
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Keywords: Sex Crimes, Internet, Bullies, Unbelieving Police, Suicide, Agitprop, Corrupt Cops, Arson
Source:Based on Real Life Events
Production Method:Live Action
Creative Type:Factual
Production Companies: Impact Partners, AfterImage Public Media, Artemis Rising Foundation, Actual Films
Production Countries: United States


Daisy Coleman    Herself
Audrie Pott    Herself

Production and Technical Credits

Producer    Richard Berge
Producer    Sara Dosa
Producer    Bonni Cohen
Executive Producer    Dan Cogan
Executive Producer    Geralyn White Dreyfous
Executive Producer    Regina K. Scully
Executive Producer    Cindy Waitt
Executive Producer    Barbara Dobkin
Executive Producer    Eric Dobkin
Executive Producer    Jamie Wolf
Executive Producer    William Hirsch
Co-Executive Producer    Jenny Raskin
Composer    Tyler Strickland
Editor    Don Bernier
Director of Photography    Jon Shenk

Limited and VOD Releases: Dirty 30 is Apt Description

September 23rd, 2016

Queen of Katwe

Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week. More...

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