Austenland (2013)
| Theatrical Performance | ||
| Domestic Box Office | $2,137,573 | Details |
| International Box Office | $75,833 | Details |
| Worldwide Box Office | $2,213,406 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $1,349,780 | |
| Total | $1,349,780 | |
| OpusData ID: 190780100 More info... | ||
| Further financial details... | ||
Synopsis
“AUSTENLAND” is a romantic comedy about 30 - something, single Jane Hayes, a seemingly normal young woman with a secret: her obsession with all things Jane Austen. But when she decides to spend her life savings on a trip to an English resort catering to Austen - crazed women, Jane’s fantasies of meeting the perfect Regency - era gentleman suddenly become more real than she ever could have imagined.
Metrics
| Opening Weekend: | $40,662 (1.9% of total gross) |
| Legs: | 6.51 (domestic box office/biggest weekend) |
| Domestic Share: | 96.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/274 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,144,571 |
Movie Details
| Domestic Releases: | August 16th, 2013 (Limited) by Sony Pictures Classics |
| International Releases: | November 21st, 2013 (Wide) (Italy)
November 28th, 2013 (Wide) (Australia) |
| Video Release: | February 11th, 2014 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some suggestive content and innuendo. (Rating bulletin 2268, 4/17/2013) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Breaking the Fourth Wall, Epilogue, Prologue |
| Film festival: | Sundance Film Festival 2013 |
| Plot point: | Addiction, Class Warfare, Cross-Class Romance, Makeover, Performing Arts, Relationships Gone Wrong, Romance, Surprise Twist |
| Social setting: | Holiday |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Historical Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stage 6 Films, Sony Pictures Classics |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2013 | 46 | $40,662 | 4 | $10,166 | $40,662 | 1 | |
| Aug 23, 2013 | 38 | $111,322 | +174% | 22 | $5,060 | $170,815 | 2 |
| Aug 30, 2013 | 41 | $190,776 | +71% | 52 | $3,669 | $420,143 | 3 |
| Sep 6, 2013 | 37 | $168,091 | -12% | 58 | $2,898 | $732,278 | 4 |
| Sep 13, 2013 | 26 | $328,185 | +95% | 274 | $1,198 | $1,135,621 | 5 |
| Sep 20, 2013 | 33 | $231,352 | -30% | 234 | $989 | $1,526,006 | 6 |
| Sep 27, 2013 | 40 | $95,890 | -59% | 107 | $896 | $1,732,524 | 7 |
| Oct 4, 2013 | 45 | $54,228 | -43% | 65 | $834 | $1,833,669 | 8 |
| Oct 11, 2013 | 49 | $41,950 | -23% | 52 | $807 | $1,901,116 | 9 |
| Oct 18, 2013 | 53 | $37,236 | -11% | 47 | $792 | $1,958,055 | 10 |
| Oct 25, 2013 | 45 | $33,710 | -9% | 43 | $784 | $2,010,924 | 11 |
| Nov 22, 2013 | 53 | $8,420 | 19 | $443 | $2,122,037 | 15 | |
| Nov 29, 2013 | 53 | $8,121 | -4% | 16 | $508 | $2,137,573 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2013 | 46 | $59,493 | 4 | $14,873 | $59,493 | 1 | |
| Aug 23, 2013 | 39 | $169,874 | +186% | 22 | $7,722 | $229,367 | 2 |
| Aug 30, 2013 | 38 | $334,820 | +97% | 52 | $6,439 | $564,187 | 3 |
| Sep 6, 2013 | 36 | $243,249 | -27% | 58 | $4,194 | $807,436 | 4 |
| Sep 13, 2013 | 25 | $487,218 | +100% | 274 | $1,778 | $1,294,654 | 5 |
| Sep 20, 2013 | 28 | $341,980 | -30% | 234 | $1,461 | $1,636,634 | 6 |
| Sep 27, 2013 | 38 | $142,807 | -58% | 107 | $1,335 | $1,779,441 | 7 |
| Oct 4, 2013 | 43 | $79,725 | -44% | 65 | $1,227 | $1,859,166 | 8 |
| Oct 11, 2013 | 50 | $61,653 | -23% | 52 | $1,186 | $1,920,819 | 9 |
| Nov 22, 2013 | 51 | $15,835 | 19 | $833 | $2,129,452 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/28/2013 | $10,852 | 2 | 2 | 6 | $41,274 | 12/13/2015 | |||
| Italy | 11/21/2013 | $34,559 | 40 | 40 | 40 | $34,559 | 12/13/2015 | |||
| International Total | $75,833 | 12/13/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keri Russell | Jane |
Supporting
| JJ Field | Henry Nobley | |
| Bret McKenzie | Martin | |
| Jennifer Coolidge | Miss Elizabeth Charming | |
| James Callis | Col. Andrews | |
| Jane Seymour | Mrs. Wattlesbrook | |
| Georgia King | Lady Amelia Heartwright | |
| Rupert Vansittart | Mr. Wattlesbrook | |
| Ricky Whittle | Captain George East | |
| Ayda Field | Molly |
Production and Technical Credits
| Jerusha Hess | Director | |
| Jerusha Hess | Screenwriter | |
| Shannon Hale | Screenwriter | |
| Shannon Hale | Story Creator | |
| Stephenie Meyer | Producer | |
| Gina Mingacci | Producer | |
| Meghan Hibbett | Producer | |
| Jane Hooks | Producer | |
| Dan Levinson | Executive Producer | |
| Robert Fernandez | Executive Producer | |
| Shannon Hale | Associate Producer | |
| Jared Hess | Associate Producer | |
| Larry Smith | Director of Photography | |
| James Merifield | Production Designer | |
| Nick Fenton | Editor | |
| Ilan Eshkeri | Composer | |
| Emmy The Great | Song Writer | |
| Annie Hardinge | Costume Designer | |
| Ian Neil | Music Supervisor | |
| Michelle Guish | Casting Director | |
| Courtney Bright | Additional Casting | |
| Nicole Daniels | Additional Casting | |
| Jack Ravenscroft | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
“AUSTENLAND” is a romantic comedy about 30 - something, single Jane Hayes, a seemingly normal young woman with a secret: her obsession with all things Jane Austen. But when she decides to spend her life savings on a trip to an English resort catering to Austen - crazed women, Jane’s fantasies of meeting the perfect Regency - era gentleman suddenly become more real than she ever could have imagined.
Metrics
| Opening Weekend: | $40,662 (1.9% of total gross) |
| Legs: | 6.51 (domestic box office/biggest weekend) |
| Domestic Share: | 96.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/274 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,144,571 |
Movie Details
| Domestic Releases: | August 16th, 2013 (Limited) by Sony Pictures Classics |
| International Releases: | November 21st, 2013 (Wide) (Italy)
November 28th, 2013 (Wide) (Australia) |
| Video Release: | February 11th, 2014 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some suggestive content and innuendo. (Rating bulletin 2268, 4/17/2013) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Breaking the Fourth Wall, Epilogue, Prologue |
| Film festival: | Sundance Film Festival 2013 |
| Plot point: | Addiction, Class Warfare, Cross-Class Romance, Makeover, Performing Arts, Relationships Gone Wrong, Romance, Surprise Twist |
| Social setting: | Holiday |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Historical Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stage 6 Films, Sony Pictures Classics |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2013 | 46 | $40,662 | 4 | $10,166 | $40,662 | 1 | |
| Aug 23, 2013 | 38 | $111,322 | +174% | 22 | $5,060 | $170,815 | 2 |
| Aug 30, 2013 | 41 | $190,776 | +71% | 52 | $3,669 | $420,143 | 3 |
| Sep 6, 2013 | 37 | $168,091 | -12% | 58 | $2,898 | $732,278 | 4 |
| Sep 13, 2013 | 26 | $328,185 | +95% | 274 | $1,198 | $1,135,621 | 5 |
| Sep 20, 2013 | 33 | $231,352 | -30% | 234 | $989 | $1,526,006 | 6 |
| Sep 27, 2013 | 40 | $95,890 | -59% | 107 | $896 | $1,732,524 | 7 |
| Oct 4, 2013 | 45 | $54,228 | -43% | 65 | $834 | $1,833,669 | 8 |
| Oct 11, 2013 | 49 | $41,950 | -23% | 52 | $807 | $1,901,116 | 9 |
| Oct 18, 2013 | 53 | $37,236 | -11% | 47 | $792 | $1,958,055 | 10 |
| Oct 25, 2013 | 45 | $33,710 | -9% | 43 | $784 | $2,010,924 | 11 |
| Nov 22, 2013 | 53 | $8,420 | 19 | $443 | $2,122,037 | 15 | |
| Nov 29, 2013 | 53 | $8,121 | -4% | 16 | $508 | $2,137,573 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2013 | 46 | $59,493 | 4 | $14,873 | $59,493 | 1 | |
| Aug 23, 2013 | 39 | $169,874 | +186% | 22 | $7,722 | $229,367 | 2 |
| Aug 30, 2013 | 38 | $334,820 | +97% | 52 | $6,439 | $564,187 | 3 |
| Sep 6, 2013 | 36 | $243,249 | -27% | 58 | $4,194 | $807,436 | 4 |
| Sep 13, 2013 | 25 | $487,218 | +100% | 274 | $1,778 | $1,294,654 | 5 |
| Sep 20, 2013 | 28 | $341,980 | -30% | 234 | $1,461 | $1,636,634 | 6 |
| Sep 27, 2013 | 38 | $142,807 | -58% | 107 | $1,335 | $1,779,441 | 7 |
| Oct 4, 2013 | 43 | $79,725 | -44% | 65 | $1,227 | $1,859,166 | 8 |
| Oct 11, 2013 | 50 | $61,653 | -23% | 52 | $1,186 | $1,920,819 | 9 |
| Nov 22, 2013 | 51 | $15,835 | 19 | $833 | $2,129,452 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/28/2013 | $10,852 | 2 | 2 | 6 | $41,274 | 12/13/2015 | |||
| Italy | 11/21/2013 | $34,559 | 40 | 40 | 40 | $34,559 | 12/13/2015 | |||
| International Total | $75,833 | 12/13/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keri Russell | Jane |
Supporting
| JJ Field | Henry Nobley | |
| Bret McKenzie | Martin | |
| Jennifer Coolidge | Miss Elizabeth Charming | |
| James Callis | Col. Andrews | |
| Jane Seymour | Mrs. Wattlesbrook | |
| Georgia King | Lady Amelia Heartwright | |
| Rupert Vansittart | Mr. Wattlesbrook | |
| Ricky Whittle | Captain George East | |
| Ayda Field | Molly |
Production and Technical Credits
| Jerusha Hess | Director | |
| Jerusha Hess | Screenwriter | |
| Shannon Hale | Screenwriter | |
| Shannon Hale | Story Creator | |
| Stephenie Meyer | Producer | |
| Gina Mingacci | Producer | |
| Meghan Hibbett | Producer | |
| Jane Hooks | Producer | |
| Dan Levinson | Executive Producer | |
| Robert Fernandez | Executive Producer | |
| Shannon Hale | Associate Producer | |
| Jared Hess | Associate Producer | |
| Larry Smith | Director of Photography | |
| James Merifield | Production Designer | |
| Nick Fenton | Editor | |
| Ilan Eshkeri | Composer | |
| Emmy The Great | Song Writer | |
| Annie Hardinge | Costume Designer | |
| Ian Neil | Music Supervisor | |
| Michelle Guish | Casting Director | |
| Courtney Bright | Additional Casting | |
| Nicole Daniels | Additional Casting | |
| Jack Ravenscroft | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.