Aus dem Nichts (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $321,011 | Details |
| International Box Office | $4,676,833 | Details |
| Worldwide Box Office | $4,997,844 | |
| OpusData ID: 309910100 More info... | ||
| Further financial details... | ||
Synopsis
Out of nowhere, Katja’s life falls apart when her husband Nuri and little son Rocco are killed in a bomb attack. Her friends and family try to give her the support she needs, and Katja somehow manages to make it through the funeral. But the mind numbing search for the perpetrators and reasons behind the senseless killing complicate Katja’s painful mourning, opening wounds and doubts. Danilo, a lawyer and Nuri’s best friend, represents Katja in the eventual trial against the two suspects: a young couple from the neo-Nazi scene. The trial pushes Katja to the edge, but there’s simply no alternative for her: she wants justice.
Metrics
| Opening Weekend: | $10,455 (3.3% of total gross) |
| Legs: | 7.74 (domestic box office/biggest weekend) |
| Domestic Share: | 6.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/35 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $421,661 |
Movie Details
| Domestic Releases: | December 27th, 2017 (Limited) by Magnolia Pictures, released as In The Fade |
| International Releases: | November 24th, 2017 (Wide) (Germany)
January 5th, 2018 (Wide), released as Odnikud (Czech Republic) January 19th, 2018 (Wide), released as Uma Mulher Não Chora (Portugal) January 19th, 2018 (Wide) (France) February 1st, 2018 (Wide), released as Paramparça (Turkey) ... Show all releases |
| Video Release: | April 17th, 2018 by Magnolia Home Entertainment, released as In The Fade |
| MPA Rating: | R for some disturbing images, drug use, and language including sexual references. (Rating bulletin 2503 (Cert #51338), 11/22/2017) |
| Running Time: | 105 minutes |
| Plot point: | Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Neo Nazis, Terrorism |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bombero Intl. , Warner Brothers Germany, Macassar Productions, Pathe, Dorie Film, Corazon Intl, Filmforderung Hamburg Schleswig-Holstein, The German Federal Film Fund, BKM, Film- und Medienstiftung NRW, The German Federal Film Board, Canal Plus, Cine Plus |
| Production Countries: | Germany |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 50 | $10,455 | 3 | $3,485 | $10,455 | 1 | |
| Jan 5, 2018 | 49 | $12,764 | +22% | 6 | $2,127 | $36,522 | 2 |
| Jan 12, 2018 | 47 | $19,715 | +54% | 10 | $1,972 | $70,146 | 3 |
| Jan 19, 2018 | 46 | $16,227 | -18% | 9 | $1,803 | $101,082 | 4 |
| Jan 26, 2018 | 42 | $30,833 | +90% | 22 | $1,402 | $142,269 | 5 |
| Feb 2, 2018 | 42 | $41,483 | +35% | 33 | $1,257 | $200,840 | 6 |
| Feb 9, 2018 | 47 | $22,992 | -45% | 26 | $884 | $246,429 | 7 |
| Feb 16, 2018 | 59 | $9,195 | -60% | 20 | $460 | $269,055 | 8 |
| Feb 23, 2018 | 78 | $3,849 | -58% | 11 | $350 | $279,516 | 9 |
| Mar 2, 2018 | 63 | $7,697 | +100% | 14 | $550 | $288,485 | 10 |
| Mar 9, 2018 | 67 | $6,546 | -15% | 14 | $468 | $300,212 | 11 |
| Mar 16, 2018 | 77 | $3,787 | -42% | 10 | $379 | $305,685 | 12 |
| Mar 23, 2018 | 74 | $6,533 | +73% | 12 | $544 | $315,086 | 13 |
| Mar 30, 2018 | 85 | $1,793 | -73% | 5 | $359 | $319,786 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 46 | $23,758 | 3 | $7,919 | $23,758 | 2 | |
| Jan 5, 2018 | 45 | $26,673 | +12% | 6 | $4,446 | $50,431 | 3 |
| Jan 12, 2018 | 46 | $34,424 | +29% | 10 | $3,442 | $84,855 | 4 |
| Jan 19, 2018 | 46 | $26,581 | -23% | 10 | $2,658 | $111,436 | 5 |
| Jan 26, 2018 | 42 | $47,921 | +80% | 25 | $1,917 | $159,357 | 6 |
| Feb 2, 2018 | 42 | $64,080 | +34% | 35 | $1,831 | $223,437 | 7 |
| Feb 9, 2018 | 45 | $36,423 | -43% | 28 | $1,301 | $259,860 | 8 |
| Feb 16, 2018 | 60 | $15,807 | -57% | 21 | $753 | $275,667 | 9 |
| Feb 23, 2018 | 77 | $5,121 | -68% | 13 | $394 | $280,788 | 10 |
| Mar 2, 2018 | 61 | $12,878 | +151% | 16 | $805 | $293,666 | 11 |
| Mar 9, 2018 | 71 | $8,232 | -36% | 16 | $515 | $301,898 | 12 |
| Mar 16, 2018 | 78 | $6,655 | -19% | 13 | $512 | $308,553 | 13 |
| Mar 23, 2018 | 79 | $9,440 | +42% | 12 | $787 | $317,993 | 14 |
| Mar 30, 2018 | 85 | $3,018 | -68% | 5 | $604 | $321,011 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/16/2018 | $10,733 | 0 | 0 | 0 | $16,397 | 1/1/2019 | |||
| Australia | 3/9/2018 | $13,441 | 8 | 8 | 29 | $40,385 | 8/13/2018 | |||
| Bulgaria | 5/11/2018 | $672 | 0 | 0 | 0 | $9,680 | 2/26/2019 | |||
| Czech Republic | 1/5/2018 | $13,608 | 24 | 24 | 51 | $34,651 | 1/1/2019 | |||
| France | 1/19/2018 | $848,149 | 0 | 0 | 0 | $1,976,200 | 6/13/2018 | |||
| Germany | 11/24/2017 | $788,578 | 0 | 0 | 0 | $1,552,125 | 6/29/2018 | |||
| Italy | 3/15/2018 | $278,370 | 0 | 0 | 0 | $517,671 | 9/12/2018 | |||
| Netherlands | 3/30/2018 | $55,097 | 32 | 34 | 127 | $195,537 | 4/23/2018 | |||
| Portugal | 1/19/2018 | $11,494 | 10 | 10 | 30 | $41,305 | 2/28/2018 | |||
| Russia (CIS) | 2/23/2018 | $19,082 | 0 | 0 | 0 | $50,912 | 1/1/2019 | |||
| Slovakia | 3/30/2018 | $1,971 | 5 | 5 | 5 | $3,404 | 4/3/2018 | |||
| South Korea | 11/14/2019 | $10,274 | 37 | 37 | 60 | $28,723 | 11/27/2019 | |||
| Spain | 2/23/2018 | $43,467 | 45 | 45 | 45 | $43,467 | 3/1/2018 | |||
| Turkey | 2/1/2018 | $40,723 | 61 | 61 | 122 | $131,956 | 2/26/2019 | |||
| United Kingdom | 6/22/2018 | $34,420 | 36 | 36 | 36 | $34,420 | 4/4/2026 | |||
| International Total | $4,676,833 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Diane Kruger | Katja |
Supporting
| Denis Moschitto | Danilo | |
| Johannes Krisch | Defense Attorney Haberbeck | |
| Samia Chancrin | Brigit | |
| Numan Acar | Nuri Sekerci | |
| Ulrich Tukur | Jürgen Möller | |
| Rafael Santana | Rocco | |
| Hanna Hilsdorf | Edda Möller | |
| Ulrich Friedrich Brandhoff | André Möller | |
| Hartmut Loth | Judge Grabow | |
| Ioannis Economides | Nikolaos Makris | |
| Karin Neuhauser | Annemarie, Katja | |
| Uwe Rohde | Michi | |
| Asim Demirel | Ali, Nuri’s Father | |
| Avsel Iscan | Hülya, Nuri‘s Mother |
Production and Technical Credits
| Fatih Akin | Director | |
| Fatih Akin | Screenwriter | |
| Hark Bohm | Screenwriter | |
| Rainer Klausmann | Director of Photography | |
| Andrew Bird | Editor | |
| Tamo Kunz | Production Designer | |
| Josh Homme | Composer | |
| Katrin Aschendorf | Costume Designer | |
| Christian Vennefrohne | Line Producer | |
| Klaus Spinnler | Production Designer | |
| Kai Lude | Sound Mixer | |
| Kai Storck | Sound Supervisor | |
| Richard Borowski | Re-recording Mixer | |
| Monique Akin | Casting Director | |
| Nurhan Sekerci-Porst | Producer | |
| Fatih Akin | Producer | |
| Herman Weigel | Producer | |
| Melita Toscan du Plantier | Co-Producer | |
| Marie-Jeanne Pascal | Co-Producer | |
| Jerome Seydoux | Co-Producer | |
| Ardavan Safaee | Co-Producer | |
| Alberto Fanni | Co-Producer | |
| Flaminio Zadra | Co-Producer | |
| Ann-Kristin Homann | Associate Producer | |
| Michael Weber | Associate Producer | |
| Harro von Have | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Out of nowhere, Katja’s life falls apart when her husband Nuri and little son Rocco are killed in a bomb attack. Her friends and family try to give her the support she needs, and Katja somehow manages to make it through the funeral. But the mind numbing search for the perpetrators and reasons behind the senseless killing complicate Katja’s painful mourning, opening wounds and doubts. Danilo, a lawyer and Nuri’s best friend, represents Katja in the eventual trial against the two suspects: a young couple from the neo-Nazi scene. The trial pushes Katja to the edge, but there’s simply no alternative for her: she wants justice.
Metrics
| Opening Weekend: | $10,455 (3.3% of total gross) |
| Legs: | 7.74 (domestic box office/biggest weekend) |
| Domestic Share: | 6.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/35 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $421,661 |
Movie Details
| Domestic Releases: | December 27th, 2017 (Limited) by Magnolia Pictures, released as In The Fade |
| International Releases: | November 24th, 2017 (Wide) (Germany)
January 5th, 2018 (Wide), released as Odnikud (Czech Republic) January 19th, 2018 (Wide), released as Uma Mulher Não Chora (Portugal) January 19th, 2018 (Wide) (France) February 1st, 2018 (Wide), released as Paramparça (Turkey) ... Show all releases |
| Video Release: | April 17th, 2018 by Magnolia Home Entertainment, released as In The Fade |
| MPA Rating: | R for some disturbing images, drug use, and language including sexual references. (Rating bulletin 2503 (Cert #51338), 11/22/2017) |
| Running Time: | 105 minutes |
| Plot point: | Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Neo Nazis, Terrorism |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bombero Intl. , Warner Brothers Germany, Macassar Productions, Pathe, Dorie Film, Corazon Intl, Filmforderung Hamburg Schleswig-Holstein, The German Federal Film Fund, BKM, Film- und Medienstiftung NRW, The German Federal Film Board, Canal Plus, Cine Plus |
| Production Countries: | Germany |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 50 | $10,455 | 3 | $3,485 | $10,455 | 1 | |
| Jan 5, 2018 | 49 | $12,764 | +22% | 6 | $2,127 | $36,522 | 2 |
| Jan 12, 2018 | 47 | $19,715 | +54% | 10 | $1,972 | $70,146 | 3 |
| Jan 19, 2018 | 46 | $16,227 | -18% | 9 | $1,803 | $101,082 | 4 |
| Jan 26, 2018 | 42 | $30,833 | +90% | 22 | $1,402 | $142,269 | 5 |
| Feb 2, 2018 | 42 | $41,483 | +35% | 33 | $1,257 | $200,840 | 6 |
| Feb 9, 2018 | 47 | $22,992 | -45% | 26 | $884 | $246,429 | 7 |
| Feb 16, 2018 | 59 | $9,195 | -60% | 20 | $460 | $269,055 | 8 |
| Feb 23, 2018 | 78 | $3,849 | -58% | 11 | $350 | $279,516 | 9 |
| Mar 2, 2018 | 63 | $7,697 | +100% | 14 | $550 | $288,485 | 10 |
| Mar 9, 2018 | 67 | $6,546 | -15% | 14 | $468 | $300,212 | 11 |
| Mar 16, 2018 | 77 | $3,787 | -42% | 10 | $379 | $305,685 | 12 |
| Mar 23, 2018 | 74 | $6,533 | +73% | 12 | $544 | $315,086 | 13 |
| Mar 30, 2018 | 85 | $1,793 | -73% | 5 | $359 | $319,786 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 46 | $23,758 | 3 | $7,919 | $23,758 | 2 | |
| Jan 5, 2018 | 45 | $26,673 | +12% | 6 | $4,446 | $50,431 | 3 |
| Jan 12, 2018 | 46 | $34,424 | +29% | 10 | $3,442 | $84,855 | 4 |
| Jan 19, 2018 | 46 | $26,581 | -23% | 10 | $2,658 | $111,436 | 5 |
| Jan 26, 2018 | 42 | $47,921 | +80% | 25 | $1,917 | $159,357 | 6 |
| Feb 2, 2018 | 42 | $64,080 | +34% | 35 | $1,831 | $223,437 | 7 |
| Feb 9, 2018 | 45 | $36,423 | -43% | 28 | $1,301 | $259,860 | 8 |
| Feb 16, 2018 | 60 | $15,807 | -57% | 21 | $753 | $275,667 | 9 |
| Feb 23, 2018 | 77 | $5,121 | -68% | 13 | $394 | $280,788 | 10 |
| Mar 2, 2018 | 61 | $12,878 | +151% | 16 | $805 | $293,666 | 11 |
| Mar 9, 2018 | 71 | $8,232 | -36% | 16 | $515 | $301,898 | 12 |
| Mar 16, 2018 | 78 | $6,655 | -19% | 13 | $512 | $308,553 | 13 |
| Mar 23, 2018 | 79 | $9,440 | +42% | 12 | $787 | $317,993 | 14 |
| Mar 30, 2018 | 85 | $3,018 | -68% | 5 | $604 | $321,011 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/16/2018 | $10,733 | 0 | 0 | 0 | $16,397 | 1/1/2019 | |||
| Australia | 3/9/2018 | $13,441 | 8 | 8 | 29 | $40,385 | 8/13/2018 | |||
| Bulgaria | 5/11/2018 | $672 | 0 | 0 | 0 | $9,680 | 2/26/2019 | |||
| Czech Republic | 1/5/2018 | $13,608 | 24 | 24 | 51 | $34,651 | 1/1/2019 | |||
| France | 1/19/2018 | $848,149 | 0 | 0 | 0 | $1,976,200 | 6/13/2018 | |||
| Germany | 11/24/2017 | $788,578 | 0 | 0 | 0 | $1,552,125 | 6/29/2018 | |||
| Italy | 3/15/2018 | $278,370 | 0 | 0 | 0 | $517,671 | 9/12/2018 | |||
| Netherlands | 3/30/2018 | $55,097 | 32 | 34 | 127 | $195,537 | 4/23/2018 | |||
| Portugal | 1/19/2018 | $11,494 | 10 | 10 | 30 | $41,305 | 2/28/2018 | |||
| Russia (CIS) | 2/23/2018 | $19,082 | 0 | 0 | 0 | $50,912 | 1/1/2019 | |||
| Slovakia | 3/30/2018 | $1,971 | 5 | 5 | 5 | $3,404 | 4/3/2018 | |||
| South Korea | 11/14/2019 | $10,274 | 37 | 37 | 60 | $28,723 | 11/27/2019 | |||
| Spain | 2/23/2018 | $43,467 | 45 | 45 | 45 | $43,467 | 3/1/2018 | |||
| Turkey | 2/1/2018 | $40,723 | 61 | 61 | 122 | $131,956 | 2/26/2019 | |||
| United Kingdom | 6/22/2018 | $34,420 | 36 | 36 | 36 | $34,420 | 4/4/2026 | |||
| International Total | $4,676,833 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Diane Kruger | Katja |
Supporting
| Denis Moschitto | Danilo | |
| Johannes Krisch | Defense Attorney Haberbeck | |
| Samia Chancrin | Brigit | |
| Numan Acar | Nuri Sekerci | |
| Ulrich Tukur | Jürgen Möller | |
| Rafael Santana | Rocco | |
| Hanna Hilsdorf | Edda Möller | |
| Ulrich Friedrich Brandhoff | André Möller | |
| Hartmut Loth | Judge Grabow | |
| Ioannis Economides | Nikolaos Makris | |
| Karin Neuhauser | Annemarie, Katja | |
| Uwe Rohde | Michi | |
| Asim Demirel | Ali, Nuri’s Father | |
| Avsel Iscan | Hülya, Nuri‘s Mother |
Production and Technical Credits
| Fatih Akin | Director | |
| Fatih Akin | Screenwriter | |
| Hark Bohm | Screenwriter | |
| Rainer Klausmann | Director of Photography | |
| Andrew Bird | Editor | |
| Tamo Kunz | Production Designer | |
| Josh Homme | Composer | |
| Katrin Aschendorf | Costume Designer | |
| Christian Vennefrohne | Line Producer | |
| Klaus Spinnler | Production Designer | |
| Kai Lude | Sound Mixer | |
| Kai Storck | Sound Supervisor | |
| Richard Borowski | Re-recording Mixer | |
| Monique Akin | Casting Director | |
| Nurhan Sekerci-Porst | Producer | |
| Fatih Akin | Producer | |
| Herman Weigel | Producer | |
| Melita Toscan du Plantier | Co-Producer | |
| Marie-Jeanne Pascal | Co-Producer | |
| Jerome Seydoux | Co-Producer | |
| Ardavan Safaee | Co-Producer | |
| Alberto Fanni | Co-Producer | |
| Flaminio Zadra | Co-Producer | |
| Ann-Kristin Homann | Associate Producer | |
| Michael Weber | Associate Producer | |
| Harro von Have | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.