Autoreiji (2011)
| Theatrical Performance | ||
| Domestic Box Office | $44,745 | Details |
| International Box Office | $1,394 | Details |
| Worldwide Box Office | $46,139 | |
| OpusData ID: 136710100 More info... | ||
| Further financial details... | ||
Synopsis
Several subsidiary bosses gather at a lavish lunch with "Mr. Chairman," the head of the ruling Sanno-kai crime organization which controls the Greater Tokyo area. Sannokai underboss Kato warns Ikemoto about his overt dealings with family outsider Murase, an old-timer with whom he recently made a pact in prison. In an effort to ease Mr. Chairman's suspicions, Ikemoto asks fellow boss Otomo to do his dirty work for him by making a minor but obvious move against Murase. Otomo's actions are the start of a ruthless series of conflicts and betrayals. Before long, several yakuza clans are out for blood in their constant battle for power and money. The rival bosses fight to rise through the ranks by scheming and making short-lived allegiances. In this corrupt world where there are no heroes, it's Bad Guy vs. Bad Guy in a spiraling outrage of gang warfare...
Metrics
| Opening Weekend: | $6,518 (14.6% of total gross) |
| Legs: | 5.50 (domestic box office/biggest weekend) |
| Domestic Share: | 97.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $67,406 |
Movie Details
| Domestic Releases: | December 2nd, 2011 (Limited) by Magnolia Pictures, released as Outrage |
| International Releases: | October 26th, 2012 (Wide) (Spain) |
| MPA Rating: | R for strong brutal bloody violence throughout, language, a scene of sexuality and some nudity. (Rating bulletin 2174 (Cert #46912), 6/1/2011) |
| Running Time: | 109 minutes |
| Franchise: | Outrage |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Corrupt Cops, Gangs, Narcotics, Revenge |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bandai Visual, TV Tokyo, Omnibus Japan, Office Kitano |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2011 | 67 | $6,518 | 2 | $3,259 | $6,518 | 1 | |
| Dec 9, 2011 | 68 | $8,131 | +25% | 7 | $1,162 | $18,254 | 2 |
| Dec 16, 2011 | 74 | $3,082 | -62% | 7 | $440 | $26,159 | 3 |
| Dec 23, 2011 | 65 | $1,105 | -64% | 1 | $1,105 | $29,150 | 4 |
| Dec 30, 2011 | 79 | $923 | -16% | 1 | $923 | $30,440 | 5 |
| Jan 6, 2012 | 69 | $3,740 | +305% | 7 | $534 | $35,336 | 6 |
| Jan 13, 2012 | 81 | $1,777 | -52% | 5 | $355 | $39,631 | 7 |
| Jan 20, 2012 | 88 | $1,100 | -38% | 3 | $367 | $41,177 | 8 |
| Jan 27, 2012 | 74 | $2,892 | +163% | 2 | $1,446 | $44,416 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2011 | 66 | $10,123 | 2 | $5,062 | $10,123 | 1 | |
| Dec 9, 2011 | 64 | $12,954 | +28% | 7 | $1,851 | $23,077 | 2 |
| Dec 16, 2011 | 68 | $4,968 | -62% | 7 | $710 | $28,045 | 3 |
| Dec 23, 2011 | 76 | $1,472 | -70% | 1 | $1,472 | $1,472 | 4 |
| Dec 30, 2011 | 76 | $2,079 | +41% | 1 | $2,079 | $31,596 | 5 |
| Jan 6, 2012 | 67 | $6,258 | +201% | 7 | $894 | $37,854 | 6 |
| Jan 13, 2012 | 82 | $2,223 | -64% | 5 | $445 | $40,077 | 7 |
| Jan 20, 2012 | 88 | $1,447 | -35% | 3 | $482 | $41,524 | 8 |
| Jan 27, 2012 | 68 | $3,221 | +123% | 2 | $1,611 | $44,745 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 10/26/2012 | $1,394 | 4 | 4 | 4 | $1,394 | 12/12/2015 | |||
| International Total | $1,394 | 12/12/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Beat Takeshi* | Otomo | |
| Kippei Shina | Mizuno | |
| Ryo Kase | Ishihara | |
| Tomokazu Miura | Kato | |
| Jun Kunimura | Ikemoto | |
| Tetta Sugimoto | Ozawa | |
| Takashi Tsukamoto | IIzuka | |
| Hideo Nakano | Kimura | |
| Renji Ishibashi | Murase | |
| Fumiyo Kohinata | Detective Kataoka | |
| Soichiro Kitamura | Sekuichi aka Mr. Chairman |
Production and Technical Credits
| Takeshi Kitano | Screenwriter | |
| Takeshi Kitano | Editor | |
| Takeshi Kitano | Director | |
| Keiichi Suzuki | Composer | |
| Katsumi Yanagijima | Cinematographer | |
| Hitoshi Takaya | Lighting Design | |
| Norihiro Isoda | Production Designer | |
| Senji Horiuchi | Sound Designer | |
| Yoshimori Ota | Editor | |
| Hirofumi Inaba | Assistant Director | |
| Kazuko Kurosawa | Costume Designer | |
| Yuhji Yammamoto | Otomo Costume Design | |
| Tatsuo Ozeki | Set Decorator | |
| Masako Hosokawa | Make-Up Artist | |
| Kumiko Yoshida | Script Supervisor | |
| Kenji Shibasaki | Supervising Sound Effects | |
| Kenji Shibasaki | Supervising Sound Effects | |
| Takefumi Yoshikawa | Casting | |
| Yuya Satoyoshi | Production Manager | |
| Shinji Komiya | Line Producer | |
| Makoto Kakurai | Line Producer | |
| Katsuji Umezawa | Associate Producer | |
| Tadao Hanashi | Associate Producer | |
| Yoshinori Takeda | Associate Producer | |
| Masayuki Mori | Producer | |
| Takio Yoshida | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Several subsidiary bosses gather at a lavish lunch with "Mr. Chairman," the head of the ruling Sanno-kai crime organization which controls the Greater Tokyo area. Sannokai underboss Kato warns Ikemoto about his overt dealings with family outsider Murase, an old-timer with whom he recently made a pact in prison. In an effort to ease Mr. Chairman's suspicions, Ikemoto asks fellow boss Otomo to do his dirty work for him by making a minor but obvious move against Murase. Otomo's actions are the start of a ruthless series of conflicts and betrayals. Before long, several yakuza clans are out for blood in their constant battle for power and money. The rival bosses fight to rise through the ranks by scheming and making short-lived allegiances. In this corrupt world where there are no heroes, it's Bad Guy vs. Bad Guy in a spiraling outrage of gang warfare...
Metrics
| Opening Weekend: | $6,518 (14.6% of total gross) |
| Legs: | 5.50 (domestic box office/biggest weekend) |
| Domestic Share: | 97.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $67,406 |
Movie Details
| Domestic Releases: | December 2nd, 2011 (Limited) by Magnolia Pictures, released as Outrage |
| International Releases: | October 26th, 2012 (Wide) (Spain) |
| MPA Rating: | R for strong brutal bloody violence throughout, language, a scene of sexuality and some nudity. (Rating bulletin 2174 (Cert #46912), 6/1/2011) |
| Running Time: | 109 minutes |
| Franchise: | Outrage |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Corrupt Cops, Gangs, Narcotics, Revenge |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bandai Visual, TV Tokyo, Omnibus Japan, Office Kitano |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2011 | 67 | $6,518 | 2 | $3,259 | $6,518 | 1 | |
| Dec 9, 2011 | 68 | $8,131 | +25% | 7 | $1,162 | $18,254 | 2 |
| Dec 16, 2011 | 74 | $3,082 | -62% | 7 | $440 | $26,159 | 3 |
| Dec 23, 2011 | 65 | $1,105 | -64% | 1 | $1,105 | $29,150 | 4 |
| Dec 30, 2011 | 79 | $923 | -16% | 1 | $923 | $30,440 | 5 |
| Jan 6, 2012 | 69 | $3,740 | +305% | 7 | $534 | $35,336 | 6 |
| Jan 13, 2012 | 81 | $1,777 | -52% | 5 | $355 | $39,631 | 7 |
| Jan 20, 2012 | 88 | $1,100 | -38% | 3 | $367 | $41,177 | 8 |
| Jan 27, 2012 | 74 | $2,892 | +163% | 2 | $1,446 | $44,416 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2011 | 66 | $10,123 | 2 | $5,062 | $10,123 | 1 | |
| Dec 9, 2011 | 64 | $12,954 | +28% | 7 | $1,851 | $23,077 | 2 |
| Dec 16, 2011 | 68 | $4,968 | -62% | 7 | $710 | $28,045 | 3 |
| Dec 23, 2011 | 76 | $1,472 | -70% | 1 | $1,472 | $1,472 | 4 |
| Dec 30, 2011 | 76 | $2,079 | +41% | 1 | $2,079 | $31,596 | 5 |
| Jan 6, 2012 | 67 | $6,258 | +201% | 7 | $894 | $37,854 | 6 |
| Jan 13, 2012 | 82 | $2,223 | -64% | 5 | $445 | $40,077 | 7 |
| Jan 20, 2012 | 88 | $1,447 | -35% | 3 | $482 | $41,524 | 8 |
| Jan 27, 2012 | 68 | $3,221 | +123% | 2 | $1,611 | $44,745 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 10/26/2012 | $1,394 | 4 | 4 | 4 | $1,394 | 12/12/2015 | |||
| International Total | $1,394 | 12/12/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Beat Takeshi* | Otomo | |
| Kippei Shina | Mizuno | |
| Ryo Kase | Ishihara | |
| Tomokazu Miura | Kato | |
| Jun Kunimura | Ikemoto | |
| Tetta Sugimoto | Ozawa | |
| Takashi Tsukamoto | IIzuka | |
| Hideo Nakano | Kimura | |
| Renji Ishibashi | Murase | |
| Fumiyo Kohinata | Detective Kataoka | |
| Soichiro Kitamura | Sekuichi aka Mr. Chairman |
Production and Technical Credits
| Takeshi Kitano | Screenwriter | |
| Takeshi Kitano | Editor | |
| Takeshi Kitano | Director | |
| Keiichi Suzuki | Composer | |
| Katsumi Yanagijima | Cinematographer | |
| Hitoshi Takaya | Lighting Design | |
| Norihiro Isoda | Production Designer | |
| Senji Horiuchi | Sound Designer | |
| Yoshimori Ota | Editor | |
| Hirofumi Inaba | Assistant Director | |
| Kazuko Kurosawa | Costume Designer | |
| Yuhji Yammamoto | Otomo Costume Design | |
| Tatsuo Ozeki | Set Decorator | |
| Masako Hosokawa | Make-Up Artist | |
| Kumiko Yoshida | Script Supervisor | |
| Kenji Shibasaki | Supervising Sound Effects | |
| Kenji Shibasaki | Supervising Sound Effects | |
| Takefumi Yoshikawa | Casting | |
| Yuya Satoyoshi | Production Manager | |
| Shinji Komiya | Line Producer | |
| Makoto Kakurai | Line Producer | |
| Katsuji Umezawa | Associate Producer | |
| Tadao Hanashi | Associate Producer | |
| Yoshinori Takeda | Associate Producer | |
| Masayuki Mori | Producer | |
| Takio Yoshida | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.