The Autopsy of Jane Doe (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $6,152,973 | Details |
| Worldwide Box Office | $6,152,973 | |
| OpusData ID: 225890100 More info... | ||
| Further financial details... | ||
Synopsis
Experienced coroner Tommy Tilden and his grown-up son Austin run a family-owned morgue and crematorium in Virginia. When the local Sheriff brings in an emergency case—an unknown female corpse nicknamed ‘Jane Doe’, found in the basement of a home where a multiple homicide took place—it seems like just another open-and-shut case. But as the autopsy proceeds, these seasoned professionals are left reeling as each layer of their inspection brings frightening new revelations. Perfectly preserved on the outside, Jane Doe’s insides have been scarred, charred and dismembered—seemingly the victim of a horrific yet mysterious ritualistic torture. As Tommy and Austin begin to piece together these gruesome discoveries, an unnatural force takes hold of the crematorium. While a violent storm rages above ground, it seems the real horrors lie on the inside…
Metrics
Movie Details
| Domestic Releases: | December 21st, 2016 (Limited) by IFC Films |
| International Releases: | December 30th, 2016 (Wide) (Lithuania)
January 13th, 2017 (Wide) (Spain) January 13th, 2017 (Wide) (Poland) March 9th, 2017 (Wide), released as Autopsy (Italy) March 10th, 2017 (Wide), released as A Autópsia de Jane Doe (Portugal) ... Show all releases |
| Video Release: | May 2nd, 2017 by IFC Midnight |
| MPA Rating: | R for bloody horror violence, unsettling grisly images, graphic nudity, and language. (Rating bulletin 2450 (Cert #50774), 11/9/2016) |
| Running Time: | 87 minutes |
| Plot point: | Coroner, Father’s Footsteps, Revenge, Witches |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Supernatural |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Imposter Pictures, 42, IM Global, IFC Midnight, Favre Productions Ltd |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/21/2017 | $222,738 | 0 | 0 | 0 | $555,580 | 1/1/2019 | |||
| Brazil | 5/5/2017 | $437,997 | 0 | 0 | 0 | $810,674 | 6/26/2018 | |||
| France | 6/2/2017 | $502,642 | 0 | 0 | 0 | $1,280,407 | 6/27/2018 | |||
| Italy | 3/9/2017 | $267,870 | 0 | 0 | 0 | $480,581 | 3/22/2017 | |||
| Lithuania | 12/30/2016 | $9,565 | 25 | 25 | 54 | $36,203 | 2/2/2017 | |||
| Mexico | 4/21/2017 | $601,831 | 0 | 0 | 0 | $1,185,170 | 5/3/2017 | |||
| Poland | 1/13/2017 | $160,034 | 0 | 0 | 0 | $167,497 | 1/1/2019 | |||
| Portugal | 3/10/2017 | $24,597 | 15 | 15 | 33 | $48,802 | 3/30/2017 | |||
| Russia (CIS) | 3/24/2017 | $106,499 | 310 | 310 | 518 | $188,620 | 1/1/2019 | |||
| South Korea | 8/18/2017 | $1,771 | 0 | 110 | 176 | $158,045 | 4/4/2026 | |||
| Spain | 1/13/2017 | $17,858 | 68 | 68 | 73 | $29,618 | 1/27/2017 | |||
| Turkey | 4/14/2017 | $23,243 | 0 | 16 | 16 | $70,345 | 11/23/2018 | |||
| United Kingdom | 3/31/2017 | $15,895 | 62 | 62 | 63 | $16,071 | 4/19/2017 | |||
| Rest of World | $1,125,360 | |||||||||
| International Total | $6,152,973 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Emile Hirsch | Austin | |
| Brian Cox | Tommy | |
| Ophelia Lovibond | Emma | |
| Michael McElhatton | Sherriff Burke |
Leading
| Olwen Kelly | Jane Doe |
Supporting
| Jane Perry | Lieutenant Wade | |
| Parker Sawyers | Trooper Cole | |
| Mary Duddy | Irene Daniels | |
| Mark Phoenix | Louis Tannis | |
| Yves O’Hara | Deputy Ballard |
Production and Technical Credits
| André Øvredal | Director | |
| Ian Goldberg | Screenwriter | |
| Richard Naing | Screenwriter | |
| Fred Berger | Producer | |
| Eric Garcia | Producer | |
| Rory Aitken | Producer | |
| Ben Pugh | Producer | |
| Stuart Ford | Executive Producer | |
| Matt Jackson | Executive Producer | |
| Steve Squillante | Executive Producer | |
| Adam Cobb | Co-Executive Producer | |
| Tim Cole | Line Producer | |
| Roman Osin | Director of Photography | |
| Matthew Gant | Production Designer | |
| Patrick Larsgaard | Editor | |
| Peter Gvozdas | Editor | |
| Isabella Cruickshank | Make-up and Hair Designer | |
| Jemma Harwood | Make-up and Hair Designer | |
| Natalie Ward | Costume Designer | |
| Kristyan Mallett | Prosthetics Designer | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer | |
| Elaine Grainger | Casting Director | |
| Sebastian Barker | Visual Effects Supervisor | |
| Scott MacIntyre | Special Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Experienced coroner Tommy Tilden and his grown-up son Austin run a family-owned morgue and crematorium in Virginia. When the local Sheriff brings in an emergency case—an unknown female corpse nicknamed ‘Jane Doe’, found in the basement of a home where a multiple homicide took place—it seems like just another open-and-shut case. But as the autopsy proceeds, these seasoned professionals are left reeling as each layer of their inspection brings frightening new revelations. Perfectly preserved on the outside, Jane Doe’s insides have been scarred, charred and dismembered—seemingly the victim of a horrific yet mysterious ritualistic torture. As Tommy and Austin begin to piece together these gruesome discoveries, an unnatural force takes hold of the crematorium. While a violent storm rages above ground, it seems the real horrors lie on the inside…
Metrics
Movie Details
| Domestic Releases: | December 21st, 2016 (Limited) by IFC Films |
| International Releases: | December 30th, 2016 (Wide) (Lithuania)
January 13th, 2017 (Wide) (Spain) January 13th, 2017 (Wide) (Poland) March 9th, 2017 (Wide), released as Autopsy (Italy) March 10th, 2017 (Wide), released as A Autópsia de Jane Doe (Portugal) ... Show all releases |
| Video Release: | May 2nd, 2017 by IFC Midnight |
| MPA Rating: | R for bloody horror violence, unsettling grisly images, graphic nudity, and language. (Rating bulletin 2450 (Cert #50774), 11/9/2016) |
| Running Time: | 87 minutes |
| Plot point: | Coroner, Father’s Footsteps, Revenge, Witches |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Supernatural |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Imposter Pictures, 42, IM Global, IFC Midnight, Favre Productions Ltd |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/21/2017 | $222,738 | 0 | 0 | 0 | $555,580 | 1/1/2019 | |||
| Brazil | 5/5/2017 | $437,997 | 0 | 0 | 0 | $810,674 | 6/26/2018 | |||
| France | 6/2/2017 | $502,642 | 0 | 0 | 0 | $1,280,407 | 6/27/2018 | |||
| Italy | 3/9/2017 | $267,870 | 0 | 0 | 0 | $480,581 | 3/22/2017 | |||
| Lithuania | 12/30/2016 | $9,565 | 25 | 25 | 54 | $36,203 | 2/2/2017 | |||
| Mexico | 4/21/2017 | $601,831 | 0 | 0 | 0 | $1,185,170 | 5/3/2017 | |||
| Poland | 1/13/2017 | $160,034 | 0 | 0 | 0 | $167,497 | 1/1/2019 | |||
| Portugal | 3/10/2017 | $24,597 | 15 | 15 | 33 | $48,802 | 3/30/2017 | |||
| Russia (CIS) | 3/24/2017 | $106,499 | 310 | 310 | 518 | $188,620 | 1/1/2019 | |||
| South Korea | 8/18/2017 | $1,771 | 0 | 110 | 176 | $158,045 | 4/4/2026 | |||
| Spain | 1/13/2017 | $17,858 | 68 | 68 | 73 | $29,618 | 1/27/2017 | |||
| Turkey | 4/14/2017 | $23,243 | 0 | 16 | 16 | $70,345 | 11/23/2018 | |||
| United Kingdom | 3/31/2017 | $15,895 | 62 | 62 | 63 | $16,071 | 4/19/2017 | |||
| Rest of World | $1,125,360 | |||||||||
| International Total | $6,152,973 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Emile Hirsch | Austin | |
| Brian Cox | Tommy | |
| Ophelia Lovibond | Emma | |
| Michael McElhatton | Sherriff Burke |
Leading
| Olwen Kelly | Jane Doe |
Supporting
| Jane Perry | Lieutenant Wade | |
| Parker Sawyers | Trooper Cole | |
| Mary Duddy | Irene Daniels | |
| Mark Phoenix | Louis Tannis | |
| Yves O’Hara | Deputy Ballard |
Production and Technical Credits
| André Øvredal | Director | |
| Ian Goldberg | Screenwriter | |
| Richard Naing | Screenwriter | |
| Fred Berger | Producer | |
| Eric Garcia | Producer | |
| Rory Aitken | Producer | |
| Ben Pugh | Producer | |
| Stuart Ford | Executive Producer | |
| Matt Jackson | Executive Producer | |
| Steve Squillante | Executive Producer | |
| Adam Cobb | Co-Executive Producer | |
| Tim Cole | Line Producer | |
| Roman Osin | Director of Photography | |
| Matthew Gant | Production Designer | |
| Patrick Larsgaard | Editor | |
| Peter Gvozdas | Editor | |
| Isabella Cruickshank | Make-up and Hair Designer | |
| Jemma Harwood | Make-up and Hair Designer | |
| Natalie Ward | Costume Designer | |
| Kristyan Mallett | Prosthetics Designer | |
| Danny Bensi | Composer | |
| Saunder Jurriaans | Composer | |
| Elaine Grainger | Casting Director | |
| Sebastian Barker | Visual Effects Supervisor | |
| Scott MacIntyre | Special Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.